Review: Batman: Damned #1 Has Gorgeous Visuals, Overwrought Narration
Batman: Damned #1 is 50 pages of glorious and sometimes creepy Lee Bermejo as well as 50 pages of John Constantine yapping about theology, heaven and hell, religious things, and the like and occasionally displaying his snarky wit courtesy of writer Brian Azzarello, who returns to the character almost two decades after being the first American to write Hellblazer in 2000. Batman: Damned has the tailor made for an elevator pitch premise of the Joker mysteriously being wounded, and Batman mysteriously having no idea what happened to him and teaming up with John Constantine to get to the bottom of things. It’s equally parts gritty and Gothic thanks to Bermejo’s art and works best when it’s reveling in its spookiness and disorienting atmosphere instead of trying to be deep or give Bruce Wayne a screwed up childhood before his parents were murdered.
At times, Azzarello and Bermejo seem to be working at counter purposes in Batman: Damned #1. The comic is filled with brilliant and sometimes shocking imagery from Bermejo and then kind of ruined with the overwrought narration from Azzarello. Brian Azzarello definitely is having a fun time writing Constantine narration, and the lettering has a nice storybook flow to it, but it undercuts the art sometimes by describing what is on the page instead of creating an interesting juxtaposition or adding layers to characterization like in Watchmen or Kingdom Come, for example. Azzarello and Bermejo do nail Constantine’s character in a single panel when he’s smoking and refers to himself as “the unreliable narrator”, which fits the non-linear, yet non-confusing nature of Batman: Damned’s plot whose supernatural elements keep it from being a cut and dried “What If Batman killed the Joker” story.
Honestly, the most unsettling part of Batman: Damned #1 are the flashbacks to Bruce’s childhood that go beyond the typical Zorro, pearls, Crime Alley, Waynes getting shot, and I’m not talking about Lee Bermejo’s creepy girl from The Ring take on The Enchantress. There’s a scene where young Bruce is out with his father Thomas and his mistress and entertaining himself by spitting off a tall building and counting, and he almost falls off the building when his dad throws a penny for his spit to “race”. A lot of orphan superhero’s parents were at least some kind of moral paragon, like Uncle Ben or Battlin’ Jack Murdock refusing to take a dive for a mob boss, but despite being super rich, Thomas Wayne doesn’t come across as a great dad or husband. Having a near death experience while your dad is cheating on your mom is definitely traumatic and adds more tragedy to the Batman mythos.
Batman: Damned #1 is at its finest when Brian Azzarello and Lee Bermejo go away from the theological narration and hurl the reader forward in a story about Batman being on the ropes with a gritty, supernatural tinge to it like Zatanna being a street musician or an eerie, invasive take on the body possessing Deadman. The comic’s opening sequence is a perfect example this beginning with a nine panel grid of an EKG and cutting to a full page image of Batman bleeding out before having him beat up cops, EMTS, and random passerbys while being disoriented and falling into the open arms of Alfred, er, John Constantine. There’s a real feeling of peril like the guy who has extensive notes and solutions for each Justice League member’s weaknesses has finally screwed up and could actually die or fail. It reminds me a lot of the Batman: Arkham video games when your health is dwindling, and the world is all cloudy and blood filled.
As shown in a scene where he’s crouching naked in front of a Batsuit (A page or so after the famous full frontal nudity.), Batman is definitely in pain throughout Batman: Damned #1 as he spends the entire comic trying to retrace his steps and figure out if he’s responsible for killing the Joker. Brian Azzarello’s incessant John Constantine is both parts annoying and hilarious, insightful and overbearing, but Lee Bermejo’s gorgeous image composition and aforementioned Gothic grit make the first DC Black Label book worth a read.
Story: Brian Azzarello Art: Lee Bermejo
Letters: Jared K. Fletcher
Story: 6 Art: 9.5 Overall: 7.8 Recommendation: Read
DC Comics/Black Label provided Graphic Policy with a FREE copy for review