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Mini Reviews For The Week Ending 8/19

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for.

These are Graphic Policy’s Mini Reviews.


Ryan C

shipwreck5Shipwreck #5 (Aftershock)** – The fifth issue of Warren Ellis and Phil Hester’s dimension-hopping odyssey is a similarly breezy read to the first four, but it certainly looks bleakly gorgeous and both the plot and characterization are beyond intriguing. The one big problem? This title comes out so infrequently, and reads so quickly, that I can’t justify picking it up in singles from a financial perspective. Overall: 8 Recommendation: Pass — but only for now; you’ll definitely want to buy this when it comes out in trade.

The Hard Place #1 (Image/12-Gauge)** – I’m a sucker for “ex-cons trying to stick to the straight and narrow” stories, and the first issue of Doug Wagner and Nic Rummel’s new mini-series promises to be a terrific addition to that genre. Rummel’s art is a bit rough around the edges but works nicely for this sort of material, and Wagner’s script has a nicely authentic “street-level” feel. Overall: 7.5 Recommendation: Buy

Plastic #5 (Image/12-Gauge)** – Speaking of Doug Wagner-scripted crime books, this one that he’s had going with Daniel Hillyard wraps up nicely, if a bit predictably, since our deranged protagonist and his sex-doll “girlfriend” were obviously doomed from the start. Still, it’s a good, if bizarre, read, gorgeously illustrated. Overall: 7 Recommendation: Read 

Underwinter #6 (Image)** – Ray Fawkes wraps up the first arc of this harrowing horror series with a gut-wrenching conclusion that seems to leave little to no path forward — so I’ll be curious to see where and how he picks things back up, because it could end here and feel like a fairly complete story. Frankly this is fairly devastating stuff, and while I admit that Fawkes’ art is an acquired taste, I think it fits his subject matter to a proverbial “T.” Good and grim, just how I like it. Overall: 8 Recommendation: Buy

Shean

generations thorGenerations: The Unworthy Thor and Mighty Thor #1 (Marvel) Two Thors walk into a room, Yada Yada Yada, what could be a joke of a story provides new revelations into the character we know own and the character we are still getting to know. In a convergence of time and space, Thor(Unworthy) and Thor(Mighty) are called to Egypt in a battle with Apocalypse who has amassed an army to fight our heroes.What Mighty Thor soon finds out that the Princeton Of Lies is behind this recent skirmish. By story’s end, the reader gets into the minds of both characters which reveals a secret of Odin.
Overall: 9 Recommendation: Buy

Deadpool Kills The Marvel Universe Again #4 (Marvel) We find Wade Wilson still being mind controlled by the Cabal Of villains but this time inhabiting the armor of Ultron.He ends up taking out just about all the Avengers and what us hilariously depicted, thr kid heroes of the Marvel Universe. Gwenpool ends up intervening realizing that the Tinkerer is the mastermind behind his current condition. By the end of the issue, Deadpool kills a few more heroes but finally breaks free of their control and his purpose has turned back on his oppressors. Overall: 9.5 Recommendation: Buy


Well, there you have it, folks. The reviews we didn’t quite get a chance to write. See you next week!

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Mini Reviews For The Week Ending 8/19

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for.

These are Graphic Policy’s Mini Reviews.


Ryan C

iwishiwasjoking.jpgBatman #29 (DC)** – Didn’t we already have an “interlude” in the middle of “The War Of Jokes And Riddles” a couple issues back? Well, this “extended-set-piece” issue feels like another one. It’s reasonably clever in terms of its construction, but not earth-shattering, and Tom King’s dialogue often feels stunted and slightly “off.” The idea of Bruce Wayne and his most of his rogues’ gallery sitting down to dinner doesn’t give Mikel Janin much to dig his considerably artistic chops into, either. All told, this is just more running in place. Overall: 4 Recommendation: Pass

Dark Nights: Metal #1 (DC)** – I guess as far as crossover “event” stories go, this one’s not too bad — but as far as comics go, it’s not too good. Scott Snyder’s laborious script is loaded with enough continuity baggage to make even fanbys-turned-pros of the past like Roy Thomas blush, Greg Capullo’s art is a solid notch or tow beneath his previous “Batman” work (and the cover is positively awful), and the “cliffhanger” ending, while surprising, isn’t especially smart in that it opens a whole can of worms that a lot of readers — myself included — would just as well see left alone. Overall: 4.5 Recommendation: Pass

 I Wish I Was Joking #1 (Poochie Press)** – Don’t look now, but Tom Van Deusen might just be the funniest carttonist in the business. Toning down his obviously-exaggerated “asshole persona” from previous books, here he’s very nearly likable as he conducts (okay, concocts, since they’re all fake) interviews with vapid media celebrities like Dave Matthews, Jeff Bezos, and the cast of MTV’s “The Real World : Seattle” that portray them to be every bit the dickheads we know they are, but do so in a manner far more clever, and less directly insulting, than one would expect. Subtlety is a new weapon in the Van Deusen artistic war chest, and he wields it very skillfully indeed — and his art keeps imporving with each successive project, as well. Definitely “must-buy” material. Overall: 10 Recommendation: Buy

Briggs Land: Lone Wolves #3 (Dark Horse)** – An immensely satisfying wrap-up to the second three-issue “arc” of this series (Jesus, though — are we going to get a new “first” issue every four months?) sees Brian Wood and Mack Chater coming up with a damn smart and unexpected way to resolve the hostage stand-off at the core of this story, and the final few pages over tantalizing clues as to what each character is thnking — and may be prepared to do — going forward. Way better than any comic about a white separtist sect has any right to be, and Chater’s art suits the gritty and authentic tone of Woods’ Spy_Seal_01_cvr_FULLscript to a proverbial “T.” Ready-for-TV melodrama doesn’t get much better than this. Overall: 8 Recommendation: Buy

Ben

Spy Seal #1 (Image) Most ideas we have as teenagers aren’t worth reviving, but that’s not the case for Rich Tommaso’s new Image series. “Spy Seal” #1 is a colorful, quirky debut that aesthetically harkens to Herge’s “Tintin” while having modern sensibilities in pacing. The story is a little predictable in terms of cold war-era spy thrillers, but manages to keep the reader informed on what’s happening. Characterization is light, but it gets better in the later half of the issue. The real issue are some of the tired cliches of fridging/harming women in order to advance the male protagonist’s story. Reviving old school styles and narratives shouldn’t mean repeating their mistakes. Overall, I recommend “Spy Seal” on the pure amount of joy you get from the reading experience. It shines with the eagerness of a creator fully invested in his concept and manages to pull off an appeal to both the adult side of us that enjoys a good mystery along with the inner child that grew up on cartoons of talking animals. Overall: 9

Shean

Luke Cage #4 ( Marvel)-When Luke goes to New Orleans for his the funeral of the scientist who gave him powers, he finds more than he expects. As he is reunited with Warhawk, he soon finds our that Dr. Bursting has kept on experimenting. As he is introduced to KevLar, a younger version of himself who has joined a street gang. As the this family reunion of sorts endures some skirmishes, the reason fight is the evil organization looking to take them out. Overall: 10 Recommendation: Buy

Gwenpool #19 (Marvel) – In this issue, Gwenpool breaks the fourth wall and enters an alternate universe. Teddy ends up showing her more than what she expected as she finds out about the different circumstances her family would have taken. Also, in this world, she is actually a villain and Spider-Man’s main tormentor. He traps her to kill her but what both don’t see coming is a another version of herself from her comic showing up. Overall: 9 Recommendation: Buy

George

generations wolverineGenerations: Wolverine & All-New Wolverine (Marvel) It’s all about the last few pages, the interaction between Logan and Laura throughout the book is great, but the ending is the best payoff of this Generations event so far. If you didn’t get it go back and pick it up.

Dark Knight: Metal #1 (DC) And here we are again with another mega crisis that will change the DCU as we know it, again. To be fair, the previous comics Dark Days: The Forge and The Casting setup this great premise of a dark corner of the DCU and some type of connection to Nth metal and Batman. Not sure how far down this rabbit hole I’m going to go but Snyder knows how to tell a story and Capullo and Glapion turn in solid art. If you like big events, this will be right up your alley.

Christopher

Dept H # 17 (Dark Horse) Writer and Artist: Matt Kindt While their only way out is charging up, the story jumps to the past. Revealing the history of Lily, and her tragic past with different more vibrant color schemes. Along with showing how Mia and Lily bonded as kids. Despite some incidents with Hari along the way, one thing is certain she didn’t kill him. Now with the H-virus spreading, will they finally be allowed to surface, or is humanity doomed? Overall: 8.5

 

 


Well, there you have it, folks. The reviews we didn’t quite get a chance to write. See you next week!

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Mini Reviews For The Week Ending 8/6

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for.

These are Graphic Policy’s Mini Reviews.

 

Ryan C

Redlands_01-1Redlands #1 (Image)** – Not sure what to make of this one yet. On the one hand, Vanessa R. Del Rey’s free-flowing and expressive artwork is gorgeous, and Jordie Bellaire’s colors are always top-notch. It’s as a writer, however, that Bellaire clearly has something of a learning curve ahead of her — plunging us into the middle of the action right off the bat, we never learn many of the characters’ names, have no clue as to their motivations, and frankly, beyond some sort of siege on a redneck sheriff’s station, we don’t even get much of an idea of what’s going on, never mind why. The creators seem to have an admirable agenda that they’re working towards here, but they have a long way to go to get readers invested in it and at $3.99 a pop, I simply wasn’t given a clear enough idea of the basic premise of this comic to justify sticking with it. Overall: 4. Recommendation: Pass.

 The Divided States Of Hysteria #3 (Image)** – Whoever’s still left reading Howard Chaykin’s latest will find this installment to be something of a bummer as very little happens by means of plot progression, and all we get is a re-hash of the few particulars we already know. Okay, everyone’s a bastard — we get that much. Beyond that, all this issue does is run in place. Still love Chaykin’s art and Ken Bruzenak’s one-of-a-kind lettering and effects, though. Overall: 5. Recommendation: Buy if you’ve come this far, pass if you haven’t.

Unholy Grail #2 (Aftershock)** – I’m really digging Cullen Bunn and Mirko Colak’s revisionist take on the Arthurian legend, and like the first issue, this one successfully “time-jumps” around to fill us in on all the particulars in a breezy, rapid-fire manner. Colak’s lavish artwork is definitely the star of the show here, but the script does what it needs to in order to maintain your interest, as well. Overall: 7.5. Recommendation: Buy.

Grass Kings #6 (Boom! Studios)** – Matt Kindt and Tyler Jenkins wrap up the first arc of their series in fine style as the showdown between our drop-outs and local law enforcement comes to a head, with potentially far-reaching consequences for all parties involved. There’s some great character development in this issue, and Kindt delivers at least one genuinely touching moment, all aided and abetted by Jenkins’ gorgeous and moody watercolor art. Overall: 8. Recommendation: Buy.

Patrick

 Kill Or Be Killed #11 (Image)** – And here we are, right back where we came in, with the fight in #1. Although our guy Dylan is trying to get his life back together, get back on his meds, catch up on his schoolwork, go to a party with his ex, his demon just won’t let him be. Nothing spectacular, just a solid issue that sets up the third arc quite nicely. Overall: 8 Recommendation: Buy.


Well, there you have it, folks. The reviews we didn’t quite get a chance to write. See you next week!

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Mini Reviews For The Week Ending 8/6

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for.

These are Graphic Policy’s Mini Reviews.

Alex

Generations Banner Hulk & Totally Awesome Hulk #1 (Marvel) If this is how the rest of the Generations series goes, I’ll happily continue to ignore it. An utterly pointless comic that either suffers from Secret Empire not actually being over or from being the beginning of a poor emulation of DC’s Rebirth. Save yourself some money and walk away from this – I’d have been furious if I’d have plonked down money for this, but instead I’m merely miffed that I’ve wasted my time reading a review copy. Overall: 4 Recommendation: Pass

Ryan C

HadriansWall_08-1Hadrian’s Wall #8 (Image)** – Having wrapped up the “whodunnit?” portion of their story in this series’ penultimate issue, Kyle Higgins, Alec Siegel, and Bill Sienkiew — sorry, Rod Reis — focus on the personal side of things for their highly satisfying, lavishly-illustrated conclusion. The result? A comic that definitely exits on a very high note indeed. Overall: 9 Recommendation: Buy

Black Bolt #4 (Marvel)** – Saladin Ahmed and Christian Ward take a side-step with this issue into the backstory of Crusher Creel, as told from his point of view, and it’s absolutely awesome. Gorgeous art, compelling characterization, razor-sharp dialogue, and a gut-punch of an ending that shows just how much of a bastard our ostensible “hero” can be. Overall: 10 Recommendation: Buy

Batman #28 (DC)** – You knew the good times wouldn’t last, and with this segment of “The War Of Jokes And Riddles,” Tom King slides back into the kind of rudderless, slipshod writing that’s characterized far too much of his run on this book to date. Gorgeous art from Mikel Janin with innovative layouts and stirring action sequences aren’t enough to save this sorry installment of a storyline that suddenly seems in danger of completely going off the rails. Overall: 4 Recommendation: Pass

Elsewhere #1 (Image)** – Jay Faerber and Sumeyye Kesgin appear to have a winner on their hands if the first issue of their immediately-charming “Amelia Earhart washes up in cosmic fantasyland” story is anything to go by. Quick, pacy,and fun storytelling with spot-on characterization and lushly-rendered art makes for a very compelling opening salvo indeed, and I can’t wait to see where this one goes from here. Killer cliffhanger, too! Overall: 8 Recommendation: Buy

nick fury 5 comic.jpgShean

Nick Fury #5 (Marvel)– Vacation time is usually a signal to most people for some respite and relaxation. Not so much for spies, as their minds stay working most rooms as is the case with Fury in this issue. As he is ordered to take a vacation, everything is not what it seems. As his bosses have sent him to a town where everyone, and I mean everyone is an assassin, even the little kids, as this issue proves despite the faults that Marvel has enacted on other books and characters, they know exactly what to do with Fury and how to do it right. Overall: 10 Recommendation: Buy

Patrick

Stray Bullets #26 (Image/El Capitan)** – Just like clockwork, when you think that a) things can’t get any worse and b) you can never like these horrible characters, David Lapham comes up with the goods. It never feels forced; Kretchmeyer and Annie really are the worst, but their characters are so clear and they are so obviously in way over their heads that a crazy humanity shines through. Kretch: “I always have this nagging feeling… that I’m doing something wrong.” Annie: “I never feel that way.” OH, DAMN. Overall: 9 Recommendation: Buy

StrayBulletsSNR_26-1Sex Criminals #20 (Image)** – Even when they don’t succeed, Fraction & Zdarsky are always trying something. But I think two things are getting in my way these days: their formal experiments and their plotting. I have the feeling that both of these things are being laid on top of what are very strong and interesting characters and a very necessary theme. What Dr. Kincaid says is, I think, true of this book as well: the creators are spending so much time chasing a “that” when all I really want is for it to be about “us”. When Matt and Chip just spend time with the actual human beings in the book, they are really brilliant. But they can’t seem to resist undercutting their own humanity with corny jokes and their need for “plot” and “action”. Overall: 7.5 Recommendation: Read

 Love and Rockets #3 (Fantagraphics)** – And here I thought Jaime had nothing more to say about the old punk days in Hoppers, and now all I want is more stories about Del Chimney and the Island of Lost Souls. His take on superheroes in “Animus” is breathtaking, like old black and white Mara Corday movies. There’s something so weird and pure about it, just moving from one strange confrontation to the next – but his figure drawing is so grounded, his characters have such actual weight, that what could be just cartoonish becomes really horrific. On the Beto side, it looks like all of his Baby and Fritz stories are leading us back to Palomar, and none too soon for my tastes. Where Jaime’s characters are grounded, Beto’s seem to be floating; but that’s not exactly a weakness, either. It feels to me like there’s a cord that’s been cut, that the characters are bereft and mournful – and that the last panel in this issue, Baby and Rosario in silhouette, holding hands and walking away, is the most real thing Beto’s drawn in a while. Overall: 8 Recommendation: Buy


Well, there you have it, folks. The reviews we didn’t quite get a chance to write. See you next week!

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Mini Reviews For The Week Ending 7/29

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for.

These are Graphic Policy’s Mini Reviews.

Ryan C

black hammer 11.jpgBlack Hammer #11 (Dark Horse)** – Jeff Lemire and Dean Ormston deliver a sparse but hearbreaking/warming tale of Barbalien’s tortured past and Golden Gail’s tortured present, and while this issue lacks the shocking “big reveals” the last few have, it’s nevertheless a very poignant story, beautifully illustrated. Overall: 8 Recommendation: Buy

Rebels: These Free And Independent States #5 (Dark Horse)** – Brian Wood and Andrea Mutti wrap up the story of John Abbott in a way that’s so satisfactory, it’s a veritable comic book storytelling clinic. A happy ending never felt so good — and it looks just as good as it reads. Overall: 9 Recommendation: Buy

Secret Empire #7 (Marvel)** – Hmmmm, so Miles Morales’ prophetic “vision” finally comes true, a major character is killed off (for now, you know it won’t last), and Sam Wison re-emerges as Captain America. By all respects, this should be a “big” issue, but it sure doesn’t feel like one. That’s no fault of Andrea Sorrentino and Rod Reis, both of whom do a solid job on art, but damn, is Nick Spencer’s script flat and inherently anti-climactic. Get this thing over with already, please. Overall: 3.5 Recommendation: Pass

‘Namwolf #4 (Albatross)** – A solid, if unspectacular, conclusion to Fabian Rangle Jr. and Logan Foerber’s infectiously likable absurdist four-parter ties up all loose ends with relative ease while leaving things open to a potential sequel, should sales warrant it. Fun, colorful, goofy and gory stuff that’s thoroughly predictable, but no less enjoyable for that fact. Overall: 7.5 Recommendation: Buy

Patrick

Captain Canuck Season 3 #1 (Chapterhouse) – So Captain Canuck has retired for reasons and returned to a reserve in central Manitoba to be a hero on a micro-local scale. Very interesting and welcome for writer Kalman Andrasofszky to point out the horrible conditions on many Canadian Native reserves, and for suggesting that Tom would be in the running for band leader. More of this, please! But on the other hand, we then have some kind of alien “incursion” or something that’s tearing up Toronto for reasons? I get that you’ve got to do your plot, but I’m more convinced than ever that plot is mostly boring and no substitute for characters being active agents in their own stories. The only choices Andrasofszky leaves Canuck are to resist (unconvincingly) or to accept the mission – but not until after a few first-we-fight-then-we-team-up pages with Northguard. Leonard Kirk’s art is great as usual. Overall: 7.5 Recommendation: Read

Freelance #4 (Chapterhouse) – So Lance’s past is supposed to be all mysterious and stuff? Yeah, okay, I’ll go with that. Here we get another riff on the old “you were born to rule the humans” trope: superior man-god from a lost civilization/dimension who has fallen in love with humanity, or, in this case, the twist is that Lance is in love with one Fantomah-_1_1024x1024man in particular. Which is nice to see in a mainstream-type comic, of course. But I’d like to see this series be a bit more freewheeling and really deliver on its premise of globetrotting adventure. Vaneda Vireak & Cindy Leong’s art still looks rushed to me and I wonder if they consider that a bug or a feature. Overall: 7 Recommendation: Read

Fantomah #1 (Chapterhouse) – When you decide to serve up a new version of a Fletcher Hanks character, I expect off-the-rails crazy. SPOILER ALERT: This is not, not one iota, crazy. So what are Ray Fawkes and Soo Lee serving up? It looks like an L.A.-based revenge tragedy, with none of the Mystery Woman of the Jungle stuff. Rather, it looks like we’re going to get a take on La Muerte because L.A. and skull-face woman. Or – as next issue is “The Weeping Woman” – is it La Llorona? Some kind of mishmash of the two? In any case, it falls between the cracks for me – there’s not enough going on either externally or, in the case of its main character Paz Gallegos, internally, to be a really effective revenge tragedy. And Soo Lee’s art depicts L.A. as curiously quiet and empty, with figure work that is neither slick enough to be really mainstream nor rough enough to be really alternative. Overall: 6.5 Recommendation: Read

 The Pitiful Human-Lizard #14 (Chapterhouse)** – Now this is how it’s done. If you haven’t read #13, go back and get it – the entire thing happens on a streetcar heading home, and our hero is asleep for like, half of it. Amazing. In this issue, we are with Lady Accident, a telekinetic teacher, battling the evil that is Toronto Twittersphere star Eaton Peepers (nice!) – who is trying to keep his henchman Bodyrocks in the fold, though Johnny is looking for redemption. Mayhem ensues. Pitiful Human-Lizard is the best thing coming out of Chapterhouse, and it’s entirely the work of writer/artist Jason Loo, who brings humanity and good humour to the streets of Toronto. Get on this streetcar, people: it’s a delight, like the best old Spider-Man stories. Overall: 8.5 Recommendation: Buy

Time & Vine #1 (IDW)** – Full disclosure, Thomas F. Zahler and I were high school pen pals, like, through the actual mail, sending each other comics stuff. We lost track of each other while he was at the Kubert School and I was abandoning comics for theatre. I was still not back into comics while Love and Capes was coming out (but I’ll fix that soon enough), but I was curious to see what my old pen pal was up to lately. Time & Vine has a really fun premise: time-travelling wine cellar. Basically: there’s a winery in upstate New York where, if you drink from one of Jack Cadell’s special bottles, you go back to the year of its vintage – but always in the winery. His latest companion is teacher Megan Howe, who is dealing with her mother’s recent onset of Alzheimer’s. Zahler’s premise is sweet, the dialogue is sharp, and the characters are charming in a kind of PBS drama kind of way. I would have liked the art to be less cartoony as a result, but your mileage may vary. Overall: 7.5 Recommendation: check it out. 

 

Well, there you have it, folks. The reviews we didn’t quite get a chance to write. See you next week!

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Mini Reviews For The Week Ending 7/22

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for.

These are Graphic Policy’s Mini Reviews.

Ryan C

RoyalCity_05-1Royal City #5 (Image)** – Jeff Lemire wraps up the first story arc of his long-form series with an issue that’s an almost unconscionably quick read given its $3.99 cover price, but the biggest blunder comes with the poorly-executed and clumsy double-cliffhanger, which actually serves up the most surprising revelation first and then follows it up with one that you already saw coming. Still, the art’s lush and beautiful, and the story at least moves all the major plotlines forward. Overall: 6.5 Recommendation: Read

Winnebago Graveyard #2 (Image)** – The second issue of Steve Niles and Alison Sampson’s fast-moving homage to ’70s cult horror is every bit as masterful an evocation of its various “source materials” as was the first, and while you can predict every beat in the story, who are we kidding? That’s a big part of the charm here. Granted, as sparse as the script is chances are this thing should simply have been released as a 64-page special (or, if you absolutely must pump the public for cash, a graphic novel), but Sampson’s art is so flabbergastingly gorgeous that I’m more than happy to shell out for bucks a pop for it in singles. Overall: 8 Recommendation: Buy

 Jimmy’s Bastards #2 (Aftershock)** – Garth Ennis and Russ Braun are the definition of a “known quantity” creative team at this point, and if you like their brand of irreverent, bordering-on-sick-and-wrong humor and cartoonishly exaggerated, but still very much grounded in reality, illustration, odds are you’ll get a kick out of this story about a James Bond stand-in being hunted down by his literally hundreds of illegitimate kids. Personally, I do like it, and so I’m having all kinds of guilty-pleasure fun here, especially since this issue kick-starts the plot into gear much better than the first did. Overall: 7.5 Recommendation: Buy

Batman #27 (DC)** – It seems pretty early on for “The War Of Jokes And Riddles” to need an “interlude,” as this issue bills itself as being, but whaddya know — once again Tom King shows that his stand-alone stories in this series are so much better than his long-form “arcs.” The origin of Kite-Man is far from the joke one would expect, and King deftly handles some very sensitive and tragic subject matter with genuine skill and compassion — and that double-splash with The Joker saying “good grief” is the biggest laugh we’ve gotten from any Batman book in decades. Fill-in artist Clay Mann, for his part, does a pretty nice job with a style of illustration that falls somewhere in between that of the the series’ two regulars, David Finch and Mikel Janin. All in all a great read that’s nice to look at. Overall: 9 Recommendation: Buy

Patrick

IHateFairyland_14-1 I Hate Fairyland #14 (Image)** – Skottie Young is back on story and art, sending Gert into the labyrinth of Loveth Lovelord to retrieve the Balls of Redemption. If she succeeds (naturally, defeating the dragon at the centre), she gets her wish to become good. If she fails, she marries the creeptastic LL. Along the way, she also makes any number of marriage deals and indeed faces a dragon. This issue just clocks along with a cocky skip in its step and is great, sour-candy fun. Overall: 8.5 Recommendation: Buy

Lazarus X+66 #1 (Image)** – This is the first in what I take to be a series of standalone issues that explore Greg Rucka’s very complex world. Good idea! In this story, Rucka and artist Steve Lieber deliver the story of Casey Solomon’s training to be an ultra-elite Dagger. It’s a very solid basic training story, and Lieber does a great job on the art, but if you didn’t know it existed in the Lazarusverse, you would think it was taking place in today’s mundane reality. In that sense, although it adds a bit to Casey’s story, it doesn’t follow through on the promise of exploring and expanding the world. Overall: 7.5 Recommendation: Read

Bitch Planet Triple Feature #2 (Image)** – As I thought, the second issue of this anthology feature finds its feet: as Kelly Sue DeConnick points out, the tone is not “mercilessly bleak” but ROBOCOP. And I will always buy that for a dollar. Real quick: Che Grayson and Sharon Lee De La Cruz bring us the “Miss Tween Neck Competition” – but what price victory? And what other very precise anatomical competitions are also going on?… In “This is Good for You,” Danielle Henderson, Ro Stein and Ted Brandt make a very sharp link between “self-care,” “family values,” and “compliance.” And anchoring the pack, Jordan Clark and Naomi Franquiz’ “What’s Love Got To Do With it” brings us the story of Amaya, a nurse who, upon turning 30, needs to avoid the Old Maid Tax, receiving for her birthday a literal Biological Clock. This issue is the one you’ve been looking for, Kelly Sue. Overall: 6.5, 8, and 9. Recommendation: Buy

 Bettie Page #1 (Dynamite)** – The premise is that we are reading the secret diary of Bettie Page, who in 1951, in exchange for a lift to Hollywood, became a federal agent. Writer David Avallone gives us a tough-as-nails, sharp-as-a-tack Bettie, and Colton Worley nicely captures her look. But otherwise, it’s a bog-standard story of a secret cult plot that takes way too long to develop and does not otherwise require the presence of its protagonist. When you have an iconic character on your hands, I think you can do a lot more with it. Mostly it made me want to go back and watch Mary Harron’s excellent Notorious Bettie Page. Well-made and professional but missing heart and spark. Overall: 7 Recommendation: Read 

 

Well, there you have it, folks. The reviews we didn’t quite get a chance to write. See you next week!

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Mini Reviews For The Week Ending 7/15

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for.

These are Graphic Policy’s Mini Reviews.

Alex

SpiderMenII-Turner-aSpider-Men II #1 (Marvel) When the first Spider-Men came out I was reading a lot of Spider-Man comics, but I have since dropped off from the series (a couple years ago, actually). Still, I wanted to see whether we’d finally find out who the Marvel 616 version of Miles Morales is, so I picked this issue up  –  and I’m glad I did. This comic was entertaining, enjoyable, and almost without any real substance. I loved it in the way you like a movie you can turn your brain off and not have to think too hard. Overall: 7.75 Recommendation: Read

X-Men Blue #7 (Marvel) You know sometimes you read a comic, kinda enjoy it, but then you kinda don’t because you don’t give a shit about the event it’s tying into? That’s exactly how I felt about this comic. Overall: 7 Recommendation: Read

George

DDCAST_Cv1_ds V3Dark Days: The Casting #1 (DC) I was really impressed with the the first part of this storyline, so naturally I was a bit let down with this one just being more of the same plot advancements that could have been put into the first issue. The artwork is still solid and there are a nice couple of bits but DC really just stretched this for another 4.99. I would get it for the art but story wise nothing that wasn’t really covered in the first part.

Christopher

Dept H #16 (Dark Horse) Writer and Artist: Matt Kindt Dark Horse Mia’s early life and her relationship with her father. How she learned more about him through interviews and journals than by spending time with him. Along with revealing how Roger and Mia’s father met in the process. Which does leave one to wonder given how complicated Mia’s relationship with her seems, why is she so intent on catching the killer. Is it to get justice, or to thank them for freeing her from her father’s shadow? Overall: 8.5 Recommendation: Buy

Ryan C

dept h 16Grass Kings #5 (Boom! Studios)** – The shit begins to hit the fan in the fifth issue of Matt Kindt and Tyler Jenkins’ family drama set in a breakaway, “off-the-grid” community, and while it’s certainly exciting and visually interesting, a poorly-timed composite flashback/present-day “mash-up” scenario at the end that features actions that don’t quite line up with each other dulls the impact somewhat and places this installment just a notch below the previous four. Overall: 6.5 Recommendation: Read

Briggs Land: Lone Wolves #2 (Dark Horse)** – Speaking of “off-the-grid,” the second issue of the second arc in Brian Wood and Mack Chater’s long-form series sees the walls begin to close in around the separatist Briggs clan as a de facto hostage situation turns into a lot more than anyone bargained for once the feds get involved. Chater’s art is a bit more generic in its appearance this time out, but it’s still more than solid, as is Wood’s pacy, dynamic script. Overall: 7.5 Recommendation: Buy

World Reader #4 (Aftershock)** – Jeff Loveness’ script gets out of the way and lets Juan Doe’s amazing, borderline-psychedelic art do the bulk of the storytelling in this issue, as we finally meet a “psychic survivor” of sorts from the genocidal intergalactic force that’s been wiping out all life on one planet after another. The book takes all of about five minutes to read, but it’s worth going back and looking at time and time again to fully absorb the gorgeous images. Overall: 7.5 Recommendation: Buy

The Divided States Of Hysteria #2 (Image)** – Howard Chaykin’s been getting more Briggs_Land_Lone_Wolves_2Apublicity than at any point since the early days of “American Flagg!” with this one, and while most of it has been understandably negative (that sickening, since-pulled cover was the very definition of “not a good idea”), it’s also beginning to look like both “camps” in the controversy surrounding this series are wrong. There was no gang-rape of a transgender woman last issue — in fact, she killed everybody trying to abuse her before they could — while at the same time, the right-wingers who were bitching about the cover to the first issue, which featured a Muslim woman in a red-white-and-blue burqa, were eager to defend the aforementioned no-longer-forthcoming cover to issue four, which featured a lynched Pakistani man with his balls cut off.

So, ya know, these fuckheads are pretty much as racist as we always knew they were.

In any case, at the end of the day, it seems that Chaykin played both sides like a fiddle in a move that would make “B-movie” huckster William Castle proud. This time out we finally get to see the ties that bind our disgraced former CIA operative and the various serial/spree killers together, as Chaykin sets up his ultra-violent, non-super-powered “Suicide Squad” premise more fully. The art is noisy, cluttered, and ugly — as it’s supposed to be — but all my fellow leftists who walked away from this comic after last month (assuming they ever read it at all) are missing out on a pointed critique of the privatized, for-profit prison system, the mercenary-for-hire industry exemplified by the likes of Erik Prince’s notorious Blackwater, and the racism and Islamophobia that Trump rode all the way to the White House. This book’s politics are worn openly and proudly on its sleeve, and I have to admit I get a chuckle imagining all the “alt-righters” who have flocked to Chaykin in recent days and weeks having their blood pressure raised when they actually sit down to read his story. There’s some sort of method to all this madness, and while it hasn’t revealed itself fully yet, it’s fascinating to watch it all unfold. And Ken Bruzenak is just plain killing it and earning every dime (and then some) with his awesomely garish lettering and effects.

world reader 4.jpegI can sympathize with those who were offended by that cover that was probably never going to come out anyway (although I do have to wonder what these outraged individuals would make of the work of Johnny Ryan, S. Clay Wilson, Mike Diana, and even Crumb — seriously, people, read some undergrounds, it’ll broaden your horizons!), but there’s a “sweet spot” that’s being hit here for what few left-leaning readers of this comic remain : this is confrontational, in-your-face, unflinching stuff that effectively rebukes every single politically conservative position it takes aim at. In vintage Chaykin style, he’s managed to piss off all his allies and fleece all his true foes. I’m not sure I’d go so far as to say that I admire that by any means, but his willingness to stand alone takes some guts, that’s for sure. Overall: 8. Recommendation: Buy.

Shean

The Defenders #3 ( Marvel) – We catch up with the gang shortly after an attempt by Diamondback to kill Luke Cage, whose confrontation was disturbed by Punisher. They slowly look for answers on the Punisher’s motivation while Diamondback questions Black Cat’s reason for saving Luke.They soon catch up with the Punisher, who gets close but are stopped by the Defenders. By issues end, Iron Fist gets into a fight with Diamondback and finds a supreme opponent. Overall: 10 Recommendation: Buy

defenders3Black Panther and the Crew #4 (Marvel) – In this issue, we get a flashback and a catch up for readers. In the flashback, the OG Crew, deals with some unsavory characters in Mississippi, as they say struggle with having Northern sensibilities in Jim Crow South. In the present day story, Luke Cage and Misty Knight look for answers about the mysterious corporation who runs Americops and where their true interests lie. By issue’s end, both generations of the Crew meet, and what could happen next probably will be the game changer. Overall: 10 Recommendation: Buy

Patrick

Kill or Be Killed #10 (Image)** – Following hard on last issue’s massive cock-up, we find out from Ed Brubaker in one simple phrase how Dylan keeps getting away with murder: “They were too busy trying to be super-cops.” What’s fascinating to me about this series is how the noose keeps getting slowly tighter even as the actions of the cast of characters get looser, and good intentions are continually translated into really bad ideas. Sean Phillips and Elizabeth Breitweiser give us a rainy, grey cemetery of an issue on the art right until the explosion of hellfire-framed-in-white on the last page. Overall: 9 Recommendation: Buy

Cinema Purgatorio #11 (Avatar)** – Moore & O’Neill give us a movie musical version of the Black Dahlia murder (and very few comics writers do musical comics as well as Alan Moore). I could go for more of this, as I start to wonder what if Fox had made musicals of its films noir (as, despite the “My Fair Dahlia” title, this is not MGM). In “Code Pru”, we get a good look at the boss, who is even more monstrous than any of Pru’s patients. There’s a mystery brewing as to the circumstances and purposes of Pru’s job, but she seems to be too pissed off at her situation to see it… And over in cinema 3 of this multiplex, “Modded” goes shopping, but Fringe is more chosen than choosing. And just what is chainsaw rhythm reggae action? “… the daemonatrix lingo is more about exciting nouns than actual descriptive content.” But I’ll take exciting nouns over boring adverbs any day. (As usual, I skipped “A More Perfect Union” – if these guys would give me a straight history of the Civil War, I’d be interested – and “The Vast”, which is about boring adverbs in comics form). Overall: 7 Recommendation: Read

Mage: The Hero Denied #0 (Image)** – Matt Wagner returns to the adventures of Kevin Matchstick for one last series. This is a fun preview (featuring oh-so-90’s skateboarding warrior “The Steeze” – who Matchstick winkingly refers to as “youngblood” before sending him home). I have a weakness for heroes who can just do what they do without a lot of posing and wasted energy (must be my own middle age showing), and if Kevin does have better things to do with his time than fight stone-ogres, I’m very curious to know what they are. Overall: 8.5 Recommendation: Buy

kajumax s3 1Kaijumax Season 3 #1 (Oni Press)** – Zander Cannon continues to amaze with a heartfelt, humorous, horrible monster story that starts with a cabin in the woods, takes what appears to be a long detour through the story of a poor, put-upon giant goat, gets lost near a mysterious lake in Minnesota and then – oh my Goj – comes together and sets up the rest of the story in a great twist. Get on this. Overall: 9.5 Recommendation: Buy


 

Well, there you have it, folks. The reviews we didn’t quite get a chance to write. See you next week!

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Mini Reviews For The Week Ending 7/8

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for.

These are Graphic Policy’s Mini Reviews.

 


 

Ryan C

unsound2The Unsound #2 (Boom! Studios)** – I thoroughly enjoyed the first issue of Cullen Bunn and Jack T. Cole’s horrific take on Milos Forman’s “One Flew Over The Cuckoo’s Nest,” but the second sees the story take a rather dramatic leap forward that feels more forced by pacing concerns than it is achieved through anything like a natural transition. We’ll see where it goes, though, since it’s not a “deal-breaker” by any means and Cole’s art remains absolutely gorgeous. Overall: 7 Recommendation: Read

Green Arrow #26 (DC)** – Hmmm — Ollie hits the road with a fellow super-hero in tow : where have we heard this one before? The Flash steps — sorry, runs — into the role formerly occupied by Green Lantern in this one, but lackluster story and art from Benjamin Percy and Stephen Byrne ensure that nobody will be forgetting about Denny O’Neil and Neal Adams anytime soon. Overall: 4.5 Recommendation: Pass

Babyteeth #2 (Aftershock)** – Another agreeable (if far from memorable) installment in Donny Cates and Garry Brown’s new “Teen Mom” meets “The Omen” horror series is equally divided between moving the story forward at a natural rhythm and forcing some long-range foreshadowing into the proceedings, which actually succeeds at what it’s trying to do reasonably well despite the fact that it probably shouldn’t. Brown’s art remains pitch-perfect for the content and Cates’ characterization is strong enough to keep this reader on the hook for at least a bit longer. Overall: 7.5 Recommendation: Buy

Snotgirl #6 (Image) – It took a long time for Bryan Lee O’Malley and Leslie Hung’s somewhat surreal series to grow on me, given that it sure reads more like what 40-year-olds think 20-something fashion bloggers live like rather than it does anything like how they actually live, but if you can get over the absurdity of both the premise and the protagonist’s economic situation (how many people in the entire country make their living running independent fashion blogs? Maybe three? Yet there are more than that in LA alone according to this book), the cartoony art and intriguing mystery of the story should be enough to keep you around. Some new additions to the supporting cast throw a welcome spanner into the works and despite a lengthy hiatus, it seems that neither of our creators has lost their enthusiasm for this project in the least. Overall: 7.5. Recommendation: Buy

Alex

unholy grail 1.jpgBatman #26 (DC) Not a bad issue, when all is said and done, Tom King seems to be building slowly toward what will hopefully be an explosive story. As a build up issue this isn’t bad and carries the momentum of the previous issue (for better or for worse) forward… but all I really want to read is the follow up to Batman #24, not an in-the-past-cstory. . Overall: 7 Recommendation: Read

All New Wolverine #22 (Marvel) I don’t read as many things with the Guardians of the Galaxy as I probably should, because I always enjoy when they show up in other comics. Like this one. While I felt that they were the highlight, it was more to do with Gabby and Jonathan interacting with Rocket and Groot. As the first part in a three issue arc, it’s good enough to have me coming back for more. Overall: 7.25 Recommendation: Read

Unholy Grail #1 (Aftershock)* I picked this up purely because my LCS told me I may like it, but other than knowing it might be up my alley, I had no idea what the comic was about. King Arthur has always been a good way to hook me into the idea of a story, but I’m often picky when it comes to giving said story a try,so much so that had I known this was a tale based around Camelot I may have skipped it entirely  (I believe Bernard Cornwall has written the definitive take on the legend), but I’m glad I gave it a shot. The art is brilliant, and Cullen Bunn has written a deeply atmospheric tale, the extent of which hasn’t been fully revealed yet. Overall: 8 Recommendation: Buy

Patrick

Stray Bullets #25 (Image/El Capitan)** – Flashback to a flashback. When heavy Spanish calexit-1Scott tells cool psycho Kretchmeyer “sometimes you’ve got to get your hands a little dirty,” he has no idea what he’s talking about. As always, David Lapham is a master of letting his characters do what’s absolutely worst for them even though they themselves think they’re on top of everything. And as we hit 700 pages (!) of “Sunshine and Roses,” every layer we peel off these characters just proves that old pulp hack Shakespeare right: “The worst is not so long as we can say, ‘This is the worst’.” Overall: 9 Recommendation: Buy

 Calexit #1 (Black Mask) – Political thrillers and near-future dystopias are really tricky: for me, the barriers to suspension of disbelief are very high. You have to get the details balanced just right in order for the push into fiction to really send us flying off the rails. Push too hard and it means that you weren’t where you needed to be at the start. In short, Matteo Pizzolo has way too much pushing to do to justify the premise of Calexit. I mean, on page 1, he has President Trump speaking in complete sentences using words with two or more syllables. I buy Trump getting re-elected, but his syntax is egregiously mishandled and broke my trust in just a few panels. Never mind that we then get a psycho torturer guy with creepy glasses (who apparently also can order National Guard privates to commit atrocities) and a Steve Bannon lookalike who is not Steve Bannon. Which is too bad, because I think if Pizzolo and artist Amancay Nahuelpan had stuck with the very charming rogue character of Jamil, the amoral courier with a heart of gold, I would have been down for anything. Clearly Nahuelpan loves drawing this guy because he has the only genuine expressions and body language in a book that is full of caricature. Overall: 7 Recommendation: Read

Chilling Adventures of Sabrina #7 (Archie) – I can’t believe I’ve been missing out on this dreadful delight. Roberto Aguirre-Sacasa and artist Robert Hack bring us the tale of Sabrina’s father, Edward Spellman – and it is just about as perfect as I can imagine an American horror comic to be, with just the right blend of sly and clever humour (the three witches in the hairdresser salon killed me) and actual horror. Robert Hack’s scratchy art (I take it he colors as well) reminds me of Hammer films and 60’s and 70’s paperback covers. This issue is a great jumping-on point and I am jumping on. Overall: 9.5 Recommendation: Buy

Shean

Deadpool_Kills_The_Marvel_Universe_Again_Walsh_CvrDeadpool Kills The Marvel Universe Again #1 (Marvel) – In the debut issue of the sequel to one of the craziest series in 2012, returns with Deadpool being mind controlled once again to kill Marvel’s superhero roster. This time, he is being mind controlled by a team of villains that seem to have a few motives in play. His connection as an Uncanny Avenger has given him unfettered access to places where most villains can’t go, so his first victims, are 2 of his teammates. By the end of this first issue, we find out he has enough control to ask for help but not enough to stop killing. Overall: 9 Recommendation: Buy


Well, there you have it, folks. The reviews we didn’t quite get a chance to write. See you next week!

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Image+ Gets an Ongoing Wytches Comic, Ed Piskor Strip, and More Content

Image Comics has announced that the Diamond Gem Award-winning IMAGE+ magazine, Vol. 2 #1 will feature an overall increased page count, an original autobiographical comic strip from Ed Piskor, and the return of Scott Snyder and Jock’s smash hit Wytches. Vol. 2 of the magazine will hit comic book shops this August.

Fans have been eagerly awaiting the return of the chilling horror series Wytches ever since the first season ended on a brutal cliffhanger. Now, Snyder and Jock are back with a taste for the upcoming second season of the series by serializing what happens next in IMAGE+. How did Sailor make it to safety? What has she been doing since? The answers can be found exclusively in IMAGE+ with an extra-sized first chapter this issue.

In addition to the return of Wytches, IMAGE+ will also feature an original, recurring, autobiographical comic strip from Ed Piskor titled, Image of Youth!

This new chapter in IMAGE+ will weigh in at a hefty 80 PAGES at no additional cost—meaning more room for meatier, in-depth interviews, exciting sneak peeks into new titles, and long-form features on comics, creators, cosplay, conventions, and comics culture. IMAGE+ remains the number one source for news and information about Image Comics, and now is the perfect time for fans to get in on the ground floor.

IMAGE+ Vol. 2 #1 will be available to consumers to purchase for $1.99 at their local comic shop. Better yet, beginning with this Vol. 2 #1 issue, IMAGE+ will once again be available for free for anyone already purchasing a copy of Diamond’s Previews Catalog.

Mini Reviews For The Week Ending 4/8

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for.

These are Graphic Policy’s Mini Reviews.


Alex

NTW_Cv18_open_order_varBatman #20 (DC) Well I Am Bane is finally over. That’s a good thing. The comic… meh. Overall: 4 Recommendation: Pass

Iron Fist #2 (Marvel) I was not a huge fan of the first issue, but I came back for #2 because I’m enjoying the Netflix show… and I’m kinda glad that I did. Definitely an upward curve from the first issue for me, although the comic is basically one long kung fu fight. Overall: 7 Recommendation: Read

Nightwing #18 (DC) For as much as I hated Batman #20, I loved this issue. From the interplay between Dick and Damian, and the way the comic effortlessly brings back the vibe od their Batman and Robin run… Tim Seeley is writing the best biweekly Bat-book right now. Overall: 9 Recommendation: Buy

X-Men Gold #1 (Marvel) Huh. Well, I’m surprised. This was in every way a throwback to the way I remembered the X-Men being – not that the same characters are in the book, but the themes are the same, and there’s some great down time… this is a helluva promising start. Overall: 8.5 Recommendation: Buy

Logan

Little Archie #1 (Archie Comics) It’s super adorable to see Art Baltazar’s fun crayon art style take on the Archie gang in Little Archie #1. This is definitely a throwback to classic Archie comics with wacky hijinks, Jughead’s crown hat, and Archie’s “R” sweater all Riverdale #1_FernandezVarmaking appearance. Some of the gags are overlong, but Baltazar and Franco throw in some clever references to Afterlife with Archie, and the fact that adults are pretty much useless in Riverdale. This comic is definitely geared to a younger audience, but is worth a read if you’re missing old school Archie. Overall: 7.5 Recommendation: Read

Riverdale #1 (Archie Comics) Joe Eisma’s stylish artwork breathes some life into a couple lightweight stories about “Hell Week” for Riverdale High’s cheerleading and football teams. Writers Roberto Aguirre-Sacasa, Will Ewing, Michael Grassi roll every high school “prank” cliche into one comic book from near death experiences to streaking and of course, stealing an object from the rival school. Archie’s story centers around him helping out Moose, who I don’t think he’s spoken to the whole season while the Betty story is stronger because it focuses on her bond with Veronica. Seriously, Season 1 of Riverdale isn’t over, and they’re already coming up with an Expanded Universe in the comics. There really isn’t much of a sandbox to work with. Overall: 5.5 Recommendation: Pass

Jughead #14 (Archie Comics) Unfortunately, Ryan North’s time writing the coolest of teens is over. But he goes out it the comic book equivalent of the dankest of all memes skewering Internet culture in a joke dense way. And along the way, North and artist Derek Charm (Who is staying on the book) shore up the friendship between Betty and Jughead, roast Archie, and craft the most intimidating Veronica yet. This comic is worth picking up for the double page spread of Jughead becoming various overused Internet memes alone and its quirky self-aware take on the Archie mythos will definitely be missed as a new creative team takes over. (Hopefully, Veronica will still have a “hunk budget”.) Overall: 10 Recommendation: Buy

Ryan C

RockCandyMountain_01-1Batman #20 (DC)**  So that’s “I Am Bane,” huh? A fist-fight that Batman wins with a well-timed head-butt (whoops, spoilers). Issue after issue of buildup for — this? Tom King and David Finch have really bottomed out on this book; time for some new blood. Overall: 1 Recommendation: Pass.

Rock Candy Mountain #1 (Image)**  Kyle Starks is a superb cartoonist whose work has always reminded me more than a bit of the legendary James Sturm, and Sturm himself would, I think, be more than pleased to see his “spiritual successor” turn his keen artistic eye toward early-20th century “hobo culture.” Amazingly well-drawn and written with a real ear for dialogue authenticity, this is indie comics at their best, and I can’t recommend it highly enough. Overall: 9 Recommendation: Buy

Eleanor & The Egret #1 (Aftershock)**  John Layman is a natural to write this off-kilter historical art-heist “caper,” and Sam Kieth’s art is as sumptuous as ever. Top it off with lush colors from Ronda Pattison, and you’ve got a winner that will leave you grinning from ear to ear. My only gripe is that the story is a bit on the slight side, but on the whole this was a joy to both read and look at. Overall: 8.5 Recommendation: Buy

The Flintstones #10 (DC)**  Mark Russell and Steve Pugh can do no wrong with this book in my opinion, and it looks as though we’re going to get the series’ first (and, sadly, only) multi-part story spread over the last few issues here. The Trump comparisons are getting more obvious than ever with Bedrock’s inept, stupid mayor, which is a ton of fun, but there’s some serious heartbreak in these pages too as a beloved member of the cast meets his end. Yes, this comic will make you laugh — it always does — but don’t be too surprised if you shed a tear this time around as well. Overall: 8 Recommendation: Buy

Shean

america2America #2 (Marvel) I will keep this one to a few words:funny, meta and nothing like it in the Marvel Universe. We catch up with America after she punches Hitler. Definitely a different voice at Marvel that not only is entertaining but woke. Overall: 9 Recommendation: Buy

Star Wars: Rogue One Adaptation #1 (Marvel) There’s something truly wondrous about when adaptations get the story right in the minds of its most rabid fans. This is exactly what happened when the minds at Marvel decided to tackle the first spinoff from the Star Wars universe, as this captures all the moments that the were spoken about in online fodder about the missing moments. What makes it even more authentic, is the blessing of the director and the screenwriter. The most pivotal scene to me that they cut out is the crisis of conscience that Gail Erso undergoes and what he entrusts Bodhi with, makes you understand why Bodhi was so committed to meeting Saw Gerrera. Overall: 10 Recommendation: Buy

Spider-Man /Deadpool #16 (Marvel) This book get funnier with every issue. This time we follow this crazy duo to Latvia to battle Shiklah. So they recruit Dracula into the fight but with some ribbing of him and his human slave. By issue’s end, a fight between both forces ensues. Overall: 9 Recommendation: Buy

 

 



Well, there you have it, folks. The reviews we didn’t quite get a chance to write. See you next week!

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

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