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Preview: Dark Nights: Death Metal The Last Stories of the DC Universe #1

Dark Nights: Death Metal The Last Stories of the DC Universe #1

Written by: Joshua Williamson, Gail Simone, Christopher Sebela, James Tynion IV, Cecil Castellucci, Mariko Tamaki, Jeff Lemire, Mark Waid, Scott Snyder
Art by: Francis Manapul, Christopher Mooneyham, Daniel Sampere, Meghan Hetrick, Mirka Andolfo, Travis G. Moore, Rafael Albuquerque

The last battle against the Batman Who Laughs is at hand…the final fight for everything in the universe. And while the night is usually darkest just before the dawn, what would be the last thing you’d do if you weren’t sure the dawn would ever arrive? Join our heroes in their waning hours as we show their journeys through what could be their final moments…heroes that have fought a million times before, but are keenly aware this could be their endgame. These are the stolen moments detailing the last stories of the DC Universe.

Dark Nights: Death Metal The Last Stories of the DC Universe #1

Review: Dark Nights: Death Metal The Multiverse That Laughs #1

Dark Nights: Death Metal The Multiverse Who Laughs

I’ve been vocal in my mixed feelings about Dark Nights: Death Metal. The main event has been mixed in quality and the one-shots, while they used to stand out, are now fumbling themselves. Dark Nights: Death Metal The Multiverse Who Laughs is another stumble presenting four stories with few standing out and most being forgettable.

Dark Nights: Death Metal The Multiverse Who Laughs opens with an introduction introducing the scary stories to follow. Written by Scott Snyder, James Tynion IV, and Joshua Williamson, the intro isn’t so much Cryptkeeper as it’s a tease. Juan Gedeon handles the art, Mike Spicer color, and Troy Peteri the lettering and the art is solidly entertaining. But, the tales the Robin Kings aren’t what’s presented, and sadly what is, is far less interesting. A nice introduction to lay out the concept of the comic but it actually hurts what’s really could have been accomplished with some text on the first page.

Patton Oswalt, Sanford Greene, David Baron, and Josh Reed to a twisted take on Zsasz in “Feeding the Beast”. Sadly, the story itself doesn’t make a whole lot of sense at all. It feels like interesting ideas chopped together without a strong narrative. To say it’s a frustrating start is an understatement and the issue stumbles from there.

The Super-Pets get the spotlight in “The Super-Threats“. Written by Amanda Conner and Jimmy Palmiotti, the story is a Super-Pets spin on DCeased. Krypto returns from space to find a planet ravaged and all that remains are the Super-Pets. It’s a nice horror short story packed in well and filled with a little bit of humor to make it different and stand out from DCeased. Chad Hardin‘s art with color by Enrica Eren Angiolini‘s color is solid as the animals are filled with emotion as the story unfolds. There’s a slight coloring issue when one infected creature is described as having yellow eyes and red teeth and neither being present. Lettering by Carlos M. Mangual really stands out with the unique speech bubbles that makes the story really fun.

In “Hard-Traveled“, Earth has been taken over by Hal Jordon who’s used his power to bring order to the planet. Standing in his way is Green Arrow. Saladin Ahmed‘s story is interesting in concept but sadly doesn’t get enough pages to really stand out. But, it’s a comic I’d love to read. What does stand out is Scot Eaton‘s art. With Norm Rapmund on ink and Hi-Fi on color, the story builds to a Rocky vs. Apollo ending.

Much like the story leading into it, “The Fear Index” also suffers from not enough pages. Steel has to deal with a planet that has been enveloped by Scarecrow’s toxin. It’s a great idea that we’re mostly teased with. Written by Brandon Thomas, the story itself is the trailer for a film we want to see more of. The art by Thomas Mandrake is solid. With color by Sian Mandrake, it comes off as the twisted fear-induced visions you’d expect. It’s not the over the top trip that has been done before but it’s presented as unsettled. That’s helped by Deron Bennett‘s lettering which enhances the hallucinations from the fear toxin. It emphasizes the situation and world.

There are some things to like about Dark Nights: Death Metal The Multiverse Who Laughs. The idea of an anthology telling stories in this twisted world has potential but few are given the space they’re needed to really be interesting. Instead, they all fall short as teases for something far more entertaining. Both the Green Arrow and Steel stories are worthy of their own one-shots and an entire line could be done like the other Dark Multiverse one-shots releases. But, as is, there’s not a lot here to get excited about.

Story: Scott Snyder, James Tynion IV, Joshua Williamson, Patton Oswalt, Amanda Conner, Jimmy Palmiotti, Saladin Ahmed, Brandon Thomas
Art: Juan Gedeon, Sanford Greene, Chad Hardin, Scot Eaton, Thomas Mandrake
Color: Mike Spicer, David Baron, Enrica Eren Angiolini, Sian Mandrake, Hi-Fi
Ink: Norm Rapmund
Letterer: Troy Peteri, Josh Reed, Carlos M. Mangual, Deron Bennett
Story: 6.0 Art: 7.0 Overall: 6.0 Recommendation: Pass

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Preview: Dark Nights: Death Metal The Multiverse Who Laughs #1

Dark Nights: Death Metal The Multiverse Who Laughs #1

Written by: Patton Oswalt, Jimmy Palmiotti, Amanda Conner, Brandon Thomas, Scott Snyder, James Tynion IV, Joshua Williamson, Saladin Ahmed
Art: Juan Gedeon, Sanford Greene, Chad Hardin, Scot Eaton, Thomas Mandrake

The DC Multiverse is a collection of alternate-reality worlds where anything is possible. Each world tells the tale of a possible split in reality, or shows how lives vary depending on a single, solitary decision. But now that the Multiverse has been destroyed, the Batman Who Laughs has used his god like power to create a new Dark Multiverse…a collection of 52 evil worlds, each more terrifying than the last. This one-shot offers the curious-and the brave-a glimpse into the nightmare realities that the Batman Who Laughs has created in tales by creators who know what it means to have a truly twisted sense of misfit humor. An Arkham Asylum even more terrifying than what we know? A world of evil Super Pets? All that and more in these new tales of the Multiverse Who Laughs!

Dark Nights: Death Metal The Multiverse Who Laughs #1

Review: Dark Nights: Death Metal #5

Dark Nights: Death Metal #5

There’s a point in recent DC events for me where the story becomes too much insider knowledge of DC Comic history. They often can feel like one needs a Ph.D. in DC Continuity to truly understand what’s going on. While Dark Nights: Death Metal #5 doesn’t quite cross that line, it comes right up to it.

Written by Scott Snyder, Dark Nights: Death Metal #5 has the heroes desperately attempting to save the day. The Batman Who Laughs has ascended to god-hood level battling Perpetua for the future of the multiverse. The remaining heroes are ants witnessing giants step around them battling at a cosmic level. But, there’s always hope as a plan is hatched in an attempt to turn the tide and defeat evil.

The event has been full of discussions of “Crisis Energy” weaving in DC’s history of multiverse shattering events. This issue introduces “Anti-Crisis Energy”, a concept when typed out feels a little silly. X hasn’t worked so its opposite will work is the general idea. Presented by Lex Luthor, the heroes are tasked with missions to either drain The Batman Who Laughs energy or seek out a solution to save the multiverse. Dark Nights: Death Metal #5 for one comic generally stops being a spot the different versions of Batman, and instead focuses on the heroes getting together for their final stand.

Dark Nights: Death Metal #5 does bring some reveals as Batman and Superman finally come clean to what’s been hinted for some time. Neither of the revelations are surprising and what they mean for their future is unknown. What the comic does do is focus the event again around Wonder Woman, seeking truth to shine the light of hope. We get some rousing speeches and those “pop” moments of heroes looking at impossible tasks but the issue really is another launching point for what comes next. It’s the “explanation” of how the heroes will win, something that feels like it’s been done a few times already in the event.

Greg Capullo‘s art continues to be the draw of the series. Along with Jonathan Glapion in ink, FCO Plascencia on color, and lettering by Tom Napolitano, there’s some very cool visuals that’ll leave you lingering on the page. Capullo can hit the beat of Snyder’s writing and the two show off their connection of writer and artist that has been built over so many years. And while there’s a few solid moments, the product overall also feels a little forgettable. There’s a lack of iconic imagery so far. It looks great but five minutes later there’s little you really want to go back and look at.

Dark Nights: Death Metal #5 is a fine chapter to the overall event and improved on previous issues. There’s more of a consistent voice from the issue. It knows what it is a bit more. The mix of gonzo, comedy, epic, horror, and superheroes is shrunk down to be more focused on the epic superhero event. It continues an overall frustrating event. It’s clear that this is the vessel by which DC will land the path set out by “Rebirth” but whose tone screams New 52. It wants to create new things and concepts but also is beholden to DC of the past. It’s an event whose chapters have been lesser than the whole, an example being one-shots better than the main series. Much like DC continuity, it’s a bit mixed for everyone. At this point, it feels like an end of the journey and I more want to see where it goes and what’s next than the details of the event itself.

Story: Scott Snyder Art: Greg Capullo
Ink: Jonathan Glapion Color: FCO Plascencia Letterer: Tom Napolitano
Story: 6.95 Art: 7.95 Overall: 7.0 Recommendation: Read

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Preview: Justice League #57

Justice League #57

Story: Joshua Williamson
Art: Xermanico

“Doom Metal” part five of five! The Legion of Doom has been freed-and now they’re turning on their saviors-the Justice League! Teeth will gnash, knuckles will be bared, and Lex Luthor will make a decision that shocks everyone, including Batman, Superman, and Wonder Woman. The ending of this epic story leads directly into Dark Nights: Death Metal #5!

Justice League #57

Preview: Dark Nights: Death Metal #5

Dark Nights: Death Metal #5

Story: Scott Snyder
Art: Greg Capullo

The Darkest Knight has won. With absolute power at the villain’s fingertips, Wonder Woman and the rest of the DC heroes are nothing to him. As the Darkest Knight turns his sights to his true goal, remaking the Multiverse in his image, can Earth’s heroes rally together to make a last stand?

Dark Nights: Death Metal #5

Preview: Dark Nights: Death Metal Infinite Hour Exxxtreme #1

Dark Nights: Death Metal Infinite Hour Exxxtreme #1

Written by: Sam Humphries, Becky Cloonan, Frank Tieri
Art by: Denys Cowan, Tyler Kirkham, Rags Morales

Pull up a chair, ya bastiches-it’s time for Uncle Lobo’s Infinite Hour! It’s your chance to let the Main Man Lobo-tomize you with familiar yet freaky stories of the DC Universe, exactly as he remembers them: with blood and guts and exxxtreme gratuitous violence! Tell yer comics guy to put you down for alllll the copies!

Dark Nights: Death Metal Infinite Hour Exxxtreme #1

Preview: Justice League #56

Justice League #56

Written by: Joshua Williamson
Art by: Robson Rocha

“Doom Metal” part four of five! In this Dark Nights: Death Metal tie-in issue, the Justice League has nowhere left to hide from the agents of Perpetua. The towering, nightmarish Omega Knight hunts them to the edges of Brimstone Bay and will stop at nothing until the team is obliterated! And all the while, above Perpetua’s throne, Hawkgirl battles the Mindhunter for the soul of the man she loves: Martian Manhunter!

Justice League #56

Review: Dark Nights: Death Metal Rise of the New God

Dark Nights: Death Metal Rise of the New God

Dark Nights: Death Metal has been an interesting event so far. The “Crisis” by another name has had a main series and story that has bounced around in tone. Then, there’s been a series of tie-in one-shots. They’ve been both key in the storytelling and far superior to the main series. Each of those one-shots is pretty important to the story. They don’t quite stand on their own but also are not easily woven into the main series. Dark Nights: Death Metal Rise of the New God is another example of that. It feels like it introduces really important aspects to the main story but would be difficult to work into the series.

Written by James Tynion IV, Dark Nights: Death Metal Rise of the New God focuses on the battle between the new version of The Batman Who Laughs and Perpetua. It’s occurring on a cosmic scale with the two hurling planets at each other, a concept both awe-inspiring visually and a bit silly at the same time.

The comic though is more focused on Chronicler, a new character to me, whose role is to… watch. Yes, Chronicler is DC”s version of Uatu, Marvel’s Watcher. Its role is to travel the omniverse gathering stories of various realities and their history. With this reality on the brink of destruction, the Chronicler is going to do the same with this universe.

The concept presented is an interesting one with a slight twist more focused on the meta aspect of a storyteller watching a story. The Chronicler becomes obsessed that a reality with such rich stories feels unfinished and so travels around gathering more information. We as readers learn more about the history of the DC Universe and the current situation. In a way Dark Nights: Death Metal Rise of the New God acts as another entry to try to make sense of the current event.

What it does do is add another layer to the already complicated history of DC Crisis events adding in the Omniverse to the Multiverse. It also might be a hint as to what’s to come once Dark Nights: Death Metal is over. It again points to a “new DC universe” driven by this event, one that may return to the classic good vs. evil tropes of classic DC stories.

The art is amazing at times. Jesus Merino is joined by Vicenete Cifuentes on ink and Ulises Arreola on color. The imagery as Chronicler makes his way through the galaxy is just jaw-dropping at times. It’s titans battling in a cosmic way and delivers visuals I don’t believe I’ve ever seen before. Chronicler himself feels like a mix of DC’s history with aspects of classic and modern design mixed together. There’s also some great use of panels and splash pages to really emphasize the epic and titanic nature of what’s happening.

A back-up story takes us to The Bleed where a ship of survivors needs to figure out what to do next. Written by Bryan Edward Hill, the segment has the remaining Green Lanterns unsure of their next move. They know time is not on their side and they’ll eventually be destroyed if they stick to their path. Much like the main story, it too leaves you hanging with whatever to come in another issue elsewhere. It also feels like a segment that couldn’t be fit into the main series, so had to be added somewhere.

With art by Nik Virella, color by Hi-Fi, and lettering by Andworld Design, it’s a decent chapter. The art team is able to mix the desperation the survivors feel with that moment when they decide to fight. While it doesn’t quite hit the level of inspirational, the characters and designs are interesting. It too leaves the reader wanting to see what’s next though this finishes with a more curious “end.”

Dark Nights: Death Metal Rise of the New God is an interesting comic. It has a lot of concepts that could work really well. But, as a comic, it doesn’t stand on its own. It feels like a chapter in the event that without the event, it’d make no sense. As is, it’s inclusion is head-scratching until we read more of what’s to come. It’s a setup of things, clearly, but until that pays off, what’s presented can be a bit confusing and mixed. It has concepts without payoff and new ideas that until this issue hasn’t played into Dark Nights: Death Metal.

Unlike other one-shots, this is one you will likely need to continue to read the event to enjoy. But, if DC is willing to step out into the Omniverse as this comic hints, it’s a sign of some exciting things to come when this event is finally over.

Story: James Tynion IV, Bryan Edward Hill Art: Jesus Merino, Nik Virella
Ink: Vicente Cifuentes Color: Ulises Arreola, Hi-Fi Letterer: Andworld Design
Story: 6.0 Art: 8.35 Overall: 6.0 Recommendation: Pass

DC Comics provided Graphic Policy with a FREE copy for review


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Preview: Dark Nights: Death Metal Rise of the New God #1

Dark Nights: Death Metal Rise of the New God #1

Written by: James Tynion IV, Bryan Edward Hill
Art by: Jesús Merino

Batman. Always. Wins. This irrevocable truth resonates to the very heart of Perpetua’s battle with the Batman Who Laughs…and when her ally reveals his absolute nature, she will upend this mantra and destroy the last planet. His planet. But that’s not enough…and the mother of all creation must wonder, if power lies in destruction, why would she ever stop? But that’s the thing about truth…when it turns to fact, there’s no disputing its godlike reverence…and so enters the Darkest Knight. Featuring a backup story that spins out of the cliffhanger from Dark Nights: Death Metal Multiverse’s End #1.

Dark Nights: Death Metal Rise of the New God #1
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