Category Archives: Reviews

Review: All-New All-Different Avengers #1

image4Well we’ve been given The New Avengers and the Uncanny Avengers, both titles falling far short of my expectations. And no relaunch would be complete without a main Avengers team book being introduced. When this title was announced, I was most excited to see Thor, Captain America and Iron Man, the big 3, together on this team…but the exciting part was that this is a new Thor and Captain America, both new to their mantles. I was also interested in this line up, a team composed mostly of heroes picking up well established mantles; a bold move for being THE Avengers book…and for the most part, it pays off.

We open to a fairly typical super hero moment with Captain America saving a family from a traffic accident on a bridge. What wasn’t typical about this moment, was us getting a glimpse at this new Marvel Universe we’re seeing post Secret Wars (even though Secret Wars is still going on…yeah I know..) in that the public aren’t just cheering for the heroes, but now taking a step back and looking at them…deciding whether or not to accept these heroes; as one bystander states “that’s not my Captain America”. It really sets the tone for this team and how different is from past assemblages.

What follows is pretty standard stuff…big bad guy appears, swearing vengeance against the planet and its heroes (*yawn* Marvel really needs to lay off the Chitauri for a while) , though this baddie seems to have found an ally who we don’t get much information on.  Big bangs follow, and a few members of what will make up the team arrive on the scene to face the threat, but of course, this shows to be a threat that will require more assistance.

I really did like the characters and the interactions that Mark Waid has given us for this first issue.  He clearly gives me the characters I remember, shows that he knows them; but also shows us that things are not all status quo in this ‘new’ world.  The only downside is that there isn’t much for them to do, just a slow-moving set up.  Adam Kubert’s art was very good in this book; it was engaging and gave us some very nice spreads, but my favourite parts were the details and expressions on the characters; you really felt in the moment with these guys.

Overall, I enjoyed this book. True, it follows a familiar formula for a team book, but after some of the other books I’ve reviewed, this was very welcome. Not exactly All-New, All-Different, but I really enjoyed the characters and how they interacted, and I am very excited to see how the rest of this team comes together.  I definitely feel that this is the Avengers book to keep an eye on.

Story: Mark Waid Art: Adam Kubert
Story: 7 Art: 8.5 Overall: 7.75 Recommendation: Read

Review: All-New Wolverine #1

All New Wolverine cover 2I miss James Logan Howlett.

Wolverine was my first love in Marvel Comics. I was about ten years old when I first met him, in a random X-Men issue that I’d won playing skee ball at Six Flags. Like Wolvie, I was short and introverted. I was also way stronger than I looked. I figure skated and rode horses – two sports that involve falling down a lot, and hard – but never broke a bone. The X-Men of the late ’80s and early ’90s offered me plenty of powerful women to identify with, but none of them were more like me than Wolverine was.

I thought I’d always have him around. His healing factor made him immortal, after all. Until the Marvel gods took away that healing factor, and then killed him off in a drawn-out arc that, despite generating a giant pile of issues in a short time, felt like an insufficient swan song for my hero.

This past week, a new comic with his name on it has hit the stands. “All New!” it cheers. It seems really proud to have replaced Logan with his female clone, Laura Kinney. Throughout the first issue, it reminds us insistently that Laura is just like Logan, only younger and a girl. Just like you imagined yourself when you were a kid, it whispers.

Only not, because Laura is Logan with the rough edges sanded off. In a vision while her brain heals from a gunshot to the head, she chats with a conjured memory of Logan, and he says admiringly, “Everything they did to you. Everything they took from you. And you’re still not as mean as me.” But Logan’s gruffness, his anger, were part of his appeal. He channeled those negative emotions into heroism. As often as he reminded us that he was the clean-up guy of the Marvel universe, the one who took the dirty jobs no one else would touch, Logan’s ability to rise above his resentment and vengefulness to fight for good made him one of the purest Marvel heroes.

Laura doesn’t have to work as hard to justify her moral choices, and she’s not as ruthless as the man she was cloned from. Logan always had to walk away from the women he loved because his duties came first, but Laura has a nice boyfriend – a surprisingly game and cheerful Warren Worthington, a.k.a. Angel – who appears content to serve as her sidekick. All of these characteristics make her a pretty cool hero, one I’m looking forward to reading about, but I’m not sure they make her Wolverine.All New Wolverine art 2

The premiere issue itself is fun, if flawed. A lot of Tom Taylor‘s dialogue is irritatingly on-the-nose; in addition to the overly earnest Logan moment quoted above, a masked villain spouts boilerplate threats like, “You will never stop us. You will never hurt us.” That villain turns out to be another Wolverine clone, and she sets off a promising plot arc: Laura makes it her mission to find and protect all of the clones. It sounds more like a premise for a TV series or an indie long-runner than a Marvel title, and that’s not a bad thing.

Thomas is more in his element when writing Laura and Warren’s affectionate banter. Trading witticisms with him as he swoops in to whisk her away from danger, Laura comes into her own. She’s inherited Logan’s dry humor but feels more comfortable around others than he ever did. In the issue’s loveliest moment, Laura tells Warren that he can’t hold her because her broken ribs are healing. Longing to touch her and unsure of what to do, he pats her head. It’s a sweet and original gesture, and I’m willing to ship them now. I’m cautious, however, of a writer who can only seem to bring out his female protagonist’s personality by reflecting it off a love interest.

David Lopez and David Navarrot‘s art sticks mostly to the house style but does so well. The visuals aren’t flashy or memorable, but they show motion beautifully. Lopez and Navarrot also do a commendable job of keeping Laura’s anatomy plausible, and of depicting her as a pretty girl without leering at her body. In the dream sequence with Logan, they’re meticulous about showing the similarities between the two Wolverines’ appearances. One pair of side-by-side panels compares the crinkle of their brows, and one page later, a funny dialogue-free rectangle shows them staring defiantly at each other with perfectly matched jawlines. They don’t maintain the visual similarity to Logan as strongly elsewhere in the issue, which is too bad.

There’s a lot to like about All-New Wolverine, and it promises an exciting and coherent ongoing story. Laura is not yet as sharply drawn or as iconic as her predecessor, though. I’d love for the current generation of geeky ten-year-old spitfires to see themselves in her the way I saw myself in Logan. But Laura – and the writer and artists creating her – are not as certain of her identity as Logan always was of his own, and that makes her a hard character to latch onto.

Story: Tom Taylor Art: David Lopez and David Navarrot
Story: 7 Art: 8 Overall: 7.5 Recommendation: Read

TV Review: The Walking Dead S6E6 Always Accountable

walking-dead-5 photoAfter being attacked by a new group and separated, Sasha and Abraham must search for an injured Daryl who may be in trouble.

The Walking Dead takes us through two journeys during the Wolve’s attack on Alexandria, Daryl and Abraham & Sasha. The episode is a fascinating one in that it really focuses on these three characters.

First, it kicks off with lots of action and someone shooting at them. Is it the Wolves? Is it someone other group?

Daryl’s journey has him come across three individuals who are on the run from a group… we assume it’s the Wolves, but they never quite say. Instead we see burned out remnants of the area and what’s clearly reprisal. The three survivors think Daryl is part of the group that’s pursuing them. The way Daryl interacts with them, and how he deals with them is fascinating shedding lots of light onto his character. The end with the survivors is particularly of note as it sees Daryl taking on his new role, and learning as he goes.

Then there’s Abraham and Sasha who wind up in a small town where they decide to wait for Daryl. There, small conversations just shed a lot of light on where the two are in their lives…. and their relationship is explored.

This is another episode which shows that this series isn’t about the dead shambling about, it’s about the people. And in this hour, we’ve learned so much more about those that inhabit this new world.

Overall rating: 8.75

Review: Drones TPB

Drones_TPB-cvrGeorge Orwell’s 1984, often warned readers of all-pervading regime surveillance and how the issue of privacy is really an illusion. What many people who have not read the novel do not know, is where we get the often used “Big Brother” reference from, and it is from this epic novel, which refers to the government as such. The novel also talked about the very idea of free speech, how institutions persecute individuality by arresting those who thought outside of the box of “thought crimes”, something which has been seen in V for Vendetta and Minority Report. It is truly terrifying to think that such a novel would not only leave an impression on readers about a dystopian future but in how many ways, most of it became true.

Drones have become part of that government surveillance in so many ways, not only to track individuals, but to also carry out attacks, on multiple targets. Drones have also been used to make movies and even retail giants Like Amazon, are now looking at the possibility of using them for home delivery. The uses of drones have become a source of controversy, as there have been congressional hearings on the use of them and news reports of various accidents. It would not be long before, the use of drones, were for other purposes.

This is what Chris Lewis and Bruno Oliveira’s Drones, seek to question, as the solicitation for the book describes it as :

Join pilots Stinger and Angel Eyes for a wild night in Las Vegas’ finest terrorism-themed hotel…..this book is a satirical look at a world in which terror and entertainment have begun to blur.

Within the first few pages , we are introduced Stinger and Angel Eyes, who come off rather unlikeable, as the players in their individual lives, seem to not care much for either of them, as they go to the world’s first terrorism themed hotel, something which is underscored throughout the book many times. There are many things throughout the book that reminds of Jurassic Park, as the hotel has a theme park fashion to it tall, combined with everything, that Sin City is known for. By book’s end, these characters grow on you; the ones from Kandahar and the ones in Las Vegas, as the comedy styling is what really shines through in this book.

Overall, a funny book, which takes this serious subject matter, and, gives it a proper independent look, free of political loyalties. The story by Chris Lewis, gives the reader a 24 look without all the “save the world” complexities that Jack Bauer would bring to this situation, and more of what Archer would. The art by Bruno Oliveira, is truly magnificent, in every way, as his illustrations remind me of Bill Plympton. Altogether, a funny look into just how much news has become part of our entertainment.

Story: Chris Lewis Art: Bruno Oliveira
Story: 9 Art: 9 Overall: 9 Recommendation: Buy

IDW Publishing provided Graphic Policy with a FREE copy for review

Mini Reviews For The Week Ending 11/15/15

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for. These are Graphic Policy’s Mini Reviews.


Alex

All-New_Wolverine_1_Cover

All-New Wolverine #1* – Was a pleasant surprise for me. I wasn’t that interested in X23 as a character before, so this comic was never that high on my radar (unlike the Old Man Logan series that’s due to hit in a couple months). Elana convinced me to pick this up, and I’m glad she did. This first issue is one of the best of the All New All Different offerings from Marvel that I’ve read in the last month or two, and it’s a damn good Wolverine story, too that has just the right combination of action and inner conflict. Overall: 8.5 Recommendation: Buy.

Batman #46* – If you’ve been reading this series, there’s no reason for you not to pick this up. Not my favourite issue by this creative team, but still better than most other Batman books out there. Overall: 8 Recommendation: Read

Heroes: Vengence #2 – I really wanted to like this series as much as I did the Heroes Reborn TV show. Not quite there yet, but it’s getting closer. It may be worth waiting for the trade, but there’s some interesting back ground here for fans of the show. Overall: 7 Recommendation: Read

 

Brett

Abe Sapien #28 – Abe is still figuring out his role in the world as he continues his cross country trip. The series has been interesting in that its provided a way for us to see more of the country and the hellish landscape. Each series arc is much stronger than the individual issues, and this one begins a new one that could be interesting. Overall Rating: 7.25 Recommendation: Read

All-New Wolverine #1 *- A ho-hum start that glosses over X-23’s abusive and killer past. She should not be this chill. Plus the ending reminded me WAY too much of Orphan Black. Overall Rating: 7 Recommendation: Read

Birthright #11 – Sword and sorcery fun in the “real” world. Joshua Williamson has been putting together an entertaining series backed up with solid art. Plus a solid twist in this issue where we learn more about the Nevermind. Overall Rating: 8.23 Recommendation: Read

Letter 44 #21 – Ryan Kelly steps in on art in this special issue that looks at how the Clarke astronauts were recruited. It’s an amazing comic that intelligently adds so much depth to each character. Overall Rating: 9 Recommendation: Buy

Oxymoron: The Loveliest Nightmare #3 – Oh what a messed up comic (and series in general). This is the Joker with no limits, and the body count and sadism is proof. Overall Rating: 7.8 Recommendation: Read

SouthernBastards_12-1_263_405Rebels #8 – Two standalone stories in this issue. One focuses on a woman who runs a print shop in occupied Boston and the other is about a freed slave who fights on the British side. While touching upon history, the comic isn’t actual history. But, each issue makes me want to find out more. And the art is solid as usual. Overall Rating: 8 Recommendation: Read

Southern Bastards #12 – Continues to be one of the best comics on the market. Jason Latour writes this one which… well it’s best to just read it. However, it’s amazing how much he made me actually feel sorry for someone who almost beats to death a kid. Overall Rating: 9 Recommendation: Buy

The Walking Dead #148** – The series continues to build, and looks like it’ll explode soon. That ending is amazing.  Overall Rating: 8.5 Recommendation: Buy

Zodiac Starforce #3 – The series is fun, but feels a bit like 80s cartoons in that it’s not too deep. I think this issue is where I see that the most. It’s still fun, but some of the dialogue is a little stilted, much like 80s cartoons. A fun series and read. Overall Rating: 7.5 Recommendation: Read

 

Elana

zodiax3All-New Wolverine #1*  is the best Wolverine comic in a generation. It’s version of Laura is one of the most richly written female heroes around. But it also serves as a Wolverine comic in the classic sense. She IS Wolverine. She is wrestling with a lot of the same issues Logan always has yet she is handling them from the perspective of a young woman. I truly appreciate her wearing the classic Wolverine costume and realistic street clothes which suit her personality rather then being out of character cheesecake as is often the case. I think its a must for both fans of Wolverine and fans of complex female leads. Overall: 9 Recommendation: Buy!

Zodiac Starforce # 2 & 3 – Charming and inventive all ages comic with a kick-ass diverse and distinctive cast. Your sure to have a favorite to identify with (and that almost never happens to me). Feels a bit like a technicolor Buffy for kids. The stakes feel pretty high. And of course we’re cheering for Lily and Savannah’s adorable romance. Overall an 8 especially for kids.

 

Mr. H

Batman and Robin Eternal #6* – Ok now we are talking! Best issue since the first. Maybe it’s the addition of Tony Daniel’s art being back but this issue stood out. The parallel between Bruce’s fear over Mother engineering orphans into what she wants and what he could be doing with young Dick Grayson’s future was powerful. Finally we have a potential Bat villain with long reaching scope. I also enjoyed our current Bruce Wayne at peace. To me this was one of the single best Bat books I’ve read this year. Score: 9 Recomendation: Buy

Secret Wars #7* – So finally things are starting to unravel for God Doom. This issue had a lot of action, it just didn’t grab me that much. Great visuals by Essad Ribic. What a talent he is. Reed Richards’ contingency plan was intriguing but I want more. However seeing T’Challa with an Infinity Gauntlet was way cool. Looking forward to The Thing cutting lose next issue. Score: 7.5 Recommendation: Read

 

Paul

Squadron Sinister #4* – Nighthawk finally makes his move to take over Utopolis and to do that, he needs to take out Hyperion. The action was so so and Nighthawk wins…just in time for the Thors to arrive and arrest him for his actions against Battleworld. He is tried by God Doom, and Warrior Woman is responsible for the final nail in his coffin. Nighthawk is sentenced to life beyond the shield. A group of Starbrands attempt to liberate Utopolis, but the citizens rebel, saying they had it better under the rule of Hyperion. Yawn..nothing exciting and a less then stellar conclusion. Overall: 5 Recommendation: Read, but only if you’ve followed the series.


Well, there you have it, folks. The reviews we didn’t quite get a chance to write.

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Review: Adam.3 #3

adam.3 #3Continuing the best work of his career, Scott Kolins (Flash, Avengers, Solomon Grundy) shows the terrifying cost of evil as Adam battles monsters who were once his closest friends in Adam.3 #3! How many will suffer as S.E.E.D.S. Part 3: Epidemic threatens to destroy all life on the island paradise?

The strange dark, alien, creature/plague comes back with a devastating grip on the land and its animal inhabitants.  Somewhere in that infested land, is Adam’s son Beo. This issue introduces the mother of Beo for the first time. However it doesn’t reveal much about her, outside of her being from another land. Hopefully they reveal more about her as the series continues.

There is a nice balance of colors in this issue. However since this is broken down in a chapter style, it actually manages to brighten the world at first. Before Adam plunges into the infected land, in search of his son. The infected land is much darker, and drastically less vibrant than the uninfected world.

Story: Scott Kolins Art: Scott Kolins
Story: 8.25 Art: 9.5 Overall: 8.75 Recommendation: Buy

Dark Horse provided Graphic Policy with a FREE copy for review

Review: Airboy #4

Airboy04_CoverAirboy is a strange beast. It’s a comic about the creators writing the comic you’re reading, in what is, at times, some truly inspired comic book writing. The use of colour in the comic is also fantastic, and the series was on the verge of being one of the most recommended comics at Graphic Policy, until about midway through the second issue.

To say that Airboy had a bit of controversy behind it would be an understatement. You can read more about that here, with James Robinson‘s seemingly heartfelt response here.  Elana summed up the events surrounding the second issue of Airboy better than I could a few months ago with her article here

I’m not going to bring it all up again, except to say that Robinson’s apology read as heartfelt and sincere to me. He appeared as a man who was genuinely sorry for his portrayal of transgender women in the second issue, and admitted that in his depiction of himself in the worse possible light he inadvertently caused harm to others.

I decided to read the remainder of the series, because the above offensive portrayal aside, the first two issues were an amazingly crafted piece of meta fiction, and I was interested in seeing how Robinson would close out the series.

With James Robinson’s reputation of being the guy who brings Golden Age heroes into the modern times, Airboy has shone a light on the writers creative process with James Robinson writing both himself and artist Greg Hinkle into the comic in some utterly unflattering depictions of both men. Robinson’s self destructive behaviour depicted in the comic may not be entirely autobiographical, but it is reflective of a darker time in the writers life before he sobered up, and even as the series has progressed you get a sense of the man’s open confession that this period of his life wasn’t exactly a highlight.

The final two issues of Airboy, focus less on the debauched night the two fictionalized versions of Robinson and Hinkle, and more on their sheer cowardice concerning their new found participation in the Second World War. The fourth issue has a very self deprecating sense of humour to it that, at times, is wonderfully dry. 

Greg Hinkle’s art work throughout the series has been brilliant, capturing the expressions of the fictional versions of himself and Robinson spectacularly well. I also really enjoyed the use of colour to highlight the difference between the real world and the world of Airboy. Utilizing a grey scale colour scheme for the real world elements of the comic for much of the series, seeing the fictional world  of Airboy in vibrant colours is fantastic.

Airboy is a comic about James Robinson hitting rock bottom, both professionally and personally, just as much as it is about the character of Airboy himself. If you’re not reading the series because of the contents of issue #2, I’m not going to try and dissuade you from your decision. What I will say, however, is don’t judge Robinson’s future work on an acknowledged mistake.

Writer: James Robinson Artist: Greg Hinkle
Story: 8 Art: 9 Overall: 8.5 Recommendation: Good question

Image Comics provided Graphic Policy with a FREE copy for review

Review: The Steam Man #1

The Steam Man #1The Old West, but not as we know it. Giant steam-powered robots are created to take down invading Martians and armies of killer albino apes in an all-out brawl. The Steam Man, a giant metal man operated by a team of monster hunters, seems to have the town protected and the West under control, until a crazed and powerful vampire comes to town to bring forth the apocalypse!

The Steam Man #1 is an interesting crossover between horror, and steam-punk, with a slight dash of revenge added into the mix. While it may not be steam-punk in the traditional sense, since it lacks airships (from what has been seen so far,) it defiantly has that vibe. Reminds me a little bit of War of the Worlds, if it was re-imagined for a graphic novel presentation but set into a different year.

The artwork may not have the extreme realism of Alex Ross, but it is well done to fit with the world. While the world may not be colorful, the use of only using a few shades of various colors actually works extremely well. In contrast some of the scenes depicted have a great mix of color, and tones to create a believable atmosphere. That gives this a nice balance to it.

Story: Joe R. Lansdale Art: Piotr Kowalski
Story: 8.5 Art: 8.0 Overall: 8.5 Recommendation: Buy

Dark Horse Comics provided Graphic Policy with a FREE copy for review

Review: Hel’s Labyrinth #1

11923239_1203273269686497_5591325602052851474_n_1024x1024Hel is trying to gain the power to bring Ragnarok, but will our heroes be able to stop her? Follow us as we take you to a world that is unlike our own, a place where there is no return, and you have to fight to survive!

Hel’s Labyrinth #1 follows a girl, Phoebe, who is attending the circus when over the intercom she hears that seven lucky winners have received a silver ticket and get to attend an exclusive event in one of the tents. Phoebe doesn’t have a ticket, but someone next to her does and gives it to her, not wanting to bother with going all the way across the circus.

Meanwhile, Hel, the ruler of the underworld, is preparing to bring Ragnarok to the land, and destroy the universe as we know it. She orders Baldr, once the god of light and purity but now corrupted by a trick and her slave, to call upon the seven sacrifices so that they may face the labyrinth and die in order for Ragnarok to begin.

Will Hel succeed? Or will Phoebe be able to stop the end of time as we know it?

While there is some mystery in the story, revealing what the endgame is sloppy story telling. However, they don’t reveal how it happens, or why Hel feels it is time for Ragnarok. Of course given the name Hel, comes from the Norse Goddess of the dead, I imagine it has something to do with that.

The art style is surprisingly colorful for the possibly intended story. It is hard to tell if the colorfulness will continue, as the story intensifies. However the contrast brings an odd sense of balance, to the world. I’m curious to see where they decide to take things from here.

Story: Dani Hoots Art: Ari Raska
Story: 6.5 Art: 8 Overall: 7.25 Recommendation: Buy (but wait for a bound collection)

Antik Comics provided Graphic Policy with a FREE copy for review

Review: Slash & Burn #1

SlashBurnCover_56452f76802c45.69987972Another day, another hot date. Firefighter Rosheen Hayes takes her relationships with conflagration seriously, whether it’s the trigger-happy burn victim with his sights on her partner or a chance encounter igniting memories of arson at the orphanage. But is she the super-sleuth fire-whisperer or twisted firestarter?

Reading the first issue by Si Spencer I had the idea in the back in my mind that Rosheen might not just be a firefighter, but also a firestarter. That’s spoiled (doesn’t hurt the story) in the description about the series, and also towards the end, but it doesn’t matter knowing or not knowing that going in. The comic is written that well that it works even knowing the comic’s “twist.”

Slash & Burn #1 is poetic in a way in how it’s written by Spencer. The way he has Rosheen talk about the fire and what she does is fascinating in how it’s depicted. I can’t think of what to compare it to, or how to describe it other than poetic, but it’s just a great read.

To warn folks, there’s not a ton action wise that happens in this comic. It’s very much a character driven story, and reminds me most of something you might see on AMC. It’s not about the action, it’s about the characters, and so far each is unique and interesting.

Spencer is helped by Ande Parks and Max Dunbar on the art who together feel very much like a Vertigo comic. That’s not a bad thing at all, but with a lot of their releases there’s often a unifying look at times, almost like a “house style” for the art. Even within that, Dunbar and Parks have each character unique in their look and style.

I have to give a special shout out to artist Tula Lotay whose cover (up to the left) is one of the most eye catching of the ones I’ve seen this week.

This first issue really caught me off guard in a good way. The comic is really interesting due to the characters and the art. It’s something that I got to the end of, and immediately wanted to read more. It’s just a good comic that focuses on characters, not flash, and excels because of that.

Story: Si Spencer Art: Ande Parks, Max Dunbar Cover: Tula Lotay
Story: 8.65 Art: 8.15 Overall: 8.55 Recommendation: Buy

Vertigo provided Graphic Policy with a FREE copy for review

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