Tag Archives: travis lanham

One World Under Doom #8 reminds us that Absolute Power Corrupts Absolutely

One World Under Doom #8

Doom battles the combined might of an entire world to maintain his control: But can even he stand against the Avengers, the X-Men, the Fantastic Four…and every other hero on Earth? It seems like all hope is lost: until a desperate gambit gives the heroes exactly what they need to win! But Doom has a desperate gambit of his own: one that, though it’s never been attempted before, combines all his sorcery and science into a single brutal attack. One World Under Doom #8 leads to a shocking conclusion – with consequences that will reverberate throughout the entire Marvel Universe in this penultimate issue!

Written by Ryan North, One World Under Doom is one of the best events Marvel has released in some time. The series has delivered twists and turns with a focus on leadership, the role of heroes, and how many will allow fascism for the illusion of peace and stability. The series has delivered a lot to chew on and think about but also more than enough action. It also has depicted a Doom that feels like it meets the high expectations around his power and abilities. He’s a formidable foe that’s always a step ahead of his opponents and a trick to play to win the day.

One World Under Doom #8 is the penultimate issue of the series and sees Doom pressed on multiple fronts. The world’s heroes have attacked him with a physical and mystical front. People around the world have risen up forcing him to split his focus. Then there’s his motivation behind it all. One character, above all, can get Doom’s attention and maybe challenge him, and that’s Valeria Richards, Sue and Reed’s daughter and Doom’s goddaughter. North delivers a debate between the two where she lays out how Doom’s noble intentions have been corrupted and even with his victory, they’re tainted. The people will be subjugated no matter what at this point, he’ll rule through fear and brute strength instead of what he can deliver to the world. Absolute power corrupts absolutely.

R.B. Silva does masterful work here with the art. With color by David Curiel and lettering by Travis Lanham, the comic packs a lot into a single issue. With massive battles on the physical and astral planes, a spirited debate between Doom and Valeria, and a hell of a lot of characters and moments to juggle, the art nails it. You really get a sense that Doom is both struggling but winning. That the heroes are giving it all with team-ups and power moves we haven’t seen before. It all leads to an end that just feels right both written and especially visually. It’s impressive work just getting it all in there and every moment really hitting it when it comes to the visuals (and writing as well).

One World Under Doom #8 is the penultimate issue but it delivers a hell of a punch. Marvel has kept it tight to their chest as to exactly what we can expect post this event and who is left standing and who isn’t. The event as a whole has delivered in every way and this issue builds a crescendo that will pay off when the final issue drops.

Story: Ryan North Art: R.B. Silva
Color: David Curiel Letterer: Travis Lanham
Story: 8.25 Art: 8.4 Overall: 8.3 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review


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Binary #1 is an interesting start and feels like it’s commentary and reflection about recent history

THIS IS BINARY…AND THE UNIVERSE BURNS WITH HER! X YEARS LATER, in the ashes of the old world, to survive she is reborn – a cosmic force channeling the Phoenix itself. With the universe crumbling, BINARY returns to save what’s left. But power this great always comes with a price… and the end of everything might begin with her.

Story: Stephanie Phillips
Art: Giada Belviso
Color: Rachelle Rosenberg
Letterer: Travis Lanham

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


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Exclusive Preview: Godzilla Destroys the Marvel Universe #4

Godzilla Destroys the Marvel Universe #4

(W) Gerry Duggan (A) Paco Medina, Javier Garrón
(C) Jesus Aburtov (L) Travis Lanham
(CA) Mark Brooks (VCA) ACO, Dave Wachter, Netho Diaz, Mark Brooks

GODZILLA SMASH! It’s Godzilla versus the rampaging Hulk — and this time, the green goliath has a fistful of science as he takes on the King of the Monsters! Plus, as the two titans clash, the rest of the Marvel Heroes make a desperate ploy to keep the earth-shattering confrontation from literally tearing apart the planet! Trust us, True Believers, you’re not going to want to miss a single page of action — especially not the last page with a reveal so shocking, it might just send Electro into an early retirement!

Godzilla Destroys the Marvel Universe #4

Ultimate X-Men #20 feels more like traditional X-Men but there’s some rough dialogue

SHADOWS OF THE KING AND THE ASTRAL PLANE! Has Hisako been saved?! A climactic battle between Armor and Shadow King in the Astral Plane! But what secrets does Kageyama still hold? And what of the Children of the Atom’s dependence on his power?

Story/Art: Peach Momoko
Script Adaptation: Zack Davisson
Letterer: Travis Lanham

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Exclusive Preview: World of Revelation #1

World of Revelation #1

(W) Al Ewing, Steve Foxe, Ryan North (A) Agustin Alessio, Jesus Merino, Adam Szalowski
(C) Wil Quintana, Cris Peter (L) Travis Lanham
(CA) Phil Noto (VCA) C.F. Villa and Rachelle Rosenberg, Giada Belusio and Matt Milla, Mike McKone and Rachelle Rosenberg, Salvador Larroca and Edgar Delgado, Carlos Magno and Yen Nitro

THE WORLD OUTSIDE YOUR WINDOW IS GONE!

X YEARS LATER, what happened to the Fantastic Four? And what horrors plague the East Coast? How does the rest of the world survive the rise of Revelation? And far above, on Arakko, what does Apocalypse think of his heir’s new empire? Discover the far-reaching impact of AGE OF REVELATION across the Marvel Universe.

World of Revelation #1

Battleworld #1 feels like a tie-in to… something

Battleworld #1

Heroes from across the Multiverse are thrown together on a patchwork world to engage in their own Secret Wars for the survival of their timelines! Who or what has created this Battleworld, and for what nefarious purpose? Enter Maestro. Is he friend, or foe? Battleworld #1 is an odd debut with a story that feels like it should be tied into something but doesn’t seem to be?

Written by Christos Gage, Battleworld #1 revisits the concept last seen in Secret Wars when Doctor Doom brought together various different timelines, eras, concepts, to fight it out. Here, a new villain has stepped in for reasons that just seem rather odd. It’s a high stakes threat but feels rather low stakes in it all.

The heroes are presented with the challenge to battle it out and whomever wins can decide on the direction of the timeline, making sure certain things happen or prevent a horrible timeline from occurring.

And, that’s where the story starts to fumble. Unless you’re familiar with every character and the timeline they come from, their involvement doesn’t really bring much to the story. There’s a wide range of characters here, some rather obscure. Even I, who knows more than most, was lost as to what timeline some of these individuals were from and why I should care.

Where the comic shows some interesting aspects is the ending, which teases we might get more than just heroes battling it out. It’s an intriguing sign and tease we might get more than just fight after fight.

The art by Marcus To is good. With color by Rachelle Rosenberg and lettering by Travis Lanham, the comic brings together a lot of different eras and characters and makes it all feel like it fits together with nothing out of place. The battles that take place are interesting to look at with some dynamic moments. Overall, it looks good, much like a tie-in series to some main event.

Battleworld #1 is interesting. It has some pretty high stakes, the potential destruction of entire timelines, but doesn’t have too many characters taking part. There’s also key stories and timelines not represented. It feels like a grand event story scaled down to a small cast, making it a bit of an odd one. And, when we’ve seen this type of story in the past, it’s been a pretty big deal as either part of a major storyline or the storyline itself. It feels like it was meant for something else but that fell through. Add in Marvel’s current focus on two storylines changing the status quo along with a revisit to alternate X-Men timelines. It all comes together to make this an odd one that is engaging in some ways but utterly odd in its release with so much else going on.

Story: Christos Gage Art: Marcus To
Color: Rachelle Rosenberg Letterer: Travis Lanham
Story: 7.0 Art: 7.0 Overall: 7.0 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


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Marvel Zombies: Red Band #1 is Entertaining But Nothing New

Marvel Zombies: Red Band #1

It was the most important space flight in the history of the Marvel Universe – four intrepid heroes took off into the unknown and returned changed, gifted with great abilities…and hungering for human flesh! Travel back to the birth of a Marvel Universe parallel to our own but chock-full of horror since its very inception! Which heroes will rise to become the champions we know and love? Which will be torn limb from limb? And which will devour the scraps? Marvel Zombies: Red Band #1 reboots the property with a “Red Band” label but overall feels like much of what we’ve seen already.

Marvel Zombies are back in time for the upcoming animated series, and this time they have the “Red Band” label with Marvel Zombies: Red Band #1. Written by Ethan S. Parker and Griffin Sheridan, the comic feels like a retread of the concept that launched nearly 20 years ago. With the “Red Band” label, one would expect a comic that was a bit more mature, a bit more R-rated but the end result feels like what we’ve seen before, and not even with that much more gore.

Marvel Zombies: Red Band #1 is a perfectly fine reboot of the series with the Fantastic Four, now dubbed the Frightful Four returning from their space mission that gave them their powers with powers but also zombies. None of that is explained here, nor why they still have their intelligence when others don’t, but the comic does have a solid initial chaos as they return and immediately go on the attack. With a setting in the early days of the Marvel Universe, Iron Man is in his original armor, Hulk is untrusted, Spider-Man is untested, and Thor still has his mortal alter-ego. It’s a nice take on it all and it’s an entertaining start in a B-movie, turn your brain off sort of way.

But, there’s that “Red Band” aspect, and for the comics labeled as such so far, none really come off as all that mature. Yes, there’s a bit more violence and gore, but the classic Max line felt much more extreme in that way. Where those comics were often hard-R, these feel PG-13 or barely R at best. The art by Jan Bazaldua does a good job of capturing the chaos and the rotted look of the Fantastic Four is nice. The dispatching of Thor is visually more of what might be expected and is what really feels like this could be a “Red Band” comic. With color by Erick Arciniega, the comic has a look much like the Marvel Zombie volumes of years past. Travis Lanham‘s lettering really adds a lot giving the zombified versions of our heroes a very distinct “voice.”

Marvel Zombies: Red Band #1 is an ok start. It doesn’t deliver much new that really jumps out but ends on an intriguing tease. It’s a reboot of the property with a new label that teases an edgier take but overall doesn’t feel that much different. It feels a little more hyped up than what’s delivered. But still, going into the spooky season, it could be fun entertainment.

Story: Ethan S. Parker, Griffin Sheridan Art: Jan Bazaldua
Color: Erick Arciniega Letterer: Travis Lanham
Story: 7.25 Art: 7.5 Overall: 7.25 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


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Ultimate X-Men #19 gets back to the rather choppy storytelling that has plagued the series

SHADOWS OF THE KING AND THE ASTRAL PLANE! Has Hisako been saved?! A climactic battle between Armor and Shadow King in the Astral Plane! But what secrets does Kageyama still hold? And what of the Children of the Atom’s dependence on his power?

Story/Art Peach Momoko
Script Adaptation: Zack Davisson
Letterer: Travis Lanham

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Doomed 2009 #1 Attempts to Prevent Future Disaster

Doomed 2009 #1

The Future is Doomed! The world is Doom’s…but does that include the world that is yet to be? A coalition from the future – including OLD MAN LOGAN, RACHEL SUMMERS PHOENIX, BISHOP, COSMIC GHOST RIDER, THE MAESTRO and DEATHLOK say otherwise. But will the arrival of Doom 2099 change the odds for the new Sorcerer Supreme? Is he there to back his past self…or destroy him forever? Doomed 2009 #1 delivers a one-shot that shows one possible future to come.

When it comes to the Marvel Universe and futures, it’s best to not think about it. There’s so many options, so many possibilities, at this point, it feels like one giant “What if.” But, when it came to possible futures, I enjoyed the 2099 line when it first came out, introducing new takes on classic character or teams. It’s been decades since I read them but I still have my copies of Doom 2099 and have itched to go back and read them. Doomed 2009 #1 has me wanting to do that even more.

Written by Frank Tieri, Doomed 2009 #1 has Doom 2099 travel back in time with a team to stop Sorcerer Supreme Doom. He wants to prevent some major event in the future that Doom causes, what that is, we don’t know until the very end. Tieri presents what is basically one giant fight issue with teases of fights that have come before.

The concept of Tieri’s entry isn’t all that new, it echoes what we saw with the Fantastic Four’s battle with Doom in the recent relaunch of their series. It is interesting in some ways to see how Doom of the present deals with the team from the future. Where the comic really nails it is the ending which eventually reveals what Doom 2099 is attempting to prevent. It takes what is an issue that’s one long battle and turns it into something a bit more melancholy. It adds a sadness to Doom 2099 making his attempt to stop Doom in the present a bit more noble.

The art by Delio Diaz and Frank Alpizar is good. With color by Andrew Dalhouse and lettering by Travis Lanham, the comic packs a lot into its pages as the heroes battle it out with Doom. And, the comic changes things up smoothly. It starts as straight sci-fi going into a battle royale and then ending on a tragic note. Each section’s visuals really hone in on what it is and looks solid. The visuals too play off the more comedic moments Tieri throws in there and none of it feels out of place.

Doomed 2009 #1 is an entertaining read adding in an intriguing one-shot chapter into the story. It has me wanting to go back and re-read Doom 2099 and hoping we might get more of the character in the future. It’s not the most vital read for “One World Under Doom,” but one for hardcore fans of the 2099 line.

Story: Frank Tieri Art: Delio Diaz, Frank Alpizar
Color: Andrew Dalhouse Letterer: Travis Lanham
Story: 7.0 Art: 7.5 Overall: 7.0 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


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The Ultimates #15 introduces the Ultimate Iron Fist in an ok issue that’s best to just go with it

The Ultimates return to the site of their untimely deaths at the hands of the Hulk and encounter a young boy who has been starting his own insurgency!

Story: Deniz Camp
Art: Von Randal
Color: Erick Arciniega
Letterer: Travis Lanham

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

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