Review/Recap: Batwoman – How Queer Everything Is Today S1E10

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When Kate was pulled out of Gotham to help save the multiverse for Crisis on Infinite Earths, much like Black Lightning, she was dealing with some pretty heavy stuff. Her twin sister, the villainess currently known as Alice, was on a mission to destroy everyone in her life, and to an extent in Gotham,  but her. Her stepmother was dead, her stepsister was forcing her to choose a side, her dad was in handcuffs after a stellar frame job and,  the city going to the Arkham ready psychos. While the biggest thing that Kara had to worry about was working for Lex Luthor in a world where people thought he was a good guy, Batwoman had to return to her world and it was literally falling apart to such a degree that Crisis felt like a vacation.

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Queer picks up with Kate riding a badass BatHarley to save a train full of passengers, some of whom are just trying to see Jagged Little Pill after the breaks were cut. After the rescue is complete a cop “saves” her and now she can’t get rid of him or the shipping that the press keeps doing. Alice is having a tea party at the cemetery and semi-vandalizing her dead stepmother’s gravestone while her boyfriend tries to bring her back to reality because he knows something she won’t see, that the twins are never, ever, ever getting back together.

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A new threat is looming and it’s an animated puppy avatar cyber-terrorist who’s holding the city’s digital secrets hostage unless his crowdfunding drive to the tune of five million dollars is received by Friday at midnight. Kate spends a lot of the episode trying to come to terms with all of the parts of her that she is hiding to save not only her secret identity but, the city. While Kate is all about hunting the hacker, who is hiding out at her old prep school, Mary is trying to save the only parent that she has left from being wrongfully convicted of killing her mother. Both of the girls have a very valid mission in the episode but, with all of the secrets keeping them apart it’s quite possible that all the work Kate has been doing to keep Mary safe might be for nothing. Batwoman finds the hacker and discovers that she’s just a scared school girl, Parker, who was upset after her ex outed her to her super religious parents and she just wanted the money to escape. Kate finds herself mask on staring into a mirror, realizing that hiding who she is might be bad, not just for her but, for everyone.  Alice kidnaps Parker and of course, Batwoman comes to the rescue and to save Parker, she takes off her mask. Finding out that Batwoman is the “super gay” Kate, makes Parker feel a sense of loyalty, not just to The Bat but, she doesn’t want to be responsible for outing everyone after what happened to her when she was outed. But, Kate tells her that it is OK and so Parker sends a mass text out to everyone and turns the tables on Alice, handcuffing her and trying to get her to tell her how to diffuse the bomb she planted at the school. Kate lets her know that she is dead to her and with sirens blazing in the background, Alice discovers that Parker didn’t do what she asked, she sent one text to Alice and another one to everyone else in the building, warning them that there was a bomb in the building, giving them time to escape. When everything is said and done and Alice ends up in an interrogation room in Sophie’s care, Batwoman comes out as a lesbian because she knows that there is more than one Parker out there and, and she goes to hug Mary because she didn’t know how else to be there for her and, she wants to be there for everyone in Gotham in every way that she can. The episode ends with a twist that I can’t wait to see unravel next week, Beth is back, just in time for her and Kate’s birthday and she has no clue who Alice is and since we know all about Crisis, we know that this can all unfold in a lot of different ways.

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Batwoman and Supergirl play on Sunday night and they run back to back, with Supergirl raising the darkness meter and Batwoman holding steady, they go together like PB & J which is a good thing. Batwoman sticks to her paragons ethos and is still a crusader of courage and she’s willing to go against anyone who is against the greater, common good.  Kate’s character remains consistent and the writing remains pop-culture heavy (even crossing brands) and well written, showing every side of the human condition. Out of all of the episodes that I have seen since the pilot, this one is my favorite. It showed how dark people can get when they are afraid of being exposed, how rational people can act irrationally when they’re afraid of their life being upturned. Queer was an emotional and realistic take on things, the lighting kept you uneasy and the directing and camera work made you feel like you were a fly on the wall stuck in voyeur position which made this an interesting experience and an entertaining watch. I also loved how they slid a pretty realistic “Representation Matters” monologue into the script, it was just honest enough to avoid being too cliched and it didn’t come off as pandering or out of place. I really hope that we see more of Parker, she’s a talented young woman and when Batwoman gives her to offer to come see her if she needs to talk, I hope she takes her up on it because statistically speaking, having even one supportive adult in an LGBTQ+ kids life ups their chances of surviving and staying alive. I also loved how Parker’s face lit up when she discovered that the Gotham’s hero was just like her, it gave her hope and that’s what everyone in Gotham and, in the world out here needs.

Overall Rating: 9.3