Tag Archives: Israel Silva

Review: X-Men ’92: House of XCII #2

X-Men ’92: House of XCII #2

Take all of the concepts of Jonathan Hickman’s run on the X-Men and use X-Men characters from the 1992 animated series, and you have X-Men ’92: House of XCII. The first issue felt like a rehash of something I’ve already read and unfortunately, X-Men ’92: House of XCII #2 doesn’t add much more.

Written by Steve Foxe, X-Men ’92: House of XCII #2 continues the familiar story. The X-Men have created a nation of their own. A band of humans called Orchis are using Sentinels to try to destroy the mutants. There’s a mutant who is reincarnated back as a baby when they die, and can do it a finite amount of times. This is all things we’ve seen before in the X-Men’s relaunch a few years ago.

Unfortunately, that’s all the comic feels like, a rehash of what we’ve already read. A slight knock-off of the name brand. In this version, the characters are replaced with those that appeared in the animated series. Instead of Kate leading the Marauders it’s Rogue. Jubilee at one point teams with Stryfe. It’s small changes but not enough add up to really make the comic feel fresh and different. In fact, it feels like an off-brand version of the original and also of the animated series. Neither quite fits.

The closest the comic gets to working is with Salva Espin‘s art. With Israel Silva on color and Joe Sabino on lettering, the comic often has a look of the cartoon and at times captures the feel. But, it also at times feels like bad 90s X-Men and its “swimsuit special” gaze. That might be part of the joke but it also doesn’t click with what’s going on elsewhere. Is the comic supposed to be a spoof? Serious? There is some solid design like a new Sentinel that fits the animated style but overall, the comic feels close, but not exact, like the original. Compare that to G.I. JOE: A Real American Hero – Saturday Morning Adventures which nails the feel of the animated series in every way. There is some inspired pages that highlight characters and the credits but even that feels more Saved By the Bell than X-Men: The Animated Series.

X-Men ’92: House of XCII #2 feels like an odd take on the classic Marvel What If…? and might have done better if that was the premise. Instead it dips its toes with winks and nods attempting to capture the nostalgic feel of the classic cartoon while shoehorning it into a concept that doesn’t fit with the cartoon. It’s an interesting idea but has yet to click in its two issues.

Story: Steve Foxe Art: Salva Espin
Color: Israel Silva Letterer: Joe Sabino
Story: 6.75 Art: 8.0 Overall: 7.0 Recommendation: Pass

Marvel provided Graphic Policy with a FREE copy for review


Purchase: comiXology/Kindle – Zeus Comics

Review: X-Men ’92: House of XCII #1

X-Men '92: House of XCII #1

 I am old enough to remember when the original X-Men cartoon came out inn 1992. It was nothing like anything else onscreen. As the cartoon came out long after Saturday mornings were no longer  the haven it used to be when I was an adolescent. I was a freshman in high school,. So I watching cartoons was not on my radar.

In fact, I started veer off even reading comics at that time. This all changed one Saturday morning when I incidentally woke up early, and caught an episode of this classic show. It was different in many ways, often dealing with issues that most cartoons did not. In X-Men ’92: House of XCII #1, we are taken back to that time as they face the X-Men’s newest dilemma, the island of Krakoa.

We find the X-Men on a mission where they finally have chance to take down the Sentinel threat once and for all,  as Wolverine tracks down Trask , right on the precipice of his revenge but he may be too late to stop him from carrying out his plan, which is where Magneto steps in,  to help the X-Men. Meanwhile back on Earth,. Psylocke  is showing mutants from other countries  around the Krakoan Embassy in New York City, where they fend off an attack from a hate crime group , gaining solidarity from these nation states. We also catch up with Professor X, who has  found a way for mutants to cheat death, as we find out how Professor X and Magneto become friends again and what lead to the creation of Krakoa. By the issue’s end, we  find out Magneto and Professor X have been hiding a secret from everyone else and the Sentinel threat is far from decimated.

Overall, X-Men ’92: House of XCII #1 is a fun trip down memory lane, that only gets better as it takes place in the Krakoan age. The story by Foxe is masterful. The art by creative team is gorgeous. Altogether, a book which ropes in old fans while giving an alternate take on this big event.

Story: Steve Foxe Art: Salva Espin
Color: Israel Silva Letterer: Joe Sabino
Story: 10 Art: 10 Overall: 10 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review


Purchase: comiXology/KindleZeus Comics

Review: Carnage #1

Carnage #1

Carnage is a character I honestly never really enjoyed or got. He’s just an unrepentant murderer who feels like the precursor to gore porn. It was never really anything interesting about the character to me, just how much destruction and death he could cause. He is escalation in human form, someone both Spider-Man and Venom could fear. Over the years, Carnage, and the concept of the symbiotes as a whole, have evolved to include gods and cults giving us something a little different and new. Carnage #1 feels like it continues the evolution of the character, an attempt to give us something more than just a high body count.

Written by Ram V., Carnage #1 gives us events from a few perspectives. There’s a killer on the loose and the detective attempting to stop him. It plays out in expected ways but it’s all a setup for what’s to come next issue. It seems Carnage is on a mission and that involves Hydro Man and access to other worlds. Not only does this up Hydro Man in some ways, it also gets the character away from who and how is he going to kill next. That is saved for the actual killer whose entire “art” is to gain the attention of Carnage.

The issue feels like it’s trying to do more with the character than we’ve seen in a while. Separated from Cletus Kasady, Carnage is literally on a search to define itself and the comic is taking us along for that ride. It’s not a bad start with shades of Se7en and other serial killer films like it. You can tell there’s a wink and nod towards Fincher without that being all there is.

The art by Francesco Manna is good. With color by Dijjo Lima and lettering by Joe Sabino, the comic delivers the gross death without being too gory and shocking. It’s there to some extent and dips its toes over the line but it never feels like it dwells in it. The camera doesn’t linger in other words. Still, there’s enough gore and horror to make fans of that, or those that expect it, happy.

The issue feels two backup stories as well. “A Lesson in Blood and Bone” by writer David Michelinie, artist Ron Lim, inker Robert Poggi, and colorist Israel Silva adds some depth to Cletus as a young boy asks him to take revenge against some bullies. It’s an interesting story and if it was published years ago, it could have shifted perspectives on the character but all this time later, it feels a bit out of character in some ways.

Ty Templeton also contributes two comics that take their inspiration from the Sunday funnies and they work in a goofy fun sort of way. It’s an unexpected bonus.

Carnage #1 is an intriguing debut. There’s a lot of potential here. It’s clearly setting up Carnage for a future much like Venom has received for a few years now. There’s an effort it would seem to move the character beyond his one note and become something a bit more interesting and possibly even scarier.

Story: Ram V., David Michelinie, Ty Templeton Art: Francesco Manna, Ron Lim, Ty Templeton
Color: Dijjo Lima, Robert Poggi Letterer: Joe Sabino, Israel Silva
Story: 7.5 Art: 7.5 Overall: 7.5 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


Purchase: comiXology/KindleZeus ComicsTFAW

Marvel Celebrates 60 Years of Spider-Man with Spider-Man Variant Covers

This year marks the 60th anniversary of Spider-Man, and the entire Marvel Universe will join in the celebration with a stunning new series of variant covers! Debuting throughout April, the Spider-Man Variant Covers will adorn your favorite ongoing series and showcase Marvel’s heroes and villains suited up Spidey-style! Created by incredible artists such as Dan Jurgens, Kaare Andrews, Rahzzah, Kyle Hotz, Declan Shalvey, Pete Woods, Rod Reis, David Baldeón, Bengal, Romina Jones, and more, these exciting covers feature brand-new costume designs inspired by Marvel’s greatest icon! 

These covers will including the following characters and many more:

  •  Mary Jane
  •  Captain Marvel
  • Carnage
  • Iron Man
  • Emma Frost
  • Shang-Chi
  • Silk
  • Silver Surfer
  • Thor
  • Venom

Check out the first ten now and stay tuned for more SPIDER-MAN VARIANT COVER reveals in the coming weeks!

  • AMAZING SPIDER-MAN #1 SPIDER-MAN VARIANT COVER by ROMINA JONES
  • CARNAGE #2 SPIDER-MAN VARIANT COVER by KYLE HOTZ with Colors by ALEX GUIMARÃES
  • SHANG-CHI #11 SPIDER-MAN VARIANT COVER by RAHZZAH
  • THOR #24 SPIDER-MAN VARIANT COVER by DECLAN SHALVEY
  • VENOM #7 SPIDER-MAN VARIANT COVER by PETE WOODS
  • SILK #4 SPIDER-MAN VARIANT COVER by BENGAL
  • SILVER SURFER REBIRTH #4 SPIDER-MAN VARIANT COVER by ROD REIS
  • IRON MAN #19 SPIDER-MAN VARIANT COVER by DAN JURGENS with Inks by BRETT BREEDING and Colors by EDGAR DELGADO
  • IMMORTAL X-MEN #2 SPIDER-MAN VARIANT COVER by KAARE ANDREWS
  • CAPTAIN MARVEL #39 SPIDER-MAN VARIANT COVER by DAVID BALDEON with Colors by ISRAEL SILVA

Review: Ben Reilly: Spider-Man #1

Ben Reilly: Spider-Man #1

Growing up, I wasn’t the biggest Spider-Man fan. It’s not a character I read a lot of comics of. I’d hope into arcs every so often but never regularly reading the series. I missed the controversial “Clone Saga” and thus Ben Reilly wasn’t a character I really knew beyond the initial hatred. With “Beyond”, I’ve gotten to know the character a bit more as he’s taken center stage again. Ben Reilly: Spider-Man #1 builds off of that renewed interest taking us back to those early years in a story focused on Reilly as he attempts to figure out what he should do next.

Not being familiar with the history, I’m sure there’s a lot I miss with Ben Reilly: Spider-Man #1. But, even not knowing a lot, it’s a hell of a comic that’s fun and enjoyable with a nice emotional punch to it. Taking us back to when Ben was the one true Spider-Man, the comic does a smart job of catching readers up to what the status was at this point in comics. But, it also moves things along at a brisk pace. The focus is Ben as a person as he struggles with his history and his role as Spider-Man. Is he the clone? Is he the real Peter? What should he do? Reilly delivers a hero who is the very definition of unsure of himself. He literally does not know who he is on multiple levels. It’s an interesting focus that can be dissected in so many different ways.

J.M. DeMatteis delivers so much more than that though. We get the setup of the villain to come, a killer who murders on the first date but also a battle with a villain. The battle feels very “classic Spider-Man” despite it being a “new” version of the character. He uses his fists and so much more to stop the villain and it delivers an emotional punch. It emphasizes this is a bit of a different Spider-Man in some ways and that DeMatteis is going to take us on a journey that explores Reilly as a person.

The art by David Baldeón is solid with a look that feels like an updated take on that classic era. With color by Israel Silva and lettering by Joe Caramagna, the art really delivers home to emotional swings DeMatteis goes for in the issue. From anger to sadness, and everything in between, it’s an issue that you really need to focus as much on Reilly’s body language as to what’s also being written in the dialogue and thought bubbles. It’s a fantastic combo and deliver.

Ben Reilly: Spider-Man #1 is a solid issue. It feels a bit like Ben Reilly has had some redemption since his debut so many decades ago and this is a prime example of how well the character can be used. There’s a lot to mine and this series feels like it might be the final bit of vindication that his creation so long ago might have been a hell of a thing after all.

Story: J.M. DeMatteis Art: David Baldeón
Color: Israel Silva Letterer: Joe Caramagna
Story: 8.5 Art: 8.5 Overall: 8.5 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review


Purchase: comiXologyKindle Zeus ComicsTFAW

Choose Your Destiny in Destiny of X!

What destinies await Marvel’s mightiest mutants? See what possible futures lie ahead in new teasers starring your favorite X-Men and stay tuned for more information on Destiny of X!

The Hope teaser features art by David Baldeon and Israel Silva, Storm is by Taurin Clarke, and Wolverine is by Carlos Gomez and Jesus Aburtov.

The Immortal Hulk #50 Captures Immortal Moments in Variant Covers

The end of one of the most critically-acclaimed comic runs in recent history arrives next month with Immortal Hulk #50, a special giant-sized issue that will present the epic conclusion to years of buildup, mystery, and Gamma-powered additions to the Hulk mythology. To celebrate the end of this groundbreaking journey, some of the industry’s top artists have delivered outstanding ‘Immortal Moments’ variant covers that depict some of the highlights of the last 49 issues.

These eight covers will allow readers to relive the following breathtaking moments from throughout this incredible saga:

  • Ron Lim and Israel Silva immortalizes Hulk’s discovery of the gamma-irradiated father of Del Frye from IMMORTAL HULK #2
  • Ed McGuinness and Laura Martin immortalizes the brutal brawl between the red Absorbing Man and Hulk from IMMORTAL HULK #9
  • Gary Frank and Brad Anderson immortalizes the climactic moment of the “Hulk in Hell” arc where Devil Hulk lets Bruce know he’ll always protect him from IMMORTAL HULK #13
  • Carlos Pacheco, Rafael Fonteriz, and Marcio Menyz immortalizes the debut of the Rick Jones/Abomination hybrid from IMMORTAL HULK #17
  • Creees Lee and Jesus Aburtov immortalizes Hulk’s initial confrontation with Betty’s new manifestation of her Red Harpy persona from IMMORTAL HULK #19
  • Sanford Greene immortalizes the glimpse of Hulk’s potential future as the Breaker of Worlds from IMMORTAL HULK #25.  
  • InHyuk Lee immortalizes Hulk squaring off against his Roxxon-backed replacement, Xemnu, from IMMORTAL HULK #31
  • Jen Bartel immortalizes the reveal of the Devil Hulk’s true look from IMMORTAL HULK #38

Check out all eight now and be there for the end to this historic run when Immortal Hulk #50 hits stands on October 13!

Peach Momoko, Ron Lim, Israel Silva, Valerio Schiti, Marte Gracia, Skottie Young, Jack Kirby, Joe Sinnott, and Morry Hollowell Ceberate the Wedding of Doom!

The greatest wedding in Marvel Comics history is almost here! Just in time for the Fantastic Four’s 60th Anniversary, the latest arc in writer Dan Slott and artist R.B. Silva’s thrilling run on Fantastic Four will kick off in Fantastic Four #32. Packed with unpredictable twists that will change the First Family’s dynamic forever, “The Bride of Doom” promises to join the ranks of the greatest stories in the Fantastic Four mythos. To celebrate the upcoming nuptials of Doctor Victor Von Doom and Victorious, some of the industry’s hottest artists have turned out stunning variant covers including Marvel’s Stormbreaker Peach Momoko, Skottie Young, Valerio Schiti, and Ron Lim! The main cover is by Mark Brooks.

Check out all the covers now, including a Hidden Gem Variant Cover with artwork by Jack Kirby. And don’t miss this glorious affair when Fantastic Four #32 hits stands on May 12th!

  • Variant Cover by PEACH MOMOKO (MAR210541)
  • Virgin Variant Cover by PEACH MOMOKO (FEB19320)
  • Variant Cover by RON LIM & ISRAEL SILVA (MAR210540)
  • Wraparound Variant Cover by VALERIO SCHITI & MARTE GRACIA (MAR210542)
  • Variant Cover by SKOTTIE YOUNG (MAR210544)
  • Hidden Gem Variant Cover by JACK KIRBY, JOE SINNOTT & MORRY HOLLOWELL (MAR210543)

Exclusive Preview: Conan the Barbarian #20

Conan the Barbarian #20

(W) Jim Zub (A) Cory Smith (I) Roberto Poggi (C) Israel Silva (L) VC’s Travis Lanham (CA) Geoff Shaw
Parental Advisory
In Shops: Apr 07, 2021
SRP: $3.99

INTO THE WILD!
• CONAN must escape the Khitai royal guard while stalking through an uncharted land and battling the forces of nature that would see him fall!
• But is his new comrade MEIWEI everything she seems?
• And what secrets do HENG THE INSURGENT and his roving bandits hide?

Review: Conan the Barbarian #17

Conan the Barbarian #17

Last time I read Conan, he was escaping the Crucible and cut down the main baddie with a sword called The Tooth Of The Northstar, a stolen weapon. Conan decided he’d return the weapon to whom it belonged. However, nothing can ever be easy for the Cimmerian. The blade has a certain control over those that wield it – Conan is no different, as he falls to the sword’s control and cleaves in twain just about every living thing that is put in front of him and unfortunately for Conan, it’s still hungry.

Jim Zub has been writing Conan The Barbarian for five issues now and I’ve really liked it a lot. I was worried once Jason Aaron left the book that I wouldn’t enjoy it but the Cimmerian is in great hands with a writer who can not only write good fantasy action but thrives in this element. Conan the Barbarian #17, depicting a possessed weapon taking control of Conan, is a pretty brutal issue and we see glimpses of the world of the sword itself. I know Zub knows the world of Dungeons And Dragons well and so often you could come across such an item. I love it. It makes Conan more than just a hack and slash character.

I’m a big fan of Robert Gill. He worked on a bunch of Valiant Entertainment books a few years back and I’d genuinely missed seeing his work. I think his art is well-suited for Conan and he just does a lot of good, violent work throughout Conan the Barbarian #17. When telling the story of a man possessed by a weapon, you are bound to have to illustrate a lot of human demise, and Gill’s work pairs well with Israel Silva’s colors. I’m hoping Gill can stay on the title for a good, long time.

This was an awesome issue and like the “Tooth Of The Northstar”, I hunger for more of this story. Do yourself a favor and get Conan the Barbarian #17.

Story: Jim Zub Art: Robert Gill
Color: Israel Silva Letterer: Travis Lanham
Story: 9.0 Art: 8.0 Overall: 8.5 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review


Purchase: comiXologyKindleAmazon

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