Marvel’s Voices is an Experience, capital E. It’s the first comic I know about that adapts the concept of a podcast into a comics anthology collecting stories from black creators giving their take on the Marvel universe.
The book’s title carries over from the podcast it’s based on, which is hosted by Angélique Roché. The list of creators includes Vita Ayala, Damion Scott, Kyle Baker, Brian Stelfreeze, Roxane Gay, Method Man, Alitha Martínez, among other notable industry names. What’s interesting about the project, though, is that it embraces its multimedia roots by featuring essays from other creators accessible via Marvel’s Voices online page.
Two particular essays grabbed my attention: Regine L. Sawyer’s “Growing Up Marvel” and Karama Horne’s “The Legacy of Isaiah Bradley: The First Black Captain America.” (Disclosure: Karama and Regine have both contributed to our site – ed.)
Sawyer’s essay is about her origin story into comics through a less conventional avenue than most other stories of the kind: X-Men trading cards. I don’t want to spoil the essay because it is a fascinating and well-written story, but it is wonderful to get this look at how comics allow for multiple entry points given it’s an entire cultural package. It made me remember my card collecting days growing up, both the same X-Men cards Sawyer collected and the classic Pepsi Cards I religiously hunted down back when they came out in Puerto Rico. I still have them with me and they also helped me embrace comics.
Horne’s essay is about two comics: Truth and The
Crew. Each one stands as some of Marvel’s best comic book offerings. They
were subversive and hard-hitting, daring enough to give Marvel a black Captain
America (in Truth), complete with an exploration of the tragic treatment
black heroes get using real-life black history as the basis for the problems
each character faces (which is expanded upon in The Crew).
The essay is a great and concise history of these comics, but it also serves as a lesson on visibility. That Marvel hasn’t reprinted these stories or released newer editions of the paperbacks brings up more questions than it should. I think Horne’s essay makes a strong argument as to why we need these comics back on the stands.
On the comic’s side of Marvel’s Voices, we get a strong if a bit uneven set of short stories that are personal, celebratory, and thoughtful as to why Marvel characters mean so much in the struggle for more diverse voices in the industry. Kyle Baker, for instance, produced a one-pager Ant-Man and Nick Fury story titled “Perspective,” about Fury’s problem with depth perception. It’s a quick hit but the art on display here is impressive enough to make anyone want to see Baker do more Marvel work.
Geoffrey Thorne, Khary Randolph, and Emilio López’s “Top of the Key,” on the other hand, is a one-pager on Mosaic story (a character Marvel has severely underused, in my opinion) that would’ve benefited from an additional page or two. It feels more like a setup for a larger story and we only really just get a taste of it.
Rob Markman, Damion Scott, and Dono Sánchez-Almara’s “What a Wonderful World” stands as one of the most impressive stories in the anthology as it offers a well-rounded look at a Marvel character with outstanding art and a clear message to boot. It centers on a troubled Silver Surfer, comparing Marvel’s biggest villains with humanity’s own villainy when it comes to protecting the environment. No panel was spared, no color was misplaced, and no bit of text hung without intent. Just a really good two-page story.
The best story in the book is without question “Inspiration,” by James Monroe Iglehart, Ray-Anthony Height, and Emilio López. This 4-page tale gives the radioactive spider that gave Peter Parker his powers a much-deserved platform to contemplate his role in the grand scheme of things. The script showcases an interesting play on what a superpowered spider is supposed to be and how much of its natural instincts define its actions. It’s simply unforgettable and truly worthy of getting its own comic book series.
Marvel Voices #1
is the type of book Marvel needs to invest more on. It shows just how important
it is to bring in other perspectives into this superhero universe and just how
different it can all turn out to be. It speaks to the power of voices hungry for
diversity in storytelling. And that, in itself, is a beautiful thing.
Writers: John Jennings, Anthony Piper, Luciano Vecchio, David Betancourt, James Monroe Iglehart, Evan Narcisse, Vita Ayala, Regine L. Sawyer, Brian Stelfreeze, Brandon Montclare, Tatiana King Jones, Karama Horne, Kyle Baker, Roxane Gay, Yona Harvey, Don McGregor, Geoffrey Thorne, Rob Markman, Method Man, Daniel Dominguez, Charlamagne The God, David F. Walker, Chuck Brown
Art: Anthony Piper, Luciano Vecchio, Ray-Anthony Height, Jahnoy Lindsay, Bernard Chang, Brian Stelfreeze, Natacha Bustos, Kyle Baker, Brittney L. Williams, Khary Randolph, Damion Scott, Alitha E. Martinez, JJ Kirby, Sanford Greene
Color: Anthony Piper, Luciano Vecchio, Emilio Lopez, Marcelo Maiolo, Brian Stelfreeze, Tamra Bonvillain, Kyle Baker, Rachelle Rosenberg, Dono Sánchez-Almara, JJ Kirby, Matt Herms
Letterer: Travis Lanham
Writing: 9 Essays: 10 Art: 10 Overall: 10
Recommendation: Buy and make sure to bag and board it.
