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(Update) Image Announces 100% of the March Women’s History Month Variant Proceeds to Go to Planned Parenthood

Posted on February 3, 2017 by Graphic Policy Team

Image Comics has revealed the first five of 11 variants planned for March’s 25th anniversary theme month—“Women’s History.” The variants will serve to celebrate the careers of women in comics, the strides made throughout comics history made by the women’s movement, and the company’s history of shaking up the status quo. 100% of the proceeds made from these March Women’s History variant covers will be donated to Planned Parenthood. ~~We’ve reached out to Image to clarify exactly what is being donated.~~

(Update) We asked for clarification as to what would be donated. Image responded with:

Any money Diamond pays Image for these Women’s History variants covers will instead be donated to Planned Parenthood. Image Comics will cover the artists’ fees for these covers.

In the release announcement Director of Sales at Image Comics Corey Murphy said:

Many of Image Comics’ staff—myself included—and an ever-growing catalog of some of the most talented writers and artists in the industry, feel strongly about supporting women’s reproductive rights. Women have come a long way in this country, and the progress that’s been made is in part due to the efforts Planned Parenthood has made in sex education and affordable, preventative healthcare. I’m extremely proud to be a part of a company that’s unafraid to take a stance in supporting a non-profit that’s recently been under fire. This month we celebrate Women’s History, the strides the women have made in the comics industry, and the difference that everyone—male and female—has made by coming together in spreading equality.

Each month of Image’s 25th year will boast a theme for special anniversary variants, beginning with Wednesday, February 1st—the exact date of Image Comics’ founding in 1992, and the date of this year’s “Image Comics Day.”

Available in stores on Wednesday, March 1st:

Rat Queens #1 by Kurtis J. Wiebe & Owen Gieni, variant artwork by Colleen Doran (Diamond Code DEC168662)
Royal City #1 by Jeff Lemire, variant artwork by Emi Lenox (Diamond Code DEC168665)

Available in stores on Wednesday, March 8th:

The Wicked + The Divine #27 by Kieron Gillen & Jamie McKelvie, variant artwork by Chynna Clugston-Flores (Diamond Code DEC168658)
Motor Crush #4 by Brenden Fletcher, Cameron Stewart & Babs Tarr, variant artwork by Leslie Hung (Diamond Code DEC168659)
East of West #32 by Jonathan Hickman & Nick Dragotta, variant artwork by Meredith McClaren (Diamond Code DEC168668)
Low #16 by Rick Remender & Greg Tocchini, variant artwork by Vanesa R. Del Rey (Diamond Code DEC168663)

Available in stores on Wednesday, March 15th:

Moonshine #6 by Brian Azzarello & Eduardo Risso, variant artwork by Jill Thompson (Diamond Code DEC168660)

Available in stores on Wednesday, March 22nd:

She Wolf #7 by Rich Tommaso, variant artwork by Marian Churchland (Diamond Code DEC168661)
Magdalena #1 by Tini Howard, Ryan Cady & Christian Dibari, variant artwork by Roberta Ingranata (Diamond Code DEC168666)

Available in stores on Wednesday, March 29th:

Monstress #11 by Marjorie Liu & Sana Takeda, variant artwork by Sanya Anwar (Diamond Code DEC168664)
Old Guard #2 by Greg Rucka & Leandro Fernandez, variant artwork by Nicola Scott (Diamond Code DEC168667)

The Final Four Image Variants

Posted on January 31, 2017 by Graphic Policy Team

Image Comics has revealed the final 4 of 15 tribute variants planned for February’s 25th anniversary theme month to round out the full list of “tribute covers” celebrating the legendary cover images from throughout the Image’s history.

The newly revealed tribute variants include: Sean Lewis & Hayden Sherman’s The Few #2 commemorating Jonathan Hickman & Nick Dragotta’s East of West #1, Chris Dingess, Matthew Roberts, Owen Gieni’s Manifest Destiny #26 commemorating Jonathan Layman & Rob Guillory’s Chew #1, Marjorie Liu and Sana Takeda’s Monstress #10 commemorating Todd McFarlane’s Spawn #1, and Outcast by Robert Kirkman & Paul Azaceta #25 commemorating Rob Liefeld’s Brigade #1.

Each month of Image’s 25th year will announce a list of special themed anniversary variants, which will begin to hit shelves on Wednesday, February 1st—the exact date of Image Comics’ founding in 1992, and the date of this year’s “Image Comics Day.”

If/Then: Resident Evil: The Final Chapter

Posted on January 27, 2017 by Brett

When it comes to suggesting comics for individuals to check out, it’s often good to start with what they like in other media like television, movies, books, or video games. Enter If/Then, where we’ll throw out suggestions for you to check out!

Returning to theaters this weekend is the kick-ass Resident Evil: The Final Chapter.

The human race’s last hope against apocalyptic obliteration is super soldier Alice (Milla Jovovich), but she’s been stripped of her psychic powers. She must form alliances and rally survivors in Raccoon City for the climactic battle against the Umbrella Corporation and its ravenous hordes of the undead. This sixth installment of the video game-inspired franchise is directed by Paul W.S. Anderson.

So, we’ve got a zombie flick headed up by a kick-ass female lead. I think we’ve got some comics that can fill that niche. If you want to know what you should check out, find out below.

Resident Evil (Manga by Viz Media) – Did you know there’s Resident Evil comics? The highly virulent C-virus became a global disaster, but where did the outbreak start? In this prequel to the hit Resident Evil 6 game, the terrifying origins are revealed.

Published by Viz Media, this manga series will keep you entertained and immersed in the world of Resident Evil. If you love the video games and the movie then you should absolutely check these manga out to find out what you’ve been missing. Each volume perfectly captures and extends the world on the printed page.

The Walking Dead (Skybound Entertainment/Image Comics) – Yes, there’s a television series, but before that, there was a comic series. For well over 100 issues the story of Rick, Carl, Michonne, and more has been chronicled in shocking and gory detail.

This one is for fans of the zombie aspect of the movie and video game series it differs enough from the television series that you’ll be kept on your toes and is more gory and unrestrained.

DC Comics Bombshells (DC Comics) – If you like the idea of kick-ass women, this comic series might be for you if you’re also into superheroes. Set in an alternative world this series takes inspiration from bombshell/pin-up art putting the women front and center as the world’s superheroes. What has me including this comic series on the list is its strong feminist leads and it’s women saving the day, much like Alice. Entertaining and action-packed, it’s a solid alternative for those looking for a world where women are the ones doing the punching, taking the lead, and the ones saving it.

Buffy, the Vampire Slayer (Dark Horse) – Numerous volumes have been released bringing the popular character from television to comics. Released as seasons, the comics act as a continuation of the world made popular on the small screen. Replace zombies with demons and vampires and you’ve got a more teen-friendly take on a similar story.

Monstress (Image Comics) – Steampunk meets Kaiju in this original fantasy epic for mature readers, as young Maika risks everything to control her psychic link with a monster of tremendous power, placing her in the center of a devastating war between human and otherworldly forces. A horror fantasy series full of monsters and magic is as jaw dropping beautiful to look at as it is engaging to read.

What would you suggest that I didn’t include? Sound off in the comments below!

Madison’s Favorite Comics of 2016

Posted on January 6, 2017 by Madison Butler

Last year I prioritized cutting back on cape books and diversifying the publishers and stories that I read. Though many of the comics I read weren’t published in 2016 (especially ones I read during Women’s History Month) I still found it hard to narrow down the list of ongoing series I particularly loved throughout the year.

Here are ten comics I couldn’t put down in 2016:

10. Goldie Vance by Hope Larson and Brittney Williams

This is a series I would have loved as a child. Goldie is the perfect mix of Nancy Drew and Eloise (of Plaza fame). Goldie Vance is great for a younger audience but doesn’t shy away from emotionally complex stories. Goldie and her friends are well-rounded characters with a wide range of interests who readers–young and not-young alike–will be able to relate to.

9. Elasticator by Alan C. Medina and Kevin Shah

Elasticator is the kind of smart, political superhero comic I wish was more prevalent. The writing is fresh and interesting and Shah’s art is lively and animated with great colors from Ross A. Campbell.

8. Snotgirl by Bryan Lee O’Malley and Leslie Hung

Lottie Person is just about as far away from Scott Pilgrim as you could get, though they do, at times, share a similar self-absorption. Snotgirl quickly became one of my favorite series of the year, because while not many people can say they’re successful fashion bloggers, they can likely relate to Lottie’s personal problems. Leslie Hung and Mickey Quinn provide gorgeous, vibrant visuals and the best wardrobe in comics, to boot.

7. We(l)come Back by Christopher Sebela and Claire Roe

Reincarnation? Check. Assassins? Check. Shadowy organizations? Check. A+ fashion choices? Check. Reincarnated assassins in love running from other assassins who are trying to assassinate them? …Also check. What more can you want from a story?

6. Shutter by Joe Keatinge and Leila del Duca

Shutter is one of Image’s most underrated titles. The story follows Kate Kristopher, the daughter of legendary explorer Chris Kristopher, and her discovery of some little-known family history. The comic is consistently interesting not only because of its plot, but because del Duca and colorist Owen Gieni are constantly experimenting with narrative structure and using different techniques to influence how the story is read.

5. Clean Room by Gail Simone and Jon Davis-Hunt

Clean Room is a creepy psychological horror comic about journalist Chloe Pierce’s investigation of self-help master Astrid Mueller, who Pierce suspects is more cult leader than anything else. Or is she? Mueller is a fascinating character, and the unknowable question of which side she’s actually on only adds to the story’s suspense.

4. The Wicked + The Divine by Kieron Gillen and Jamie McKelvie

What if you could be a god, but you’d die within two years? Consistently equal parts entertaining and heartbreaking with consistently incredible art and color from Jamie McKelvie and Matt Wilson. You’ve probably heard of this one.

3. Mockingbird by Chelsea Cain, Kate Niemczyk, Sean Parsons, and Ibrahim Moustafa

One of the few superhero comics I read this year, Mockingbird was one of my absolute favorites. Cain writes Bobbi Morse as confident and smart, and the result was a fun mystery thriller with gorgeous art. The series also featured some of my favorite colors and covers this year, by Rachelle Rosenberg and Joelle Jones.

By the time I write my 2017 list, I might be over Mockingbird’s cancellation.

2. Bitch Planet by Kelly Sue DeConnick and Val DeLandro

2016 was light on Bitch Planet–only four issues were released throughout the year–but continued to provide insightful and relevant commentary in what turned out to be a period of rapid change in the real-life political landscape.

1. Monstress by Marjorie Liu and Sana Takeda

Monstress started strong in 2015 and only got better. The main character, Maika, is a teenage girl living with a monster inside, something she learns to live with and use to her advantage as the plot develops. Monstress is full of unrepentant female characters set in a stunningly rendered fantasy world.

Ms. Monster

Posted on October 31, 2016 by Madison Butler

During my undergraduate study, I spent an enlightening semester learning entirely about women writers and how they write women and girls. It’s something I’ve carried with me, especially in reading comics. While it is now less rare for women to occupy a central role in comics, the field is still overwhelmingly male-dominated and male character-centric. This often leaves female characters in a space that is Other, or separate from the norm.

With creator-owned comics on the rise, women are now able to carve spaces in which to tell their own stories. Two stories in particular, Kelly Sue DeConnick and Valentine DeLandro’s Bitch Planet and Marjorie Liu and Sana Takeda’s Monstress, challenge the Othering of femininity by exploiting the connection of femininity to monstrosity and allowing characters to reclaim this aspect of their identities by embracing the monstrous.

It is possible to understand this reclamation of identity by using Julia Kristeva’s theory of abjection as a lens. Kristeva is a Bulgarian-French philosopher, psychoanalyst, and feminist whose work spans multiple disciplines but is prominent in structuralism and poststructuralism.

Powers of Horror: An Essay on Abjection outlines Kristeva’s theory of abjection in a very French and somewhat complex way. The abject, by definition, is a “non-object” that lingers in a person’s psyche as a consequence of repression. The abject disturbs system, identity, and order. To abject something is to other it from the “I,” pushing it away from the self to maintain personal boundaries.

A simple example of this sort of behavior is food loathing. This is a common behavior, especially in children, but the dissonance between something that is supposed to nourish and the unpleasant taste or nauseous feeling causes abjection. If you hated broccoli as a kid or avoid a certain food after eating something and getting sick, this is a basic form of abjection.

Abjection can also exist among people, so when discussing abjection it is important to make a distinction between subject, object, and abject. The subject is “I.” (When you, reader, speak about yourself, your thoughts, you say “I.” You’re subject.) Now table that thought for a moment. The difference between object and abject is contingent on one point. Objects hold weight and meaning. The abject is not an object because it does not hold weight. The only “object” quality the abject possesses is that it opposes the “I.”

One example Kristeva uses to distinguish each definition is that of a corpse. Kristeva says corpses are simultaneously subject, object, and abject–the body was once a person, a subject, but became object after death. Corpses are also abject because they force us to consider the uncomfortable truth of our inevitable deaths.

What both the food loathing and corpse examples have in common is the idea that they are improper or unclean. People and bodies will abject things they deem “incorrect,” but what is unclean, gross, or incorrect doesn’t directly cause abjection; they create a disruption of a person’s system, identity, and order and that causes abjection. Disruption of the boundaries demonstrates their fragility.

Abjection of people is driven by a failure of one member of a group to recognize its kin. This same lack of recognition drives fear of what has been deemed Other. A person possessing some quality that has been deemed “incorrect” on a larger social scale causes a lack of recognition, which is perpetuated on an individual level. This creates a cycle of fear and rejection by engendering disgust for the “not normal” or “not human.” Social constructs are upheld and continue to oppress the abject.

According to Kristeva, one natural reaction to abjection is religion, which is an attempt to create order where the abject has disturbed it. Using this reasoning, the formation of governing bodies–including the Cumaea in Monstress and the male-led government in Bitch Planet—are an attempt to control the abject.

Kristeva says another natural reaction to the abject is to create art. Using comics to explore the abject allows both readers and creators to approach the subject in worlds both fictional and real. The settings of the comics discussed here (an off-world prison and an alternate version of early 20th century Asia) allow writers and artists to discuss issues present in real life. The main characters of both comics are monstrous women, all of whom are attempting to create their own space in the world. Comics give these creators a space to both examine the abject and criticize the social systems that oppress the abject in a fictional world, as well as in our real one. (Bitch Planet also accomplishes this by including essays in the backmatter of single issues.)

In Kelly Sue DeConnick and Valentine DeLandro’s Bitch Planet, women who are determined “non-compliant” are shipped to an off-world prison. Non-compliance in women is determined by any number of “crimes,” including being “aesthetically offensive,” obese, or transgender. In Bitch Planet, misogyny is taken to an extreme level. Women who fall outside of a narrow box of acceptable gender behavior and presentation and individuals who don’t conform to traditional binary standards are punished for existing. It’s a harsh critique of the standards women are held to in real life–both behaviorally and aesthetically.

Monstress, by Marjorie Liu and Sana Takeda, combines a number of fantasy elements that make up an alternate Asia, which plays home to Maika, an Arcanic teen. The Arcanics’ magic makes them highly desired by the Cumaea, a religious order that uses Arcanic Lilium to enhance the powers of its members. Arcanics are regarded as a lowly sub-human class, which allows the story to explore themes of racism and slavery. Since it is told from Maika’s perspective, much of the story also focuses on her strength (inner and outer) as she resists the oppressive force of the Cumaea.

Though they take place in vastly different worlds, Bitch Planet and Monstress feature protagonists who have been Othered in some way. The characters readers are meant to root for and maybe even identify with are seen as non-human because they disrupt established social structures and system, identity, and order.

Inmates of the Auxiliary Compliance Outpost are abject for any number of reasons, from not being feminine enough to “driving” their husbands to infidelity. They are treated inhumanely, used only as an example for other women and bodies in sport. The women find a sense of community with each other, bound by their monstrous qualities.

Maika of Monstress is introduced as a slave, immediately establishing her as abject and Other. This is only furthered when readers learn of her powerful psychic connection to a literal monster that she refers to as her “hunger.” Maika is considered a monster even before she embraces this title.

The pathologization of women’s behavior in Bitch Planet and demonization of Arcanics mean that these characters are considered monsters regardless of whether their behavior reflects that designation. Neither comic is subtle about its connection of femininity to the monstrous, and both take care to show that women’s experiences with society intersect differently based on race and sexuality.

The metaphor of the monstrous is accessible in Bitch Planet, where the particularly relevant issue three focuses on how women are punished for attempting to conform to social standards (taking part in harmful diets and beauty rituals) and for living outside these standards (in which case they are made social outcasts). The metaphor is equally accessible in Monstress, where Maika quite literally lives with a murderous monster called Monstrum inside of her. The Monstrum, though dangerous, helps Maika to defend herself against threats and to withstand constant dehumanization.

These works are important because they bring to light issues that some readers may not experience because of their social or economic privileges. By forcing readers to interact with abject concepts, these stories also force readers to consider perspectives they otherwise wouldn’t because readers themselves wish to escape the uncomfortableness of the topic. These stories also examine institutions which have been founded on oppressive platforms whose original intent was to protect the privileged from the abject.

Despite being considered monstrous, the characters in either comic embrace this aspect of their identity. Inmates in Bitch Planet use their strengths as non-compliant women (both physical and mental) to fight for their freedom. While Maika’s goal is to find answers about her mother’s death, she also uses her monstrousness to protect other Arcanics and fight the Cumaean order. This is a way to claw back at the systems that have rejected and othered them and to reclaim their identities and their rights to live a free and happy life.

Characters pushing back against oppressive systems reflect the real-life struggle for equality between the abject and those who have abjected them. These characters want to be seen as an “object” rather than Other in the sense that this would allow them to be recognized by their peers as non-abject and human.

Though Bitch Planet and Monstress explore vastly different worlds, they both offer a unique approach to examining the abject. And as female characters fight for and claw out their own space in their worlds, their creators do the same in ours.

This paper was originally presented as part of the 2016 Comics and Popular Arts Conference in Atlanta, Georgia.

Review: Monstress #7

Posted on October 13, 2016 by Madison Butler

Maika’s journey of discovery takes a somewhat darker turn in the latest installment of Marjorie Liu and Sana Takeda’s Monstress. You have been warned.

After sacrificing what remained of her left arm to defeat the Cumean Mother Superior, Maika has returned to her mother’s home with Kippa and Ren in hopes of getting answers about the mask and photograph she’s been carrying. Maika’s life before the story began has been slowly revealed in fragments, and her trip home allows for natural development of her background. Readers meet some new people from Maika’s past, each of whom are equally as interesting and surprising as every other character.

While this issue explores more of Maika’s history, it also explores the rising tension between her and Kippa. Kippa, though loyal, has grown as a character immensely since her introduction. As she grows, so does her kindness and sense of right and wrong. In the first arc of the story, Maika grew steadily more ruthless as she recognized the Monstrum’s power. Though Kippa is young and innocent, her moral code is strong and the story offers no clues as to how the growing conflict between the two will be resolved.

Monstress #7 also explores a little more background on Ren, a nekomancer. The nekomancers are, as their name implies, cat necromancers, which is not only an interesting and unique concept, but also one of the best puns in a comic possibly ever. Bringing in the different groups keeps the comic well-rounded and balanced, and introducing them little by little.

Despite the increasingly detailed and complex worldbuilding, the comic doesn’t feel inaccessible. The experience of reading Monstress is, as always, fully fleshed out with Sana Takeda’s beautiful illustration. The amount of care and attention that goes into each character’s expressions and clothing contribute just as much to the worldbuilding as the lore of the story. The inclusion of detail in everyday scenes–filigreed perfume bottles, brocaded clothing, carved stone pillars–makes a lack of detail especially noticeable. Takeda applies a lack of detail masterfully, using it to emphasize the lack of control Maika has over her hunger.

The colors emphasize the detail and set the mood. Monstress is often serious in tone and deals with dark themes, but the comic itself is rarely visually dark. Dynamic, layered colors build up and add to the magic of the series. The amount of thought put into the colors and detail make Monstress an especially gorgeous fantasy epic that will stand the test of time.

Story: Marjorie Liu Art: Sana Takeda
Story: 10.0 Art: 10.0 Overall: 10.0 Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for review

Graphic Policy’s Top Comic Picks this Week!

Posted on October 11, 2016 by Graphic Policy Team

Wednesdays are new comic book day! Each week hundreds of comics are released, and that can be pretty daunting to go over and choose what to buy. That’s where we come in!

We’re bringing back something we haven’t done for a while, what the team thinks. Our contributors are choosing up to five books each week and why they’re choosing the books.

Find out what folks think below, and what comics you should be looking out for this Wednesday.

Alex

It was stupidly difficult to choose a top pick this week, between both Valiant books, All-Star Batman and Kill Or Be Killed. Any one of these books could have easily found themselves atop the list; the only reason behind the the top pick is because it was the last one I wrote…

Top Pick: Wrath Of The Eternal Warrior #12 (Valiant) – I heard a rumour that I haven’t verified yet that this series will be ending soon. That’s an incredible shame, because the past eleven issues have combined to form one of the best consecutive runs from any publisher over the past year. If this is the last, or second to last issue, then I’ll be sad to see this go. If not, then my favourite ongoing comic will continue and I’ll be happy.

All-Star Batman #3 (DC Comics) – This has been such a brilliant series so far (yes, I know we’re only two issues in), and getting to watch how Scott Snyder is treating two face is fantastic. I’ve never been happier to see Batman be this resourceful before. It’s a brilliant dose of the Dark Knight out of his element: the countryside in the day.

Britannia #2 (Valiant) – Valiant’s prestige style miniseries are often printed on a higher quality paper, which gives the pages a nice glossy feeling, which is in total juxtaposition to the story itself. Britannia is a bloody, no holds barred tale set in a violent time in Rome, and Britain’s, history. Peter Milligan and Juan Jose Ryp gave us a brilliant first issue, so I’m looking forward to the second quite a bit.

Hal Jordan and the Green Lantern Corps #6 (DC Comics) – Both Green Lantern titles have been excellent since Rebirth, but it’s this one that’s taken me by surprise most of all: normally stories set in space aren’t my forte, but for some reason I can’t get enough of this story.

Howard The Duck #11 (Marvel) – The final issue in the current run may (or may not) be bigger than a normal issue, and may (or may not) have a guest appearance from Spider-Man. It’ll be a shame to see this series go, but the ride was a fantastic one while it lasted. Here’s hoping it goes out with a bang.

Kill Or Be Killed #3 (Image Comics) – Ed Brubaker and Sean Phillips reunite for this story about a man who must kill bad people, or his life will take a drastic turn for the worse. It’s a gripping story, and one that delves deeper than the typical superhero/vigilante fare. Highly recommended.

Honourable mentions: Action Comics #965, Old Man Logan #12, Red Hood and the Outlaws #3, and Revolution #3

Mr. H

Top Pick: All-Star Batman # 3 (DC Comics) – I have enjoyed this title far beyond what I thought I would. The mix of Grindhouse and Gotham story telling has me on the edge of my seat. I think JR JR is turning in some of his best work in a high octane environment. Scott Snyder has officially taking the top of the mountain as the all time greatest Batman scribe. No only is the main story a joy but the back up tale by Snyder and Shevley is a thrill as well. I’m loving the development of Duke Thomas. This title can do no wrong in my eyes.

The Clone Conspiracy # 1 (Marvel Comics) – Well though this subject matter could be an absolute disaster I have more than enough faith that Dan Slott can make this a must see comic. I’m loving the rebirth of The Jackal under this Annubis motif and he’s not coming across truly evil. (Well not yet) Spidey has been so fun the past couple years and I don’t expect the party to stop here.

Shay

Top Pick: The Lost Boys #1 (DC Comics) – The hunt for Star is on as her “sisters” the Blood Belles search for her and the Frog Brothers & the Emerson Brothers try and keep the blood suckers at bay. I like throwbacks and a good horror comic and , it can’t be any worse than those gawd awful sequels.

Black Monday Murders #1, #2 & #3 (Image Comics) – This week you can get all caught up with the series thanks to the reprinting. Who doens’t like a tale of dirty money, corporate badies & the rebels who try and keep them at bay?

Belladonna #1 (Boundless) – A woman leading a troop of Warrior women. Sounds like all the girl power and I want to dig right in!

Batgirl & The Birls of Prey #3 (DC Comics) – The new Oracle is a superior bad ass and Gothams normal badies aren’t up to the task of running defense. in this next installment of the “Who is Oracle” the ladies face off against some of the most dangerous villains yet.

Brett

Top Pick: Sheriff of Babylon #11 (Vertigo) – Seriously, this is one of, if not THE, best comic on the market right now. It’s absolutely gripping and there’s one more issue to go in this story arc. We’re about to figure out all of the dirt in what is a murder mystery full of terrorists, crooked US operatives, and taking place in the Iraqi Green Zone.

Mosaic #1 (Marvel) – I’m intrigued, not going to lie. I want to see what Marvel does with this new character and to see how it all plays out.

Solarman #2 (Scout Comics) – The first issue was solid and I can’t wait to sit down and read the second. The classic character has been updated for modern times and it’s something that’s needed more of in comics.

Warhammer 40,000: Will of Iron #1 (Titan Comics) – I’ve been a Games Workshop and 40K fan for over 20 years at this point. So, a new comic having me excited is not a shock.

Warlords of Appalachia #1 (BOOM! Studios) – I’ve read the first issue and it’s solid with a solid premise, great art, and enough of a hook that I want to see what happens next. I think what impressed me most was that the first issue is a well thought out world with tons of small details including actual music you can play.

Anthony

Top Pick: Monstress #7 (Image Comics) – Marjorie Liu and Sana Takeda’s Monstress is a stunningly gorgeous series, rich in both art (with an aesthetic that combines traditional Japanese woodblock prints and a art-deco style) and the world being created. This new arc follows a violent clash with Maika’s captors as she and her companions Kippa and Master Ren, continue their journey to discover the true nature of the discovery that Maika’s mother made in the distant past.

The Fix #6 (Image Comics) – Roy and Mac are just two awful individuals living in a world surrounded by debauchery, lies and mindless violence. There is something about The Fix that makes it one of the best titles out there, combining this anti-hero dynamic with buckets of laughter each and every issue. With every new push in the story and characters introduced, it feels like the creative team still has plenty of potential ideas to work with, which is definitely a very, very good thing.

The Fade Out Deluxe Hardcover (Image Comics) – Collected here in one large tome is the excellent, Golden Age of Hollywood, alcohol infused, Eisner award winning noir series from the same team of Kill or Be Killed, Ed Brubaker, Sean Phillips and Elizabeth Breitweiser. If you missed the series, this looks to be the best bet collection wise as it contains all the back matter from the single issues and a ton of extra material.

Glitterbomb #2 (Image Comics) – Speaking of Hollywood, the first issue of Glitterbomb introduced us to Farrah and the harsh reality she faces trying to make a living as an actress in the sleazy, male-ego driven world. Jim Zub’s scripts are consistently packed with surprises, introducing a supernatural twist to Farrah. Djibirl Morisette-Phan and K. Michael Russell bring the scripts to life through some confident line work and dreamy use of colours, enhancing the emotion and dread especially when there aren’t any words on the page.

Kill or Be Killed #3 (Image Comics) – Dylan has just killed the first person he has deemed justifiable in the act. Ed Brubaker, Sean Phillips and Elizabeth Breitweiser have been crafting a fantastic tale, challenging the notions of morality, how our past shapes who we are and whether we can truly change as time passes by.

Graphic Policy’s Top Comic Picks this Week!

Posted on July 12, 2016 by Graphic Policy Team

Wednesdays are new comic book day! Each week hundreds of comics are released, and that can be pretty daunting to go over and choose what to buy. That’s where we come in!

We’re bringing back something we haven’t done for a while, what the team thinks. Our contributors are choosing up to five books each week and why they’re choosing the books.

Find out what folks think below, and what comics you should be looking out for this Wednesday.

Alex

Top Pick: The Paybacks #1 (Heavy Metal Magazine) – The first four-issue arc was superb, blending the feeling of overwhelming debt with superpowers and the humour that results from such an outrageous pairing turned into one of the best series I’d ever read from then publisher Dark Horse. Now that the Paybacks are back with Heavy Metal, I’m beyond excited to get my grubby mitts on them again.

Conan The Slayer #1 (Dark Horse) – I always get excited whenever a new Conan comic (or movie, but those are far fewer in frequency), but I inevitably stop reading them at some point – and usually I have no idea why, but a new Conan series is exactly what I want right now.

Nightwing Rebirth #1 (DC Comics) – I was never keen on the idea of Dick Grayson as a spy, and by not continuing to read his solo series post-Nightwing, apparently I missed out on a great series. But my dislike of spy heavy stories kept me away from the former Boy Wonder at first, and then there was a general reluctance to dive in after eight-plus missed issues. Now that the issue numbers are restarting, and the mask is back?

Old Man Logan #8 (Marvel) – After the last three issues left me barefoot (that’s a pretentious way of saying they blew my socks off), I have high hopes for the next arc. If it’s half as good as the last one, I’ll be happy.

Wrath Of the Eternal Warrior #9 (Valiant) – The Eternal Warrior is free from the Labyrinth and wants vengeance. I’m just happy to get another issue of my favourite series.

Javier

Top Pick: Nightwing Rebirth #1 (DC Comics) – Dick Grayson finally returns as one of my favorite characters, together with Tim Seeley rightfully taking back his writing duties. Looking forward to both.

Ragnarok #9 (IDW Publishing) – Walter Simonson’s latest take on Thor’s post-apocalyptic mythology is amazing. Yes, it’s old-school eighties comic book storytelling, but it’s also a pleasant escape to Valhalla—what’s left of it.

The Vision #9 (Marvel) – It’s been on my pull list since the beginning, and I’ve been raving about it since it came out. It’s now near its conclusion, and if King’s ‘Omega Men’ is a harbinger of things to come, we are in for a hell of an ending within the few remaining issues.

House of Penance #4 (Dark Horse) – Tomasi and Bertram have drafted a horror tale around the legendary Winchester House and its builders. This nightmarish western, with and without guns, has me gasping for air.

Wacky Raceland #2 (DC Comics) – This was one of my favorite Saturday morning cartoons back in the day. It was a goofy cartoon, but this most recent updated iteration is anything but. The writing is a bit rough, but the artwork is gritty and realistic, with well-drawn characters more representative of today’s diversity.

Anthony

Top Pick: Monstress Vol.1 TP (Image Comics) – If you missed out, now is your chance to catch up and devour one of the best titles released by anyone in 2016. Marjorie Liu has a firm, confident grasp on world-building, establishing quite a bit without feeling overburdened. The array of characters are all so well fleshed out and especially stand out from the insanely detailed artwork of Sana Takeda. Takeda’s designs are just dazzling. From the interior and exterior environments to the clothes being worn, Takeda’s illustrations never wane…you just may cry from how stunning this series is.

Kabuki Library HC Vol.3 (Dark Horse) – David Mack’s Kabuki is a very special series. Combining all sorts of art styles (watercolours, pencils, collage, etc.), Mack weaves in and out of them with a confident ease that never feels pretentious, just plain and simply amazing. These oversized ‘Library’ editions that Dark Horse has been releasing are truly the way to absorb this futuristic tale of an assassin that has been wronged. Words cannot really do justice to Kabuki. Each page is like a treasure beholden to the eye, sometimes requiring a closer examination for the full effect of its use of text (and a very interesting use of comic lettering) and image.

Descender #13 (Image Comics) – Tim-22 and Tim-21 are not getting along. Last issued revealed some backstory from Tim-22, putting some possible reasoning behind his violent tendencies compared to the doughy innocence of Tim-21. Jeff Lemire and Dustin Nguyen have been painting a wonderful sci-fi series so far that has yet to lose any steam.

Mirror #5 (Image Comics) – Mirror has been one of the most beautifully composed titles that Image has released this year. Emma Rios’s emotional script with Hwei Lim’s gorgeous, playful layouts make every single issue a treat for the eyes and mind. Every issue evokes a floating dream type of feeling that works quite well with its fantasy-like setting. A rising tension has been building from the first issue between the Synchronia and the animals of Irzah that is sure to come to a head in this final issue of the first arc.

Bloodshot Reborn #15 (Valiant Entertainment) – The first part of ‘Bloodshot Island’ was a Doctor Moreau-esque introduction to this mysterious place that Bloodshot has found himself in. With a cast of other Bloodshots that appear to have come from other eras and other specific wars all being hunted by a mysterious, powerful being, this looks to be another intriguing storyline crafted by Jeff Lemire. Plus, getting to see Mico Suayan’s incredibly detailed artwork is always a very, very good thing.

Mr. H

Top Pick: Hal Jordan and the Green Lantern Corps Rebirth #1 (DC Comics) – The return of Ethan Van Sciver to the GL books is such a welcome one for me. While I am not the biggest fan of Robert Vendetti’s writing the return of Ethan overshadows that for me. Plus Hal vs. Sinestro. Give me a ring and a charge, I’m going in!

Nightwing Rebirth # 1 (DC Comics) – Sad to see Grayson go, but Dick returns to the front lines again. I love the creative team on this book. Seeley and Pacquette make this a can’t miss for me. While we have the Bat Trainees going on in Detective Comics, I have a feeling Nightwing will show us why he is the first and greatest to graduate from Bat – U.Civil War II #3 (Marvel Comics) The specter of death looms high here. I have big fears that it’s going to be Tony Stark that bites the big one. However being the wrestling fan that I am and how unpredictable Marvel has been of late, I’m not ruling out the swerve here. So far the Civil War sequel has been good. I just want something to really ramp it up. Can’t have a war without deaths. Sprinkle a few Marvel!

Civil War II #3 (Marvel Comics) – The specter of death looms high here. I have big fears that it’s going to be Tony Stark that bites the big one. However being the wrestling fan that I am and how unpredictable Marvel has been of late, I’m not ruling out the swerve here. So far the Civil War sequel has been good. I just want something to really ramp it up. Can’t have a war without deaths. Sprinkle a few Marvel!Conan the Slayer #1 (Dark Horse Comics) I’ve always been a big fan of Conan both the character and late night talk show. (If they make a Conan the Slayer with the Flaming C I’d be all over it) So a new start and number one, makes this a

Conan the Slayer #1 (Dark Horse Comics) – I’ve always been a big fan of Conan both the character and late night talk show. (If they make a Conan the Slayer with the Flaming C I’d be all over it) So a new start and number one, makes this a no-brainer for me. Going to pick this one up and enjoy with some ale.

Action Comics # 959 (DC Comics) – This one just edged out this weeks Detective Comics for me, as I need to know what the heck is the deal with the 3rd Clark Kent? It he a time wraith (left over from the flash TV show) or an impostor or what? Plus my Superman’s return has been a joy and I’m always down for a tussle with Doomsday. Hope Metropolis is current on their insurance payments.

Brett

Top Pick: The Paybacks #1 (Heavy Metal Comics) – This was one of my favorite comic miniseries of recent years. It’s a combination of humor, action, and superheroes was beyond entertaining. The fact we’re getting more makes me jump for joy and hopefully others pick it up and find out what they’re missing. This is a series that deserves a wider audience and if you’re into superheroes with a great mix of humor, this is a series that’s a must get.

Aspen Universe Revelations #1 (Aspen Comics) – An Aspen book on my list?! Aspen is converging a few of their comic worlds into one cohesive universe and that begins here. Normally that happens on days ending with y in comics, but the fact that Josh Fialkov and JT Krul are writing it has me super stoked. Fialkov’s involvement is a coup for Aspen.

Horizon #1 (Skybound/Image Comics) – A new sci-fi series from Skybound/Image has me intrigued. That fact that it seems to be an allegory towards war and the current quagmire in the Middle East has me excited.

New Super Man #1 (DC Comics) – I’ve read the first issue and while it doesn’t completely blow me away, there’s a chance this series may be a brilliant dissection of copyright/intellectual property and the appropriation of it that goes on in China known as Shanzhai. If that’s the intention, I have no idea, but that’s how I’m reading it right now.

Rough Riders #4 (Aftershock Comics) – Just an amazing mix of history and utter weirdness.

Paul

Top Pick: Old Man Logan #8 (Marvel) – I have really been enjoying his book. Wolverine was never one of my favorite characters, and not being familiar with the original Old Man Logan story, I didn’t really know what to expect from this book. But wow, is there some good stuff going on in here. Loving the journey Logan is on, the darker art, the grit…if you’re not reading this book, you are missing out.

Civil War II Choosing Sides #2 (Marvel) – The first issue was a lighter read, but it is an interesting point of view to see the lesser known players in the MU taking their positions in this civil war. I do hope it gets a little deeper though, with more thought on the characters and not just a passing glance.

New Avengers #13 (Marvel) – This title has been a let down from the get go (for me anyway). A few characters I was excited to see really got lost in this book, and this Maker big bad hasn’t been that big a threat. However, things have turned around with the new civil war making waves. The team has been divided on the issue and now things are getting interesting. The Maker is unleashing his New Revengers in this issue, so I’m looking forward to that; plus Songbird just looks kick ass on the cover, so I haven’t totally given up on this yet.

Wacky Raceland #2 (DC Comics) – The first issue was indeed a wacky ride…and I liked it! This adaptation of an old kids cartoon is definitely more grown up; apocalyptic waste land, racers driving for their lives… and cars that talk! I’m looking forward to the next lap of this race.

Image Announces New Image Firsts

Posted on June 13, 2016 by Graphic Policy Team

Image Comics has announced the release of three new Image Firsts editions—printings of the first issues of popular series that only cost $1. Perfect for readers interested in trying out a variety of new series without feeling the effects on their wallet, these new releases will be available in stores on July 13th, just in time San Diego Comic-Con.

The three new titles are Paper Girls #1 by Brian K. Vaughan and Cliff Chiang, Monstress #1 by Marjorie Liu and Sana Takeda, and I Hate Fairyland #1 by Skottie Young.

The final order cutoff deadline for retailers on all three is Monday, June 20th.

PAPER GIRLS #1

In the early hours after Halloween of 1988, four 12-year-old newspaper delivery girls uncover the most important story of all time. Stand By Me meets War of the Worlds in this mysterious young adult adventure, starting with a spectacular double-sized first issue. The Image Firsts: Paper Girls #1 edition is available with Diamond Code MAY168030.

MONSTRESS #1

Steampunk meets Kaiju in this original fantasy epic for mature readers, as young Maika risks everything to control her psychic link with a monster of tremendous power, placing her in the center of a devastating war between human and otherworldly forces. The adventure begins in a spectacular triple-sized first issue, with sixty-six pages of story. The Image Firsts: Monstress #1 edition is available with Diamond Code MAY168031.

I HATE FAIRYLAND #1

The Adventure Time/Alice in Wonderland-style epic that smashes its cute little face against Tank Girl/Deadpool-esque violent madness has arrived. In an adventure that ain’t for the little kiddies, (unless you have super cool parents, then whatever), you’ll meet Gert—a six year old girl who has been stuck in the magical world of Fairyland for thirty years and will hack and slash her way through anything to find her way back home. Join Gert and her giant battle-axe on a delightfully blood soaked journey to see who will survive the girl who hates Fairyland. The Image Firsts: I Hate Fairyland #1 edition is available with Diamond Code MAY168029.

Review: Monstress #6

Posted on May 25, 2016 by Madison Butler

As with previous issues, Marjorie Liu and Sana Takeda bring a level of storytelling to Monstress that’s unlikely to be found elsewhere in the comic industry.

While there are arguments for and against story summaries at the beginning of comics, it’s often helpful in reading Monstress. The story is never simply an overload of facts, but it is incredibly multifaceted and, on occasion, it’s easy to miss finer details. Monstress #5 left Maika’s fate at the hands of Corvin D’Oro, a member of the Arcanic Dusk Court, and #6 picks up immediately after, with Maika imprisoned once again.

The story’s pacing has been one of its (many) strengths, with plot points occurring in quick succession and just enough supplementary information to keep readers informed on what’s important. Liu makes use of the good kind of guessing to keep the plot fresh and interesting each issue, and Monstress #6. Power and humanity, which have been an underlying themes throughout the story, are brought to the forefront in this issue, as many forces, including Maika herself, grapple for control of Maika and her inner monster.

As Maika develops, so does Kippa, a character who often praises Maika’s strength but displays many strengths of her own, including loyalty and bravery. Monstress showcases strength in many forms through its female characters. Each character has a distinct appearance and personality that informs their reaction to the very dark and real tragedies that befall them. It’s an aspect of the story that allows readers to relate to the characters, even if no one has experienced this alternate version of 1900s Asia.

Sana Takeda’s art is as breathtaking as it has ever been, with character designs that push the boundaries of the usual fantasy types. The amount of detail that goes into each panel is an amazing feat, another aspect of the story that elevates it above and beyond an average fantasy story. The panel layout maximizes the space of the page, giving Monstress a larger than life feel.

The story is an incredibly huge undertaking, and Liu and Takeda keep readers guessing as to where it will go next. If it hasn’t already claimed a spot on your pull list, Monstress is absolutely deserving of it.

Story: Marjorie Liu Art: Sana Takeda
Story: 10 Art: 10 Overall: 10 Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for review

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