Tag Archives: klaus

Preview: Klaus: Pen & Ink #1

Klaus: Pen & Ink #1

Publisher: BOOM! Studios
Writer: Grant Morrison
Artist: Dan Mora
Cover Artist: Dan Mora
Price: $19.99

Calling all process junkies! If you’re as much a fan of the behind-the-scenes process of illustration as you are of the finished product, you will love this in-depth look at the making of the critically acclaimed Klaus.

This next installment of the Pen & Ink series collects Klaus issues #1-2 in an oversized, 11” x 17” format that features Dan Mora’s detailed inks alongside new commentary and creative insights from Mora and writer Grant Morrison.

Pen&Ink_Klaus_001_Cover

Mini Reviews For The Week Ending 5/7/16

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for. These are Graphic Policy’s Mini Reviews.


Alex

old man logan 6 coverOld Man Logan #5 (Marvel)* – I really enjoyed this issue. The set up for Logan being alone is reminiscent of the old Wolverine comics of years gone by, and it’s a surprisingly effective method of distancing him from the X-Men for a designated period of time. The story itself is very interesting, and still plays off who Old Man Logan is in terms of where he came from, with a slightly different flavour than the past few issues. How long Old Man Logan’s backstory can continue to play an integral part in his future remains to be seen, but so long as it’s done well, I’m okay with that cow being milked. Overall: 8.75 Recommendation: Buy

Moon Knight #2 (Marvel)* – I wanted to love this issue, and for the most part I did, but it just isn’t living up to what I was hoping for, and expecting from, the series. The artwork and layouts continue to impress, and I have a feeling that the writing will fall into place as more pieces to the story are revealed. As it is, though, Moon Knight #2 is still very good, it’s just not great. Overall: 8 Recommendation: Buy

Klaus #5 (Boom!)** – Probably the weakest issue in the series so far, this felt more like a filler issue to pad out the required seven issues for the mini series. Some interesting parts, but nothing spectacular (aside from the artwork).  Overall: 7 Recommendation: Read if you’re reading the series.

Batman #51 (DC)* – Is a perfect send off to the epic run of Snyder and Capullo on the New 52’s Batman series. Batman #51 is a very bittersweet comic in more ways than one, and I wouldn’t have it any other way. A great single issue that stands alone, and will probably stand the test of time as one of the better single issues from the last 51. Overall: 9.5 Recommendation: Buy

Ryan C

The_Punisher_1_CoverDevolution #4 (Dynamite)** – This thing will probably read better in trade than it has in singles given that the cliffhanger to this penultimate issue involves the arrival of some characters we haven’t seen since the beginning, but Rick Remender has rewarded readers’ patience with this post-apocalyptic yarn that apes “2000 A.D.”-style storytelling in much the same way that “Tokyo Ghost” does, as it’s definitely gotten better with each successive issue. Johnathan Wayshak’s art is the real show-stealer here, though, and will absolutely take your breath away. Overall: 7.5. Recommendation: Buy

The Punisher #1 (Marvel)* – The old and the new meet up and join forces as first-time Frank Castle scribe Becky Cloonan teams up with veteran Punisher illustrator Steve Dillon for this latest re-launch. So far the results are solid, if unspectacular, as the groundwork is laid for a confrontation with a genuinely blood-curdling new villain, but, ya know — not a whole lot else happens. I’ll give it a few more issues, though, since both creators seem to have a solid grasp on the character and his decidedly violent world. Overall: 6. Recommendation: Read

Three Floyds: Alpha King #1 (Image)** – I don’t know who the three Floyds of the micro-brewing company of the same name are, but one of then is teaming with Brian “anything for a buck” Azzarello to write this extended advertisement while Simon Bisley handles the art. As you’d probably expect, it’s about some guy who turns into a psychopathic Lobo-esque “hero” when doused with his own home brew. Tedious bearded hipster-ism meets balls-out ultraviolence will no doubt ensue as we go along. Or, rather , as you go along if you continue reading this — I’m out, even though Bisley’s art is still fun, blood-soaked eye candy. Overall: 3. Recommendation: Pass

Detective Comics #52 (DC)* – Not with a bang, but with a — -well, you know the rest. The wrap-up to Peter J. Tomasi and Fernando Pasarin’s two-part “Gordon-in-the-Bat-suit” story looks nice, but the Iraq-based supernatural “thriller” is old hat to anyone who read the far better “Burning Fields” last year. On the whole “Detective” is a book that never found anything like a consistent footing during the “New 52” years, and this issue continues — and hopefully concludes — that unfortunate trend. Overall: 4. Recommendation: Pass.

 


Well, there you have it, folks. The reviews we didn’t quite get a chance to write.

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Graphic Policy’s Top Comic Picks this Week!

The_Punisher_1_CoverWednesdays are new comic book day! Each week hundreds of comics are released, and that can be pretty daunting to go over and choose what to buy. That’s where we come in!

We’re bringing back something we haven’t done for a while, what the team thinks. Our contributors are choosing up to five books each week and why they’re choosing the books.

Find out what folks think below, and what comics you should be looking out for this Wednesday.

Alex

Top Pick: 4001 AD #1 (Valiant) – it’s not often that I get excited for Event Series anymore, but this one has me just giddy. Valiant had my favourite event last year with Book of Death, and so I can’t wait to get my hands on the first issue of their 2016 event series.  It’s going to be amazing (I hope).

Detective Comics #52 (DC Comics) – More Jim Gordon as Batman? It’d be rude to say no!

Old Man Logan #5 (Marvel Comics) – Yeah I know it came out last week but I forgot to pick it up, and seeing as how I’m only getting to the shop on Friday … Why not?

 

Patrick

Top Pick: Punisher #1 (Marvel Comics) – Steve Dillon is one of the reason why Punisher isn’t a forgotten relic of the 80’s and 90’s. Nothing has compared to the work Garth Ennis and Dillon did with the character, but pairing Dillon with Becky Cloonan is a promising way to bring Punisher into a new golden era.

Sheriff of Babylon #6 (Vertigo) – Last issue’s demonstration that the book is about the human experience in otherwise nightmarish circumstances show that no matter what happens, this is a thought-provoking title.

The Bunker #17 (Oni Press) – Any single panel from Bunker could be framed and hung in a gallery. Though dark, and certainly no one has ever pitched this book as “fun”, it’s textures and color schemes make for an exciting experience.

Klaus #5 (BOOM! Studios) – Why did I let it surprise me that Grant Morrison would be bring such originality to a tired concept like Santa? Why did I think I’d lose interest after December? I am continually excited about this book.

Weavers #1 (BOOM! Studios) – Creepy and imaginative, this new Simon Spurrier title is exactly where you want to go if you want both fresh and visually intriguing.

 

Mr. H

Top Pick: Punisher #1 (Marvel Comics) – New team, new era. They promise us they are going to take Frank Castle where he’s never gone before. I am very excited for this book and can’t wait to see what the new scribe and veteran artist have in their armory for us. Parental advisory be damned, this one’s going to be big time!

 

Brett

Top Pick: Rough Riders #2 (Aftershock) –  I loved this series’ first issue. It was an awesome blending of alternate history, action, and actual history! I can’t wait to see what’s next. It’s one of the few comics that had me doing research after I read it!

4001 A.D. #1 (Valiant) – Valiant’s next big event and the first issue is a great jumping on point for new readers.

The Punisher #1 (Marvel Comics) – Becky Cloonan and Steve Dillon, nuff said.

Super Human Resources Season 1 (Action Lab Entertainment) – The concept of someone working in a super hero HR department sounds too funny. I can’t wait to read this one, the concept sounds amazing and original to me.

Thunderbolts #1 (Marvel Comics) – Jim Zub writing a group of misfit heroes? Sign me up.

Review: Klaus #4

Klaus_004_A_MainWhen I initially heard that Grant Morrison would be writing what is, essentially, Santa Claus: Year One I was genuinely intrigued. It’s such an outlandish notion that it almost shouldn’t work, but when a writer like Morrison throws Santa, a Nordic styling, and some almost hallucinatory magic into a mixing pot, the end result has (so far, any way) been spectacular.

Klaus #4 tells us a little more about the future Santa Claus, an origin within an origin if you will, but Morrison doesn’t stop at just giving you the early bit in one ham-fisted segment at the beginning, but more of a drip fed panel by panel of the origin that leaves you wanting just a little bit more. I enjoyed the way in which it was told, just as  enjoyed the issue itself.

Focusing on what drives the young Klaus is a good touch for the middle issue of the series, shedding just enough light on the man’s motivations, and the wheels behind the story itself without being over bearing. There’s also a very small nod the Dark Knight here too, which I chuckled at a little.

What drove the young, beardless Klaus to grow a giant beard? Well, there’s one way to fnd out…

The art retains the high quality that you should expect from the issue; Dan Mora has given us another stunning comic, especially with the light style variations on the falshback sequences – it’s a subtle touch, but one that clearly separates  the past from the present in this masterful tale of Klaus.

At this point it may be easier to wait for the collected edition of the comic, as opposed to hunting out the back issues (I think – but I could be wrong) as  some of them are sold out, or on their second printing, but this is a story that you should pick up and read. Don’t be fooled by the Christmas undertones, Klaus  is more than a seasonal story.

It’s fantastic.

Story: Grant Morrison Art: Dan Mora
Story: 9 Art: 9 Overall: 9 Recommendation: Buy

BOOM! Studios provided Graphic Policy with a FREE copy for review, but I’ve been buying the individual issues anyway

Graphic Policy’s Top Comic Picks this Week!

Batman #50 CoverWednesdays are new comic book day! Each week hundreds of comics are released, and that can be pretty daunting to go over and choose what to buy. That’s where we come in!

We’re bringing back something we haven’t done for a while, what the team thinks. Our contributors are choosing up to five books each week and why they’re choosing the books.

Find out what folks think below, and what comics you should be looking out for this Wednesday.

Alex

Top Pick: Batman #50 (DC Comics) – Scott Snyder is one of the best writers to get his hands on the Dark Knight in recent memory. I’ve made no secret of my love for his current run on this series (have you been reading Mr H and Alex Discuss…?), and I am chomping at the bit to get my grubby mitts on this comic, and for once I don’t care about the inflated price. With Bruce Wayne returning under the cape and cowl, it’s going to be an epic.

All-New Classic Captain Canuck #1 (Chapterhouse Comics) – Spinning out of the back up strips of Captain Canuck comes the adventures of the classic Captain. The #0 issue last month was fantastic, an anthology of the back up strips to date. This first issue in the new series features a version of the character that is more appealing to me, personally, than the more modern version. I’m looking forward to this issue.

Hyperion #1 (Marvel) – The previews had me sold when I read that Hyperion may use a transfer truck as a baseball bat. That’s an image I have to see.

Klaus #4 (Boom! Studios) – As outlandish as the whole Santa Claus: Year One concept is, in Grant Morrison and Dan Mora’s hands it’s one that has been working better than it has any right to be. Absolutely brilliant series.

 

Javier

Top Pick: Delete #1 (Devil’s Due) – More indie sci-fi, but this is from the same team that is currently writing Harley Quinn.  A young mute girl, in a future where memories can be implanted and removed, witnesses a murder and is on the run with her protector. Looks promising.

Birthright #15 (Image Comics)  – Wizardry and sword fighting fantasy running amok in our world.  Love it.

Grayson #18 (DC Comics)  – Tim Seeley and Tom King are making the James Bond thing work for Grayson.  More people should be reading this.

Pencil Head #3 (Image Comics) – Ted McKeever’s fictionalized and irreverent behind the scenes look at the comic book industry is a fun, but twisted, read.

Venus #4 (BOOM! Studios) – This is the final issue. I’m sad to see this one go; I was hoping for a 6 to 12 issue run on this sci-fi piece with a re-imagined dystopian American/Chinese space race.

 

Brett

Top Pick: Batman #50 (DC Comics) – Things have been building for so long, it’s kind of hard for this comic to not be at the top of my pick list. We’ll most likely see Bruce Wayne again as Batman, taking up the mantle once again to save Gotham. And yes, that makes my inner kid a little giddy. This is hopefully the payoff we’ve been waiting for.

All-New Captain Canuck #1 (Chapterhouse Comics) – I love the relaunched Captain Canuck, and to be able to get a double dose of the character is fine by me. It’s superhero stories that gets rid of the grim and gritty and instead inject old school fun.

Circuit Breaker #1 (Image Comics) – The first issue is crazy and so out there, I don’t know how to describe it. It feels like very Japanese stereotype mashed together in an anime-ish style that is a visual assault. And of course if focuses on evil robots.

Independence Day #1 (Titan Comics) – The movie gets the comic book treatment before the sequel hits theaters this year.

Superman: Lois and Clark #6 (DC Comics) – I think this is the best Superman comic on the market right now with a great mix of old and new and some fantastic visuals. I hope we see more of this with Rebirth.

Review: Klaus #3

Klaus_003_A_Main

Have you ever wondered why Santa Claus started doing what he does? What motivated him to bring joy to thousands upon thousands of children every year? 

Grant Morrison‘s Klaus is giving us an entirely new look at the jolly old fat man in a red suit, and it is abso-bloody-lutely incredible.
Grant Morrison is the kind of writer that has some pretty high expectations that tend to follow him and his work around, and with his distinctly Norse flavoured take on Jolly Saint Nick, he has delivered on every page. That Dan Mora‘s artwork plays a large part in that deliverance is beyond a shadow of a doubt; the way he conveys the absolute depression of the town’s people without even showing their faces through the use of bleak and muted colours and the physical expression is perfectly suited to the writing.

Just as the town’s people look genuinely lost and full of despair under Lord Magnus‘s iron fisted rule with the men being worked to the point of exhaustion, and beyond; anything even remotely resembling a toy has been banned and confiscated; the incredible sense of poverty, both monetarily and emotionally, is palpable on every page.

Every page, that is, where Klaus doesn’t appear.

Klaus, the man that will be Santa, is more of a hero in this series than many other spandex clad characters around right now. He is the very embodiment of hope, a beacon shining against the darkness; not unlike a certain red caped character from Krypton. There’s a warmth about the character, not only because of the colours used around him, but because he feels like when your grandpa would tell you stories before you fall asleep, or when your uncle would talk to you about his garden. Klaus may not be Santa yet, but he’s already got some magic about him.

Despite the at times incredibly bleak and cold art from Dan Mora, Klaus is a comic that has a good feeling about it. No matter how dismal things looking right now for the town’s people, there’s a genuine sense of hope given to both the reader, and the oppressed citizens under Lord Magnus‘s rule by the man who will become Santa. It’s an almost tangible thing that reaches beyond the printed page; no matter how bad things get, they can get better.

And isn’t the entire point of Santa Claus to inspire hope and goodwill?

Story: Grant Morrison Art: Dan Mora
Story: 9 Art: 9 Overall: 9 Recommendation: Buy

BOOM! Studios provided a FREE copy for review, but I’ve been buying the individual issues anyway.

Review: Klaus #3

Klaus_003_A_Main

Klaus continues to develop into an exceedingly interesting and nuanced world. More than the conflict itself, the imaginative interpretation of folklore is fascinating.

If the story of a winter ghost visiting children one by one every year was somehow not engaging enough for you, Grant Morrison has a new Santa story that may catch your interest. Here Santa is a wild man trying to save the sorrowful town of Grimsvig from the joyless rule of Magnus, who has outlawed Yuletide celebrations under the guise of trying to increase output from the coal mine the town’s men work in. Santa, or rather Klaus, has known the town in better days and seeks to return happiness and celebration to it.

Klaus began as really interesting concept released close enough to Christmas to really make the book fun. After the first issue, it seemed a shame that it was only part of a six-issue miniseries and that the story would not conclude until well after Christmas came and went. It seemed to be a real missed opportunity. However, with each issue the story unveils more and more of itself and further piques interest. Though everything continues to be an assimilation of Christmas iconography, it is done in such a way that that it expands the interest in the world beyond simply a passing seasonal investment. At this point, the tragedy is not that the story didn’t finish in time for Christmas, it’s that the story will end at all when such an interesting setting continues to unfold each issue.

The characters are obviously familiar. Not simply Klaus in his representation of Santa but relationships like the romantic connection between Klaus and Magnus’s wife, Dagmar. However, the way this world continues to set itself apart from expectation and traditional folklore prevents anything from cliché or tired.

The story works the imagination, trying to anticipate what goes on beyond the pages. The living toys that Klaus creates, are they related to the living wood he cut from a dead tree? Is the dark spirit dwelling within the coal mind the story’s version of Krampus? Seldom is a reader given so much in a story that they care to ask what lies ahead. It’s that suspense and curiosity that makes this book such a strong seller.

Keeping up with the great Grant Morrison, Dan Mora does a marvelous job creating the visual aesthetic for this book. From the hulking yet approachable Klaus to the beauty of the woodland spirits, Mora continues to prove to be a fantastic choice developing this character and creating this world.

Story: Grant Morrison Art: Dan Mora
Story: 8 Art: 7 Overall: 7.5 Recommendation: Buy

BOOM! Studios provided Graphic Policy with a FREE copy for review

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