Tag Archives: fantagraphics books

Announcing Ellen Forney’s follow-up book: Rock Steady: Brilliant Advice From My Bipolar Life

Fantagraphics has announced the acquisition of Ellen Forney’s forthcoming graphic novel/self-help book, Rock Steady: Brilliant Advice From My Bipolar Life. This companion book to her best selling graphic memoir, Marbles: Mania, Depression, Michelangelo, and Me (Avery, 2012) marks Forney’s return to the publisher where she began her career over 15 years ago. Due out in 2018, Forney’s new book is a combination memoir and self-help manual, a survival guide of tips, tricks and tools by one of Seattle’s most celebrated cartoonists.

With Marbles, Forney helped destigmatize mood disorders with her candid presentation of her struggle to find mental stability while retaining her passion and creativity. This is the jumping off point for her new book, Rock Steady: Brilliant Advice From My Bipolar Life. Personal stories and solid advice from Forney on how to overcome the hassle of meds, recognize red flags, and other tools from her own experience of 14 years of stability – all in comics form.

Ellen Forney’s comics are both accessible and intensely personal. Her graphic novels Monkey Food, I Love Led Zeppelin (both Eisner-nominated) and Lust: Kinky Online Personal Ads, all from Fantagraphics Books, helped earn Forney the coveted The Stranger Genius Award in Literature in 2012.

Rock Steady: Brilliant Advice From My Bipolar Life invites readers into Ellen’s home, head, and Peanuts pill box.

Rock Steady Brilliant Advice From My Bipolar Life 1 Rock Steady Brilliant Advice From My Bipolar Life 2

Dash Shaw’s Directorial Debut Premiers in September

Graphic novelist Dash Shaw‘s directorial debut has been accepted by both the Toronto International Film Festival (TIFF) and New York Film Festival (NYFF) as part of their 2016 schedules. Shaw’s feature film directorial debut, My Entire High School is Sinking Into the Sea, stars Jason Schwartzman (who plays the “Dash Shaw” character), Lena Dunham, Reggie Watts, Maya Rudolph, and Susan Sarandon. The animated feature, adapted from a short story originally published in Fantagraphics’ MOME anthology and later collected in Shaw’s book, The Unclothed Man in the 35th Century, will make its world premiere at TIFF in September and U.S. premiere at NYFF in Oct.

As the New York Film Festival describes the film:

No matter your age, part of you never outgrows high school, for better or worse. My Entire High School Sinking Into the Sea showcases Shaw’s subjective and dreamlike sense of narrative; his empathy for outsiders and their desire to connect; and his rich, expressive drawing style. Packed with action but seen from the inside out, My Entire High School Sinking into the Sea is about friends overcoming their differences and having each other’s backs in times of crisis, and its marvelously complex characters are voiced by an all-star cast.

Shaw is best known for his graphic novels Bottomless Belly Button, New School, and Doctors (which is currently in development as a live action feature with David Goyer for Twentieth Century Fox), Shaw’s first feature film will premiere the same month as Shaw’s latest graphic novel, Cosplayers. This November will also see the release of an all-new Cosplayers one-shot comic book, A Cosplayers Christmas. Artfully celebrating both fandom culture’s obvious theatricality and uniquely D.I.Y. beauty, as well as its often awkward conflation of fantasy and reality, Cosplayers explores these delicate psychological balancing acts via a series of interconnected short stories surrounding two talented young women (Annie and Verti; the latter is also a character in My Entire High School…, voiced by Maya Rudolph) who combine their love of cosplaying with their love of social media and film in order to deepen their relationship with the popular culture they celebrate. Cosplayers depicts their stories in an affectionately funny way, celebrating how much more inclusive and humanistic fandom can be than most of the stories and characters it is built upon.

To support his film and new books, Shaw will be making several public appearances in the Fall, including a conversation with critic Dan Nadel at New York’s Strand Bookstore on August 31st at 7 p.m., and an event at Toronto’s The Beguiling during TIFF (details T.B.A.).

My Entire High School Sinking into the Sea

SDCC 2016: Fantagraphics’ Debuts, Panels, Signings, and Sale!

Fantagraphics, your favorite Comic-Con misfits, will be cutting a rug in our beautiful new real estate booth space of #1721. We’ve got everything you need to forget that Pokemon Go exists, (or maybe catch a rare one!). Special guests like Daniel Clowes, Ed Luce and Trina Robbins will be joined by many other artists all weekend long with panels, signings, and of course, books. Get a preview below of all the activities, events, and debuts for the 2016 San Diego Comic-Con!

PANELS

Thursday, July 21st

Love & Rockets: Past, Present and Future

Love and Rockets by brothers Gilbert and Jaime Hernandez is one of the most influential comic series to ever be published. Rounding on 35 years, the characters and stories within Love and Rocketshave inspired countless cartoonists, musicians, and writers with their unique world building and stories. Hear about the series from the very beginning with Gilbert and Jaime, publisher Gary Groth (Fantagraphics), co-creator Mario Hernandez (Love and Rockets), and fans like Matt Fraction (Sex Criminals, Hawkeye), with exclusive art and announcements.
Thursday July 21, 2016 11:00am – 12:00pm
Room 9

Something for Everyone: Indie Comics

Love comics but aren’t into superheroes? What about spooky fairy tales, witty comedy, survival stories, social commentary, or love and wrestling? There is something for everyone in the wide world of indie comics. Moderator Andrew Farago (curator, Cartoon Art Museum) leads Comic-Con special guests Emily Carroll (Through the Woods), Lisa Hanawalt (Hot Dog Taste Test), Jennifer Hayden (The Story of My Tits), Keith Knight (The K Chronicles), and Ed Luce (Wuvable Oaf) in a discussion about how they get their unique perspectives across and then out into the world!
Thursday July 21, 2016 1:00pm – 2:00pm
Room 29AB

Comics Arts Conference #3: Comics and Latin America
Award-winning writer and CAC special guest Trina Robbins (Pretty in Ink: North American Women Cartoonists 1896-2013) looks at how two women, Lily Renee and Tarpe Mills, presented their Brazilian fantasies to the North American public in the form of adventure strips starring capable, glamorous heroines. Braeden Jones (University of Iowa) demonstrates how contemporary artists recontextualize and reappropriate images, motifs, and themes from historical sources, and compares external artistic influence on Latin America to historical conquest. Nicole Larrondo (Brown University) takes this scholarly journey to Chile, where the comic format is a helpful tool for teaching history, and speculates on the challenges of having the state as the primary support for an artistic form.
Thursday July 21, 2016 1:00pm – 2:30pm
Room 26ABCrockett Johnson’s Barnaby: What Makes a Great Comic Strip

Before Calvin and Hobbes, Peanuts, and Pogo, there was Barnaby. Crockett Johnson’s classic strip combined fantasy and satire, a child’s feeling of wonder and an adult’s wariness, with highly literate jokes and a keen eye for the ridiculous. Johnson’s biographer Philip Nel is joined by Eric Reynolds, co-editor of Fantagraphics’s Barnaby series, cartoonist Jeff Smith (Bone), and moderator Thomas Spurgeon (The Comics Reporter). They’ll talk about why the strip remains so influential and its place in the history of great American comics.
Thursday July 21, 2016 4:00pm – 5:00pm
Room 29ABQueer History in Comics

Queer characters and narratives are finding their way into a popular growing genre of comics with historical themes and stories. However, writing about the lives of LGTBQ past can present a number of challenges for comics creators today. How do writers and artists create a complete and honest view of historical queer characters and their stories? How do we balance modern labels and values to best represent these characters, their experiences, and the periods they lived in? What tools are available for researching queer lifestyles throughout history? Join Prism Comics and moderator Josh Trujillo (Love Machines), Joseph Hawkins(director of the USC ONE Archive), and creators Kez Pagtakhan (Until the Last Dog Dies), Trina Robbins (The Complete Wimmen’s Comix), and Emily Willis (Cassius) as they discuss their work, inspirations, and challenges in presenting LGBTQ history through comics.
Thursday July 21, 2016 5:00pm – 6:00pm
Room 28DE
Friday, July 22nd

Kramer’s Ergot and the Art of the Comic Anthology

Few anthologies have done as well a job of capturing modern cartooning and visual storytelling than the Kramer’s Ergot series, edited and compiled by Sammy HarkhamLearn about the history behind the series, the process of wrangling over 15 artists, and the importance of anthologies in the comics medium, with contributors Johnny Ryan, John Pham, Matt Groening, and Steven Weissman.
Friday July 22, 2016 11:30am – 12:30pm
Room 24ABCWalt Kelly and POGO

The greatest newspaper strip of all time? Some would call it that. Even if you aren’t one of them, you’ve gotta love the wit and whimsy of Walt Kelly’s magnum opus, Pogo, now receiving its first-ever complete reprinting in an Eisner Award-winning series from Fantagraphics Books. Remember this great artist with comics historian Maggie Thompson (Comics Buyer’s Guide), film critic Leonard Maltin, historian Michael Barrier, cartoonist Scott Shaw!,Eric Reynolds(co-editor of the Complete Pogo series), and moderator Mark Evanier (Groo the Wanderer).
Friday July 22, 2016 12:30pm – 1:30pm
Room 8Generations of Women in Comics

Trina Robbins (Pretty in Ink), Mary Fleener (Twisted Sister Comics), Anina Bennett(Heartbreakers), and MariNaomi (Turning Japanese)-women of four generations-discuss surprising and often unknown contributions by women in comics from early history, WWII, and underground to trends today. Moderated by Nicky Wheeler-Nicholson (The Major Loomed Like a Superman).
Friday July 22, 2016 3:30pm – 4:30pm
Room 8

Marketing and Publicity the Alternative Comics Way
Distribution, press, and conventions can be intimidating ventures for cartoonists with unconventional stories and art; how do you find your market and rise above the rest to be noticed by publishers, reviewers, and booksellers? Jacq Cohen, Anna Pederson (Fantagraphics), David Hyde (SuperFan Promotions), Simon Hanselmann (Megahex), and others shed light on the process of putting yourself out there and getting noticed.
Friday July 22, 2016 4:00pm – 5:00pm
Room 28DEComic Book Secret Origins: How the Industry’s Best and Brightest Began

Every hero has an origin story, the defining moment where they thrust themselves to greatness. So do the comics industry’s best and brightest! Comics luminaries and tastemakersDavid Steinberger (comiXology CEO and co-founder), Denis Kitchen(cartoonist/publisher/agent, The Best of Comix Book), Derf Backderf (cartoonist, Trashed, My Friend Dahmer), and Ed Luce (cartoonist, Wuvable Oaf) offer a look at the extraordinary events that transformed them from comics fan to comic industry heroes!
Friday July 22, 2016 6:00pm – 7:00pm
Room 9
Saturday, July 23rd

Spotlight on Daniel Clowes
Appearing at Comic-Con International for the first time in 15 years, influential cartoonist Daniel Clowes (Ghost World, Wilson) is joined by editor and friend Eric Reynolds (Fantagraphics) to discuss his career beginnings, Hollywood, and his newest New York Times bestselling graphic novel, Patience.
Saturday July 23, 2016 11:00am – 12:00pm
Room 28DEComics Arts Conference #11: Focus on Trina Robbins

Comics Arts Conference special guest Trina Robbins is a writer, cartoonist, and comics herstorian. A leader in the feminist underground comix movement with her landmark It Ain’t Me, Babe Comix and co-founding of the Wimmen’s Comix Collective, Robbins is also a renowned chronicler of the history of women in comics. Her work includes The Great Women SuperheroesPretty In Ink: North American Women Cartoonists 1896-2013, and The Brinkley Girls: The Best of Nell Brinkley’s Cartoons from 1913-1940. Robbins, a Will Eisner Hall of Fame inductee, has also written Wonder Woman: The Once and Future Story, Honey West, GoGirl! and contributed to Sensation Comics and Girl Comics. Her latest opus, The Complete Wimmen’s Comix, collects every issue of this first continuing all-woman produced comic book anthology.Jennifer K. Stuller (Ink-Stained Amazon, GeekGirlCon) moderates.
Saturday July 23, 2016 1:00pm – 2:00pm
Room 26ABCelebrating 40 Years of Fantagraphics

Now in their 40th year of publishing groundbreaking alternative comics, come hear the story of how it all began from founder Gary Grothassociate publisher Eric Reynolds and cartoonists Gilbert and Jaime Hernandez, Daniel Clowes, and Simon Hanselmann. Moderated by Nina Gregory, Arts Desk senior editor at NPR.
Saturday July 23, 2016 3:30pm – 4:30pm
Room 26ABGays (and more) in Comics (and more): Year 29: Queerly Inspired

LGBT creators and creators of LGBT-related comics discuss the works and events that inspire their work. Prism Comics and co-moderators Roger Klorese (Prism Comics Board) and Shannon Watters (BOOM! Studios, Lumberjanes) are joined by Ed Luce (Wuvable Oaf), Robert Rodi (Merry Men, Loki), Magdalene Visaggio (Kim & Kim), Ari Yarwood (Oni Press), and others to be announced.
Saturday July 23, 2016 6:00pm – 8:00pm
Room 29AB

Sunday, July 24thThe Complete Wimmen’s Comix: A Her-story

Groundbreaking women cartoonists discuss the pioneering history of this comic series that covered still-taboo topics like abortion, menstruation, masturbation, castration, lesbians, witches, murderesses, and feminists. Featuring cartoonists Joan Hilty, Barbara “Willy” Mendes, Rebecka Wright, Lee Marrs, Mary Fleener, Sharon Rudahl, Caryn Leschen, Terre Richards, and moderator Trina Robbins.
Sunday July 24, 2016 12:00pm – 1:00pm
Room 29AB

 

DEBUTS

Meat Cake Bible

By Dame Darcy

Dame Darcy is one of the sui generis artistic talents of the past two decades — musician, actress, fortune teller, dollmaker, Gen X/feminist icon, and last but not least, cartoonist to the core — and has been bewitching readers for more than 20 years with her neo-Victorian horror/humor/romance comic Meat Cake. Alternating between one-off (often cruelly tragic) fairy tales and ongoing romps starring her eclectic cast of characters, including Effluvia the Mermaid, the roguish rou. Wax Wolf, Igpay the Pig-Latin pig, Stregapez (a women who speaks by dispensing Pez-like tablets through a bloody hole in her throat), the mischievous Siamese twins Hindrance and Perfidia, Scampi the Selfish Shellfish, the stalwart Friend the Girl, and the blonde bombshell Richard Dirt, all delineated in her inimitable luxurious scrawl, Meat Cake is like a peek into the most creative, deranged dollhouse you ever saw. The Meat Cake Bible is the definitive collection of the series, collecting every story from all 17 issues (1993-2008) — including “Hungry is the Heart,” Darcy’s legendary collaboration with Alan Moore — as well as new stories from the unpublished 18th issue.

 

Cosplayers

By Dash Shaw

Cosplayers is cartoonist Dash Shaw’s ode to that defining element of fandom, the “costume play” of so many anime and comic conventions. Artfully celebrating both the culture’s obvious theatricality and uniquely D.I.Y. beauty, as well as its often awkward conflation of fantasy and reality, Cosplayers explores these delicate psychological balancing acts via a series of seven interconnected short stories surrounding two talented young women who combine their love of cosplaying with their love of social media and film in order to deepen their relationship with the popular culture they celebrate. Cosplayers depicts their stories in an affectionately funny way, celebrating how much more inclusive and humanistic fandom can be than most of the stories and characters it is built upon. Featuring plenty of easter eggs for fans of the broader culture as well as being the perfect entry point for those completely befuddled by it, Cosplayers is another distinctive, instant classic from one of the most acclaimed voices of his generation, and will be released around the same time as Shaw’s feature directorial debut, the independent animated feature My Entire High SchoolSinking into the Sea starring the voice talents of Jason Schwartzman, Lena Dunham, Reggie Watts, Maya Rudolph, and Susan Sarandon.

 

Garden of Flesh

By Gilbert Hernandez

As only the unfettered Id of Gilbert Hernandez could conceive, Garden of Flesh is a sexually explicit retelling of the story of Adam and Eve up to Noah’s Ark. Hernandez presents a straightforward adaptation of the Bible parable, but one that also blurs the lines between erotica and pornography, as only Hernandez can. In the Garden of Eden, where Adam and Eve are youthful and beautiful, is sex is a source of happiness, even when it’s psychologically and spiritually fraught? Leave it to Hernandez to explore the story of original Sin from a perspective you didn’t get in Sunday school. As an added bonus, longtime Love and Rockets fans will recognize some beloved characters/actors portraying key players.

 

Hip Hop Family Tree Book 4: 1984–1985

By Ed Piskor 

Book 4 of the best selling series showcases: The rise of Def Jam records! The birth of Dr. Dre’s record career leading to Straight Outta Compton! Introducing new branches on the tree such as Will Smith, Salt N Pepa, Rakim, and Biz Markie. Hollywood also takes notice and releases loads of films like Breakin’, Breakin’ 2: Electric Boogaloo, Beat Street, Krush Groove and more, all highlighted within this jam packed edition.

 

 

 

Hip Hop Family Tree Gift Box Set: Book 3 & 4

By Ed Piskor

We are releasing our gift box set of Books 3 and 4, in time for the holidays. Exclusive with this box set is Piskor’s crash course comic, Understanding Hip Hop and Comics, a documentation of how the two media have intersected over the past 40 years, spanning graffiti, to album covers, and to actual comics collaborations between cartoonists and rappers.

 

 

Otherworld Barbara

By Moto Hagio
In the latest English-language release from one of the most influential manga creators of all time, Tokio is a “dream pilot,” a detective who enters criminals’ dreams to discover their motives. While investigating Aoba, who killed her parents and ate their hearts when she was nine, he discovers a phantom island named Barbara. Then there’s a mysterious and missing geneticist, an eccentric clergyman, a grieving grandmother granted temporary youth, a psychologist killed by a freak tornado… Hagio offers a sci-fi explanation for these seemingly random paranormal elements, and makes it all matter with believable characters in complex and subtle relationships. Fantagraphics Books is proud to present the first volume (of two) of Moto Hagio’s Otherworld Barbara, which won the “Nebula Award of Japan” (Nihon SF Taishō Award) in 2006.

 

Real Deal Comix

By Lawrence Hubbard and H.P. McElwee

Real Deal Comix trades in what it calls the genre of Urban Chaos — a satiric depiction of the madness that occurs in the urban centers of America. Each story details the everyday struggles of the urban dwellers who go off on each other out of the rage and futility that their lives bring them. These people live on the edge of a precipice, where everyday tasks like going to the store or buying gas requires a stand-or-back-down attitude to survive. Every story ends in mayhem. Join G.C, Ace Brogan and Slick Willie in their adventures in da’ hood, and remember, they live a real man’s life: no matter what, they never back down. Real Deal Magazine (“More Rage per Page, More Slaughter for your Dollar”) was a self-published independent comic book created in the 1990s by Lawrence Hubbard (a.k.a “Raw Dog”) and H.P. McElwee (a.k.a. “R.D. Bone”) and inspired by magazines like Mad and traditional superhero comics but satirizing Blaxploitation movies with a cast of convicts, hustlers, drug addicts, crack whores, car thieves, and murderers. Real Deal has achieved cult status over the years, especially among underground artists and counterculture circles, and has even been featured in a line of t-shirts from Stüssy, but has never been collected… until now.
Blubber #3

By Gilbert Hernandez

Unleashing the unfettered Id of the great Gilbert Hernandez! Absurd, explicit, and profanely comical, Blubber makes all other comics blush. Pupusi (last seen in Gilbert’s Garden of the Flesh) gets it on with a hideous monster, a couple of lustful faun follow suit, an alien takes a substantial bowel movement, a guy with a large member gets it on with a little alien, and so much more!


Up your pin game and show off your excellent taste in publishers with a soft enamel Fantagraphics shield, designed by Daniel Clowes.

Available first at Comic-Con!

Small Press Expo 2016 Celebrates the 40th Anniversary of Fantagraphics

spx-logo-240Small Press Expo has announced that SPX 2016 will celebrate the 40th Anniversary of Fantagraphics with an all-star line-up and special events. Founded in 1976 by Gary Groth and Michael Catron, in the ensuing years Fantagraphics provided the foundation for today’s wealth of indie comics, graphic novels and comic’s criticism. Fantagraphics also gave some of the most acclaimed names in indie comics their start in the comic’s world, with many of those names appearing at SPX 2016.

This year’s show will host a rare festival appearance by the esteemed Joe Sacco, along with Trina Robbins first appearance at SPX. Mr. Sacco, Ms. Robbins, Daniel Clowes and The Hernandez Brothers will be joined by several of Fantagraphics other critically and commercially successful authors, Carol Tyler, Jim Woodring, Drew Friedman and Ed Piskor, for this celebration.

Events around the celebration of the 40th Anniversary of Fantagraphics include:

  • Publisher Gary Groth will give the SPX Lecture at the Library of Congress on Friday September 16 at Noon in the Madison Building.
  • There will be a separate track of programming at SPX 2016 dedicated to Fantagraphics and its creators, with details to be announced mid-August.
  • Attendees will be able to get an SPX exclusive, a free newsprint commemorative booklet with artwork by Fantagraphic artists.

Over the next few weeks, additional guests for SPX 2016 will be announced and in August we will announce the 2016 Ignatz nominees, the full programming slate and the recipient of the SPX Graphic Novel Gift Program, the first of its kind program that gifts graphic novels to local library systems.

SPX 2016 takes place on Saturday and Sunday, September 17-18, and will have over 650 creators, 280 exhibitor tables and 22 programming slots to entertain, enlighten and introduce attendees to the amazing world of independent and small press comics.

Love and Rockets Returns as an Ongoing Comic this Fall

Love and Rockets Vol. IV #1 1Fantagraphics Books has announced that Gilbert and Jaime Hernandez’s beloved Love and Rockets will return this fall in the same magazine format that fans fell in love with during its original 50 issue run from 1982-1996. Love and Rockets has been Fantagraphics’ flagship publication since its initial magazine debut in 1982, and the new series (Vol. IV, for those keeping track) will launch on the eve of the title’s 35th anniversary in September 2016 and continue every four months thereafter. The new format and schedule comes after a decade of the Love and Rockets: New Stories annual.

The Love and Rockets stories by brothers Gilbert and Jaime Hernandez continue to hold a firm grasp on the imaginations of several generations of comic book fans, garnering multiple Eisner and Ignatz Awards in recent years for their work on New Stories. Meanwhile, the collected Love and Rockets trade paperbacks continue to be perennial best sellers for Fantagraphics, with 11 volumes to date.

Love and Rockets Vol. IV #1 2The new Love and Rockets marks Gilbert and Jaime’s return to the “floppy” format for the first time in a decade and will measure 8 ½” x 10 ¾”, with at least 32 pages per issue, retailing at $4.99.

The new format will play to the strengths of master cartoonists Gilbert and Jaime Hernandez, focusing on their diverse cast of characters and the rich milieus they have established over the past three-and-a-half decades: from Jaime’s Maggie and Hopey to Gilbert’s Luba and Fritz, old and new fans alike will be able to enjoy two of the great bodies of work in comics history, under one cover.

The all-new Love and Rockets Vol. IV #1 appears in the July Diamond Previews catalog for September shipping products.

We Told You So: Fantagraphics Celebrates 40 Years

We Told You SoThis summer marks the 40th anniversary of Fantagraphics Books, and the publisher will celebrate the occasion with a series of events throughout the rest of 2016. Founded in 1976 by Gary Groth and Mike Catron (soon to be followed by Kim Thompson), the company has published over 5,000 comic books and graphic novels over the next four decades, confirming its reputation as the publisher of the world’s greatest cartoonists, and as a champion for cartoonists who don’t fit within the commercial confines of traditional corporate publishing.

The highlight of the anniversary celebrations will be the long awaited release of We Told You So: Comics As Art, an irreverent, 600-page oral history of Fantagraphics edited by Tom Spurgeon with Michael Dean, as told through interviews with virtually every key player in the company’s history – as well as a few of its adversaries – and copiously illustrated with hundreds of photos, comics, drawings, and rare ephemera from the Fantagraphics vaults.

Throughout the summer and fall, Fantagraphics will also celebrate its anniversary at various comics festivals. Comic-Con International in San Diego, the Small Press Expo (SPX) in Bethesda, MD and the Columbus Crossroads Festival (CXC) will each sponsor events and programming and host special guests spanning Fantagraphics’ provocative and pioneering history, with details for each to be rolled out over the comings weeks. Additionally, Fantagraphics will close out the year with a birthday bash back home in Seattle for their staff, cartoonists, and fans. Slated for Dec. 10th, the event will also mark the tenth anniversary of Seattle’s beloved Fantagraphics Bookstore & Gallery.

Fantagraphics began its activist agenda by publishing The Comics Journal in 1976, which, over nearly 300 issues and over 5,000 pages, fought for the economic and creative rights of three generations of cartoonists and militantly insisted that comic art was as capable of the same heights of expression as the greatest accomplishments in every other popular form.

The editorial standards of The Comics Journal led Groth and company to soon put its money where its mouth was, and beginning with Jack Jackson’s Los Tejanos in 1981, followed the next year with its flagship title, Gilbert and Jaime Hernandez’s Love & Rockets, the floodgates opened and introduced readers to a murderer’s row of new talent throughout the ’80s.

Fantagraphics’ devotion to the past, present, and future of comics remains undiminished, and recent years have seen the rise of a new generation of cartoonists that represent the depth and diversity of the form that Fantagraphics stands for, including Ed Piskor, Eleanor Davis, Dash Shaw, Simon Hanselmann, Lucy Knisley, Olivier Schrauwen, Jason, Ulli Lust, Johnny Ryan, Cathy Malkasian, Lilli Carré, Leah Hayes, Josh Simmons, Noah Van Sciver, Liz Suburbia, and so many others.

Forty years ago, comic books were seen as little more than mindless, adolescent escapism, shunned by literate adults and ignored by the wider culture. Changing the perception —and the fact— has been hard fought, and, 40 years strong, Fantagraphics remains committed to the belief that comics is art, and continues to elevate the form by publishing the most encompassing range of contemporary, cutting-edge cartooning, collections of the seminal underground artists, classic and gag cartoonists, international cartoonists in translation, and library-quality editions of classic newspaper strips and comic books that showcase the form as an artistically sophisticated medium of expression.

We Told You So 1 We Told You So 2 We Told You So 3

Mini Reviews For The Week Ending 19/3/16

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for. These are Graphic Policy’s Mini Reviews.


Alex

huck05-cover-webHuck #4 (Image) There’s a sense of something here that you don’t often see in Mark Millar’s work: hope. Now whether that’ll get ripped from under my feet as the series progresses and we head into some darker territory is something I’ve been acutely aware could happen. That Huck that has echoes of Superman is undeniable, but it never feels derivative to me, either. If you haven’t been reading the singles then at this point I’d wait for the trade, because this is definitely worth checking out. Overall: 8 Recommendation: Buy

Amazing Forest #3 (IDW) The first two issues in this anthology series were really enjoyable, but this one wasn’t up to the standards of those earlier issues. It’s not bad, and the final story is actually quite good, but the other three didn’t really do it for me. Overall: 5 Recommendation: Pass

Will Eisner’s The Spirit #9 (Dynamite) This has been one of my favourite monthly series for some time. It has just the right amount of fun, some great writing and art work. A really enjoyable comic each and every month. Overall: 8.5 Recommendation: Read

 

Ryan C

Injection #8 (Image)**: So — now we finally get to see how Warren Ellis’ pair of once-apparently-disparate principal plot elements do, in fact, tie together. And it’s been so deceptively straightforward the whole time that I’m punching myself for not seeing it sooner. Plus, there’s lots of fucking. Of any and all varieties imaginable and a few you probably can’t. Typically fascinating issue with razor-sharp Declan Shalvey art, this series should still be right near the top of everyone’s “must-read” list. Overall: 8.5 Recommendation: Buy

Hip Hop Family Tree 8Hip Hop Family Tree #8 (Fantagraphics)*: Ed Piskor’s meticulously-researched and lavishly-illustrated cultural history reaches a new plateau of significance with the emergence on the scene of — Run DMC! The charge coming off this book is electric right now, as the “new” musical, fashion, artistic, and social sensibilities attendant with the rise of Hip Hop make their way from the streets and clubs of New York to the top of the pop music charts. The most obvious labor of love on comic shop racks right now by a wide margin. Overall: 9.5. Recommendation: Buy

Power Man And Iron Fist #2 (Marvel)*: David Walker’s “caper”-themed script seems ready-made for the Netflix treatment, with one major exception : unlike the “Daredevil” and “Jessica Jones” TV series, this is “street-level” story-telling that doesn’t take itself soooooo goddamn overly-seriously (anyone else find it more than a touch ironic that the same fans criticizing DC for the “grim” and “somber” tone of their movies praise those same “qualities” in the Marvel shows? But I digress). Sanford Greene’s art continues to impress and two scant issues in it’s safe to say these characters have never been more enjoyable to follow. Overall: 8 Recommendation: Buy.

Superman: The Coming Of The Supermen #2 (DC)*: I told you it was only a matter of time until the veil of rationality was pierced (hell, shredded) on this book, and with the departure of co-writer Tony Bedard leaving Neal Adams as a solo act on both story and art, the gloves are off and the insanity is, as Adams himself might put it, “on — full— display. On full! Display! Here! It is! Here! It is — it is here! Can’t you see it? You need to see it! Really it must — really — not be missed.” And don’t worry — the art doesn’t make much more sense than the story. Overall: 2.5. Recommendation: Buy. As long as you don’t expect — or even want — it to be good


Well, there you have it, folks. The reviews we didn’t quite get a chance to write.

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Mini Reviews For The Week Ending 13/2/2016

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for. These are Graphic Policy’s Mini Reviews.


Alex

Bigfoot_SOTE_03_coverBigfoot: Sword Of The Earthman  #3 (Action Lab) There’s a very interesting aspect to this comic; Bigfoot hasn’t said a word in three issues, and his silence is perfectly negated by the narration of his companion who’s name escapes me right now. This has been a solid series so far, with Bigfoot being stranded on Mars, this feels like a brilliant mix of Starship Troopers, John Carter: Warlord Of Mars and Conan all wrapped up in a glossy comic book story. It’s actually pretty damn good. Overall: 8 Recommendation: Read

Batman #49 (DC Comics)* Holy fucking shit. If, like me, you’ve not been a fan of the Robot Bunny Batman, then this issue will have you pumping the ceiling with joy. It’s a brilliantly well done comic that doesn’t feel like Bruce becoming Batman again is a dues ex machina. There’s been a legitimate build up for this moment for bloody months, that came together for me with this issue in an almost montage like moment. Mr H eloquently captures what I love about the characterization in this issue below, and Batman #49 is the issue that cements Scott Snyder as one of the best Batman writers of the past decade, giving us a 50 odd issue run that we’ll be talking about for years. Overall: 9.75 Recommendation: Buy

 

Brett

Captain Canuck #6Captain Canuck #6 (Chapter House Comics) – Wrapping up the first story arc, the comic is an ok ending that wraps up the action nicely and sets us up for what’s to come. As a piece of the arc it’s a solid comic, but on it’s own it’s a bit weaker than previous comics. Still, lots of fun to read. Overall: 7.4 Recommendation: Read

Dark & Bloody #1 (Vertigo) – An interesting start to what seems like a horror comic. Not quite sure where it’s going, if it’s just a weird horror story or a southern gothic story, we’ll see. But, it has me wanting to check out the next issue. It definitely has the creepy vibe down. Overall: 7.6 Recommendation: Read

Green Lantern Corps: Edge of Oblivion #2 (DC Comics) – The second issue continues what feels like a giant action sci-fi film. So far, I’m digging it, and though there’s a lot of action here, it also moves the bigger story along introducing you to this new alien world. Overall: 7.8 Recommendation: Read

Legend of Wonder Woman #2 (DC Comics) – Hells yes. This is the Wonder Woman comic I’ve been waiting for. This is so good. Overall: 8.2 Recommendation: Buy

Transformers: More Than Meets the Eye #49 (IDW Publishing) – A good finale to the current arc. I’d have liked it all to have been a straight up horror story, but it does some solid work on the various characters. Overall: 7.7 Recommendation: Read

Black Science #20 (Image Comics) – Just fun science fiction. Turn your brain off and go with the ride. Never disappointing. Overall: 7.8 Recommendation: Read

descender10_CoverArtDescender #10 (Image Comics) – One of the best science fiction comics on the market. Amazing story, even more amazing art. Beautiful to look at and fun to read. Overall: 8.4 Recommendation: Buy

Deus Ex #1 (Titan Comics) – A good first issue that from what I remember catches the world from the video game series pretty well. It’s not deep but sets up a cyberpunk-ish comic that should fill a nice niche. Overall: 7.7 Recommendation: Read

Interceptor #2 (Heavy Metal Magazine) – The first issue caught me off guard and the second issue continues the excellence. Funny, fun, it’s a solid mix of the Heavy Metal vibe along with “western” comics. Overall: 8.4 Recommendation: Buy

James Bond #4 (Dynamite Entertainment) – The individual issues aren’t bad, but I feel like this’ll be a better read as a trade. Overall: 7.1 Recommendation: Read

Letter 44 #23 (Oni Press) – I seriously have no idea where this series is going and I can’t wait to find out. Overall: 7.9 Recommendation: Read

Second Sight #1 (Aftershock Comics)* – The first issue is good, but doesn’t blow me away. My issue is I feel like we’ve seen this story before as well as its protagonist. Maybe it’ll set itself apart down the road. Overall: 7.3 Recommendation: Read

Street Fighter Unlimited #3 (Udon Entertainment) – The comic is a lot of fun. I’m not the biggest Street Fighter fan, but these comics capture the video game series really well and give us some awesome action. A must get if you’re a fan of the video game. Overall: 8.1 Recommendation: Read

 

Mr H

Batman #49 CoverBatman #49 (DC Comics)*: The moment we’ve all been waiting for. We knew Bruce was coming back to the cowl it was never a matter of it, it was always when. Snyder has another win this issue, as I think it’s his absolute best one yet. It delves into the Batman legacy as well as probable futures. What really stands out for me is how well Snyder gets the relationship between Alfred and Bruce. He’s not Bruce’s butler, he’s his father. Alfred doesn’t want to lose his son again. Bruce has finally got the peaceful life he’s always wanted but for Gotham to survive, he must allow Batman to return. Now I won’t spoil here as its too good, but the return method is well thought out and true to the character. Julie Madison even plays a big part. With 50 around the corner Snyder has his day numbered on the title but his impact may have crafted the best Batman run EVER. No Capullo this issue but it doesn’t suffer one bit. Yannick Paquette does a terrific job on the art chores. I cannot find any fault with this issue at all. Overall: 10/10 Recommendation: Buy this book.

 

Ryan C

Hip-Hop Family Tree #7 (Fantagraphics)*: Ed Piskor’s cultural history/odyssey finally takes a look at the nascent hip-hop scene on the West Coast, while out east the Beastie Boys, among other future luminaries, enter the fray with their first stumbling steps out of the gate. As always, truth is stranger — and better — than fiction, I’m not even a hip-hop fan but I wouldn’t dream of missing an issue of this fantastically-written, superbly-illustrated series. Overall: 10 Recommendation: Buy.

Shaft-Imitation-of-Life-1Shaft: Imitation Of Life #1 (Image)**: David F. Walker returns to the character he rejuvenated — and to the street of New York — with the first of four sure-to-be-spectacular parts. John Shaft wraps up one particularly brutal case, takes some much-needed time off, and the jumps back in to handle a missing persons case that nobody else would have the balls to touch. And he picks up a gay Latino sidekick by the end? As always , Walker adds new depth and dimension to the character without compromising an ounce of bad-ass, while new artist Dietrich Smith picks up admirably from Bilquis Evely. Overall: 9/10. Recommendation: Buy.

Low #11 (Image)** : Good to see Rick Remender and Greg Tocchini dive back into things — literally — after a bit of a break between issues/arcs, but the “keep hope alive” message is starting to veer into tiresome mantra territory, and echoes the “newfound optimism” philosophical outlook of “Black Science” a bit too closely at this point. Story and art are still good, but decidedly less spectacular than the ultra-high standard we’ve become used to on this series. Intrigued to see how he plans to rotate issues between Stel and her kids, and next issue promises some spectacular stuff as we finally see the surface of , well, Waterworld, so let’s hope this just represents a temporary lull before the visual and verbal fireworks show commences in full swing. Overall: 6. Recommendation: Read.

Injection #7 (Image)**: Continuing with the arc begun last issue, our new inhumanly-smart (or maybe that’s just inhuman) private eye protagonist follows the supply chain of the “long pig” he was nearly serves last issue and nonchalantly antagonizes the police while he’s at it. Warren Elli’s script is razor-sharp and Declan Shalvey’s art is enough to make a grown-up cry with its understated precision and elegance. This is a book that doesn’t see to know how not to keep getting better and better every month. Overall: 8. Recommendation: Buy.

 

Shean

House of Montresor#1 (Red Stylo): Jang and Strutz have written the captivating sequel to Edgar Allen Poe’s Cask of Amontillado , dad wonders into some seriously interesting territory.Imagine that one episode of Twilight Zone where the heirs are fighting over inheritance commingled with Crimson Peak. The script by Enrica Jang, is moody , mysterious, gothic and all types of creepy. The art By Jasob Strutz is beautiful.Overall, strong execution by two masters.Overall: 9 Recommendation: Buy

cyrus perkins tpbCyrus Perkins and the Haunted Taxi Cab TPB (Action Lab): I always wondered what would happen if the Michael Mann masterpiece ” Collateral “, was a TV show, as this book answers that but with a supernatural twist. The Reader joins Cyrus as he navigates his personal life , avoids thugs , run ins with supernatural creatures were trying find peace for his haunted rider. In what would be a normally dark story ,there are a great many funny scenes.The story by David Dwonch proves an interesting twist to both slice of life genre and the supernatural genre. The art by Anna Lencioni, is vibrant and full of heart.Overall, fun when you least expect it.  Overall: 9.2 Recommendation: Read

 


Well, there you have it, folks. The reviews we didn’t quite get a chance to write.

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Daniel Clowes on Tour with Patience

Daniel Clowes on Tour with PatiencePatience is the first all new, original graphic novel from Daniel Clowes in over a half-decade, and also the biggest and most ambitious book yet in a storied career that includes multiple Eisner and Harvey Awards, a PEN Award, and an Academy Award nomination.

Patience is an indescribable psychedelic science-fiction love story, veering with uncanny precision from violent destruction to deeply personal tenderness in a way that is both quintessentially “Clowesian,” and utterly unique in the author’s body of work. This 180-page, full-color story affords Clowes the opportunity to draw some of the most exuberant and breathtaking pages of his life, and to tell his most suspenseful, surprising and affecting story yet.

 

 

Tour Dates:

Mon, Feb 29th      Toronto Reference Library      Toronto, ON
Wed, Mar 2nd      The Strand                                NYC
Thur, Mar 3rd       Philly Free Library                  Philadelphia, PA
Fri, Mar 4th          Barnes & Noble                       Princeton, NJ
Sat, Mar 12th        Fantagraphics Bookstore         Seattle, WA
Sun, Mar 13th       Powell’s City of Books            Portland, OR
Tues, Mar 15th      Pegasus Books                        Berkeley, CA
Fri, Mar 18th         Meltdown Comics                   Los Angeles, CA
Wed, Mar 23rd      Green Apple Books                 San Francisco, CA
Tues, Mar 29th      University of Chicago             Chicago, IL
Wed, Mar 30th      Quimby’s                                 Chicago, IL
Thur, Mar 31st      Magers & Quinn                      Minneapolis, MN

Humble Bundle: Save on Peanuts Books + Donate to Charity

2015-11-04_1646Fantagraphics has teamed up with Humble Bundle to offer a downloadable collection of classic Peanuts comics. Just in time for the holidays, these books make a great gift. You’ll get to name your price and donate to a worthy cause at the same time.

Humble Bundle allows you to name your price, and if you pay more than the average, you unlock additional content. This bundle gets you DRM-Free digital downloads that will work with mobile devices.

On top of getting lots of great comics digitally, you also help support charity by dividing the price you spent between the creators and the charities.

In this case, the bundle benefits the Freedom of the Press Foundation as well as the Comic Book Legal Defense Fund.

Freedom of the Press Foundation is a 501(c)3 non-profit organization dedicated to helping support and defend public-interest journalism focused on exposing mismanagement, corruption, and law-breaking in government. Freedom of the Press Foundation pushes for transparency and accountability, and works to preserve and strengthen the rights guaranteed to the press under the First Amendment.

CBLDF is a non-profit organization protecting the freedom to read comics! Their work protects readers, creators, librarians, retailers, publishers, & educators who face the threat of censorship. They monitor legislation & challenge laws that would limit the First Amendment. They create resources that promote understanding of comics & the rights our community is guaranteed. Every day CBLDF publishes news & information about censorship events as they happen. They are partners in the Kids’ Right to Read Project & Banned Books Week. Their expert legal team is available at a moment’s notice to respond to First Amendment emergencies. CBLDF is a lean organization that works hard to protect the rights that our community depends on. Please support their work!

Contribute today to get cool comics and support some great charities!

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