Creator’s Corner: Creating Rebirth of the Gangster, Part 5–Finding the Right Artist

Over the summer, I wrote a few parts in a series detailing the creation of my comic Rebirth of the Gangster (on sale now!)

In case you missed it, check out these links to the first four parts-

Part 1: The Birth of the Idea

Part 2: Brainstorming and Outlining the Plot

Part 3: Outline, Synopsis and Chapter Breakdown

Part 4: Scripting the Action

In today’s segment, I walk you through how I found the perfect artist for Rebirth of the Gangster, Juan Romera!

Finding the Right Artist:

Now that I had my story and script ready to go, I started looking for an artist. Yes, I realize that the best scripts are tailored to an artist, but as you will see (or have already seen), I sometimes go about things in a backwards way. What good is creating your own stuff if you can’t set the rules, am I right?  

I had a few guidelines in mind: I wanted an artist who wasn’t overly detailed, but could bring the heat when it came to creating character expressions. A lot of this comic is reliant on the “acting” of the characters and the reader inferring things, rather than me just telling them. Note–there is more telling and exposition in the first issue than the later ones will have, but that’s often the case with a first chapter or scene.

juan sample 2 faces

Image rights owned by Juan Romera: one of the images that drew me to him as my artist

I also knew that I wanted an artist who could play with shading and grab the reader with just black and white. Part of that, to be honest, is an issue of funds–everywhere I looked, artist’s price for coloring their pages was out of my budget. I also like to think, though, that black and white suit this story even better. It creates the noir atmosphere and tonally helps emphasize some of the thematic concerns, especially ones dealing with race and class.

juan sample 1

Image rights owned by Juan Romera: one of the images that drew me to him as my artist

Other than those two big guidelines, I was willing to be flexible and let the artist bring something new to the table. It might sound weird when you look at how detailed my script is–that’s how I envision each page and panel, but I’ve always let any artist I work with know that if they think of a better option, they should discuss it with me. After about a month of searching, I narrowed it down to two artists: Juan Romera and a European-based artist (I guess I can’t stand to work with people in the United States!)

juan sample 3

Image rights owned by Juan Romera: one of the images that drew me to him as my artist

Both of these artists were advertising themselves on a “Seeking Comics Artists/Writers” forum, found on The forum’s title gives you a clear idea of what it is for, but there are other comic creators that advertise themselves, like colorists or letterers (like I advertise my letterer service on that forum here).

The European-based artist had some things going for him, but I thought some of his storytelling and character work could get a little too abstract, so I couldn’t justify his extra cost, especially once I saw some of the sketches that Juan did for me, based off these character descriptions.




Race–Black/Asian mixture

Hair–Black hair.  Curly hair, but we barely notice it because his hair is cut very short.

Clothes–He’s a lawyer, so he’s often dressed in ties and suits or in other fancy attire: button up shirt, dress shoes, and khakis/black slacks.  He’ll be in a tux in the first scene.

Other general appearance: He’s lived a clean life, so he’s fit (not overly muscled, but toned).  He’s professional looking, but often happy (or at least he looks happy–he focuses a lot on having a good appearance).




Hair–Long, brown hair.  It’s almost shoulder length and is mainly straight, not curly.  A little messy.

Clothes–He’s mainly wearing jeans, tennis shoes, and sweat shirts/flannel shirts.

Other general appearance: He’s a heavy drug user and drinker, so he’ll look older than Marcus (baggier eyes, more wrinkles, and his teeth are a little yellower).  He also has a little pot belly (not so big that he’s fat, but you can see that he drinks a lot, eats poorly, and doesn’t exercise a lot).  He’s mainly looks a little anxious, depressed and angry.  Every now and then, he’ll be happy, but that will mainly be when he’s high or drunk, escaping his stressful life with chemicals.




Hair–Black hair that’s straight and just a little past shoulder length.

Clothes–She’s a detective, so she’s often dressed in  suits.  Her suit is a little wrinkled and of poorer quality than Marcus’s suit; she also doesn’t wear a tie (or if she does, it’s only loosely tied, there only for appearances).  When she’s off duty, she wears jeans, tennis shoes, and plain, long-sleeve shirts.

Other general appearance: Like Marcus, she’s mainly lived a clean life.  She’s fit, but has a few more wrinkles and bags under her eyes than Marcus, because of her stress growing up.  She can look serious to people that don’t know her but nice to those that do.  We know we don’t want to mess with her, but we also know that there’s nobody else we want on our side.



Race–Asian (Hmong from Vietnam)

Hair–Short, black hair.  Not quite shoulder length, but not so short that she’s “looking like a man”.

Clothes–She wears blouses, fancy slacks, and high heels.  In the opening scene, she’s wearing a fancy dress.

Other general appearance: She’s really pretty, but you can also tell that she has an edge to her, a hard side (dark side).  Like Marcus, she also mainly puts on a happy face for appearances.  As the story progresses, though, she’ll start looking tougher and more serious.

And from those concise character descriptions, here are the sketches Juan sent me:

Rog sketch

Not only did Juan have a better feel for the characters, he was cheaper!  In fact, the only suggestion I made was this:

“Hi Juan,

And after further thought, I’d like the character design of Andrea to still have black hair, not white. She’s going to be a badass and I think it’ll be easier to sell if she’s not too “old looking”. It’ll also match the flashback and make it easier to transition from past to present.

Sorry to keep flooding you with feedback. If, because of all the emails and changes, it’s a little confusing, I can send you one email to look at for my feedback.

Just let me know if that would be better for you or if you have any other questions.”

I didn’t know how I lucked out to get both of my major needs met, but I didn’t want to waste time and let Juan slip away to some other lucky writer.  So I agreed to work with Juan, and haven’t looked back.  

That’s it for this installment of “Creating Rebirth of the Gangster“.  Join us next time, and in the meantime, check out all installments of Rebirth of the Gangster or visit me at my site.