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DSTLRY reveals The Devil’s Cut

DSTLRY has announced details of its first-ever, limited-edition print and digital release, The Devil’s Cut. Featuring stories from DSTLRY’s Founding Creators, the print release will include 72 premium, oversized pages and will hit comic book shelves worldwide this August, available to be ordered by retailers now through either Diamond Comic Distributors or Lunar Distribution. Fans will also be able to purchase a digital version of The Devil’s Cut via www.dstlry.co the same day as the print release.

The Devil's Cut

In the aging process, the whiskey that evaporates is called the Angel’s Share, but the most potent spirits are captured in the wood—the Devil’s Cut. DSTLRY’s The Devil’s Cut features a flight of high-proof work and unfiltered stories from the most fearless creators. Edited by the legendary Will Dennis, The Devil’s Cut is a one-shot offering with stories crafted by the most innovative pioneers in comics, including the Founding Creators of DSTLRY:

  • Mirka Andolfo (Sweet Paprika, Mercy)
  • Brian Azzarello (100 Bullets, Joker)
  • Marc Bernardin (Adora and the Distance, Star Trek: Picard)
  • Elsa Charretier (Love Everlasting, November)
  • Becky Cloonan (Wonder Woman, Batgirls)
  • Lee Garbett (Spider-Man, Skyward)
  • Jock (Batman: One Dark Knight, Wytches)
  • Joëlle Jones (Lady Killer, Catwoman)
  • Tula Lotay (Barnstormers)
  • Jamie McKelvie (The Wicked + The Divine, Captain Carter)
  • Junko Mizuno (Pure Trance, Ravina the Witch?)
  • Stephanie Phillips (Grim, Harley Quinn)
  • Scott Snyder (Batman, Wytches)
  • James Tynion IV (Something Is Killing the Children, The Joker War)
  • Ram V (Detective Comics, The Many Deaths of Laila Starr)

The Devil’s Cut also features a host of incredibly talented artists including:

  • Francesco Francavilla (Detective Comics, Night of the Ghoul)
  • Ariela Kristantina (InSEXts, Deep State)
  • Eduardo Risso (Batman: Broken City, 100 Bullets)
  • Christian Ward (Invisible Kingdom, Aquaman: Andromeda)

Cover A will feature stunning artwork from three-time New York Times best-selling artist Jock. Five additional variant covers are planned for DSTLRY’s debut issue, which will be revealed on a later date.

The Devil’s Cut will be available at local comic book stores and digitally on Wednesday, August 30. Following the original release, physical copies will not be reprinted in this format again, and digital copies will be accessible via DSTLRY until September 6, 2023. Digital owners can resell their copies on the DSTLRY marketplace at a price of their choosing, benefiting fans’ favorite creators with a percentage of resale value going directly back to creators.

DSTLRY announces a partnership with Lunar Distribution

DSTLRY

Lunar Distribution has announced that it has signed a distribution agreement with new publisher DSTLRY to distribute their products to the comic book specialty market. 

DSTLRY is a next-generation comics publisher and collectibles company that redefines creator-owned comic books for consumers worldwide. Founded by comiXology veterans David Steinberger and Chip Mosher, DSTLRY aims to revolutionize the creator-publisher relationship by giving their founding creators an equity stake in the company, in addition to retaining ownership of their characters and concepts.  

DSTLRY’s debut title, The Devil’s Cut, compiles unfiltered stories from the most fearless creators, offering a distinct taste of the quality to come. The title offers 72 oversized pages printed on premium paper, featuring a flight of high-proof work from Founding Creators Mirka Andolfo, Brian Azzarello, Marc Bernardin, Elsa Charretier, Becky Cloonan, Lee Garbett, Jock, Joëlle Jones, Tula Lotay, Jamie McKelvie, Junko Mizuno, Stephanie Phillips, Scott Snyder, James Tynion IV, and Ram V; edited by Founding Editor Will Dennis.

DSTLRY goes exclusive with Diamond Book Distributors for collected editions distribution. The Devil’s Cut debuts in 2023

DSTLRY

Diamond Book Distributors has announced that it has signed a worldwide distribution agreement with new publisher DSTLRY to exclusively distribute their collected editions to North American and international book markets. This agreement also sees DSTLRY being distributed to the comic book specialty market through Diamond Comic Distributors.

DSTLRY is a next-generation comics publisher and collectibles company that redefines creator-owned comic books for consumers worldwide. Founded by comiXology veterans David Steinberger and Chip Mosher, DSTLRY aims to revolutionize the creator-publisher relationship by giving their founding creators an equity stake in the company, in addition to retaining ownership of their characters and concepts. 

DSTLRY’s debut title, The Devil’s Cut, compiles unfiltered stories from the most fearless creators, offering a distinct taste of the quality to come. The title offers 72 oversized pages printed on premium paper, featuring a flight of high-proof work from Founding Creators Mirka Andolfo, Brian Azzarello, Marc Bernardin, Elsa Charretier, Becky Cloonan, Lee Garbett, Jock, Joëlle Jones, Tula Lotay, Jamie McKelvie, Junko Mizuno, Stephanie Phillips, Scott Snyder, James Tynion IV, and Ram V; edited by Founding Editor Will Dennis. The Devil’s Cut debuts this summer with the collected edition coming to shelves in 2024.

Horror invade the DC Universe. Discover the Knight Terrors that await DC’s super-villains!

DC has pulled back the curtain a bit more about what will stalk the DC Universe this summer in the upcoming event, “Knight Terrors.” Taking place in July and August, it features multiple two-issue miniseries that will spotlight a hero or villain confronting their worst nightmares. Find out what’s coming along with the creating teams and be ready to see what goes bump in the night!

Knight Terrors: First Blood #1 from Joshua Williamson and Howard Porter kicks things off with an oversized issue. When Batman, Superman, and Wonder Woman find the body of one of their earliest enemies inside the Hall of Justice, their investigation takes them past the land of the living, beyond the land of the dead, and directly to a new villain called Insomnia, who uses his powers to engulf every single hero and villain in their own dark and twisted nightmares. The only way to save the world is to call for the help of an unlikely hero—Deadman!

Knight Terrors: First Blood #1 comes to shops on July 4 and will feature art, a main cover, a 1:666 signed variant, and a Darkest Hour variant cover by Howard Porter. The one-shot special issue will also feature open-to-order variant covers by Jae Lee and Francesco Mattina, a 1:25 variant by Riccardo Federici, a 1:50 by Ejikure, and a 1:100 by Jae Lee.

The main Knight Terrors story will take place over four issues written by Williamson with art by Giuseppe Camuncoli, Stefano Nesi, and Caspar Wijngaard, in which Boston Brand—a.k.a. Deadman—serves as the supernatural tour guide! Following the events of Knight Terrors: First Blood #1, everyone in the world is trapped inside their nightmares, and Batman and Deadman are trying to figure out who Insomnia really is…and why he wants revenge on the heroes of the DC Universe! Knight Terrors #1 is available at comics shops on July 11 with variant covers by Francesco Mattina and Alex Maleev, a 1:25 variant by Evan “Doc” Shaner, a 1:50 by Alex Maleev, a 1:100 by Ivan Reis, and a Darkest Hour cover by Reis.

Knight Terrors #2 continues the terror as it comes to comic shops on July 25. Wesley Dodds, the Sandman, teams up with Batman and Deadman to uncover one of his oldest cases, which haunted him until the day he died. The trio are pointed in the direction of the Nightmare Stone, but Insomnia has unleashed his army, the Sleepless Knights, to hunt them down. Knight Terrors #2 will feature a cover by Ivan Reis and Danny Miki, open-to-order variants by Francesco Mattina and Mahmud Asrar, a 1:25 variant by Jeff Spokes, a 1:50 by Ivan Reis, and a 1:100 by Asrar. Reis is also providing a Darkest Hour variant.

When you’re the Clown Prince of Crime, what kind of nightmare do you have? Working a nine-to-five office job! How will the Joker handle meetings that could have been emails?! Why did management cancel bring-your-child-to-work day?! Who will want to make small talk at the coffee machine?! What is Alexis going to pick for lunch?! And who is the masked madman terrorizing Gotham at night?! Knight Terrors: The Joker #1 is available on July 4, written by Joker: The Man Who Stopped Laughing author Matthew Rosenberg and featuring art and main cover by Stefano Raffaele. This first of two issues includes open-to-order variants by Francesco Mattina and Simone Bianchi as well as a 1:25 variant by Alan Quah, a 1:50 by Ryan Brown, and a Midnight variant by Dustin Nguyen.

It’s another absolutely gorgeous and serene day in Pamela Isley’s lovely little new neighborhood in Knight Terrors: Poison Ivy #1 by Poison Ivy writer/artist team G. Willow Wilson and Atagun Ilhan! Everything and everyone here is wall-to-wall smiles! Nothing ever goes wrong, everyone is friends, and best of all, it’s made just for Ivy with lots and lots of love. Now, Pammy, don’t frown, don’t fuss, and don’t fret—just because this wasn’t what you thought you wanted, that doesn’t mean it won’t fit you like a glove! Have some pie, dear, don’t think too hard, and just smile. Knight Terrors: Poison Ivy #1 hits comics shops on July 4 with a main cover by Jessica Fong, open-to-order variants by Leirix and Jamie McKelvie, a 1:25 variant by Nimit Malavia, and a 1:50 variant by Jessica Dalva. Dustin Nguyen will also provide a Midnight variant cover.

Catwoman murdered Valmont, the man she loved, in order to save the other man she loved, Batman. She broke Batman’s one rule, and he will never forgive her for it, but Selina prays to Sister Zero for forgiveness and to wake up from the Nightmare Realm. Knight Terrors: Catwoman #1 is available on July 18 from Catwoman series writer Tini Howard and artist Leila Leiz. The first issue features a main cover and a 1:50 variant by Leiz, open-to-order variants by Tula Lotay and Corin Howell, a 1:25 variant by Dani, and a Midnight variant by Dustin Nguyen.

Harley Quinn finds herself in a world beyond both the waking world and that of dreams in Knight Terrors: Harley Quinn #1 from Harley Quinn series writer Tini Howard and artist Hayden Sherman. Harley’s nightmare world is one where her every choice creates a series of infinitely rippling profane reverberations. Plus, Leah Williams and Ben Templesmith help Harley crack a cosmic-mystery night terror in their backup story! Knight Terrors: Harley Quinn #1 is available on July 25 and features a main cover by Sherman, open-to-order variants by Jenny Frison and Tula Lotay, a 1:25 variant by Caspar Wijngaard, a 1:50 variant by Harley Quinn artist Sweeney Boo, and a Midnight variant by Dustin Nguyen.

Black Adam is defending Kahndaq from a border assault when the deadly nightmare wave sweeps the planet, putting all people into the nightmare realm! But what are his deepest, darkest nightmares? What horror can put fear into the heart of Black Adam?! Knight Terrors: Black Adam #1 arrives in comic shops on July 4. It is written and drawn by Jeremy Haun with a main and 1:50 cover by Haun, open-to-order variant covers by Christian Ward and Tiago da Silva, a 1:25 variant by Karl Kerschl, and a Midnight variant by Dustin Nguyen.

Deep in an abandoned Kobra safe house is a device able to access the dream powers of John Dee, a.k.a. Doctor Destiny. As heroes across the world succumb to nightmares, Angel Breaker wants it. Now, to infiltrate a hall of horrors, she’ll need the help of a professional thief—the man known as Raptor. But Angel Breaker and Raptor aren’t exactly friends. Can the mysterious merc trust a man who feels nothing but grudges as the strange pair encounter a horror as old as the Coda Sisterhood and even more dangerous? Written by Tim Seeley, with art by Acky Bright, Knight Terrors: Angel Breaker #1 is available on July 25 with a main cover and 1:50 variant by Matteo Lolli, open-to-order variants by Ivan Tao and Leirix, a 1:25 variant by Chuma Hill, and a Midnight variant by Dustin Nguyen.

Alexis Kaye, a.k.a. Punchline, has no fears…or so she’d have you believe! They will be pried out of her in the nightmare world where she’s being hunted, and she’ll be forced to face her deepest, darkest nightmare in true horror-movie fashion! Knight Terrors: Punchline #1 is available on July 18 from writer Danny Lore and artist Lucas Meyer. It will feature a main cover and 1:50 variant by Gleb Melnikov, open-to-order variants by Ben Oliver and Otto Schmidt, a 1:25 variant by Tony Shasteen, and a Midnight variant by Dustin Nguyen.

Former comiXology execs David Steinberger and Chip Mosher launch DSTLRY, a “next gen” comic publisher

DSTLRY

ComiXology co-founder and former CEO David Steinberger and former comiXology Head of Content Chip Mosher unveiled today DSTLRY. DSTLRY is “a next-generation comics publisher that redefines creator-owned comic books and collectibles.” The publisher will offer customers limited physical and digital item drops, available online or in-store at local comic shops, while providing creators with fairer deals alongside company ownership. The co-founders have been working on the project in stealth mode since departing comiXology/Amazon in summer 2022. 

DSTLRY’s investors include international publishing giants Kodansha USA and Groupe Delcourt, as well as video game luminary John Schappert, tech strategist Mike Vorhaus, and producer Lorenzo di Bonaventura—the last three make up DSTLRY’s Advisory Board. The focus is on premium content, hassle-free digital collectibles, and a more equitable comics industry. 

Chip Mosher and David Steinberger by Tula Lotay

DSTLRY’s Founding Creators include renowned writers and artists such as Scott Snyder, Tula Lotay, James Tynion IV, Junko Mizuno, Ram V, Mirka Andolfo, Joëlle Jones, Jock, Becky Cloonan, Brian Azzarello, Elsa Charretier, Stephanie Phillips, Lee Garbett, Marc Bernardin, Jamie McKelvie, and Founding Editor Will Dennis, with more Founding Creators, creative teams, and a publishing rollout to be announced later this year.

Each Founding Creator holds an equity stake in the company, and DSTLRY has set aside an additional 3% of company equity to be distributed among all creators who release projects during the first three years of DSTLRY’s publishing slate; allocation will be based on title performance. This innovative structure aligns DSTLRY with the comic creators, whose creations dominate the pop culture landscape but are too often under-recognized and under-compensated.

DSTLRY’s oversized, premium-format single-issues will be available in print at local comic shops while digital single-issues will be available for purchase for up to one week after release on dstlry.co. These eco-friendly digital issues will be fully owned and resellable on DSTLRY’s marketplace—a “Stub Hub for digital comics”—with benefits like special discounts, exclusive drops, and meetups with the creators, depending on the item. Collected editions of single-issue comics in both print and digital formats will be widely available.

Digital owners can resell their items on the DSTLRY marketplace at a price of their choosing, with a percentage of resale going back to the creators, while each physical issue will be a limited-edition premium collectible fans will love to read and collect. More details about these physical and digital collectibles will be announced later.

Review: Batman: One Bad Day – Catwoman #1

Batman: One Bad Day - Catwoman #1

Writer G. Willow Wilson and artist Jamie McKelvie turn in a socially conscious and emotionally compelling Selina Kyle tale in Batman: One Bad Day – Catwoman. Instead of making the plot about a diamond heist gone wrong, Wilson and McKelvie dig into a day when Selina’s sense of justice wasn’t vindicated and an impactful moment in her life ended up being a lie. Plus she just ended up getting her ass kicked. However, before that, there’s a thrilling theft and plenty of beautifully choreographed action as Catwoman tries to steal back her mother’s brooch that a pawn broker said was a forgery, but it actually isn’t and is up for auction to Gotham’s wealthiest, including Bruce Wayne.

Even though One Bad Day – Catwoman is a quite personal story with a flashback to Selina’s childhood immediately kickstarting the emotional engine of the whole affair, G. Willow Wilson’s script connects the story to the always relevant themes of income inequality and resisting fascism. The initial caper starts in the middle of a protest, and although she’s on the clock, Selina gets into it with a cop for a couple panels. McKelvie’s art shows the disgust on her face for how people in power act, both inside and outside the auction house, but instead of standing out waving a sign, she takes direct action to get her life and possessions back by stealing the brooch before it can be sold for big money to some rich folks who recently read a news article about it symbolizing the liberation of France from the Nazis. Inequality between the have’s and have not’s also comes up in a conversation between Catwoman and Batman where she gently teases the Dark Knight for still believing in the justice system although working class people continue to get screwed over. It’s leftism versus liberalism, but with animal-themed fetish wear.

The whole narrative of One Bad Day – Catwoman explores agency and powerlessness in various ways beginning with the aforementioned tear-filled flashback of young Selina watching her mom get ripped off by the pawn shop owner. In the heist sequence, Selina acts out whatever role is needed to get the brooch from badass antihero and stealthy cat burglar to well-dressed socialite and clumsy caterer. These different personas give Jamie McKelvie an opportunity to play with body language and costuming. He and Wilson also show Selina at her most vulnerable when curator Vivian Page tells the story of her mother’s brooch back to her, and the intensity of the facial expressions matched with the matter of fact tone of Page’s dialogue creates a real emotional reaction and a chink in Catwoman’s armor that might come back to bite her. McKelvie is just damn good at drawing heart-rending faces.

And these emotions come from her sister Maggie, who makes only a brief on-panel appearance in the present day, but acts as a kind of everywoman figure and a contrast to Selina. Instead of stealing jewels, beating up security guards, and flirting with billionaires, Maggie works at a supermarket and is honestly unimpressed with Selina calling out of the blue about getting their mother’s brooch back because it didn’t help them as kids. Jamie McKelvie uses bigger panels for Selina and smaller for Maggie to show Selina basically barging into Maggie’s life instead of being respectful of her schedule and the path she’s chosen. The varying panel sizes also show the distance that’s grown between them, and this is enhanced by G. Willow Wilson’s deadpan, sarcastic dialogue for Maggie that is relatable to anyone who’s worked grocery or retail. Like many of us today, Maggie is wary about any kind of quick money or big gestures, and with what ends up happening in the story, Selina could have used some of that skepticism. All in all, Maggie’s presence ends up being the heart of One Bad Day: Catwoman driving Selina’s actions throughout the one-shot.

In Batman: One Bad Day – Catwoman, G. Willow Wilson and Jamie McKelvie debut an immovable object to Selina’s unstoppable force and provides a soul-searing character study of everyone’s favorite feline-themed, leftist superhero. Wilson’s captions get into her worldview while McKelvie’s visuals show off her swagger, heart for justice, and even weaknesses with a nice blend of grid and spread layouts. The book is a nice entry point for fans of Catwoman in other media (Especially Zoe Kravitz’s performance in The Batman) or for seasoned comics readers who want a little characterization to go with the leather outfits, acrobatic fight scenes, and jewel nabbing shenanigans.

Story: G. Willow Wilson Art: Jamie McKelvie Letters: Clayton Cowles
Story: 8.8 Art: 9.4 Overall: 9.1 Recommendation: Buy


Purchase: TFAWZeus ComicsAmazon

Preview: Batman: One Bad Day – Catwoman #1

Batman: One Bad Day – Catwoman #1

(W) G. Willow Wilson (A) Jamie McKelvie
In Shops: Jan 24, 2023
SRP: $7.99

Selina Kyle, a.k.a. Catwoman, is the greatest thief that Gotham City has ever seen. She’s effortlessly stolen countless items of immense value over the years and successfully evaded the GCPD and Batman. But when Catwoman finds out an item from her past is being sold for way more than it used to be worth, it sends Catwoman into a spiral, and she’ll do everything in her power to steal it back. Batman tries to stop her before she goes too far, and a mysterious figure known as the Forger will change Catwoman’s life forever. The all-star creative team of G. WILLOW WILSON (Poison Ivy, Ms. Marvel) and JAMIE McKELVIE (The Wicked & The Divine, Young Avengers) unite for this epic story!

Batman: One Bad Day - Catwoman #1

Preview: Batman: One Bad Day – Catwoman #1

Batman: One Bad Day – Catwoman #1

(W) G. Willow Wilson (A) Jamie McKelvie
In Shops: Jan 24, 2023
SRP: $7.99

Selina Kyle, a.k.a. Catwoman, is the greatest thief that Gotham City has ever seen. She’s effortlessly stolen countless items of immense value over the years and successfully evaded the GCPD and Batman. But when Catwoman finds out an item from her past is being sold for way more than it used to be worth, it sends Catwoman into a spiral, and she’ll do everything in her power to steal it back. Batman tries to stop her before she goes too far, and a mysterious figure known as the Forger will change Catwoman’s life forever. The all-star creative team of G. WILLOW WILSON (Poison Ivy, Ms. Marvel) and JAMIE McKELVIE (The Wicked & The Divine, Young Avengers) unite for this epic story!

Batman: One Bad Day - Catwoman #1

Exclusive: Judgement Day comes for Carol Danvers, Lauri-Ell, and Chewie in Captain Marvel #42!

Judgement Day descends for Captain Marvel in Captain Marvel #42. In this A.X.E.: Judgement Day tie-in, Carol, her sister Lauri-Ell and even Carol’s cat, Chewie must be judged! And Carol has had more than enough of being judged lately! How will the trio help determine if Earth lives or dies? As Carol and Lauri-Ell give their heroic best to prove their worth an…unexpected new player emerges.

Captain Marvel #42 is written by Kelly Thompson with art by Andrea Di Vito and colors by Nolan Woodard. It features a main cover by Juan Frigeri with variant covers by Gurihiru and Jamie McKelvie.

Captain Marvel #42 is on sale October 12th! Get an exclusive first look at the issue below!

Preview: Captain Carter #5 (of 5)

Captain Carter #5 (of 5)

(W) Jamie McKelvie (A) Marika Cresta (CA) Jamie McKelvie
RATED T+
In Shops: Aug 10, 2022
SRP: $3.99

THE END OF THE LINE!
Captain Carter’s powerful enemies are closing in, painting her as dangerous and out of touch with reality. But Peggy’s mind has never been clearer – and now that she knows what she’s up against, she’s going to put an end to it…even if it costs her everything.

Captain Carter #5 (of 5)
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