In a world overrun with monsters, only Bloodshot can end Hell on Earth in Bloodshot #9! What does the gripping conclusion of “Burned” mean for the future of Bloodshot?
The strength of Tim Seeley‘s Bloodshot run has often been the sense of urgency of the story, and the speed in which things happen, which when brought to life by an all-star cast of artistic talent has often had the effect of throwing you into a John Wick film. The series has been relentless. A breath of excitement borne from the action movie pace of the comic; when it’s good, it’s very good. The three-part The Burned arc has taken the action-packed formula to heart and has added in some subtle elements like Godzilla sized monsters.
Oddly, despite the grand theatrics on display, Bloodshot #9 falls flatter than previous entries in the series. There’s a lack of cohesiveness to the comic that’s most evident when it tries to pull of the grand reveal/finale only to leave you wondering what happened.
Without explicitly spoiling the comic I can’t get into specifics, so skip this paragraph if you want to go in blind. Bloodshot, his nanites and Eidolon have concocted a plan to spread his consciousness over two bodies with one being active at once to allow him to move from one place to another in a breath. While I appreciate the originality of the idea, for me it felt like it was used more as a device to cut the length of the story out of necessity rather than as an exploration of what the character is capable of (with assistance from others), and because of the lack of foreshadowing the moment came off as a deus ex machina rather than a planned story beat.
Of course, the above is purely my own feelings on the comic (much like the review as a whole, honestly), and your mileage may vary.
Whether it’s the COVID related gap between the last few issues or the abrupt ending to the current arc, Seeley has a lot to contend with as he pulls plot threads from previous issues into the finale to tie them off faster than one would expect, making this comic a harder entry point for new readers than previous issues.
Seeley is joined by artists Marc Laming and Jason Masters, inker Adelso Corona, colorist Andrew Dalhouse, and letterer Dave Sharpe. All of whom combine for an aesthetic that appeals enormously to me. The style gives me a sense of nostalgia for the comic art I read growing up; it’s dynamic, clean and yet full of life and vibrancy, though the lustre may be wearing a little thin given that there seemed to be a little less flow to what was on the page in some scenes – not every one, but some of the more chaotic fight scenes with the giant monsters were a little harder to follow than fight scenes in earlier comics in the series. Whether this is due to the size of the combatants relative to each other making it harder to choreograph the battle, or the two artists working on the comic not fully jiving together, could be up for debate if the rest of the comic did have the same issues with artistic flow that are apparent in the giant monster scenes.
Bloodshot #9 aside, reading an issue of Seeley’s Bloodshot has always been a great reminder of the excitement I used to have reading comics, and while this issue doesn’t have the same nostalgic magic that previous issues have had, it is still one that’s worth reading if you’re following the series. But it won’t be the best place to start reading the series.
Story: Tim Seeley Art: Marc Laming
Ink: Adelso Corona Color: Andrew Dalhouse Letterer: Dave Sharpe
Story: 7.0 Art: 8.7 Overall: 8.1 Recommendation: Read
Valiant provided Graphic Policy with a FREE copy for review.