Category Archives: Reviews

Review: Titans Hunt #2

Titans Hunt #2“The Secret History of the Teen Titans” continues! Dick Grayson is hot on the trail of a young Atlantean named Garth—but what he doesn’t realize is that something is hunting him! Plus, Roy Harper encounters a mysterious woman named Lilith—and this run-in will leave him questioning his own past!

If you read the Teen Titans before the New 52, there’s a good chance you’re probably enjoying Titans Hunt more than me. Other than a few issues here and there, the Teen Titans weren’t a comic I was regularly reading and not one I’ve gone back to catch up on. And having finished reading Titans Hunt #2, I feel like writer Dan Abnett is really mining whats come before, relying a lot on nostalgia to get readers excited. That’s not a bad thing, as not all comics are for all people.

The story, from what I can figure out, involves a post New 52 Dick Grayson gathering Teen Titans from a previous Earth who are now scattered on the current Earth post Convergence. At least, I think that’s what’s going on, I’m not quite sure. I know the characters we’re being shown at one point were members of the Teen Titans, but without that connection to the previous team, their coming together doesn’t feel all that special to me, the idea doesn’t excite me.

The art by Paulo Siqueira is decent. There’s some issues here and there, but the comic feels very much like a “house style.” Nothing really jumps out and excites me, but it does the job of telling Abnett’s tale.

I’m pretty sure the fact I haven’t previously read Teen Titans is why I’m not super excited about the comic. And I wonder how long time fans might feel differently. That lack of excitement though is getting me to want the story to get going and hopefully give us some excitement, because right now there’s just not much making me want to continue reading.

Story: Dan Abnett Art: Paulo Siqueira
Story: 5 Art: 6.8 Overall: 5.4 Recommendation: Pass

DC Comics provided Graphic Policy with a FREE copy for review

Review: Ms. Marvel #1

Ms_Marvel_1_CoverThe internationally-beloved, butt-kicking, smack-talking, most adorable super hero makes her triumphant return. Look out world, Kamala Khan is back and officially an Avenger! Yup, the dream to end all dreams has happened for Kamala. She’s toe to toe with the best of the best, but will being one of Earth’s mightiest heros be everything she imagined? Is being a celebrity hero as wonderful as Kamala has hoped? Plus: WHO IS THAT WITH BRUNO??

The Kamala Korps will probably be excited to see that Ms. Marvel Kamala Khan is back in Ms. Marvel #1. Writer G. Willow Wilson continues Kamala’s adventures, and dives right in to her higher profile status now that she’s an Avenger.

By the time I got to the end of the first issue, I was a bit torn about the comic. There was a lot I liked, in fact a bunch I loved, but some of what made the early issues of the first volume was missing. To me, what makes Kamala special is her total package, a Muslim teenager, living in Jersey, and she has superpowers. All of that together feels new and special. This first issue feels like its missing part of that, making her just a female teenage Spider-Man in Jersey. All of what makes her special wasn’t present and new readers picking up this issue will probably enjoy it, but not get why the comic really stands out from the pack, especially since teenage girls with special powers is in vogue right now.

The comic also focuses on Bruno, a lot. Out of the 28 issues, about 9 is dedicated to Bruno and, well, I don’t want to spoil it. The way the comic focuses on Bruno is interesting and gets Wilson from doing so well worn tropes about a girl or guy pining over someone.

What really stood out to me, and is the most intriguing part of the comic is Ms. Marvel/Kamala dealing with gentrification. A couple of comics have recently taken on the topic, but here we have it also mixed in with controlling one’s image. To me, that alone has me interested enough to come back for the next issue. The rest is just icing on the cake.

What really stands out to me is the humorous tone of the comic, which is drawn with style and flare by Takeshi Miyazawa and Adrian Alphona. Wilson’s writing could easily have been a stereotypical romantic story, but the visuals peppered throughout the comic are hilarious breaking up the moments that could otherwise feel serious. This isn’t quite putting small fun details in the background, it’s all pretty in-your-face, but it’s all really funny.

Ms. Marvel #1 is a solid start, but it doesn’t quite have that same thing that got me to praise the previous volume’s first issue as one of the best comics of that year and one of the most important of the decade. The series feels like its fallen back into a comic featuring teenagers and one is a superhero, something we’ve seen a few other times.

Story: G. Willow Wilson Art: Takeshi Miyazawa, Adrian Alphona
Story: Art: Overall: Recommendation:

Review: Star-Lord #1

Star-Lord_1_CoverAfter that tragic day his mother was taken from him but before his spacefaring adventures, Peter was…an astronaut?! Or at least, he wanted to be. His mission: get revenge for the death of his mother! But as NASA’s biggest burn-out, it looked like the once and future Star-Lord would remain eternally grounded on Earth. But with a burning desire for vengeance and expert knowledge of spaceships – nothing will stop him from reaching the stars.

“Star-Lord: Year One” is a more proper title for this series which looks at the early years of Marvel’s scoundrel of the spaceways. The character has a new status in the present time, but this series doesn’t explore that, but examines how he got to space and where he is today. That’s an interesting choice in many ways, as it takes on previous history of the character, and forges new ground too for the Marvel Universe. Not an easy thing to do.

Writer Sam Humphries gives us a fun first issue that may appeal more towards kids that are fans of the Guardians of the Galaxy film, than adults. I say that, because this is a younger Peter Quill, not yet Star-Lord. The comic reminds me a lot of Cyclops #1 which saw a younger version of the character head into space to spend time with his father and find himself. This comic looks to share many of those same themes.

The art by Javier Garron is energetic and matches the youthful vibe of the comic. Garron does some great chase scenes and there’s this explosion of energy in the comic that’s captured. I wish there was a little more variant in the characters we see. There’s three or four different heads switched around with different hair or skin color, and the body types are similar. So, as the comic moves in to space with aliens, things will get interesting as far as that.

The comic is fun. There’s not much to knock it for. It presents Peter as a bit of a hothead stereotype, and also an earlier time in the Marvel U. The action is solid with a nice chase scene. The comic is entertaining that kicks things off. Hopefully it’ll be able to sustain that youthful energy, as it’s one of the best things about it.

Story: Sam Humphries Art: Javier Garron
Story: 7.7 Art: 7.8 Overall: 7.7 Recommendation: Read

Review: Huck #1

HuckIn a quiet seaside town, Huck uses his special gifts to do a good deed each day. His neighbors return the favors by keeping his abilities a secret. But when a newcomer alerts the media, a firestorm erupts, sending Huck on an adventure that will change everything.

Could writer Mark Millar be turning over a new leaf? With Huck #1, the writer continues his positive vibe that he began with his last comic series Starlight. In interviews the prolific writer has stated he thinks the state of comic movies is a bit too dark, and we need something a bit lighter at times. That thought process might explain the tone of this first issue, as well as the previously mentioned Starlight. It’s a break from what we’ve seen from the writer, and it’s actually really good. In fact, I want to see more of these two series.

I wasn’t quite sure what to expect from this comic, but the first issue is very positive, and that’s great as its something we need more of to move beyond the dark and gritty characters and comics that have dominated for so long. At first, I wasn’t quite sure when the series took place, but Millar smartly uses some current events to help guide us as far as that, and also set up the type of hero we’re dealing with.

Millar is helped by Rafael Albuquerque whose art is some of the best in the comic industry. His name alone will get me to check out a comic, and here he delivers with his usual style that fits really well to this superhero story which puts a small town twist to it all.

It’s clear the two creators have something to say and I wish we got more in this first issue. My only complaint is that it was a rather quick read. I want to see more of what Millar has to say, and Albuquerque’s fantastic art. I went in not knowing what to expect, and came out the other end of the first issue blown away and wanting more. In many ways Huck is an anachronism, and that’s not a bad thing at all. Some times that’s completely refreshing.

Story: Mark Millar Art: Rafael Albuquerque
Story: 8.4 Art: 8.8 Overall: 8.5 Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for review

TV Review: iZombie S2E7 Abra Cadaver

normal_izombietv_s01promo_001-1~0Liv consumes the brains of a death-obsessed illusionist who was murdered in cold blood during a magician’s convention in Seattle. Meanwhile, Blaine gives Liv some interesting news; and Major continues to distance himself from Liv.

iZombie continues its fun plot that’s worked well for it mixing in a mystery to solve with Liv eating brains and then some movement in the overall plot about zombies.

The episode though plays with that a bit mixing in some moments that are really solid and I wish there were more of. There’s scenes with the group discussing Liv that are great, and then there’s Ravi and his dating.

All of that is really solid and some of the ways they go back and forth is really funny. It really stood out because we don’t see that enough. Those moments really broke up what we see a lot on the show, and we don’t get enough of these scenes. So, more please!

Overall, the episode involves a murder of a magician, and while there’s some tricks and Liv doing some things, there’s actually not enough. I wish there were more magic tricks or Liv doing a lot more with her personality which isn’t quite as pronounced in this episode.

There was some good. Some bad. Not the best episode, but still very entertaining.

Overall Rating: 7.8

TV Review: Marvel’s Agents of S.H.I.E.L.D. S3E8 Many Heads, One Tale

Agents_of_SHIELD_logoDangerous facts about the ATCU are discovered by the team; Ward’s plans to take down S.H.I.E.L.D. do not go as expected.

Marvel’s Agents of S.H.I.E.L.D. puts a lot of its cards on the table as dots are connected and we learn the truth about ATCU and Hydra.

Thankfully Agents of S.H.I.E.L.D. is forging its own path away from the comics a bit tying in Hydra, S.H.I.E.L.D., ATCU, and even the Inhumans in a story that takes a little from the comics, but a lot is new. It’s all pretty solid in that aspect, and actually had some exciting original ideas in this episode.

It’d be nice to see the series get past Hydra, and you have to wonder about the vetting process in many ways, but the series is keeping the fight against Ward, and it feels like they’re really building towards something with him.

The episode is a solid one in a season that’s been very uneven. In a way, it gets back to basics, and in doing so finds its footing. Hopefully, we get more of this in the future.

Overall Score: 7.6

TV Review: The Flash S2E7 Gorilla Warfare

The Flash Season 2Barry races to rescue Caitlyn when Grodd kidnaps her; Cisco plans a date with the new barista at Jitters; Patty thinks Barry is hiding something.

Tonight sees the return of Grodd to The Flash. While you might thing the idea of a talking gorilla seems silly, the show does a great job making it not seem completely ludicrous.

But, the team has some issues to deal with, namely Barry not being able to walk. We learned last season he heals quicker than normal, so it’s obvious that he’ll be fine after some time, but is he mentally there. This episode really sets up the doubt which is a nice twists since Barry has been so full of confidence, generally, about himself and his powers. Seeing doubt hit him adds a bit of depth, and sets up a rematch against Zoom.

It’s a team effort to defeat Grodd and it’s a solid battle and lots of fun to see them do it. There’s also a great reference of what they do with Grodd at the end. Comic fans will really appreciate it all.

The episode is a decent one. Not the best out there, but it sets up a lot including a (predictable) plot of Barry doubting his powers, but also teasing Hawkgirl’s debut.

Through all the action, The Flash continues to be a fun and positive television series that shows you can do a mix of action and brightness as well as weaving one hell of a world.

Overall Rating: 8.1

Review: Hero Hourly #1

Hero Hourly coverI’m willing to bet that you’ve worked a job just for the paycheck, whether it be flipping burgers or asking if you’ve tried turning it on and off again. Sometimes those jobs are taken when we’re young and just starting out in the work force, but sometimes we take them because there is nothing else available; and so we find ourselves fighting through minimum wage and battling stupid corporate policies just to put food on the table. Welcome to Hero Hourly, where you get paid $9.75 an hour to save the world, and your job still sucks.

But while their job may suck just as much as yours, the comic sure doesn’t.

Written by James Patrick (Batman, Green Arrow), Hero Hourly is a unique take on the whole concept of superheroing. Rather than fighting the good fight because it’s the right thing to do, these men and women do it because there’s a paycheck involved at the end of the day (although maybe not a very good one), and there are some fairly decent benefits. That probably sounds familiar to a lot of us, minus the yellow spandex, that is. With Hero Hourly James Patrick has delivered the opening salvo in a three issue mini series that manages to be both relevant to today’s economic problems, and yet timeless in it’s approach to the back drop of the tale; most of us have had jobs where we counted down to the weekend. On top of that, though, indeed even because of it, this is a funny comic. Maybe because the story has struck so closely to periods in my life, but I absolutely love this series.

Issue #1 follows Saul as his life takes a series of turns from a promising career to getting punched in the face in a mask, before experiencing the all too mundane side of the superhero business. Watching him suffer through work place politics, unemployment and misery is fantastic; it’s not exactly a good trait to watch somebody suffer, but when it’s as funny as Hero Hourly #1, how can you not enjoy it? Carlos Trigo (2000AD) does some really great work here that compliments the dialogue between characters like milk does cookies (especially the scenes depicting Saul‘s first day on the job – oh man). Hero Hourly is a breath of fresh air, and as the first offering from 21 Pulp that I’ve read, it really excites me for what else this promising new company has up their sleeve (and Graphic Policy have an interview with James Patrick where he gives a little away about what’s coming down the pipeline).

Hero Hourly #1 is part one of a three part miniseries published by James Patrick‘s new publishing company 21 Pulp, that is absolutely worth your time and money.

Story: James Patrick Art: Carlos Trigo Colours: Alex Sollazzo
Story: 9.5 Art: 9 Overall: 9.5 Recommendation: Buy

21 Pulp provided Graphic Policy with a FREE copy for review

Review: The Paybacks #3

The Paybacks #2 1Indebted superheroes keep turning up dead before the Paybacks can collect. What’s worse, Night Knight suspects there’s a traitor in their midst. In perilous circumstances like these, our heroes do the only sensible thing . . . they split up! Hey, these assets ain’t gonna repossess themselves!

The Paybacks is a superhero story for the generation of people inundated by  debt. And although the size of debt that the heroes facing repossession will make your student debt look like a mole hill next to a mountain. When the men and women that owe such sums are powerful heroes and so the repo team that gets sent to collect means business. This is a fantastic concept that serves as the backdrop to a legitimately funny series.

Last issue proved that the Paybacks is more than just a one hit wonder, and the series still shows no sign of slowing down.

As brilliant as the idea of superhero debt is, if the story that is set against it falls flat then you’re left with a poorly executed great idea. Thankfully the writing team of Donny Cates and Eliot Rahal continue to effortlessly provide a genuinely entertaining and at times darkly funny superhero comic. Make no mistake that The Paybacks aren’t a group brought together to fight for a common good while simultaneously becoming like an extended family, no, instead The Paybacks are a team that have been forced to work together to pay off their debt. Whether they like each other is entirely incidental, and that’s something that  Donny Cates and Eliot Rahal take care to remind us of.

This issue continues the same sense of madhouse fun and chaotic mayhem from the debut issue of The Paybacks, and it is as enjoyable here as it was in the last two issues. The comics’ art work by artist Geoff Shaw and colourist Lauren Affe is yet again, solid. One of the highlights for me this issue was during a flashback sequence the colouring had echoes of the dot-colouring that is so evocative of older comics four colour printing methods. It’s a nice touch, and one that I thought was clever.  The Paybacks #3 continues the precedent set last issue of delivering a well written, extremely enjoyable comic book that is still one of the most effortlessly funny comics on my pull list.

This is a series that you don’t want to miss out on; The Paybacks is a blast of fresh air in a genre that frequently takes itself too seriously. Whether you ask your Local Comic Shop to hold a copy of this comic for you the next time you visit, or add it to your pull list on ComiXology, this is a series that you should be paying attention to.

Story: Donny Cates and Eliot Rahal Art: Geoff Shaw Colours: Lauren Affe 
Story: 9 Art: 9 Overall: 9 Recommendation: Buy

Dark Horse provided Graphic Policy a FREE copy for review.

Review: André The Giant: Closer To Heaven

LionForge-Andre_COVIf you’re of a certain age, or have even a passing familiarity with professional wrestling, then you will probably have heard about André René Roussimoff, known to many as André The GiantMy first introduction to André came, as with many others, through the world of professional wrestling. I remember to this day the first time I saw him throw grown men around the squared circle as if they were children, and it was awesome (note, that I’m not encouraging you to throw children about). André was a larger than life figure, a man known largely because of his size, and this biography takes a deeper look at this legendary man.

Brandon Easton tells the biographical tale of André in a somber voice that genuinely feels as if it is being told by the man himself. Touching and graceful, André The Giant: Closer To Heaven is a fantastic example of using the graphic novel format to tell a biographical story, and with André being a professional wrestler (a business that can often feel like a living comic book), I honestly don’t know whether a full text book would be as impactful as the graphic novel format is. The art from Denis Medri is fantastic here; from the line work, to the muted colouring,  to the very layouts of the panels on the pages, the art is simple yet evocative. The emotions conveyed through Andre’s body language and facial expressions are incredible. The letterer, Adrian Martinez, does something spectacular with the way in which the narrative text is framed within and around the art without using the traditional text boxes for André’s introspective first person narrative. Although it is a purely visual effect, it is just wonderful.

The pages feel organic, and with everything coming together so effortlessly, the graphic novel is a very pleasurable read that I devoured in two sittings.

André The Giant’s story is one that mirrors professional wrestling; as his star rose, so did the profile of the professional wrestling business, but although wrestling was a massive part of André’s life, this is a book that tends to focus more on the man rather than the wrestler. That’s not to say that André The Giant: Closer To Heaven glosses over any of André’s wrestling achievements, indeed with that being such a big part of his life that would lessen the impact of this book, instead the biography allows the reader to get a closer look at a side of the larger than life that few ever saw.

There should be no surprises in how this book ends, but it’s absolutely a journey worth taking. André The Giant: Closer To Heaven was compiled with help from André’s daughter, Robin Christensen-Roussimoff, and there is a touching inclusion from her in the pages of the book.

This is a beautiful story about a man who touched the lives of millions, and gives us a glimpse into the life a great man. As a glimpse into the life behind the legend, you don’t need to be a wrestling fan to appreciate this book. As a graphic novel, this is a superb story that’s heartfelt and touching; as a biography it is a fantastic look at a legendary professional wrestler and a beloved actor. I love absolutely everything about this book, from Denis Medri’s art to the words Brandon Easton uses, and the way in which Adrian Martinez has carefully incorporated the text into the art guiding your eye gently to the next area.

This is just a brilliant book from cover to cover, and if you have even a passing interest in André “The Giant” Roussimoff then you owe it to yourself to buy this book.

Story: Brandon Easton Illustrator: Denis Medri Letterer Adrian Martinez
Story: 10 Art: 9.75 Overall: 10 Recommendation: Buy

Lion Forge provided Graphic Policy with a FREE copy for review.

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