Tag Archives: matt miner

Matt Miner and Christopher Peterson Talk Haunted Muscle Cars and Death Trap!

Kickstarter chase variant cover, art and color by Darren Lo (@DLo168)
Kickstarter chase variant cover, art, and color by Darren Lo (@DLo168)

From the Death Trap Press Release:

A haunted muscle car, a circus crime family, a dancing bear, bearded women, methed out carnies, crab twins, and a young woman teamed up with the ghost of her dead father on a mission of vengeance: just some of the utter insanity that awaits you in the hot new comic Death Trap, now launched on Kickstarter!

The 4-issue mini-series is the high-octane brainchild of creators Matt Miner (Toe Tag Riot, All We Ever Wanted) and Christopher Peterson (Grindhouse: Doors Open at Midnight). Josh Jensen and  Matt Krotzer are the colorist and letterer on the book.

Recently, Matt and Chris took the time to answer a few questions for Graphic Policy about Death Trap and its inspiration.

Adam Cadmon: So the obvious question, why a Mercury Cougar? Does that model have personal significance?

Matt Miner: I mean, it’s a badass muscle car that doesn’t see enough love in pop culture.  Look at those hidden headlights – just makes that front grill so sexy.  It’s also the car I’m looking to buy, you know, when I can afford it, and find one with a manual transmission that’s in good running shape, because I’m a comic writing dog rescuer, not a mechanic.

Christopher Peterson: I think Matt decided to find a car that no one has any extensive reference for me to draw … so I hope he likes 1968 Ford Mustangs in half his panels. But seriously, it’s cool to have something different instead of the usual muscle cars.

AC: The book’s press release states that Death Trap is a “love letter to carsploitation and revenge flicks of the 1970s and 1980s…” What made you want to explore this type of book now?

MM:  Most of my previous work has more of a political edge, but I think right now in the world of 2019, we need fun escapes more and more.  I’ve been a huge fan of B-movies my whole life, and am stoked to partner up with Chris, who has experience bringing the exploitation film feeling to comics.  This comic is an enormous amount of wild and bloody fun.

CP: I like this era/style/genre because it’s got a lot of clunk to it. I enjoy the grounded foundation where there’s no magic or anything, just people in a rural area without all this slick technology and style … and then we dump the wacky onto it. I love realism, but with a slight kick to it – everything has just a bit of an aberrant or bizarre quality to it that makes it fun

AC: You’ve done some socially conscious stuff in the past, Matt, will Death Trap address current events or is this a more localized story as regards Ollie and her family?

MM: Death Trap steers clear of real-life politics in an overt sense.  At least for me, it’s nice to get a break from that stuff that hangs over our heads every day, and dive into a world of circus freaks and vendettas and dancing bears.  My fingerprints are all over this thing, though – it’s not like we kicked our progressive sensibilities to the curb when creating the book.

And our albino dancing bear’s name is Wojtek (pronounced Voy-tek) after the World War 2 Polish bear who carried artillery shells and smashed Nazis. 

CP: I think the main thread going through all this is that we treat these characters like people, including backstories. We’re not here to make fun of people with differences or laugh at their situation – we hope we’re empowering them – and that hopefully comes across.

AC: This book crosses into several genres, that said, what overall tone are you going for?

MM: F’n bananas fun.

CP: Finding peace in chaos.

Check out the Kickstarter for Death Trap here!


Adam is a writer, an explorer of consciousness, a dog owner (times 2) and a decent fellow if you ask him. He currently lives in a suburb about 20 minutes from downtown Atlanta.

Matt Miner, Christopher Peterson, Josh Jensen, and Matt Krotzer’s Death Trap is Live on Kickstarter

A 4-issue miniseries, Death Trap is about a hunt for a killer. Ollie teams up with the ghost of her father, who haunts his old Mercury Cougar, to find his killer. Set in a world of circus sideshow freaks, dancing bears, bearded strong women, and methed-out carnies, the story is one of betrayal.

Sound interesting? You can back it now on Kickstarter.

Death Trap is written by Matt Miner with art by Christopher Peterson, colors by Josh Jensen, and lettering by Matt Krotzer.

The Kickstarter campaign features digital copies of the series, exclusive covers, trades, personal art, and more!

You can head to the Kickstarter and check out a preview of the comic and see all that’s offered.

The campaign runs until October 2 at 11:59 EDT and is looking to raise $18,000.

Death Trap #1

Return of the Toe Tag Riot! A chat with series creators Matt Miner and Sean Von Gorman

Return of the Toe Tag Riot

Toe Tag Riot, the comic book series that the infamous hate group Westboro Baptist Church claimed would “split Hell wide open” is back for round 2 and on Kickstarter, with the Return of the Toe Tag Riot.

Guest contributor Adam Cadmon got to talk to writer Matt Miner and penciler/inker Sean Von Gorman about the series which features colors by Gab Contreras and letters by Taylor Esposito.


ADAM CADMON: So, where did the concept for a zombie punk rock band originate?

MATT MINER: I grew up in the punk scene, and never really left, so all my work has a punk rock vibe to it because that’s the world I know and love – some books, like this one, are just a pure love letter to punk rock and the accepting and cool people I’ve known through my life.

SEAN VON GORMAN: I remember at some point at a convention we started talking about what if Matt was a vegan zombie, and what he would eat? Obviously he would have to eat people because zombies can’t survive on grains. And being an ethical punk if he HAD to eat people he would pick the worst people to eat. I think there is a sketch somewhere of a zombie Matt eating a little tofu person.

MM: Oh, yeah!  I think I have that sketch around here somewhere, actually.

Return of Toe Tag Riot

AC: Why did you go with the “thinking” zombie angle opposed to the mindless eater?

MM: The undead-zombie comic has been done to death, pun intended.  With Toe Tag Riot it was kind of like “What if you weren’t always a zombie?  If you knew what you were doing, who would you choose to eat?”  I mean, everyone’s gotta eat, but they can choose a more ethical course.

SVG: I feel no epic kill is ever complete without a snarky comment like an ’80s action movie star. For example, right before a zombie punk bites into a bad dude he says something like “It was nice to EAT you!”  Wait, that was pretty good. Matt, write that one down.

Return of the Toe Tag Riot

AC: Let me springboard a little; the choice to have the band cursed instead of turned always interested me…where’d that idea come from?

MM: I don’t remember how that came about, really, but what really appealed to me about the idea was this way you see both sides of the character – the ravenous zombie and the human toll it takes on them when they eat the wrong skinhead and have diarrhea for hours.

SVG: I remember part of the initial conversation on this was that the group’s bodies would start to physically breakdown as they rotted. A punk band in a tour bus smells bad enough when they aren’t zombies.

AC: You’ve had several guest stars in the past, can you give us anything–anything at all–in terms of who we should expect as either allies or foes in volume 2?

MM: Sean and I have some rock star pals, and we like to drop them in here and there.  Andy Hurley, from Fall Out Boy, is a returning regular and the band’s number one roadie, and I sure would like to sneak GWAR into the pages at some point since they’re such a huge inspiration for this book.

AC: Are there any plans to expand the Toe Tag universe, i.e., web series, movies, etc.?

MM: Sure, why not?  Would love to see a B-movie a’la Troma Films, but, you know, money and all.

SVG: I would love to see a big screen Toe Tag Riot!  I want toys of Toe Tag Riot!  We had considered the idea of doing a series of comic shorts. There are so many horrible people out there that it’s hard to keep up with in print.

AC: Are there any upcoming projects that you’d like to talk about?

MM: I have Lab Raider out currently from Black Mask Studios – it’s the story of these 2 women who take on dog fighters and animal abusers.  These are characters I’ve written in a few series now, and this particular volume gets really weird.  Also, the new GWAR graphic novel is in production and you can pre-order that at gwarcomic.com right now!

SVG: I have School Lab Raider, basically Lab Raider but for they are kids. Which may possibly come out as a back up in an upcoming issue of Lab Raider. I also have a story in Alexandria Ocasio-Cortez and the Freshman Force from Devils Due that is going into its 2nd printing.

MM: I think that Lab Raider backup is scheduled for issue 3, as long as we get it in time.  Issue 1 is on stands now – get it! HEY! The Kickstarter for Return of the Toe Tag Riot is live! Click the link to learn more!


Adam is a writer, an explorer of consciousness, a dog owner (times 2) and a decent fellow if you ask him. He currently lives in a suburb about 20 minutes from downtown Atlanta.

Toe Tag Riot Returns! The Comic Westboro Baptist Church Hates is Back!

Toe Tag Riot, the comic book series that the infamous hate group Westboro Baptist Church claimed would “split Hell wide open” is back for round 2 and on Kickstarter, with returning fan-favorite guest stars and a whole slew of new bad guys on their plate.

Cursed by a witch to become zombies whenever they play their music, Toe Tag Riot uses their “zombie superpowers” in the most ethical way possible: by murdering and eating bigots, homophobes, racists, sexists, and the like. The band broke up shortly after their mid-2000s tour, but have maintained a cult following in the punk rock scene. Their reunion tour, 15 years later, is being met with jubilation from the fans and fear from those who know they’re on the menu.

Created by writer Matt Miner and artist Sean Von Gorman, The Return of Toe Tag Riot is a 4-issue digital-first offering, with a physical trade paperback accompaniment. The campaign is seeking $19,000 to pay creators, fund rewards, and assorted fees. Rewards include copies of the books in both digital and physical formats, original art sketches, the chance to be drawn in and murdered within the pages of the comic, and a limited edition 2-song cassette single of songs recorded by the band (but really by Matt and Sean’s musician friends).

Rounding out the creative team are rising star colorist Gab Contreras and all-star letterer Taylor Esposito.

The creative team of Return of the Toe Tag Riot believe in positive and progressive values, and vehemently reject racism, sexism, ableism, ageism, homophobia, transphobia and xenophobia in all forms.

The Return of Toe Tag Riot
Cover by Jonathan Brandon Sawyer with colors by Josh Jensen

Review: Lab Raider #1

Lab Raider #1

Lab Raider #1 returns us to the world crafted by writer Matt Miner. It’s a world that blends real-world animal activism with an over the top sense of storytelling comics can deliver.

Lab Raider picks up on the world that started in Liberator and followed up in Critical Hit. Jeanette and Sarah are still working together to liberate animals and free them from experimentation. This volume has a bit of a twist though bringing in a horror element to it all.

Lab Raider #1 continues the tense nature of previous volumes. But, unlike those, Miner uses some of the tricks he deployed in his horror series Poser. Throughout the issue, there’s a build up until the eventual reveal at the end. It creates a ride that you both want to see where it goes and don’t at the same time. The series has never shied away from violence and here that continues. Both seen and implied, this is a debut issue that has more in common with slasher horror films than it does with the message focused previous volumes.

The art by Creees Lee with color by Josh Jensen and lettering by Matt Krotzer helps build all of that tension. The art and design are fantastic but there’s still unease about it all. It doesn’t have a line heavy “dirt” look but everything is just slightly muted in a way that adds a dour look to it. The art helps create an atmosphere that builds up to the horror that awaits at the end.

While the series still has a focus on animal rights and activism, this latest volume feels a bit different. It’s not quite as in your face with its message. Instead, it focuses on its main to protagonists. We see the impact from the previous volumes on them. And, their mission this time while still political in nature results in a twist that’s much more in line with what you’d expect in a horror film. This feels like a new direction for the series and Miner is showing some massive growth in his writing bringing in previous success here. Whether you agree with animal activism or not Lab Raider #1 is a solid start and has me wanting to see where it goes next.

Story: Matt Miner Art: Creees Lee
Color: Josh Jensen Letters: Matt Krotzer
Story: 8.0 Art: 8.0 Overall: 8.0 Recommendation: Buy

Black Mask Studios provided Graphic Policy with a FREE copy for review

Preview: Lab Raider #1

Lab Raider #1

Written by: Matt Miner
Illustrated by: Creees Lee
Colored by: Josh Jensen
Lettered by: Matt Krotzer
$3.99 | full color | 32 pages | mature
On Sale 6.19.19

A pair of young vigilantes break into a black market laboratory where illegal tests are being run on animals. What at first seems like a simple rescue mission becomes more dangerous when they stumble on secret military experiments, discovering to their horror that the animals they sought to help have been turned into something different, something monstrous… and, once the cages are opened, the rescuers quickly become the prey of these weaponized beasts. This high-octane action comic blends vigilante heroics with sci-fi horror for a wildly new adventure.

Lab Raider #1

Comicker Press Announces Shots Fired, a Charity Comics Anthology

Comicker Press logo

Comicker Press is back with Shots Fired, a revamped version of the comics anthology formerly known as Every Day. As with its previous iteration, Shots Fired will raise funds for the Coalition to Stop Gun Violence and the Community Justice Reform Coalition to help end gun violence in America via a Kickstarter campaign that will pay for printing and shipping of the comics anthology. Once printed, all proceeds from additional book sales will go directly to the CSGV and CJRC.

Comicker Press co-founder Sean E. Williams said,

Since Kickstarter campaigns are all-or-nothing, when it became apparent that our last one wasn’t going to reach its goal, we decided to regroup and try again as quickly as possible. This issue is too important to not do this book, and the stories the creators are telling are truly unparalleled and need to be read.

With the upcoming 28-day campaign for Shots Fired, Comicker Press has capped the size of the book to around 168 pages and is limiting shipping to the United States to keep the budget down. They are also adding a Kickstarter Exclusive limited-edition hardcover, which won’t be made available after the campaign.

The talent donating their time to Shots Fired include Scott Snyder, Kelly Thompson, David Lafuente, Phil Hester, Ariela Kristantina, Jamal Igle, Devin Grayson, Joe Keatinge, Doselle Young, Marguerite Sauvage, Ron Marz, Stuart Moore, Shannon Wheeler, Steven Grant, Roger Langridge, Matt Miner, Ray Fawkes, CW Cooke, Alex de Campi, Carla Speed McNeil, Kelly Williams, Emma Beeby, and more.

The Shots Fired campaign launches on Kickstarter on June 18th, and runs through July 16th.

Review: All We Ever Wanted

When it comes to how the future will look, most creators these days only show us how worse the world can get. This direction may be attributed to the decline of the environment and the primal predilection of man. Things don’t exactly look all that great for us. The stories usually involves zombies like The Walking Dead or the widening of the gap between the poor and rich like The Hunger Games. Rarely do they involve utopias as dystopias create the more interesting conflicts that drives our entertainment.

The thing is there was a time and place where we looked to the stars and though of the possibilities. This is why Back to The Future II was one of the most indelible movies of 1980s and probably most talked about out of that franchise. It gave us hope of what the world could be. Utopias for some reason seem out of reach to the modern imagination. In the latest anthology form A Wave Blue World, All We Ever Wanted, we get several different visions of life in the future where life can be better.

In “The Pilot,” a pilot controls a ship her VR glasses only to encounter an alien queen and her earthbound ally. In “The Weight of Time,” one scientist uses time travel to try and wipe out anti LGBTQ backlash but instead realizes the problem is actually ahead. In “Una,” an alien wins the hearts and minds of the citizens she protects, eventually becoming a citizen because of it. In “Seventeen Souls,” one hero risks it all to save one girl from certain death. In “It Looked like Our Dreams,” two siblings wonder about a future where humanity does save itself. In “Gaea,” mother nature and technology defeat an alien invader in which one protagonist uses to her advantage.  In “Bombs Away,” a world is imagined where violence no longer leads to advantages or problem solving but unity as it was always intended.  In “And The Rest Was Magic,” one woman finds out how it is when one doesn’t buy into the propaganda of a dire future. In “Everything I Own,” one self-admitted pariah slowly builds a community around herself while at the same time, evolving. In “The Inventor’s Daughter,” one woman reunites with her mother after death and returns her to the essence. In “Blackstar,” one man helps people see their future for a cost. In “Life’s A Devil’s Bargain,” one woman shows how hate is more of a choice than one realizes. In “Chat Room,” one awkward girl finds solace with a friend that met online. In “Can you See it Now,” one couple finds out an evil corporation is behind a friend’s death. In “Just Like Heaven,” one young man’s defiance leads to him finding out the secret to the utopia he is living in. In “Alternica,” a man wakes up from being frozen to a world where money doesn’t exist. In “Owning Up To The Past,” one man admits to his daughter, the unjust violence he committed. In “Good Time,” one man’s wish is to see his daughter years after he is released from jail. In “Day At The Park,” a young girl teaches a robot how to fly a kite. In “Choice,” one man designed a robot to have the power of free will, to only regret his decision immediately. In “Seeds,” the grim reaper reminds a retired superhero that there is more to life than regrets.  In “Two Left Feet,” two thieves steal for the love of dance.

Overall, the anthology is an excellent collection of stories that shows that the future can be bright and we all should wear shades. The stories are as diverse and extraordinary as each contributor showing off a wide range of voices and visions. The art by each creator is magnetic, alluring, and vivid. Altogether, the world needs more visions of utopias and this book more than proves it.

Story: Matt Miner, Eric Palicki, Tyler Chin- Tanner, Lucia Fasano, Tess Fowler, Eliot Rahal, Jason Copland, Jennie Wood, Vasilis Pozios, Chris Visions, Lela Gwenn, Alex Paknadel, Chris Peterson, Alisa Kwitney, Mauricet, Josh Gorfain, Matt Lejuene, Howard Mackie, Dean Trippe, Justin Zimmerman, Wendy Chin-Tanner, Toby Cypress, Paul Allor, Jarrett Melendez, Taylor Hoffman, Jonathan Brandon Sawyer, Rich Douek, James Maddox, Gavin Smith, Nadia Shammas, Erik Burnham, Kay Honda, Maria Frohlich
Art: Dean Trippe, Danica Brine, Chris Peterson, Robbi Rodriguez, Michael Wiggam, Maria Frohlich, David Stoll, Ryan Lee, Juan Romera, Tony Gregori, Tess Fowler, Chris Visions, Ethan Claunch, Jude Vigants,  K.R.Whalen, Matt Horak, Jeff McComsey,  Gavin Smith, Ryan Cody, Liana Kangas, Anthony Marques, Jason Copland, Eryk Donovan, Micah Meyers, Josh Jensen, Nick Wentland, Taylor Esposito, Matt Krotzer, Zakk Saam
Story: 10 Art: 9.5 Overall: 9.6 Recommendation: Buy

A Wave Blue World provided Graphic Policy with a FREE copy for review

Review: Poser #3

Fear has befallen Redondo Beach. Young punks travel together in groups and the town is on high alert. The “Poser” killings have continued and the body count shows no sign of slowing! You might ask yourself,“How could HELL be any worse?” Poser #3 has your answer! Copycat killers stalk the beach. Adults are now targeted. NO ONE IS SAFE! Will the influx of police officers into the terrorized beach town catch Poser? Can Ash and her misfit group of friends elude the edge of Poser’s razor-sharp blade? Turn the page and stage-dive into this issue to find out!

Writer Matt Miner has put together a solid throwback slasher story that feels like the 80s movies I grew up with. In three issues Poser has invoked a feel and style that is on the rise again (thanks to Halloween), like Miner is prescient with horror trends.

The comic continues the action and suspense as you don’t know who’s going to get offed next, or in which grisly manner that’s happening. That’s kind of half the fun of the genre isn’t it?

Miner also makes sure to keep us guessing as to who the killer is. Each issue seems to add suspects. Again, half the fun of the genre.

The art by Clay McCormack with color by Doug Garbark and lettering by Taylor Esposito deliver the gritty punk rock aspect of it all. McCormack and Garbark splash the blood in over the top killings and the style just has a “punk rock” style to it. There is a little issue with some of the details of the characters in some panels but overall, it’s nothing major and adds to the vibe in some ways too.

The series continues to be fun delivering an experience that knows its genre and plays with it keeping us guessing as to who’s next and who’s the killer. If you’re a fan of the slasher horror genre, this is a must.

Story: Matt Miner Art: Clay McCormack
Color: Doug Garbark Lettering: Taylor Esposito
Story: 8.0 Art: 7.75 Overall: 7.85 Recommendation: Buy

Waxwork Comics provided Graphic Policy with a FREE copy for review

Preview: Poser #3

Poser #3

(W) Matt Miner (A) Clay McCormack
In Shops: Nov 07, 2018
SRP: $3.99

Fear has befallen Redondo Beach. Young punks travel together in groups and the town is on high alert. The “Poser” killings have continued and the body count shows no sign of slowing! You might ask yourself, “How could HELL be any worse?” Poser #3 has your answer! Copycat killers stalk the beach. Adults are now targeted. NO ONE IS SAFE! Will the influx of police officers into the terrorized beach town catch Poser? Can Ash and her misfit group of friends elude the edge of Poser’s razor-sharp blade? Turn the page and stage-dive into this issue to find out!

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