Author Archives: Brett

Nebula Awards Expands into Comics and Ignores Everyone Involved But Writers

The Nebula Awards has announced the nominations for the 61st annual event which honors the best sci-fi and fantasy writing. This year’s awards expanded with “Best Poem” and “Best Comic” with the latter causing some issues.

The awards are organized by the Science Fiction and Fantasy Writers Association and in their announcement, they only listed the “writers” and publishers in the “Best Comic” category.

The announcement was met with negativity with numerous individuals pointing out the “writing” of comics is far more than the script and can be a team that involves pencillers, colorists, letterers, editors, and more, all of whom work together to tell the story.

In their announcement the organization states:

Like the Ray Bradbury Nebula Award for Outstanding Dramatic Presentation and the Nebula Award for Best Game Writing, these new awards celebrate the writers at the heart of productions that also involve editors, artists, publishers, producers, and a wealth of other team members who make the magic happen.

Some pointed out the award is for “Best Comic” which would indicate the entire comic, not just the script. The organization did engage with individuals, though the response was more “speak up for next year’s awards” and that further promotion would include all of those involved in the comic.

Congratulations to our Nebula Finalists for the FIRST EVER Nebula Award for Best Comic!#SFWA #Nebulas #61stNebulaAwards 🥳

Science Fiction and Fantasy Writers Association (@sfwa.org) 2026-03-16T00:10:53.965Z

The finalists for Best Comic as listed by the SWFA are:

  • Second Shift, by Kit Anderson (Avery Hill)
  • Carmilla Volume 3: The Eternal, by Amy Chu (Berger Books)
  • Helen of Wyndhorn, by Tom King (Dark Horse)
  • Fishflies, by Jeff Lemire (Image)
  • Mary Shelley’s School for Monsters: The Killing Stone, by Jessica Maison (Wicked Tree)
  • Strange Bedfellows, by Ariel Slamet Ries (HarperAlley)
  • The Flip Side, by Jason Walz (Rocky Pond)
  • The Stoneshore Register, by G. Willow Wilson (Berger)

The Nebula Award winners will be announced the first week of June. 

Boom Entertainment Renews their Request for their Consignment Stock with some New Revelations

In February, the motion to extend time to “assume or reject executory contracts related to consigned goods” was denied by the court in regards to Diamond‘s chapter 11/chapter 7 process. This concerned the ongoing question regarding contracts between (old) Diamond and publishers handling consigned goods. Who “owns” those goods is a contentious issue with publishers wanting their product back while Diamond, and now their Trustee, want to be able to sell the consigned goods to pay back creditors.

The denial of the motion by the Trustee has caused a chain of rejections. Because the contracts were not assumed or rejected by the deadline, publishers have pounced citing law that saws the contracts default to rejected. You can read about that here and here. Because the contracts are rejected, there’s laid out steps in the contracts as to what happens to consigned goods, primarily the publishers can get them back for the cost of shipping.

Boom Entertainment has filed a motion today to renew their call that they get their consigned goods back.

Like the other filings, Boom Entertainment’s goes over the agreement as far as Diamond and their role when it comes to consigned goods. But, there’s some previously raised issues as well as new ones.

Here’s the highlights:

1) Diamond has not adequately secure the stock as evidenced by the fact that Sparkle Pop, LLC (“Sparkle Pop”) sold it after the Debtor sold its other assets to Sparkle Pop (which expressly excluded the Stock) and then did not remit the proceeds,
2) …the Debtor’s failure to comply with virtually any of its obligations under the Distribution Agreements while nevertheless holding the Stock hostage in the Mississippi warehouse controlled by a third party is causing significant loss and waste, because much of the stock loses value over time.
3) Notably, the Debtor filed the Consignment Litigation only with regard to stock provided by Boom, the Consignors, and another group of consignors constituting approximately thirteen (13) other publishers. For the vast majority of other publishers that own stock sitting at the Debtor’s warehouse, the Debtor failed to commence adversary proceedings and apparently does not seek any finding that Secured Lender’s lien attached to that stock. It is unknown what the Trustee proposes to do with the stock that is not subject to the Consignment Litigation.

Here’s where Boom’s motion gets interesting and stands out from others:

1) Boom’s distribution agreement was terminated prior to the Petition Date
2) Boom has growing concerns that its Stock is being stored unsecurely. Section 3 (c) of the Distribution Agreements require that, “Buyer will warehouse Products on consignment in a clean, dry, secure, and fire protected facility.” Section 8(c) further provides, “[Diamond] shall maintain all insurance with respect thereto in amounts sufficient to fully cover all of [Consignor’s] Products stored there.” (this is a concern raised by others – Brett)
3) However, according to statements made by the Trustee at the hearing held before this Court on February 26, 2026, the Debtors’ insurance coverage on the Stock has lapsed, in breach of the requirements under the Distribution Agreements.
4) The Debtor’s estate is also not current on stock fees and warehouse storage fees owed to Sparkle Pop. The Consignors believe that Sparkle Pop has not been paid since approximately November 2025, and thus Boom is stuck in limbo with their Stock held hostage at a warehouse that the estate no longer owns, rents, or is current with respect to ongoing rent obligations.
5) Given that the Transition Services Agreement between Sparkle Pop and the Debtor is also now rejected, it is apparent that the estate is not storing the Stock and has no means to store it any longer.

The filing brings up again that Drawn & Quarterly purchased graphic novels by Fantagraphics which was fulfilled by Sparkle Pop in violation of a court order. They also state that Living the Line has at least 800 copies of a single title are not accounted for in any inventory report provided by Sparkle Pop.

This is concerning as the consignors in this case have been given no access to, or oversight of, their Stock for several month. The continued fulfillment of orders, without the ability to verify proper control, safeguarding, and accounting of stock is extremely prejudicial to Boom’s interests and the preservation of its value.

What’s really new is that Boom states they terminated their Distribution Agreement with Diamond in December 2024, prior to their chapter 11 filing (petition date). Boom was purchased by Penguin Random House in July 2024 and PRH is a distributor themselves.

Boom has also been exposed to potential claims related to their Stock still held in the Olive Branch Warehouse. Boom ran a Kickstarter3 campaign that in addition to the new content it was developing, the purchase tiers included add-ons that purchasers could buy in order to further support the Kickstarter efforts. These add-ons consisted of a number of pieces of Boom’s existing content held by Diamond.

Now, with Boom’s Stock still being held hostage in 2026, they have not been able to ship these add-ons purchased by Kickstarter supporters, leading to a number of disgruntled customers and exposing Boom to legal claims for failing to deliver the products sold through Kickstarter.

It’s yet another recent filing making a pretty strong case to have the consignment stock returned and question Diamond and Sparkle Pop’s inventory management practices.

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D’Orc #2 keeps it fun with more off-the-rails fantasy adventure and some great art

D’Orc is avoiding every wizard and warrior because some DOOMSDAY prophecy says he will destroy the world. Can he change their minds? Probably not. D’Orc, his magic shield, and Ghost-chicken-with-its-head-cutoff are too busy facing a bigger challenge, KIDS!?! They’re time thieves. Oh, and there’s a Time Lord. That guy sucks.

Story: Brett Bean
Art: Brett Bean
Color: Jean-Francois Beaulieu
Letterer: Nate Piekos

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Kindle


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Tigress Island #1 brings a 70s exploitation vibe but overall doesn’t quite nail the concept

A group of down-on-their-luck actresses are kidnapped to an island prison run by a sadistic female warden. Working together is their only chance of escape, but trust issues abound! Action-adventure inspired by exploitation films. Ridiculously fun. Seriously sexy.

Created by: Patrick Kindlon, EPHK
Story: Patrick Kindlon
Art: EPHK
Color: EPHK

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Diamond Chapter 7 Trustee Claims No Undisclosed Agreements with Creditors after Goodman Games raises questions

Double Secret Chapter 7 Arrangements

The Diamond Chapter 11/Chapter 7 process has been one filled with drama and it feels like you never know where it might go next. In late February, tabletop game publisher Goodman Games raised a question if there was an arrangements between the Trustee and secured creditors (most likely JPMorgan Chase Bank).

The Trustee, Morgan W. Fisher, manages the Chapter 7 process going through remaining assets, liquidating, and attempting to get the most value to pay back creditors.

In their filing Goodman Games wrote:

Goodman Games understands that there may be an arrangement between the Trustee and one or more secured creditors concerning the payment of the Trustee’s fees and expenses, whether in the form of a carve-out from collateral, a sharing of recoveries, or another similar agreement.

To the extent such arrangement exists, Goodman Games respectfully submits that it should be fully disclosed so that the Court and all creditors are aware of the nature and terms of the agreement.

Goodman Games has requested this information from the Applicant. As of the filing of this Response, the Application does not describe any such arrangement.

Goodman Games therefore respectfully requests that, to the extent any such agreement or understanding exists concerning the funding or payment of the Trustee’s professionals’ fees, the Trustee and/or Applicant provide appropriate disclosure so that the Court and parties in interest are fully informed in connection with consideration of the Application.

The bankruptcy court took the request seriously enough asking for a memorandum addressing the matter of “undisclosed arrangements with creditors for the payment of the Trustees fees and expenses.”

That memorandum has now been submitted by Fisher and states:

There are no (and were no) undisclosed arrangements with any creditors. This fact was made clear to counsel for Goodman Games prior to her filing of the Response. Attached as Exhibit A is a copy of that colloquy. In no uncertain terms, proposed counsel for the Trustee stated that “The agreement to share recoveries was approved during the chapter 11 case…” and that no agreement or use of cash collateral was “needed for payment of professional fees of our firm.” Ex.

The memorandum goes on to state that what is likely being referred to and questioned is the “Shared DIP Collateral” in the Final DIP Order. The DIP is “debtor in possession” and involves loan agreements and paying things back.

The memorandum further states:

That agreement between the chapter 11 debtors-in-possession and the DIP Lender granted the DIP Lender a first-priority, blanket lien on all assets of the Debtors, including all property of the estate and “expressly including… all … Avoidance Actions, commercial tort claims, other estate causes of action …” [Docket No. 163 at ¶ 13(b)]; provided, however, that the Lenders agreed to “share with the Debtors’ estates 50% of the net proceeds recovered from the Shared DIP Collateral until the DIP Obligations have been paid in full …” Id. “Shared DIP Collateral” is, in turn, defined in the Final DIP Order as just “the Avoidance Actions and commercial tort claims,” Id. at ¶ 11(a), and not other estate causes of action.

This, and only this, is the agreement for shared recoveries Mr. Dillworth was alluding to in his email and why he implored counsel for Goodman Games to “[r]e-read what I stated below with respect to our fees,” i.e., that no agreement or use of cash collateral was “needed for payment of professional fees of our firm.” Ex. A. Simply put, there was no undisclosed arrangement with creditors for the payment of the Trustees fees and expenses. If such an agreement had been reached with the DIP Lender (or any other party in interest) on that front, then it would have been brought to the Court for approval in compliance with the Bankruptcy Code and Bankruptcy Rules.

Where things get intriguing is Goodman Games raised the concern during what seemed like a simple filing for the Trustee to employ Stearns, Weaver, Miller, Weissler, Alhadeff & Sitterson, P.A. as bankruptcy counsel to the Trustee. That decision was delayed by the court while the concern of dealings was addressed. On March 15, Fisher submitted a new motion to defer the ruling to employ that counsel.

Since the filing of the Stearns Weaver Application, circumstances have arisen that have caused Stearns Weaver to seek to withdraw as proposed bankruptcy counsel to the Trustee.

They are being engaged in finding a replacement. It is unknown what the “circumstances” are that caused the withdrawal.

You can read the memorandum and exhibit A, and other filings below:

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Fantagraphics’ Releases Caught Up in Strait of Hormuz Missile Strike

Fantagraphics

A ship carrying graphic novels from Fantagraphics was struck by an Iranian missile around the Strait of Hormuz. The attack came during the escalating war between Israel, the United States, and Iran. The Strait of Hormuz is a major shipping channel. There have been multiple ships attacked which have resulted in the death of crew members. The loss of graphic novels is nothing compared to the loss of life and incalculable amount of damage already due to the war.

It’s unknown if any crew members were injured or killed in this particular attack but the ship did make it to port after the attack. Fantagraphics editor Mike Catron in a Facebook post broke the news.

Two graphic novels were impacted, The Atlas Comics Library No. 9: Adventures Into Weird Worlds Vol. 1 by Russ Heath, Bernard Krigstein, Bill Everett, Joe Maneely, Carmine Infantino, et al. and Bitchy! The Exasperating Existence of Midge McCracken by Roberta Gregory and Helen Chazan. Both were printed in India and bound for the Port of New York. It’s unknown if other graphic novels and releases were also part of the shipment.

Both of the books were scheduled to go on sale in early June and it’s unknown if any of the cargo on the ship, including the books, have been damaged, or if the cargo can even be offloaded onto another ship and get safely out of the area. It is believed that the ship was making a stop to drop off cargo before making its way to further destinations.

Hoppers Holds First Place at the Weekend Box Office as Two Debut in the Top Five

Hoppers

Hoppers was first place in the weekend box office with an estimated $28.5 million domestically. Over the week, it grossed $35.9 million to bring its international gross to $77.9 million. Worldwide, the film has grossed $164.7 million. While the gross feels low for a Disney animated film, it’s possible this is one that has long legs and goes for a while, especially as kids will be out of school for spring break.

Reminders of Him debuted in second place with $18.3 million domestically. It also grossed just under $10 million internationally for a worldwide gross of $28.2 million.

Undertone debuted in third place with a domestic estimated gross of $9.3 million. There’s no international gross reported.

Scream 7 slipped to fourth place with an estimated $8.4 million after being in second the previous week. The film has grossed $106.5 million domestically. Over the week, it grossed $14.3 million internationally to bring that to $70.4 million. Worldwide, the movie has grossed $176.9 million. The movie has passed 1997’s Scream 2 to become the top grossing film in the franchise, guaranteeing we’ll see more of Ghost Face. Will it be the first to cross $200 million?

GOAT wrapped up the top five slipping one spot and grossing an estimated $4.7 million to bring its domestic gross to $90.6 million. Internationally, the movie grossed $9.7 million over the week to bring that to $72.2 million. Worldwide, the movie has grossed $162.8 million.

In comic related movies…

Teenage Mutant Ninja Turtles II: The Secret of the Ooze returned for a re-release and grossed $1.5 million to come in eighth.

Kiki’s Delivery Service was not far behind it to come in ninth with a re-release and $1.1 million.

Demon Slayer: Kimetsu no Yaiba- The Movie – Infinity Castle added $335,000 to its domestic gross. That’s now $136.6 million. Internationally, the movie added about $5.2 million and is now at $604.2 million. Its worldwide gross is $734.8 million.

All You Need Is Kill remained gained about $200 over the week and is at $695,290 domestically and internationally has jumped up to $46,128 for a worldwide gross of $741,418.

Jujutsu Kaisen: Execution remained at $16.6 million domestically. Internationally, it also sits at $27.9 million for a worldwide gross of $44.5 million.

Chainsaw Man – The Movie: Reze Arc remained at $43.4 million domestically. Internationally, the movie has grossed $119.6 million. Worldwide, the movie has grossed $163.1 million.

Numbers have 73 movies grossing $84,184,797 from 37,026 theaters for an average of $2,273.67. That is compared to last week’s 71 movies grossing $95,862,120 from 34,292 theaters for an average of $2,795.47.

Comic Writer Ronda Rousey Surprises on AEW Revolution

Rousey vs Carano

Was there a point when reality didn’t feel like a conspiracy theory from Charlie on It’s Always Sunny in Philadelphia? Ronda Rousey made a surprise appearance on All Elite Wrestling‘s Revolution seemingly starting a beef with Toni Storm. Rousey was with WWE from 2014 to 2017 and had recently said she was retired from wrestling. It’s unknown how much Rousey will appear with AEW but she has teamed with Marina Shafir who lost to Storm tonight.

Why do we care about professional wrestling? Strap in because this is where things get weird… but it does involve comics and Paramount’s takeover of Warner Bros… You can listen to the general mess and insanity that is that corporate acquisition.

In a match that feels like it came out of nowhere, Ronda Rousey will take on Gina Carano in a mixed martial arts fight. If you want a really intelligent take on the upcoming fight and what it means for Paramount, UFC, and Netflix, check out our friends at MMA Draw for a more detailed analysis. But, we’re taking it on from a completely different angle, it’s a comic writer taking on a former Star Wars and Deadpool actor!

Rousey and Carano are both experienced and well respected MMA fighters, both pioneers in women’s professional MMA. Rousey has a record of 12 wins and 2 losses and Carano has 7 wins and 1 loss.

In 2024 it was announced that Ronda Rousey was teaming with publisher AWA to publish her debut graphic novel Expecting the Unexpected with artist Mike Deodato, Jr. The release promoted it as:

…the graphic novel draws on Rousey’s incredible career in the ring and pairs it with Deodato’s martial arts background to create the most accurate and action-packed fight scenes in comics!

The graphic novel was originally crowdfunded raising $80,417 on Kickstarter from 966 backers. It eventually was released in October 2025 to comic shops and bookstores. AWA was initially funded by James Murdoch’s Lupa Systems and Elisabeth Murdoch’s SISTER media investment firm contributed funding a few years later. Yes, it’s those Murdochs, as in some of Fox’s Rupert Murdoch’s kids. Remember, Fox was purchased by Disney in 2017. We wouldn’t normally bring that up, but the meta pissing match between rich people in his MMA fight makes the dot connections all the weirder.

Gina Carano dipped her toes into the world of acting with a star making turn in Steven Soderbergh’s Haywire in 2011 after also being in Blood and Bone in 2009 and Command & Conquer: Red Alert 3 in 2008. She joined the Fast & Furious crew in 2013 but really entered our orbit with her role as Angel Dust in Deadpool (at that time it was a Fox property, later purchased by Disney) and then Cara Dune in The Mandalorian (Star Wars is owned by Disney). Carano was eventually fired by Disney in 2021 for right-wing statements she made on social media leading to a lawsuit that was eventually settled. In the settlement announcement, Carano thanks Elon Musk for footing the legal bill.

Rousey vs. Carano will take place on May 16 and air on Netflix. Paramount is the winning bidder for Warner Bros. Doscovery after Netflix refused to match their increase for the company. Paramount will be purchasing DC Comics in their acquisition of Warner Bros. DC regularly does crossover promotion with AEW as Warner Bros. owns a stake in AEW and is the parent company of DC. Paramount is tied into a business deal for streaming rights with the UFC and leaning heavily into that promotion. The UFC is buddy/buddy with the Trump administration and will have a fight on the White House lawn. The Rousey vs. Carano fight is being put together by Most Valuable Promotions which was established by Jake Paul. Paul, to his credit, has been a vocal critic of the UFC and it underpaying MMA fighters. Jake Paul’s brother Logan Paul currently works for WWE which also has ties to the Trump administration. WWE is the sister company of UFC and a rival organization of AEW.

Rousey has said some horrific stuff in the past and AEW/Warner Bros. have booted individuals from the promotion over past statements and comments, so there’s even more grumbling over this appearance.

Got all of that?

Ronda Rousey showed up at AEW Revolution!#AEWRevolution

Fightful Wrestling (@fightful.com) 2026-03-16T01:05:24.654Z

Absolute Green Lantern #12 has some solid action but might read better when it’s collected

Jo Mullein faces down the mighty Obsidian beast! But how can she defeat this monster, and where did it come from?

Story: Al Ewing
Art: Jahnoy Lindsay, Sid Kotian, Pressy
Letterer: Lucas Gattoni

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


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No Place #4 has some nice twists as what’s going on becomes clearer and wraps up with a surprise

N.O. Place Director Dorothy Gale has just shared a sinking revelation about her hand in Chicago’s current crisis, but there’s no time for the team to reflect. A hypnotizing aquatic mutation grips the city and the Wicked Witch of the Deep rises for a final assault that will shine a light on the terrifying scope of her deal with the Old Ones.

Mari’s courage escalates to anger, alarming new questions about Allen emerge, a final boss takes shape, and legendary allies offer new hope.

Story: Tim Seeley
Art: Stefano Simeone
Color: Stefano Simeone
Letterer: Andworld Design

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

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