Tag Archives: frank martin

Absolute Batman #13… Selina Kyle has entered the chat as Batman prepares for his battle with Bane

Batman’s final showdown with the monstrous Bane! Will he be able to overcome this unstoppable behemoth, or will he be trapped in Ark-M forever?!

Story: Scott Snyder
Art: Nick Dragotta
Colors: Frank Martin
Letters: Clayton Cowles

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Those Two Geeks 326: Frank Martin and Love & Death on The Dark Side of the Moon

Alex and Joe are joined by Frank Martin (www.FranktheWriter.com) to talk about his upcoming Kickstarter Love & Death on The Dark Side of the Moon, a tale about a man cursed to live in darkness or become a monster; Nero must discover the light within himself in this OGN of love, loss and tragedy.

You can reach us at the following locations if you feel the need:
Alex and Joe can be found on X respectively @karcossa and @FirstRonin4.
You can also find Alex on Bluesky @karcossa.bsky.social.
Alex is on threads @Alex_K_Cossa.
ThoseTwoGeeks@gmail.com

Music by AlexGrohl from Pixabay

Deadpool/Batman #1 is a Clunker That Doesn’t Match the Hype and Lacks Fun

Deadpool/Batman #1

The crossover you’ve pined for but never thought possible: DEADPOOL and BATMAN cross swords and batarangs as MARVEL and DC unite for the first time in decades! WADE WILSON has been hired for a job in GOTHAM CITY, but will the WORLD’S GREATEST DETECTIVE help him or destroy him? After decades of waiting, Marvel and DC have once again teamed for Deadpool/Batman #1 and it is not worth the wait.

I’ll admit, I was very excited to see Marvel and DC once again bringing their characters together for what feels like a once in a lifetime event (really it’s been like 3 or 4 times in mine). Batman and Deadpool, the rather serious and the not so serious characters teaming up for whatever mission. Written by Zeb Wells, would the comic fall into the usual tropes of heroes battling it out before teaming up? Would it deliver something new and different?

Generally, Wells delivers something different and the comic doesn’t fall into the usual patterns we’ve seen far too many times. Deadpool is hired to take on Batman. Not knowing who Bruce Wayne really is, he crashes through his window wondering if Wayne would like to hire him while he’s in town. It makes absolutely no sense at all and that might be the highlight of this particular story. The overarching issue is that the Joker has stolen materials to dump Joker Venom into the city and Batman has to stop him.

The dialogue is painful, the setup is meh, the resolution is ok. Overall, the comic offers no fun, no excitement and leans far to heavy into Batman being the serious one while Deadpool rants on and on. The comic takes itself too seriously forgetting Batman has shown a comedic side at times and cracked jokes and instead feels like a tour of Gotham from the perspective of Deadpool where he points things out and makes fun of them. There’s completely bizarre choices by Batman and Deadpool feels like a more annoying version of himself. Let’s forget it’s different universes which opens up how Deadpool would even get paid, there’s just an odd interaction between every character. The only one that feels like it makes sense is the Joker being irritated at Deadpool that Deadpool is stealing his crazy character bit.

Greg Capullo‘s art, along with ink from Tim Townsend, color by Alex Sinclair, and lettering by Clayton Cowles looks just ok. Capullo can do some amazing art but here it ranges from forgettable to just nice. There’s little that gets you to linger and stay on the page. Entire sequences feel like they have no life to them and that’s from the start where Deadpool crashes into Wayne Manor and beyond one panel, Bruce Wayne just stands there… and talks… Visually there’s some odd choices and little that really feels like the level this high profile comic should have.

Where the comic has some life is the numerous other stories packed within. Some are truly great. The Captain America and Wonder Woman story by Chip Zdarsky, Terry Dodson, Rachel Dodson, and Joe Caramagna, the Jeff! and Krypto story by Kelly Thompson, Gurihiru, and Caramagna, Daredevil and Green Arrow story by Kevin Smith, Adam Kubert, Frank Martin, and Caramagna, and Rocket Raccoon and Green Lantern story by Al Ewing, Dike Ruan, Moreno Dinisio, and Caramagna all stand out. All of those I’d love to have seen more of or been one-shots on their own. Old Man Logan and Batman: The Dark Knight Returns from Frank Miller, Alex Sinclair, and Caramagna, and Logo by Ryan North, Ryan Stegman, Martin, and Caramagna are both clunky in different ways.

For all of the hype, all of the build up, all of the excitement, Deadpool/Batman #1 is a bit of a letdown. It missed the fun of the opportunity of it all, which the back-up stories seem to have gotten. If anything, it could have been a greater success focusing on a series of shorts, forgoing a main story and instead just let creators cut loose with what they’ve had. It’s an odd release overall that’s more for the nostalgia of the concept than the final product to read.

Story: Zeb Wells, Chip Zdarsky, Kelly Thompson, Kevin Smith, Al Ewing, Frank Miller, Ryan North
Art: Greg Capullo, Terry Dodson, Gurihiru, Adam Kubert, Dike Ruan, Ryan Stegman
Ink: Tim Townsend, Rachel Dodson Color: Alex Sinclair, Frank Martin, Moreno Dinisio
Letterer: Clayton Cowles, Joe Caramagna
Story: 6.0 Art: 7.5 Overall: 6.0 Recommendation: Pass

Marvel provided Graphic Policy with a FREE copy for review


Purchase: Zeus Comics

Exclusive Preview: Captain America #3

Captain America #3

(W) Chip Zdarsky (A) Valerio Schiti
(C) Frank Martin (L) Joe Caramagna
(CA) Ben Harvey (VCA) Benjamin Su, Brent Anderson and Morry Hollowell, Chip Zdarsky, Francesco Mobili and Romulo Fajardo Jr., Jerome Opena and Neerag Menon, Valerio Schiti, Michael Cho, James Kerigan

ORIGIN OF DOOM! A meeting with Doctor Doom in Latveria forces Steve to confront the realities of the harsh new world he’s awoken in. Meanwhile, Dave Colton and the Howling Commandos infiltrate Doom’s fortress to rescue hostages, but instead they uncover a sinister truth behind Doom’s rise to power…

Captain America #3

DC Reveals Bonus Stories and Variant Covers for Batman/Deadpool #1

What happens when the World’s Greatest Detective meets the Merc with a Mouth? Reality folds in on itself. Archetypes collide. Darkseid is. And, somewhere between Apokolips and Earth-TRN666, a sentient street named Danny hums show tunes about a crusading cape! DC Comics has revealed more details about the anticipated Batman/Deadpool #1, a 64-page one-shot crossover comic book with a main cover by Dan Mora. Retailing for $7.99 US the comic hits shelves on Wednesday, November 19, 2025.

But DC’s Batman/Deadpool #1 isn’t just a comic book crossover between iconic publishers, it’s a metaphysical car crash between two storytelling philosophies. One character broods in the shadows of trauma and justice. The other cartwheels through chaos, breaking the fourth wall and occasionally the laws of physics. Together, they’re forced to confront a threat that doesn’t just endanger their worlds—it questions their very existence as fictional constructs.

With a main story by Grant Morrison and Dan Mora, Batman/Deadpool #1 launches a reality-bending saga that’s equal parts cosmic horror, slapstick noir, and metafictional therapy session. It’s the kind of comic book that knows it’s a comic book, revels in being a comic book, weaponizes its comic bookiness—and dares you to keep reading anyway!

Buckled into the backseat of Morrison and Mora’s Batmobile, four all-star bonus stories come roaring in, each crafted by a bona fide who’s who of comic book creators:

Comic legends collide as Scott Snyder, James Tynion IV, and Joshua Williamson join forces with Hayden Sherman to conjure a spellbinding Constantine meets Doctor Strange saga. Tom Taylor and Bruno Redondo deliver a kinetic, emotionally-charged encounter between Nightwing (Dick Grayson) and Wolverine (Laura Kinney), where acrobatics meet adamantium in a story that cuts deep. Mariko Tamaki and Amanda Conner unleash chaos and charisma in a riotous Harley Quinn vs. Hulk showdown, while G. Willow Wilson and Denys Cowan electrify the page with a high-voltage tale starring Static and Ms. Marvel.

These additional stories expand the scope and amplify the wild ambition of Batman/Deadpool #1, offering fans even more collisions of tone, style, and character chemistry. From brooding to bonkers, the Batman/Deadpool #1 creative teams go all in.

Ahead of DC’s Batman/Deadpool #1 arriving in November, Marvel’s Deadpool/Batman #1 will publish on September 17. Both of these incredible one-shot comic books will deliver explosive sagas starring DC’s Caped Crusader and Marvel’s Merc with a Mouth, along with bonus stories that showcase additional team-ups and showdowns between legendary characters from both universes.

To push the limits of DC’s cosmic collision of comic book characters even further, Batman/Deadpool #1 will feature an extraordinary lineup of cardstock variant covers, including a wraparound blank blue cardstock sketch variant cover with the Batman/Deadpool logos and a foil variant of Dan Mora’s main cover, all retailing $8.99 US, from some of the most iconic and inventive artists in comics:

  • Dan Mora – Batman/Deadpool wraparound
  • Lee Bermejo – The Joker/Doctor Doom
  • Mark Brooks – Zatanna/Scarlet Witch
  • Jim Cheung and Jay David Ramos – Wonder Woman/Captain America
  • Amanda Conner and Alex Sinclair – Harley Quinn/Hulk
  • Nick Dragotta and Frank Martin – Batman/The Punisher
  • Jenny Frison – Wonder Woman/Storm
  • Andy Kubert and Alejandro Sánchez – Robin (Damian Wayne)/Gambit
  • Jae Lee and June Chung – Big Barda/Savage Land Rogue
  • Jim Lee, Scott Williams and Alex Sinclair – Batman/Wolverine
  • Alexander Lozano – Wonder Woman/Ms. Marvel
  • Sean Murphy and Simon Gough – Lobo/Deadpool
  • Frank Quitely – Batman/Deadpool
  • Bruno Redondo – Nightwing (Dick Grayson)/Wolverine (Laura Kinney)
  • Hayden Sherman – John Constantine/Doctor Strange
  • Bill Sienkiewicz – Batman/Deadpool — a The Incredible Hulk #340 homage
  • Ryan Sook – Batman/Deadpool — a Crisis on Infinite Earths #7 homage
  • Sozomaika – Catwoman/Emma Frost

With Morrison and Mora at the wheel, an all-star crew riding shotgun, and a pit crew of legendary artists delivering cardstock variant covers that expand the DC/Marvel crossover even further, DC’s Batman/Deadpool #1 is a showcase of comic book creativity. And yes, there will be owls. There will be blades. There will be blood. There will be a giant typewriter!

Check out Mora’s wraparound variant cover below and stay tuned for a deeper look into DC’s Batman/Deadpool #1 in the coming months.

Absolute Batman #10 is a brutal issue. Holy crap.

Bruce Wayne is trapped within the horrors of Ark M as his best friend Waylon Jones endures unimaginable tortures…but what awaits Batman is far more terrifying than anything either has faced…the true form of Bane is revealed. But it’s how Bane plans to break Batman that will have you, our dear readers, bending over backward.

Story: Scott Snyder
Art: Nick Dragotta
Colors: Frank Martin
Letters: Clayton Cowles

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Captain America #1 Kicks off a New Era… But We’re Confused as to When

Captain America #1

While Captain America slumbered in ice, the world changed – for better and for worse. Steve Rogers awakens to a reality where battles are fought in the shadows through secrets and subterfuge, and villains aren’t so easy to identify. When a fledgling dictator named Victor Von Doom conquers Latveria, Steve faces a critical decision: adapt to a new kind of warfare, or forge his own path? And what will the choice he makes in the past mean for his future? Experience the untold tale of Captain America’s first encounter with Doctor Doom. Captain America #1 takes us to a time just as Captain America has come out of ice, but the “when” is a bit of a distraction.

Written by Chip Zdarsky, Captain America #1 kicks off a new volume with a bit of a retro story. Captain America #1 keeps to the basics but now has the character coming out of ice some time after 9/11, a shift that puts that important event more in line with the Marvel Cinematic Universe. It also throws in a whole lot of other questions like when did the Avengers form? That’s the biggest flaw of Captain America #1. While the comic is good, it’s really good, the sliding time scale creates a distraction as well as his now murky thawing. It squarely places the thawing around a certain time which feels like it weakens things a bit.

The issue introduces Captain America as he’s eating lunch then goes and stops a bomber from attacking the United Nations to be joined by Iron Man who then discuss the world as it currently exists and we learn its been a week since Captain America came back. But, it’s been a week, why is Cap just wandering around? Did the Avengers find him? There’s so many questions that now exist due to this interaction. Again, distractions but it’s distractions that set up this “origin” in some ways.

Beyond the reintroduction of Captain America’s revival, Captain America #1 introduces us to a new character, a young boy who wants to enlist after witnessing the events of 9/11. His story purposely echoes that of Steve Rogers, he’s a bit weak and bullied in the army. He’s clearly chosen to be a mirror to Steve. This individual’s mother calls the war racist and references the original Gulf War. The young boy clearly wants revenge not to defend his nation. What Zdarsky is setting couldn’t be more obvious if it hit you over the head and screamed in your face its intentions. Not to say it’s not good, there’s a lot of potential, but again the choice in 9/11 is the driver to enlist is a charged one and delivers the baggage that came with that event of over two decades of non-stop war.

The art by Valerio Schiti is solid. With color by Frank Martin and lettering by Joe Caramagna the comic is packed with action and the characters look great. The art is definitely interesting in that it attempts to blend the old and the new. Iron Man’s armor is a more classic look but the world is very much that of the 2000s. There’s some great emotional moments like the bomber at the UN scene and how Cap handles that and the bombers reaction, you can feel the emotion through the body language and facial expressions. Then there’s the moments of 9/11 depicted. It’s unexpected and a bit jarring for those who lived through that time but it doesn’t feel exploitative at all.

Captain America #1 is a strong start but it highlights one issue with Marvel’s universe (and comics as a whole) in the sliding time line as to when things happened. While there’s a lot of potential, the comic isn’t subtle at all making it clear what we can expect. We’ll see how this new addition to Captain America’s history plays out but overall, it opens up too many questions about the Marvel comic universe to not cause a distraction.

Story: Chip Zdarsky Art: Valerio Schiti
Color: Frank Martin Letterer: Joe Caramagna
Story: 8.15 Art: 8.3 Overall: 8.2 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review


Purchase: Zeus Comics – Kindle

Absolute Batman #9 features the debut of Absolute Bane and the small details of the issue stands out

The latest development in saving the derelict and despondent of our society is a facility known as Ark M–a fully operational institution that has played a rather sizeable part, on purpose or not, in the creation of evil. And it’s active. So when Bruce tries infiltrate it and distill its secrets, a new villain from Gotham City arrives to deal with the problem…an old adversary of Alfred’s…a man known only as Bane.

Story: Scott Snyder
Art: Nick Dragotta
Colors: Frank Martin
Letters: Clayton Cowles

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Check out all the covers for Captain America #1 by Chip Zdarsky and Valerio Schiti

Out of the ice and into the fire! Eisner-nominated writer Chip Zdarsky, superstar artist Valerio Schiti, and colorist Frank Martin launch an all-new run of Captain America this July, and today, fans can see all the covers for the highly anticipated debut issue.

The upcoming run opens with an adventure set just after Steve Rogers emerged from frozen suspended animation, but before he joined the Avengers. Returning to this pivotal moment in Marvel Comics history will reveal developments that will forever alter how the world views Captain America’s legacy. Following this game-changing arc, the series will shift to the present-day where Captain America will deal with a new threat tied to this earlier secret conflict.

Main covers come from acclaimed artist Ben Harvey while variant covers come from series artist Schiti, who also contributes a Design Variant Cover showcasing Cap’s new suit, along with superstar artists Frank Miller, and Pablo Villalobos. Series writer Chip Zdarsky also delivers a bold variant cover of his own.

In addition, get patriotic with a Hidden Gem cover featuring John Romita Sr.’s iconic artwork from Marvel’s 1976 Bicentennial Calendar as well as Luciano Vecchio’s recreation of the classic art in a 250th Homage Variant Cover. A Hidden Gem variant cover by John Romita Jr. is also available. Plus, Nick Bradshaw takes inspiration from a bygone era with one of the month’s eye-catching Retrovision Covers. And the latest Marvel Rivals Variant Cover by NetEase Games spotlights artwork of Captain America’s design from the hit game.

While Captain America slumbered in ice, the world changed – for better and for worse. Steve Rogers awakens to a reality where battles are fought in the shadows through secrets and subterfuge, and villains aren’t so easy to identify. When a fledgling dictator named Victor Von Doom conquers Latveria, Steve faces a critical decision: adapt to a new kind of warfare, or forge his own path? And what will the choice he makes in the past mean for his future? Experience the untold tale of Captain America’s first encounter with Doctor Doom!

Preorder Captain America #1 at your local comic shop today! It comes to shelves July 2, 2025.

Absolute Batman #4 dives into the origin of the “Absolute” version of Batman

Absolute Batman has established himself as an extremely large force to be reck-oned with. But how did he get to this point? How did he push himself? And how did the tragic events of his childhood, and the advice of his father, shape the man who he became…literally?

Plot: Scott Snyder, Nick Dragotta
Story: Scott Snyder
Art: Gabriel Hernandez Walta
Colors: Frank Martin
Letters: Clayton Cowles

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

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