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Exclusive Preview: Fantastic Four Fanfare #1

Fantastic Four Fanfare #1

(W) Mark Waid, Alan Davis, Andew Wheeler (A) Ramon Rosanas, Alan Davis, Sara Pichelli
(C) Neeraj Menon, Matt Hollingsworth, Federico Blee (L) Joe Caramagna
(CA) Matteo Scalera (VCA) Mark Bagley, Simone Di Meo, John Byrne, Nick Bradshaw, Nicoletta Baldari, Sara Pichelli
Rated T+
In Shops: May 07, 2025
SRP: $5.99

MARVEL’S FIRST FAMILY! In this special, full-color anthology series, each issue focuses on a particular member of the team! For this inaugural outing, Mark Waid and Ramon Rosanas depict an escalating prank war between the Human Torch and the Thing; Alan Davis sends the team into hazards deep underground; and Andrew Wheeler and Sara Pichelli reveal what happens when the Mole Man interrupts Johnny Storm’s star-making turn on reality television!

Fantastic Four Fanfare #1

Mystique #1 raises more questions in its action-packed debut

Mystique #1

Reminding the world to hate and fear her! How do you track a subject with a history that contradicts itself? And how do you stop a force whose motives change like quicksilver? How do you stop a target that can be anyone? That’s the question that confronts Nick Fury as he stumbles upon a web of lies and espionage leading back to Mystique. From the ashes of Krakoa, the shape-shifting mutant terrorist returns to remind the world exactly why it hates and fears her. Mystique #1 delivers action, twists and turns as it keeps readers on their toes as to what to expect next.

Written by and art by Declan Shalvey, Mystique #1 is an interesting comic that plays off of Mystique’s rather convoluted history quite well. Broken into two parts, the first has Raven on the hunt while the second has Raven being hunted.

Shalvey first focuses on Maverick, a former member of Weapon X and still special ops leader, on the hunt, and it turns out the target is Mystique. But, in reality, Mystique is hunting Maverick hoping to get information from him for whatever missions she’s on. It’s an interesting segment as Raven goes through her ability to shapeshift and Shalvey uses that quite well to keep readers guessing and show her using it to extract the information she wants. The fight scene is decent and overall, it feels like a nice opening sequence before the credits roll for a film.

The second half of the comic has the New SHIELD and Nick Fury Jr. putting a target on Mystique. This, to me, is the more interesting aspect of the comic. What stands out here is Fury attempting to piece together the rather complicated history of Mystique. He outright says there’s information that doesn’t make sense. Highlighted is her being in two different locations at times that just wouldn’t work. That’s the part of the comic that has a more espionage and spy aspect to it. It’s a mystery that I’d want solved as a reader.

The art by Shalvey is ok. With color by Matt Hollingsworth and lettering by Clayton Cowles, the art has its moments. It moves the story along well and there’s some fun with Mystique’s abilities. But, it doesn’t really jump out and the action sequences, while entertaining, don’t pop, the comic overall is fine visually. It doesn’t distract from the story but doesn’t excite.

Mystique #1 is a debut which is good and shows potential. I’d have shortened the aspect with Maverick. Iinstead I’d have focused more on Fury and his being puzzled over the information on Mystique. That has the greater chance of landing for the story. It also has the overall vibe of the spy genre. More so than the rather generic action sequence opening. The comic can answer a lot of questions and might try, and it’ll be interesting to see where it goes from here. But, as a start, it’s intriguing but doesn’t totally hook the reader.

Story: Declan Shalvey Art: Declan Shalvey
Color: Matt Hollingsworth Letterer: Clayton Cowles
Story: 7.25 Art: 7.25 Overall: 7.25 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


Purchase: TFAWZeus ComicsKindle

Catwoman: Trail of the Catwoman is absolutely amazing a must get as part of DC Compact Comics

Graphic novels to read anywhere: DC Compact Comics collect DC’s bestselling, most iconic stories in a new size! Get Catwoman: Trail of the Catwoman for just $9.99!

For years, Selina Kyle has prowled the skyline of Gotham City as its most famous thief, Catwoman. But when word spreads of Catwoman’s demise, Selina decides to leave the costumed world behind and continue her trade cloaked in the shadows.

Unable to enjoy her newfound anonymity for too long though, Selina decides that she must return to her infamous persona. Donning a new costume and attitude, Catwoman returns to the streets and sets her sights on the serial killer that has been preying upon the people she calls friends.

Collects Catwoman: Selina’s Big Score, Catwoman #1-9, and backup stories from Detective Comics #759-762.

Story: Ed Brubaker, Darwyn Cooke
Art: Darwyn Cooke, Cameron Stewart, Michael Allred, Brad Rader, Rick Burchett
Color: Matt Hollingsworth, Lee Loughridge, Giulia Brusci
Letterer: Sean Konot, Willie Schubert

Get your copy in comic shops! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Bookshop
Amazon


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Preview: Batman: Gotham By Gaslight – The Kryptonian Age #4 (of 12)

Batman: Gotham By Gaslight – The Kryptonian Age #4 (of 12)

(W) Andy Diggle (A) Leandro Fernández
In Shops: Sep 11, 2024
SRP: $4.99

WILL LEX LUTHOR BUY THE DAILY PLANET? In its search for ancient relics, the League of Assassins encounters the new bearer of the jade ring of Jong Li: Alan Scott! Meanwhile, in Metropolis, passionate reporter Lois Lane sets out for Kansas to investigate the robber baron looking to buy the Daily Planet…Lex Luthor!

Batman: Gotham By Gaslight - The Kryptonian Age #4 (of 12)

X-Men #35 is a bit of a mixed bag as one era ends and a new one begins

X-Men #35

All good things must come to an end, and as good of a thing as the Krakoan era has been for mutantkind…its time has come at last. The tragedy and triumph of Fall of the House of X, the madness and mystery of Rise of the Powers of X…they have all come to their end and led to this moment that will change the future of mutantkind for years to come. X-Men #35 officially closes the Krakoan era and teases what’s to come.

Just because a series ends, doesn’t mean the story is officially over. X-Men #35 celebrates 700 issues on Uncanny X-Men as it also wraps up the Krakoan era of the X-Men’s story. And, it does so with a choppy over-sized issue that has its ups and downs. From the beginning, I wasn’t a fan of the new take on the X-Men as I felt it took them too far from their roots fighting for their rights. It made them nationalists and statements in the first few issues were at times cringe showing a belief of superiority. It took Professor X and Magneto’s visions and mashed them together for a chimera of a monster. While there were some good ideas and moments, overall, it took the X-Men in too far of an extreme direction. It was Utopia on steroids. All of that came crashing down and from the teases within X-Men #35 and the Free Comic Book Day issue, it looks like the X-Men are getting back to a more traditional take.

X-Men #35 wraps things up and moves things along as it gives us one final look at Krakoa and a battle with Apocalypse who isn’t taking what has happened too well. It’s a choppy story that feels like it’s an unnecessary fight, giving the X-Men one final battle of the old era. That choppy storytelling isn’t helped by the rotating artists who at times only take a page and foster a disjointed look along with a disjointed narrative. It feels like it’s almost too many cooks in the kitchen and the team didn’t know how to end things beyond… fight.

Chris Claremont gives us some family bonding time as Nightcrawler, Rogue, Mystique, and Destiny have a picnic and hash things out. While it’s nice to see this storyline continue, and not just dropped now lineage has been established, the dialogue is eye rolling at times where it feels like some things just repeat over and over. I had to pause and go back and reread pages to make sure that there wasn’t a mistake that’s how repetative the back and forth is.

The comic wraps up with a focus on Professor X who is now in custody but has his freedom too in a way. The comic as a whole teases his redemption but also what’s to come is the natural extension of his ideas. His children going off on their own. It teases the villainy of the character, the manipulative nature, but also that there’s reasons for his actions and he’s here to do good, though through at times evil means.

X-Men #35 will likely make fans of the era both happy and sad. There are some cheery moments and it reveals that Krakoa lives on and we might again see the island’s return in the future. It closes one door, leaves more opens, and begins whole new paths to take.

Story: Al Ewing, Gerry Duggan, Kieron Gillen, Chris Claremont
Art: Joshua Cassara, Phil Noto, Lucas Werneck, Leinil Francis Yu, Walter Simonson, Mark Brooks, John Romita Jr., Scott Hanna, Jerome Opena, Luciano Vecchio, Stefano Caselli, Sara Pichelli, Salvador Larroca
Color: Romulo Fajardo Jr., Phil Noto, David Curiel, Laura Martin, Sonia Oback, Marcio Menyz, Matt Hollingsworth, Matthew Wilson, Guru-eFX
Letterer: Clayton Cowles
Story: 7.0 Art: 7.0 Overall: 7.0 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Wolverine #50 wraps up the latest volume with ho-hum finale

Wolverine #50

It’s all come down to this: the final battle between Wolverine and Sabretooth. The “Sabretooth War” concludes in the way it began – a violent, bloody battle – but WHO will be left standing? Wolverine #50 wraps up the brutal confrontation between Wolverine and Sabretooth delivering a hallow finale.

Written by Benjamin Percy and Victor LaValle, Wolverine #50 gives readers a final battle between the two foes wrapping up “Sabretooth War” as well as this latest volume of the series. The story up to this point has been brutal at times with a massive body count that has included some surprises. As expected, Logan and Victor battle it out until one is left standing. And, it’s a brutal one with body parts being sliced off and blood spurting. But, in the end, it all feels rather hallow.

There’s a lack of real emotion to Wolverine #50 as the main story wraps. Creed’s horrible actions are recounted emphasizing his lack of empathy or reflection on any of it. But, Logan shows that same sort of brutality with what feels like no reaction from him or anyone around him. Usually when a person is chopped into bits there’d be some sort of shock, but everyone comes off as rather numb which feels like it diminishes the contrast that’s painted in the text. There’s a disconnect with what we’re told makes Logan different from Creed. We’re told it and not shown it at all.

The art at times is solid and at others its a panned out mix of things that’s just ok. Geoff Shaw, Cory Smith, and Oren Junior all handle the visuals with Alex Sinclair on color and lettering by Cory Petit. There’s some solid action but like the story itself, the visuals don’t feel like they drive home the brutality of it all. Even with Creed laying at Logan’s feet, it feels more comedic than sad or shocking.

The comic features two additional stories. One features writing by Larry Hama with art by Daniel Picciotto, color by Yen Nitro, and lettering by Cory Petit. The other features a story by Benjamin Percy, art by Javi Fernandez, color by Matt Hollingsworth, and lettering by Petit. Both have their moments and would feel right at home in an anthology celebrating 50 years of Wolverine but here there’s a feel like they’re just tacked on and not as much a celebration.

Wolverine #50 wraps things up and celebrates 50 years more with a whimper than a bang. The comic isn’t bad but it also doesn’t quite excite either. It’s perfectly fine wrapping up the story arc and the series. What it doesn’t do is excite for what comes next beyond a few pages shown and doesn’t feel like much of a celebration of an iconic character.

Story: Benjamin Percy, Victor LaValle, Larry Hama
Art: Geoff Shaw, Cory Smith, Oren Junior, Yen Nitro, Javi Fernandez
Color: Alex Sinclair, Matt Hollingsworth Letterer: Cory Petit
Story: 7.0 Art: 7.25 Overall: 7.0 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

The Plot Holes #5 wraps up the series with its usual winks and nods

THE PLOT HOLES are a squad of fictional warriors who transport themselves into the pages of other books, using their unique skills to save the plots in order to stop them from being destroyed. And Cliff is their newest recruit, a comic creator who’s just realized his world isn’t real-in fact, it’s a complete fiction that literally exists inside a novel.

Story: Sean Gordon Murphy
Art: Sean Gordon Murphy
Color: Matt Hollingsworth, Dave Stewart
Letterer: Andworld Designs

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Forbidden Planet NYC

The Plot Holes #4 continues to have fun with characters, tropes, genres, and plots for a nice mix

THE PLOT HOLES are a squad of fictional warriors who transport themselves into the pages of other books, using their unique skills to save the plots in order to stop them from being destroyed. And Cliff is their newest recruit, a comic creator who’s just realized his world isn’t real-in fact, it’s a complete fiction that literally exists inside a novel.

Story: Sean Gordon Murphy
Art: Sean Gordon Murphy
Color: Matt Hollingsworth, Dave Stewart
Letterer: Andworld Designs

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

The Plot Holes #3 keeps up the solid balance of action and origins

THE PLOT HOLES are a squad of fictional warriors who transport themselves into the pages of other books, using their unique skills to save the plots in order to stop them from being destroyed. And Cliff is their newest recruit, a comic creator who’s just realized his world isn’t real-in fact, it’s a complete fiction that literally exists inside a novel.

Story: Sean Gordon Murphy
Art: Sean Gordon Murphy
Color: Matt Hollingsworth, Dave Stewart
Letterer: Andworld Designs

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

TFAW
Zeus Comics


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

The Plot Holes #2 improves on its debut’s interesting concept

THE PLOT HOLES are a squad of fictional warriors who transport themselves into the pages of other books, using their unique skills to save the plots in order to stop them from being destroyed. And Cliff is their newest recruit, a comic creator who’s just realized his world isn’t real-in fact, it’s a complete fiction that literally exists inside a novel.

Story: Sean Gordon Murphy
Art: Sean Gordon Murphy
Color: Matt Hollingsworth, Dave Stewart
Letterer: Andworld Designs

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

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