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Earth’s Mightiest Heroes: An Avengers Retrospective Part 3: In Battle Joined (Issues #36-56)

Avengers (1963) #36

Guest contributor Eugene Selassie is back with the second part of his retrospective of Marvel‘s The Avengers. He started at the beginning covering the first sixteen issues. He’s back discussing issues #36 to #56!


In this third installment of my deep dive, reading every single issue of The Avengers from the beginning, what we know as staples of Avengers lore are introduced in these issues. Some of these staples greatly enhance the reading experience, while others detracted more than I remembered them to. Legendary writer and artist team of Roy Thomas and John Buscema begin their iconic run on the title. Many new heroes, that would go on to become perennial mainstays of the roster, make their first appearance in the book during these issues. Past relationships and connections come back to haunt a few of the protagonists. Story elements that played out in classic Avengers stories decades later are seeded in these issues. Continuity becomes a double-edged sword during this run, potentially splitting the audience into “love it” or “hate it” camps.

Roy Thomas took over as writer with issue #36. With the constant in-fighting (now between Goliath and Hawkeye over Clint’s insistence that Black Widow be granted membership status) and the hyperbole used in the narration (ex: “Thus it is that, less than sixty seconds later, twin engines of a highly complex design burst into ear-shattering life and zoom with blinding, supersonic speed into the sub-stratosphere, as all passengers fervently hope they will not be too late!”) meant that the transition in scripting from Stan Lee to Roy Thomas was as smooth as possible. Issue #41 heralded the debut of the legendary John Buscema as penciler. His layouts were a bit splashier than what we’ve previously seen. Nevertheless, with George Bell remaining as the inker, making the characters look roughly the same, the transition from Don Heck to John Buscema was not too jarring. Fill in issues by Don Heck were still welcome, as was a one-off by George Tuska, whose level of intricate detail was only rivaled years later by George Perez.

Avengers (1963) #38

I waited with bated breath to see new members, one by one, added to the ranks of Earth’s Mightiest Heroes:

  • Black Widow accompanies the team, in issues #36-37, to rescue Scarlet Witch and Quicksilver from an alien threat, the Ultroids, near their village in the Balkans. Natasha turns out to be the ace up the heroes’ sleeve that they desperately needed. The Avengers, sticking to their moral code, prevented them from doing what was necessary to defeat Ixar. On the contrary, Black Widow had no such compunctions. Days after this adventure, as Widow rushes to Avengers mansion for a meeting to discuss her membership, she is abducted. However, it is not by enemies. Nick Fury, Director of SHIELD recruits her for a secret mission overseas, a mission that must remain secret from even Hawkeye and the other Avengers. When Widow recovers in the hospital after this mission and explains how the government lied about her husband’s death and duped her into training (even though they did the same thing to him), there was no mention of the infamous “Red Room” training that we know in the modern age.
  • Hercules makes his Avengers debut in issue #38. The Prince of Power is locked in combat against the God of War, Ares, due to events from Thor issue #129. The Enchantress shows up to convince them to squash their beef and offers alcoholic beverages to both. In reality, she’s working with Ares. Hercules’ drink is spiked with a love potion, making him do Amora’s bidding. Ares gets to tell Zeus of this forbidden passion, making Hercules a pariah in Olympus, while Enchantress gets to use her unwitting slave against the Avengers. During their fight, the potion wears off and Hercules helps the team fend off the Asgardian and Olympian. Due to the perceived forbidden affair, Hercules is then banished from his home in Olympus. The Avengers take him in as less of a member and more of a house guest who helps them whenever he deems fit.
  • Edwin Jarvis, the butler of the Stark family and for the Avengers, makes his first Avengers appearance in issue #38. He’s not given much of a personality until further down the road in issue #54, where he hides a deadly secret from the Avengers; he’s sold the new mansion security specs to the Crimson Cowl in exchange for a large sum of money he desperately needed. Cowl, of course, reneges on the deal.
  • The Sub-Mariner returns in issue #40. A nuclear sub tests weapons near his kingdom, which Namor doesn’t take too kindly to. He attacks the island base from where it came from, only to encounter the Avengers. Page 15…Hercules vs. Namor…HOLY $#I^! These two beat the stuffing out of each other. I am surprised that there wasn’t a giant crater left in their wake.
  • Dane Whitman, nephew of Nathan Garrett, the villainous Black Knight, debuts in issue #47. Garrett met his end against Iron Man in Tales of Suspense #73. Dane seeks to atone for his uncle’s evil actions and decides to use the science and nom de guerre of his uncle, to do good with it as the new Black Knight. He seeks out the Avengers for an alliance. Conversely, they mistake him for his uncle and get into a brawl.
  • Black Panther makes a cameo, alongside Captain America (who quit the team several issues earlier) in issue #51, where Steve requests they consider T’Challa for membership. Issue #52 features the Black Panther entering Avengers mansion for the first time, in a story where he finds what appear to be the bodies of Hank, Jan, and Clint. He’s arrested by SHIELD agent Jasper Sitwell and is hauled off into police custody. I don’t know if Roy Thomas understood how tone-deaf it was to see the imagery of the first Black superhero to be featured in the Avengers comic being shackled in the back of a squad car. Of course, T’Challa escapes so he can investigate what occurred.
Avengers (1963) #47

Several extended relationships are given more space to develop in these issues.

  • Issue #43 is the first appearance of the Soviet super-soldier known as Red Guardian, who happens to be the Black Widow’s ex-husband. When Clint finds out, he grows cold and emotionless for the first time in this series. This is the second time a villain is brought into the book that Hawkeye has an obvious grudge with, but their sole motive is to prove they can best Captain America, making the rest of the Avengers look “lesser than”.
  • Concurrent with this story is the arc of Tales of Suspense where Steve meets and falls for SHIELD Agent 13, aka Sharon Carter. It’s also where he’s contemplating giving up being Captain America, which didn’t quite sit well with me. I know Marvel was all about heroes with feet of clay, especially back then, but this was akin to Clark Kent no longer wanting to be Superman. I had no clue that Steve was a fan of Tolkien or fantasy novels in general, so it was cool to see that side of him.
  • Hercules travels to Olympus to beseech his father, Zeus, to reconsider his exile. However, the Prince of Power finds the fabled land completely deserted.  In issue #49, Hercules discovers that it is the dreaded ancient Titan known as Typhon who was responsible for what happened to the Olympians. By destroying the sacred Temple of the Promethean Flame, the immortals of Olympus just vanished. After confronting the Titan, Hercules finds himself banished to the same limbo that his people were banished to. Issue #50 sees Hank, Jan, and Clint search for Hercules, who has reunited with the Olympians. Zeus is able to send him back to Earth due to the magic holding them there not having as strong of a hold on the Prince of Power because he’s half-mortal. The team does their best to slow down Typhon, but the dude is a ten-foot-tall demigod with a battle axe that shoots lightning. Once Hercules arrives, he and Typhon have the grudge match of the ages. Whatever unidentified landmass in the Mediterranean where they brawled had to have been reduced by half. In the end, Hercules defeated him using not just brawn, but tactics taught by Captain America. He returns with Typhon to Olympus, bidding farewell to the Avengers for the time being. This leaves the roster to just Hank, Jan, and Clint…not the most powerhouse line up they’ve had.
  • Issues #47-49 feature Magneto, who was exiled to a planetoid far from the Earth in X-Men #18. This is indubitably pre-Chris Claremont Magneto. He’s not a sympathetic Holocaust survivor trying to prevent the same thing from happening to mutant kind. He is cranky, megalomaniacal, and vengeful. And he is quite abusive to his lackey, Toad. I completely forgot that neither Magneto nor Quicksilver & Scarlet Witch knew they were related in those early years. Magneto demands the UN for his own nation for mutants. When they refuse and he lashes out at one of the representatives with a microphone as a weapon, Hawkeye saves him, and the most fun, yet clunky, dialogue followed; “A diamond-tipped arrow…from out of nowhere…smashing the microphone. But who?” I love superhero comics. Hawkeye landing a kick right to Magneto’s face made me think that this is likely the only time that has ever happened.  The crux of Magneto’s plan was to cause one of the guard’s aim to go off wildly and accidentally shoot Wanda in the head (grazing her temple) just so it would send Pietro into a rage against the guards and the Avengers. Yeah, the “Magneto was right” crowd may want to tone it down a bit after this.

I found myself enthralled by the number of story elements that were just the nugget of an idea that played out on a larger scale some years, even decades later:

  • Long before the Kree-Skrull War, you could tell that both Stan Lee and Roy Thomas had the idea percolating, of a war between two alien empires with Earth caught in the middle. The Ultroids made the second time that something like this was hinted at.
  • Magneto blackmailing the United Nations into giving him his own nation was something done three decades later in an X-men storyline titled “The Magneto War”.
  • Issues 54-55 bring us a new Masters of Evil, comprised of the Klaw, the Melter, Radioactive Man, Whirlwind and the new Black Knight. They’re all working for the mysterious Crimson Cowl. However, they don’t know that this Black Knight is not Nathan Garrett, but his nephew, Dane Whitman. Dane goes undercover with the group to gather intel that he can bring to the Avengers. The mission of this new incarnation of the villain group, to storm Avengers mansion and capture the team. I never knew the Masters of Evil attacked the Avengers in their home, long before the classic Siege of Avengers Mansion during Roger Stern’s run.

I am a person that loves continuity, when used the right way. When Thor or Iron Man have to leave the team due to events in their own book that month, I loved it. Realistically, the characters cannot be everywhere all the time. That era was much better with not having characters guest starring in six different books the same month “just because”. However, when a character pops into a book, carrying over from a story in another book, it gets a bit frustrating keeping up with. While the Hercules story carrying over from The Mighty Thor was explained thoroughly, Nick Fury’s subplot from Strange Tales, where he’s essentially on house arrest, Cap leaving the team due to being duped in Tales of Suspense by Swordsman and Power Man into believing Bucky was still alive, and the most egregious one, the X-men versus Magneto fight that carried over into an Avengers comic, were not given the necessary flashbacks to really flesh out these elements. In the case of the X-men one, it would’ve helped tremendously if they just made it an actual crossover with the parts 1 and 2 posted on the covers of those respective issues.

My apologies for the gargantuan length of this post, in the future, I will do my best to make sure the articles aren’t covering twenty issues worth of content. Speaking of content, when we reconvene again, we discuss several debuts (Vision, Yellowjacket, and a guest appearance by Doctor Strange) along with trips into the sci-fi, the cosmic, and even the occult. Until next time, AVENGERS ASSEMBLE!

Preview: Avengers #40

Avengers #40

(W) Jason Aaron (A) Javi Garron (CA) Leinil Francis Yu
Rated T+
In Shops: Dec 30, 2020
SRP: $3.99

ENTER THE PHOENIX!
The infamous firebird of cosmic destruction and rebirth known as the Phoenix Force has returned to Earth to find a new avatar. So now the Avengers and some of the most powerful heroes and villains in the Marvel Universe are being called into a competition unlike anything they’ve ever seen. A globe-spanning battle that will transform them all and ultimately decide…who will be the all-new Phoenix.

Avengers #40

Michael Cho Goes Two-Tone with Variant Covers for Marvel

Award-winning artist Michael Cho will bring some of Marvel’s most iconic heroes to life on a series of extraordinary variant covers this March. Done in his trademark two-tone style, these vibrant covers capture Marvel’s heroes at their most timeless versions. The two-tone variant covers will grace your favorite ongoing series this March, featuring one-of-a-kind depictions of Ant-Man, Wasp, Black Panther, Captain America, Black Widow, Doctor Strange, Hulk, Spider-Man, Thor, and Spider-Woman.

Check out a full list below and collect all ten Michael Cho Two-Tone variant covers when they arrive at your local comic shop this March!

  • AVENGERS #43 TWO-TONE VARIANT COVER by MICHAEL CHO
  • BLACK PANTHER #24 TWO-TONE VARIANT COVER by MICHAEL CHO
  • SAVAGE AVENGERS #19 TWO-TONE VARIANT COVER by MICHAEL CHO
  • CAPTAIN AMERICA #28 TWO-TONE VARIANT COVER by MICHAEL CHO
  • STRANGE ACADEMY #9 TWO-TONE VARIANT COVER by MICHAEL CHO
  • IMMORTAL HULK #44 TWO-TONE VARIANT COVER by MICHAEL CHO
  • IRON MAN #7 TWO-TONE VARIANT COVER by MICHAEL CHO
  • AMAZING SPIDER-MAN #61 TWO-TONE VARIANT COVER by MICHAEL CHO
  • SPIDER-WOMAN #10 TWO-TONE VARIANT COVER by MICHAEL CHO
  • THOR #13 TWO-TONE VARIANT COVER by MICHAEL CHO

Earth’s Mightiest Heroes: An Avengers Retrospective Part 2: Four Against…(Issues #17-35)

The Avengers #17

Guest contributor Eugene Selassie is back with the second part of his retrospective of Marvel‘s The Avengers. He started at the beginning covering the first sixteen issues. He’s back discussing issues #17 to #35!


We continue my biweekly recap of my deep dive, reading every single issue of The Avengers from the beginning. In the second half of the Stan Lee era of the book, we see more of a focus on the personalities and the private concerns of each Avenger. We also notice a shift in the power levels of the villains they face to complement the more grounded roster. The political thriller vibe of some of the arcs, predating The Ultimates by about 35 years, was welcome…but the racial caricatures were not. Several allies and Avengers mainstays debuted around this time. Finally, these issues really hit home how much a different inker can completely change an art style.

The first few issues of the “kooky quartet” era established the dynamics of the team rather quickly:

  • Captain America was now unquestionably the one in charge. Steve Rogers exuded even more confidence in action than in previous Avengers stories, if that’s even possible. Complex team strategy and tactics are now on full display with this roster, which was a treat. On the contrary, Cap’s constant brooding while alone at the mansion sometimes felt a bit off-putting. So did the fact that he took on a mission that could’ve caused an international incident, just to look good for SHIELD recruitment (issue 18). When Steve quit the team at the end of issue 22, it could have led to the end of the Avengers, if not for Kang’s subsequent attack, which brought the team back together. Cap was a bit of a dick at times. It felt justified when he was dishing it back out to Hawkeye. Conversely, demanding that Hank Pym prove he’s the real Giant-Man, even though Hank explained that there have been health concerns and the strain of changing size could kill him, went a bit overboard. Equally perplexing was insulting Hank to snap him out of his funk, but from what I’m discovering, that was a common storytelling device at Marvel during the Silver age.
  • Hawkeye was the wild card of the bunch. The action man archer trying to repent from Tales of Suspense #57 up through Avengers #16 is gone and the cocky Clint Barton that we all know and love is present. I laughed heartily because Clint’s luggage wasn’t even unpacked yet before he started mouthing off to Cap. Around issue 25 is where we start to see Clint at least being self-aware that he’s a jerk and gives Cap too much crap…yet he does nothing to actually correct this. He and Cap bickered like an old married couple.
  • While the Scarlet Witch was written not as ineffectively as Jan was in these early issues, Wanda Maximoff is still treated the way all women were written in that era. She pined for Steve 50% of the time. Also, her being a brunette back then really threw me for a loop. Her powers were not as dangerously unpredictable as they would later be written as.
  • Quicksilver’s personality is the furthest from modern renditions. Pietro Maximoff is not quite a pompous ass yet. The one trait that does carry over to modern times is him being overprotective of his sister, Wanda. His personality, for the most part, is just him shouting “don’t talk to my sister that way!”. One minor facet that I never knew existed was both Maximoffs having a fondness for show business. Pietro, especially, took a liking to daredevils and high wire acts in the circus. In battle, he was quite effective, although he used the “tie people up in cloaks/curtains/blankets shtick as his offense…a lot.

While the team still took on “foes that no single hero could withstand” in several of these stories, there was a noticeable pulling back of the power levels of foes to coincide with the lesser powered roster.

  • The Swordsman appears in issues 19-20. This is where we get our first glimpses into Hawkeye’s past as Swordsman’s protégé and Clint getting pulled into a life of crime due to his mentor’s actions
  • Power Man (Erik Josten) in issues 21-22 makes three times (along with Wonder Man and Swordsman) in less than two years that the “villain pretending to be a hero” shtick was used against the Avengers.
  • The Keeper of the Flame (issue #31) was a change of pace in that we hadn’t seen any sort of cult leader in the book as of yet. Their eternal flame was powered by cobalt. Cobalt is treated like plutonium in this issue in that they treated it like it could destroy the entire planet. The Avengers figured both sides of this ancient conflict over ownership of the flame pose equal danger to the globe, so they snuffed out the flame. This felt like the “ending of Rocky IV” level of tone-deaf in the slightest and “violating the Prime Directive” at the worst.
  • In issue 32, the hate group, known as the Sons of the Serpent, shows up and viciously attacks a random Latinx bystander. One would think that the concept would feel dated…the last few years have proven that, sadly, they’re still relevant.
The Swordsman The Avengers #19

This period also is the starting point for several familiar faces in the annals of Avengers history, to make their appearance. It was good to see Hank Pym and Janet Van Dyne again (issues 26-28). Hank now refers to himself as Goliath. A fun fact I never knew is that Wanda designed and created his blue and yellow Goliath costume. Jan seemed much less flighty, but within the span of six issues she was captured and imprisoned three times, then is knocked out cold after falling out of a tree, ugggh. Hank’s size-changing has caused health concerns and at one point, he gets stuck at ten feet tall, with no way to shrink or grow without fatal results. To assist him in research towards a cure, Tony Stark refers him to one of the most brilliant bio-chemists on the planet, Bill Foster, who would one day become Goliath. Foster was attacked just down the block from Pym’s house by the Serpents in issue 32. Pym went into a full-on rage and canceled all experiments so he could make sure the Avengers made the Serpents a top priority. Not saying there’s anything wrong with Pym, more so than any of the other Avengers, taking umbrage with racially motivated hate crimes and wanting to plant his foot up the asses of those responsible, but I was surprised how “woke” he was. To get more intel on the Serpents, Steve reached out to Nick Fury. Having not read anything with the O.G. Fury in almost a decade I realized how much I missed him. This also marked his first appearance in an Avengers comic. Of course a barber shop is a front for a SHIELD base. This felt oddly on point for a 60s spy organization. Unbeknownst to the Serpents, one of their recruitment meetings has been infiltrated by the Black Widow. It would seem that her road to redemption began here. What also began here was an unsavory pattern.

Issue 18 saw the team go toe-to-toe with the mammoth cyborg dictator known as the Commissar…a bad East Asian stereotype. Issues 32 and 33 revealed that the mastermind behind the Sons of the Serpent was actually a Communist General…who was a bad East Asian stereotype. Issues 34 and 35 revealed that Living Laser had hired himself out to those looking to stage a coup in the fake Latin American country of Costa Verde. Guess what, they were bad Mexican stereotypes. I had to facepalm at a lot of this. I’m hoping that there’s not too much more casual racism masked as patriotism in these early years because that will severely hamper my reading experience.

One thing that stood out more than anything was the different inkers that worked with artist Don Heck. In all of my years of reading comics, I’ve never seen an art style change so drastically with the changing of an inker on a book, until now. The legendary Wally Wood brought a level of intricate detail to the layouts yet unseen during Heck’s run. Shifting to John Romita inks was fun as he was a master of highlighting the character’s acting and emotion. Frankie Ray’s inks were not as detailed as Wally Wood’s but still got the point of Heck’s pencils across, which were probably in their purest form here. The style then drastically shifted when Frank Giacoia did the inks, giving the book an almost “romance comic” vibe. All of these craftsmen were highly talented. I just never knew an inker alone could change the look of a comic to this degree.

I’m very excited to get to the next leg of this journey, the Roy Thomas era of the book. It’s here where new members of the team begin coming in fast and furiously. Hope you’ll return for the coming of Hercules, Black Panther and several others. Until next time, AVENGERS ASSEMBLE!

Review: Avengers #39

Avengers #39

In Avengers #39, a million years ago, a baby is saved from death by a wolf pack. Years later, she comes upon someone who speaks in her mind, leading her to the first mutants on Earth. Bigoted humans come and attack them and the young child unleashes her power, which is the Phoenix, engulfing everything in flames. From there, she heads to Asgard to recruit Odin.

If I was looking to read about the Avengers, I’d probably avoid this issue. Honestly, this revisionist history that Marvel allows drives me a bit crazy. The past is never good enough and we need mutants and the Phoenix used one million years ago. I feel like Jason Aaron is better than this. Overall, this is just a cheap appetizer for the main course, which is “Enter The Phoenix,” the next story arc which starts in the next issue.

My favorite thing about Avengers #39 was page after page of Dale Keown art. He’s definitely one of those artists that should be working on a big-time book. Maybe Avengers is that and I just don’t know.  There’s a level of beauty in his human characters that’s really pleasing to the eye. His action sequences look fairly epic. Jason Keith’s colors fill it all in and honestly, the colors are great on the Phoenix reveal page.

This felt like a whole lot of build-up for a better story, which I guess will be the upcoming Phoenix rehash that Marvel is serving up. Avengers #39 is fairly lackluster in the storytelling but it’s a really nice issue on the eyes.

Story: Jason Aaron Art: Dale Keown
Color: Jason Keith Letterer: VC’s Cory Petit
Story: 4.0 Art: 9.0 Overall: 6.5
Recommendation: Pass

Marvel provided Graphic Policy with a FREE copy for review


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Preview: The Avengers #39

The Avengers #39

(W) Jason Aaron (A) Dale Keown (CA) In-Hyuk Lee
Rated T+
In Shops: Dec 09, 2020
SRP: $3.99

ENTER THE PHOENIX PROLOGUE!
In the harsh, primordial world of One Million B.C.E., early humans who are different are left in the Burnt Place to die. But one young girl whose only crime was being born with red hair finds something else entirely in the place of bones and ash – something that will change human history forever.

The Avengers #39

Earth’s Mightiest Heroes: An Avengers Retrospective Part 1: The Coming of The Avengers (Issues #1-16)

Avengers #8

After an introduction, guest columnist Gene Selassie dives into classic Avengers comics starting from the beginning!


This article kicks off what will be a biweekly recap of my deep dive, reading every single issue of The Avengers from the beginning. These earliest issues of the series highlight the unique personalities, which would differ greatly to how they were written in the modern age. They also lay the groundwork for the types of stories and level of threats the Avengers will become known to face. Additionally, while continuity gaffes and quirky story elements aren’t what I would call ‘plentiful’, there are enough of them that they become noticeable at a certain point. Finally, even though Jack Kirby and Don Heck were both exceptional artists, each brought a unique skill set to the book. Let’s take look at the opening stretch of this journey.

One of the first things that I noticed is that the character development was kept to a minimum in these early issues. I can only surmise that, not unlike the formula that modern writers would use (ex: Grant Morrison on his critically acclaimed JLA run), the fact that all of the characters were featured in solo adventures elsewhere meant that other books were where we got the character development. This team book is for the larger than life threats that no single hero could withstand.

During this run of the “founders”, the characters kept their secret identities to themselves, which made sense since there wasn’t sufficient time for them to forge bonds and trust to that degree.

  • Iron Man functions like technical support since he’s known as just an “employee” of Tony Stark at this point. At times, we get the impression that he is the team leader. In reality, each member gets the spotlight as ‘chairperson’ and is essentially in command that given month. The most we get out of him, from a personality standpoint, is the constant mention of his transistor/repulsor tech issues and that if he runs out of power, the shrapnel lodged near his heart will kill him.
  • Thor is the magic-based muscle of the team. Since his alter ego of physician Doctor Don Blake is still in play at this time, there’s not that much of a “stranger in a strange land” vibe to him. His speech patterns haven’t ventured into the Shakespearean as of yet. Much like Iron Man, Thor was primarily defined by the fact that, if he was separated from his hammer for more than sixty seconds, he’d revert back to Don Blake.
  • The Hulk was more of a surly and cranky giant, ready to fight at the drop of a hat than a monster with the mind of a child that he later became most known for. Whatever triggered Bruce Banner’s transformation into the emerald behemoth at this time was not explained. He also didn’t disappear after issue 3 as many would believe. Hulk was more of a presence throughout that first year of the book than I remembered.
  • Ant-Man/Giant Man was the resident super-scientist. He also felt like a two-fisted pulp action hero back in these early years. This dichotomy may have been just happenstance. Or, it could have been an early seed of Hank Pym’s mental illness.
  • Wasp was “the woman” of any early Marvel comic, as we also see with the Enchantress and the Scarlet Witch later on. Janet Van Dyne never gets much deeper than “attraction to male compatriot” and “likes to have fun”. She wasn’t given much to do and had to be rescued often. That being said, there were times of ingenuity on the fly that would be the core of her much stronger characterization later on (during Roger Stern’s run).
  • Rick Jones is every teen sidekick of the era. He doesn’t show much personality, but he has unwavering loyalty to the Hulk (to whom he’s indebted for saving his life) and later Captain America. While his Teen Brigade can come off as hokey, because they avoided many of the modern clichés of teen angst/ineptitude/etc, they came across as competent and welcome allies of the Avengers.
  • Captain America is the one man without crazy superpowers. In spite of this, Steve Rogers never hesitated to leap into battle to protect his fellow teammates or the world. He was a bit happier to jump into a fight than I recollected. Fans who started reading in the 80s-90s or who met Steve through the Marvel Cinematic Universe would be a tad befuddled. His depression over Bucky’s death (still fresh in his mind due to it happening right before he went on ice), without a doubt, was the catalyst. I don’t use the word “trauma” lightly. This guy goes into murder rage whenever Zemo (the one responsible for Bucky’s death) is involved. A perplexing trait of Steve’s is his vacillating from overprotective to complete jerk when it comes to Rick Jones.

Strategy and team tactics were sprinkled in every now and then. The teamwork really began to shine in the latter Masters of Evil issues (9, 15-16) and Cap’s dialogue felt truer than ever in one poignant scene; Captain America: “Feel my grip, Zemo. It’s the grip of a FREE MAN! Look into my eyes, tyrant. They’re the eyes of a man who would die for liberty! The world must never again make the fatal error of mistaking compassion for weakness and while I live, it won’t!”. “Avengers Assemble” being shouted for the first time in issue 10 by the God of Thunder was awesome. Issue 12 was where we started truly seeing the dramatic tension between team members as Hank’s warnings about something being amiss underground were dismissed (the threat turned out to be the Mole Man). The seeds of potential mistrust of the power the team has were planted in issue 13. Count Nefaria, while holding the real Avengers captive, sent hard light projected duplicate Avengers to a meeting at the Pentagon, where they ordered a full surrender of the government. Of course, the real Avengers had to deal with the fallout from this. I had no idea that the team took on the United States military that early in their run. The culmination of the battle saw an Avenger get mortally wounded by a stray bullet. I was left flabbergasted at the end of that story.

Albeit, the innate charisma of each of these characters hadn’t come into play as of yet, they provided plenty of thrills as they took on some of the toughest villains from around the Marvel Universe. I’ve heard it be stated that the Avengers never faced larger than life “widescreen” threats until the era of The Ultimates/New Avengers. That couldn’t be further from the truth as the first year and a half saw the team do battle against an Asgardian god, an alien that could take the form of whatever Avenger he wished, and pitted the team against each other in brawls that swept across New York, a Hulk/Namor team up, an Atlantean incursion, a unified front featuring the arch-nemesis of each of the Avengers, a warlord from the future, and so on and so forth. This book doesn’t get the credit it deserves for really placing them against “foes that no single superhero could withstand” from the very beginning. A few things of note as far as the villains were concerned:

  • Seeing the Hulk and Namor’s alliance (issue 3) and waiting for one to betray the other was hysterical.
  • Even in his first appearance in 1964, Kang the Conqueror, one of my favorite villains, went beast mode on the Avengers (issue 8).
  • Zemo and the Masters of Evil’s presence loomed heavily over the first year’s worth of stories.
  • As ridiculous as some of the early adventures were, there was also some sound logic. Count Nefaria (issue 13) never physically assaulted someone himself and always pulled strings from behind the scenes, trying his damndest to make sure that it was much more difficult to directly connect his crimes to him.
  • Issues 15-16 unquestionably felt like a “season finale”, with a final showdown against the Masters of Evil and Heinrich Zemo’s fate at the hands of Captain America.

On the one hand, the quirks of the writing made for an exciting read. On the other hand, said surprises led to some funny and sometimes head-scratching moments. While testing the newfound super strength and invulnerability of the reluctant villain, Wonder Man (issue 9), the Executioner, an Asgardian god, took out a revolver to shoot him.  Hank Pym often had a sixth sense referred to as his “cybernetic sense” and I’m still waiting for an explanation of what that is. I’ve never seen the word “whirling” used in a comic as often as it is in these early issues (Thor’s whirling hammer, Cap’s whirling shield, Iron Man using his repulsors to place opponents in a perpetual “whirling” state). The most baffling aspect during that first year and a half was the handling of the Asgardians and their abilities. Thor’s powers and power levels would change at the drop of a hat. He’d walk away from being submerged in lava by the Lava Men (issue 5) without so much as a scratch, only for him to nearly get taken down by a stun beam from the Black Knight in the very next issue. His hammer, Mjolnir, can manipulate magnetic fields and at one point was even used as an alien detector (issue 14). The Enchantress showed a power that I didn’t even know she had…TIME TRAVEL. Furthermore, the plethora of “a product of its time” elements in these issues can be a bit much for younger readers not used to them. Women in these stories only cared about makeup and going out on the town. Natives of foreign non-white countries were subservient and unintelligent. Even random bits of dialogue could be cringe at times. Cap, along with Rick Jones, were trapped in the Amazon and Steve randomly shouts “A White Man—being attacked by a leopard! Too far for me to reach him in time!”

The visuals went through quite a metamorphosis midway through this era of the founders. The book started with “The King”, Jack Kirby, whose detailed layouts were made to not just be read, but absorbed. Then, along came Don Heck, who was less renowned for his detailed backgrounds and more known for his far above average character acting. The art change made for a hell of a transition between issues 8 and 9. Both had their strengths and weaknesses. Be that as it may, both crafted insanely entertaining visuals.

Overall, I feel like Steve Rogers did at the end of issue 16; a bit later to the party than those who were around from the very beginning, nevertheless, experienced enough to tackle the challenges that a new team brings. That new team (Cap, Hawkeye, Scarlet Witch, and Quicksilver) will be the focus of part two of this Avengers retrospective. Until next time, AVENGERS ASSEMBLE!

Marvel and Harlequin Deliver 6 New Digital Comics For You on comiXology

There’s six new digital comics available now on comiXology from Marvel and Harlequin. Revisit some classic stories or enjoy some romance manga now. Check them out now or the individual issues below.

Avengers: Above And Beyond

Written by Kurt Busiek, Steve Englehart, Roger Stern, Roy Thomas
Art by Ian Churchill, Alan Davis, Steve Epting, Tom Grummett, Klaus Janson, John Paul Leon, Jorge Lucas, John McCrea, Pat Olliffe, Ivan Reis, Paul Smith, Jim Starlin
Cover by Alan Davis
Purchase

Collects Avengers (1998) #36-40, #56 and Annual 2001; and Avengers: The Ultron Imperative.

The Avengers learn what too much of a bad thing can be when they face a city of robots and a village of Hulks! And in other international news, Blood Wraith has a BIG problem with Ultron’s extermination of Slorenia! Meanwhile, Silverclaw shines and Triathlon triumphs in Kurt Busiek’s penultimate Avengers saga! Featuring the villainy of Ultron, Diablo and Kang the Conqueror.

Avengers: Above And Beyond

Captain Universe: Universal Heroes

Written by Jay Faerber, Craig Kyle, Jeff Parker, Christopher Yost
Art by Carlos Magno, Francis Portela, James Raiz, Paulo Siqueira
Cover by Daniel Acuna
Purchase

Collects Captain Universe: Daredevil, Increcible Hulk, Invisible Woman, Silver Surfer, X-23 and material from Amazing Fantasy (2005) #13-14.

Captain Universe is known as the name for the recipient of the mysterious Uni-Power, a special kind of energy that endows an individual with superhuman powers during a time of crisis. How it has determined its hosts in the past remains a mystery. Now, the unraveling of one of the greatest enigmas in the universe begins as the Uni-Power must possess a handful of Marvel heroes-Hulk, Daredevil, X-23, Invisible Woman and Silver Surfer-to save itself form an enemy hell bent on its destruction!

Captain Universe: Universal Heroes

Last Hero Standing

Written by Tom DeFalco
Art by Pat Olliffe
Cover by Mark Bagley
Purchase

Collects Last Hero Standing #1-5.

The great heroes of the Marvel Universe are vanishing without a trace! What has happened to Spider-Man, the Thing, the Scarlet Witch, Captain America and the rest of the MU’s heavy hitters? Spider-Girl, the Fantastic Five and A-Next must join forces with today’s superstars to uncover the answer – and the trail leads to a major Avengers villain! Does the presence of the Watcher signify the end of this age of heroes?

Last Hero Standing

Last Planet Standing

Written by Tom DeFalco
Art by Pat Olliffe
Cover by Pat Olliffe
Purchase

Collects Last Planet Standing #1-5.

At last! The long awaited sequel to last year’s surprise hit, the sold-out Last Hero Standing, which Ray Tate of Silver Bullet Comics called “a comic book mini-series that’s worth buying!” For centuries beyond reckoning, Galactus has consumed entire worlds to satiate his never-ending quest for sustenance, but now he has a new plan – one that may threaten the very existence of the entire Universe! Featuring Thor, the Warriors Three, the Avengers, Spider-Girl, the Fantastic Five and the Shi’ar Imperial Guard!

Last Planet Standing

Mega Morphs

Written by Sean McKeever
Art by Lou Kang
Cover by Lou Kang
Purchase

Collects Mega Morphs #1-4.

Some dangers are too big for even the Marvel Super Heroes; that’s when they activate Tony Stark’s newest inventions: the Mega Morphs! Super-powerful, high-tech transforming robots piloted by the unlikely team of NEW AVENGERS’ Spider-Man, Captain America and Wolverine — along with Ghost Rider and the Hulk?! Join fan-favorite writer Sean McKeever and superstar-on-the-rise Lou Kang for furious fighting featuring Marvel’s heaviest heroes in giant-robot action!

Mega Morphs

The Tycoon’s Marriage Bid/The Fifth Day of Christmas

Written by Betty Neels, Patricia Thayer
Art by Kuremi Hazama
Purchase

When Ellie’s delivery truck crashes, she is surprised that a handsome businessman offers to help her out. Normally, she is happy to reject any man’s advances, choosing to focus on developing her family’s wine brand instead. But something about this man enchants her. After he helps her, she expects to never see him again. That is, until he shows up later on her property, offering to buy out her family’s precious vineyard!

The Tycoon's Marriage Bid/The Fifth Day of Christmas

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Earth’s Mightiest Heroes: An Avengers Retrospective

Avengers #189

Guest contributor Gene Selassie kicks off a new feature as he re-reads the entire run of The Avengers from the beginning! Welcome to “An Avengers Retrospective“.


“The First of a Star-Studded Series of Book-Length Super-Epics featuring some of Earth’s Greatest Super Heroes” was splashed on the opening page of Avengers issue number one, which was released in September of 1963. A friend’s father owned the book and I was enamored by it when he showed us. Ten-year-old Gene was awestruck. At the time, I had only been reading Iron Man regularly. Due to the numerous Avengers guest appearances throughout the years, the door was cracked open for me to explore that team book. My first Avengers issue was purchased at the Big Top Flea Market in Tampa. The oldest issue that the vendor had for sale was issue #189, which was written by Steven Grant and Roger Stern and drawn by John Byrne. This was the issue that alluded to Falcon getting a spot on the Avengers due to Affirmative Action. Hawkeye being the one to lose his spot to Sam Wilson, well, to say that it didn’t sit well with him would be an understatement. Forthwith, Clint Barton started out on my shit list. However, staying with the book and subsequent spinoffs, I gained respect for Barton, who went on to become tied with Iron Man as my favorite Avenger.

In due time, after scouring back issue bins at comic book stores, several other Avengers became personal favorites: the star-spangled Avenger, Steve Rogers aka Captain America; the energy wielding former Captain Marvel, Monica Rambeau aka Photon; scientist supreme, Hank Pym aka Ant-Man; protector of the universe, Wendell Vaughn aka Quasar; one of the first Avengers to have to balance super-heroing with being a single mother, Julia Carpenter aka Spider Woman II; another hero having to balance avenging and attending college, Miguel Santos aka Living Lightning. I could keep going all day long.

Many of my comic reading friends consider me to be the biggest Avengers fan of all time. While I’d be enamored to claim that title, I have many gaps or lapses in my run. Therefore, I decided to rectify this by doing a deep dive. Setting out to read every single issue of The Avengers may be easier in the age of Marvel Unlimited, comiXology, and Marvel Masterworks, but that doesn’t guarantee the availability of every single issue. The fun will be in tracking them down.

I will be doing a biweekly column, highlighting my progress and my findings. It is my hope that, through this journey, I can explore the peaks and valleys of the franchise and relay my unrequited love for Earth’s Mightiest Heroes.

A New Phoenix Takes Flight in the Avengers “Enter the Phoenix” Trailer

The Phoenix has returned but who will wield its unpredictable power? And will they wreak chaos and destruction or life and rebirth? ‘Enter the Phoenix,’ the latest story arc in Jason Aaron’s critically acclaimed Avengers run, will answer these questions and more as the cosmic force stages an earth-shattering competition to find a worthy new host. Some of Marvel’s mightiest heroes and villains will enter the fray but in the end, only one will rise!

The legendary Phoenix Force has been a major player in the pages of Aaron’s Avengers saga. Revealing the key role it played in building the very foundation of the Marvel Universe, Aaron now brings this time and space-spanning story to a startling climax that will forever redefine this omnipotent force of nature!

Get your first look at the battle that will erupt to decide who will be the all-new Phoenix in the Avengers ‘Enter the Phoenix’ trailer, featuring never-before-seen artwork from the highly-anticipated story!

Don’t miss the fiery return of the Phoenix Force when the ‘Enter the Phoenix’ saga kicks off in Avengers #40 on December 30th! It features art from Javier Garrón and a cover by Leinil Francis Yu.

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