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Crowdfunding Corner: By Crom! PUG Worldwide launches Conan the Barbarian – Colossal Edition on Zoop

Backer Beware: Crowdfunding projects are not guaranteed to be delivered and/or delivered when promised. We always recommend to do your research before backing.
Disclosure: Graphic Policy’s founder Brett is a member of the Zoop team.

Conan the Barbarian - Colossal Edition

Conan is back, and BIGGER than ever. Everyone’s favorite Cimmerian has found a new home, with brand new publishing entity, Pan-Universal Galactic Worldwide, or PUG Worldwide.  Spearheaded by industry veterans John Nee, John Barber and Nate Murray, PUG Worldwide is shaking up the comic market with their first release Conan The Barbarian: The Colossal Edition. The book launches today on the crowdfunding platform Zoop.

The Colossal Edition is the first of many planned, and is PUG’s version of the oversized Artist Edition that fans have grown to love. The book clocks in at over 190 pages of 11×17 scans of original Conan The Barbarian art from masters and legends, such as John Buscema, Gil Kane, Barry Windsor-Smith, Neal Adams, Howard Chaykin, and many others. The campaign offers fans the choice between two different covers – one by Jim Lee, and the other by the aforementioned Buscema.

PUG has partnered with licensor Heroic Signatures for the book and is offering the highest quality printing, with book design by Ian Chalgren. The scans are immaculate, the paper will be the finest quality, and the book itself will stand above the rest. This is a book not to be missed.  

Not only that, but the legendary Roy Thomas will be signing limited numbers of the book, while limited numbers of high end art prints will also be available. The campaign runs for 30 days, and this is fans’ only chance to pick up these exclusive collector’s items!

Underrated: X-O Manowar: Birth

This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week: X-O Manowar: Birth


The Vine are replaced with the Spider-Aliens, although aside from the name there is little that distinguishes them from the first few comics in the 2012 run. Where as the Vine become one of the more interesting and complex plot points in the VEI stories, the Spider-Aliens show little of the same qualities at this point (yes, there are signs that there is more to the Vine within the first three issues of the VEI run), but then that really just makes it easier to enjoy the battle carnage as Aric tears his way through the soldiers and corporate representatives of the Spider-Aliens.

Although you can enjoy the book without any prior knowledge, for a Valiant fan of the old or new school (or both) this beautifully presented book is a must read. And most of us will seek the story out if we can, but for those not entrenched in Valiant lore, this standalone story here represents an Underrated gem from comics history.


Join us next week when we look at something else that is, for whatever reason, Underrated.

Marauders Annual #1, Silk #1, Daredevil: Woman Without Fear #1 and more Return for New Printings

Fans will get a chance to dive into Marvel’s most exciting new launches and ongoing series with new printings of Marauders Annual #1, Moon Knight #7, Silk #1, Daredevil: Woman Without Fear #1, She-Hulk #1, Silver Surfer: Rebirth #1, Devil’s Reign #3, and Conan the Barbarian #1 Facsimile Edition! These sold-out issues will be available at comic shops starting on March 9, complete with new second printing covers.

No one is safe from Kingpin’s wrath in Chip Zdarsky and Marco Checchetto’s Devil’s Reign #3. New York City stands at the brink of disaster as MAYOR WILSON FISK has at last reached a breaking point, with an army of super villains at his back, and a deputized crew of super villainous THUNDERBOLTS on the streets and in every police station. Worse still, he’s put the Marvel Universe’s most powerful tools into (all six) hands of one of its most diabolical minds, unaware of the disaster that could befall the entire city as a result! As a gauntlet of super villains stand between Captain America, Iron Man, Spider-Man and Daredevil and liberating the heroes who have been captured by Fisk’s law enforcement, they’re ALL about to learn that the danger is closer than they ever thought possible.

Chip Zdarsky and Rafael De Latorre’s Daredevil: Woman Without Fear #1 brings readers the next pulse-pounding chapter in the saga of New York City’s Guardian Devil, this time starring Elektra as Daredevil! This continuation of Zdarsky’s landmark DAREDEVIL run spins directly out of the shocking revelations in the pages of DEVIL’S REIGN! Elektra is the world’s deadliest assassin – and she’s taken a vow not to kill. Someone puts themselves directly in her path with deadly consequences. What else would you expect from the MARVEL UNIVERSE’S GREATEST HUNTER?!

A new crew of X-Men set sail in Steve Orlando and Creees Lee’s Marauders Annual #1! With Kate Pryde at the helm, the Marauders are ready to renew their mission of mutant rescue! She’s got the mission – all she needs now is a new boat and a fresh crew to match. Pryde and Bishop must unite a crew of mutants, new and old, to spring Daken from imprisonment at the hands of a leader who’s as cruel as he is charismatic: the primal provocateur known as Brimstone Love! It’s the Marauders versus the Theater of Pain, a torture troupe that’s set up shop in Xavier’s School’s old backyard! Come aboard for the first adventure as Orlando takes the helm with the X-Men’s sea-faring mutant team.

Marauders Annual #1

Joined by artist Federico Sabbatini, Jed MacKay’s hit run on Moon Knight continues in Moon Knight #7! How do you fight someone that no one knows? Moon Knight is out for blood and hits the streets armed only with a name, but he soon finds out that in the twilight half-world of NYC super villainy, sometimes the streets hit back. And while he’s fighting his way through the super-crime underworld, he’d better watch his back.

Moon Knight #7 2nd printing

The best character ever is back in her own series and about to glam up the whole Marvel Universe in Rainbow Rowell and Roge Antonio’s She-Hulk #1! Jennifer Walters is no longer savage and needs to put her life back together. She’s got a career to rebuild, friends to reconnect with (and maybe represent in a court of law) and enemies to… well, she may not want to connect with them, but they are DEFINITELY going to connect with her. And the last page of this first issue is going to send Jen down a road she’s never traveled and that will shake up her life and possibly the whole Marvel Universe.

Don’t miss the comics debut of stunning storyteller Emily Kim and the return of legendary comic artist Takeshi Miyazawa in Silk #1! Cindy Moon returns as the web-spinning Spider-Hero SILK in an all-new, all-star series! As Silk gains popularity in the public eye, Cindy is questioning her place in the world. But existentialism will have to wait when a powerful new villain is turned loose! In a race against the clock, Silk discovers the dangers of ancient Korean magic – and social media.

Silk #1

Legendary creators Ron Marz and Ron Lim returning to tell a story set during their fan-favorite run of SILVER SURFER in Silver Surfer: Rebirth #1! Someone has stolen the Reality Gem, an object that allows the user to fulfill any wish no matter the consequences! But whoever has taken it is doing things like bringing back the dead hero Captain Mar-Vell. It’s up to Silver Surfer to team up with the least likely of allies, Thanos, to find the Gem and restore reality to its proper form. The second printing variant cover will feature all-new artwork by Ron Lim.

Also returning to shops will be the special facsimile edition of Conan the Barbarian (1970) #1! Over fifty years ago, legendary writer Roy Thomas teamed with visionary artist Barry Windsor-Smith for the first comic book adaptation of Robert E. Howard’s pulp novel icon – introducing True Believers to swords and sorcery in the Mighty Marvel Manner! Conan comic books soon became a huge, industry-changing success story – and it all began with CONAN THE BARBARIAN #1 in 1970! Join the young Cimmerian warrior as he and an Aesir raiding party invade the land of Vanaheim – setting Conan on a path of adventure leading to winged demons, a dark temple and the mysterious Star-Stone, which would offer a vision of Conan’s future as a king! It’s one of the all-time great Marvel comic books, boldly re-presented in its original form, ads and all!

Conan the Barbarian (1970) #1

Underrated: X-O Manowar: Birth

This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week: X-O Manowar: Birth


The Vine are replaced with the Spider-Aliens, although aside from the name there is little that distinguishes them from the first few comics in the 2012 run. Where as the Vine become one of the more interesting and complex plot points in the VEI stories, the Spider-Aliens show little of the same qualities at this point (yes, there are signs that there is more to the Vine within the first three issues of the VEI run), but then that really just makes it easier to enjoy the battle carnage as Aric tears his way through the soldiers and corporate representatives of the Spider-Aliens.

Although you can enjoy the book without any prior knowledge, for a Valiant fan of the old or new school (or both) this beautifully presented book is a must read. And most of us will seek the story out if we can, but for those not entrenched in Valiant lore, this standalone story here represents an Underrated gem from comics history.


Join us next week when we look at something else that is, for whatever reason, Underrated.

Preview: Barbaric #1

Barbaric #1

(W) Michael Moreci (A/CA) Nathan Gooden
In Shops: Jun 30, 2021
SRP: $3.99

Owen the Barbarian has been cursed to do good with what remains of his life. His bloodthirsty weapon, Axe, has become his moral compass with a drinking problem. Together they wander the realm, foredoomed to help any who seek assistance. But there is one thing Owen hates more than a life with rules: Witches.
Welcome to the skull-cracking, blood-splattering, mayhem-loving comic brave enough to ask: How can a man sworn to do good do so much violence? Hah! F***ing with you. It’s just…BARBARIC.

Barbaric #1

Get a Look at Barbaric #1 Before its June 30 Release

Vault Comics has revealed an extended preview of Barbaric #1, the wild, blood-thirsty fantasy series from writer Michael Moreci, artist Nathan Gooden, colorist Addison Duke, letterer Jim Campbell, and designer Tim Daniel

Barbaric follows Owen the Barbarian who has been cursed to do good with what remains of his life. His bloodthirsty weapon, Axe, has become his moral compass with a drinking problem. Together they wander the realm, foredoomed to help any who seek assistance. But there is one thing Owen hates more than a life with rules: Witches. Welcome to the skull-cracking, blood-splattering, mayhem-loving comic brave enough to ask: How can a man sworn to do good do so much violence? Hah! F***ing with you. It’s just…BARBARIC.

Barbaric #1 will hit store shelves in June 30th, 2021. The first issue will launch with a Vault Vintage variant from Nathan Gooden and Tim Daniel that pays homage to Barry Windsor-Smith’s legendary cover to Conan The Barbarian #1 (1970), and an epic battle variant from Vault Cover Artist In-Residence, Joshua Hixson.

Hannah John-Kamen will Star in Red Sonja

Red Sonja

Hannah John-Kamen will wield the sword of Red Sonja in the upcoming film from Millennium. John-Kamen is no stranger to blockbusters having played Ava/Ghost in Ant-Man and the Wasp, Sophie in Tomb Raider, and been on shows such as Game of Thrones, Black Mirror, and The Dark Crystal: Age of Resistance. This is a potential breakout moment for the actress with her first major headlining role.

Joey Soloway is directing the project and co-wrote the script with Tasha Huo.

Red Sonja was created by Roy Thomas and Barry Windsor-Smith for Marvel ComicsConan the Barbarian comic in 1973. She debuted in Conan the Barbarian #23. Based on several characters from Robert E. Howard‘s world she has headlined her own stories and films. The Millennium film is based on the comics published by Dynamite Entertainment. Nick Barrucci of Dynamite Entertainment is one of the producers.

Earth’s Mightiest Heroes: An Avengers Retrospective Part 7: With a Bang and a Whimper

Guest contributor Gene Selassie is back with his latest retrospective of Marvel‘s The Avengers. The Kree-Skrull War is over and creator Roy Thomas departs the series after six years worth of tales.


Avengers #98

Fellow followers of those who fight the foes that no single hero could withstand, it’s that time once again. As I continue my review of every single issue of the Avengers from the beginning, the next leg of this journey deals with the fallout from the Kree-Skrull War. We see some characters coming to terms with their feelings for each other, others reverting back to their old ways and some finding themselves either completely preoccupied or in one case, obsolete. The coolness factor of seeing an adventure so grand that it requires every character who had ever been an Avenger increased exponentially as the very first instance of this occurred here. We also take a look at the more experimental storytelling by the creators during this stretch. Finally, we bid farewell to the steward of the last six years worth of Avengers tales and see what condition Roy Thomas left the toys in the toy box.

Avengers #98 opens up with Thor trying to pierce realms to return to Asgard, in the hopes that magicks there would be able to reveal the whereabouts of the missing Hawkeye. However, some unseen force prevents him from leaving Earth. Cap, Quicksilver, and Scarlet Witch confront an angry mob named the War Hawks. They seek to attack a visiting Asian dignitary. The Vietnam War seems to play quite a role in stories during the Silver AND Bronze ages of Avengers comics. A mohawked figure has his henchman play music that whips the crowd into a frenzy. Before long, it affects the Avengers on the scene. Thor and Vision investigate separately, with Vision being attacked by Iron Man, now under the same thrall that the other War Hawks were. Iron Man blasted Vision into the “Piper”, who somehow died upon impact. Thor uncovered the culprit behind the plot, Ares, the Greek god of war. Before the Thunder God could strike, Ares had the mind-controlled Scarlet Witch neutralize Thor’s hammer. The hammer is freed, from a blast arrow. Yet, no one saw which direction it came from. Hawkeye returns at the end of the issue…wearing a costume that garnered much derision back then. He doesn’t give an explanation for how he returned to Earth. However, he’s accompanied by a returning Hercules, who has no memory of who he is.

Avengers #99

Avengers #99 begins with Thor, using the power of his enchanted hammer (along with a device invented by Tony Stark) to jog Hercules’ memory. The device doesn’t work. Hawkeye recounts his encounter on the Skrull craft at the end of the Kree-Skrull War. Surrounded by shock troopers and no Pym Particles left in his system, Clint had to create a makeshift bow and arrows, to become Hawkeye once again. One of his errant arrows hit a main control circuit and caused an explosion. He got out in an escape pod before the entire ship blew up. Clint’s ship crash-landed in the former Yugoslavia. A traveling circus passed by and Clint hitched a ride with them until a torrential storm took Clint’s wagon nearly off the edge of a ravine. A strongman with the circus named “Hercules”, with blonde hair and clothing like a sideshow attraction, pulled the wagon out of harm’s way with his bare hands. Turns out, the blonde hair was a wig and the man was the real deal Prince of Power himself. They contact Tony Stark’s office to get a flight booked back stateside. Both Black Panther and Ant-Man, away on other matters, have been spending time working on a way to help Hercules, but to no avail. From out of nowhere, Clint makes a pass at Wanda, which ticks off Vision. At this point, Clint still is oblivious to the feelings Vision and Wanda has for one another. One who doesn’t let the obvious fly right over his head is Quicksilver. He asks Wanda for the truth and she admits her feelings about Vision to her brother. Vision also departs to the kitchen, where Jarvis offers his ear, as he’s done for so many throughout the years. He also can tell that there’s tension between Vizh and Wanda. Vision doesn’t know if she feels the same. Before any of the drama can play out, two Olympian warriors, Kratos and Bia, show up at Avengers mansion to retrieve the amnesiac Hercules. The Avengers put up one hell of a fight though. During the altercation, Wanda is injured (yes, again) and Vision attends to her a bit too long instead of helping during the fight, which Clint rudely points out. During the distraction, the Olympians, with Hercules in tow, vanish. Clint accuses Vision of blatantly ignoring the rest of the team in the middle of the fight. Wanda, angry at Vision for putting her above the rest of the team, just walks out. The rest of the team knows what they have to do to rescue the abducted Hercules, plan an assault on Olympus itself.

Avengers #100

Avengers #100 is a celebration featuring what has now become a classic and welcome trope of gathering every single person who had ever been an Avenger up to that point. Seeing Captain America, Iron Man, Thor, Ant-Man, the Wasp, the Hulk, Hawkeye, Quicksilver, the Scarlet Witch, Black Panther and the Black Knight all gathered (illustrated by Barry Windsor-Smith and inked by the legendary Joe Sinnott no less) alluded to a tremendous adventure ahead. Black Knight summoned the entire team to Garrett Castle in England to discuss the vision he saw via the spirit of his ancestor, the original Black Knight. The Ebony Blade, which Dane tried to have destroyed on Polemachus, somehow made its way to the outskirts of Olympus, where Ares laid claim to it. The Enchantress, following the sword there, forged an alliance with the Greek god of war, promising to conquer Olympus, Asgard, and Earth. Ares used the sword to kill the Titan guarding the Prometheum flame. He then destroyed the flame and every Olympian turned to crystal, except for the half-blood Prince of Power. While in a sparring session, Hercules accidentally kills Phoebus, who was just turned to crystal. Ares makes his presence known and his minions toss Hercules off of Olympus. As he slowly falls through space down towards Earth, his memories begin to fade. The War Hawks debacle, Thor being unable to return to Asgard, the attack by Bia and Kratos, all a complex plot by Ares. Another former Avenger happens to make their presence known, the Swordsman. He stole one of the Avengers’ craft and used their surveillance equipment to ascertain what the meeting was about. He stated that he was an Avenger as well, even for a short time, and wishes to help. I had to laugh when they hinted at Swordsman having escaped prison, but no one bats an eye. Thor, Iron Man, Vision, Black Knight, and the Hulk head to Olympus to gather intel and mount a rescue of Hercules. Of course, it is a trap. The Enchantress lets them know that their assault on Asgard is next and their true target, the Odinsword, a weapon which could bring about Ragnarok, the Norse apocalypse. Meanwhile, Captain America, Hawkeye, Swordsman, Scarlet Witch, Black Panther, Ant-Man, the Wasp, and Quicksilver fight off Ares’ forces in London. One would think that the Hulk would have smashed to his heart’s content. However, he was lulled, by the music of Satyrs, away from the battlefield. He just sat, chilled, and enjoyed the music like he was at Woodstock…until the forces that attacked Earth came back through the portal and rained on Hulk’s happy day. With Black Knight and Thor dispatching Ares, Hercules rescued and the Olympians returning to normal, the Avengers went through the portal back to Earth. Somehow, the portal was sealed by Thor and Hercules, whose fists collided at the same time.

Avengers #101

Avengers #101 is the famous Five Dooms to Save Tomorrow story that Thomas adapted from a Harlan Ellison story (one that was originally written for a Hawkman script but was rejected by DC). Rich Buckler filled in on art, doing a serviceable job on pencils. We open to a story where the Avengers are special guests at Stark Industries for a tournament between a world-renowned chess master (an arrogant Russian dignitary), and a supercomputer…a supercomputer called NIMROD. WHAT? I’m hoping this is just one of those wacky coincidences that happened in comics back in the old days. Just into the opening moves of the match, the dignitary crashes to the floor, with the Avengers thinking he’s having a heart attack. Once they get to the hospital, Thor buggers off, only to change to his alter ego of Doctor Don Blake. It’s apparent that Thor and Iron Man are still keeping their alter egos secret from their teammates. Cap had a hunch and kept the last chess piece that the dignitary touched before his malady. Iron Man scanned the residue, but even his computers couldn’t identify all of the elements. Doctor Blake was able to determine it was a poison from a remote section of Brazil. He lets them know that reverse engineering an antidote won’t be possible unless they find the person who poisoned him. If they don’t the dignitary will die and an international incident of the highest order would further stain America’s reputation. While the Stark Industries auditorium is empty, one man named Leonard Tippit was laying in wait until it was abandoned. Vision appears and startles the man. He knew that when the NIMROD made a certain move that was banned in Curacao in 1962 that it would force the Russian dignitary to make a specific move with a specific chess piece. Vision tries to stop him, but without warning, Tippit emits unusual energy, incapacitating even an intangible Vision. Yet Captain America appears and is able to knock out Tippit with just one punch. Tippit disappears, but as soon as the Avengers arrive, they all fall unconscious. Just after this, Tippit flashes back to two nights ago, when he woke up in his bed, thinking he had a dream. He is promptly contacted by no other than The Watcher. Uatu reveals to Tippit that he is a solid nexus point in all timelines and that a nuclear disaster will affect several timelines and only Tippit can prevent it. Uatu unlocks latent mental powers in Tippit. Uatu then tells him that he has to kill five key people…innocent people…who will give birth to key individuals that cause this holocaust. The Avengers share the vision as well and know of the plot that’s unfolding. They debate whether or not to intervene. The team finally splits up to intercept the other targets. However, Tippit seems to be able to be in all places, nearly simultaneously. He had only enough power to place the targets into a comatose state, not kill them, as the teleporting and battling the Avengers drained him. It was finally Pietro and Wanda who took him down and brought him into custody. The Watcher once again intervened. This time, it was to reveal that it wasn’t the five targets that would be responsible for the coming apocalypse, but Tippit himself. His power level was enough to possibly even kill Uatu. The Watcher sought to take Tippit outside of space and time, to be removed from the timeline forever. Uatu used the Avengers to defeat him. While they objected at first, Tippit himself saw how much of a threat he could become and willingly went with the Watcher in the end.

Avengers #102

Avengers #102 features the Vision being summoned to a closed frozen food locker to meet with the Grim Reaper. Eric still refers to Vision as his brother in a deranged manner. He remains hell-bent on killing the Avengers as payback for what happened to his real brother, Wonder Man. Eric reveals he has Wonder Man’s preserved body and wants Vision to not interfere with a future attack on the rest of the team, promising to put Vision’s brain in the body, making him human. Reaper also stated he booby-trapped the containment unit holding Simon. Vision is, of course, conflicted. Later, in the most clichéd TV soap opera moment ever, Wanda (on monitor duty at the mansion) is about to tell Clint she has feelings for Vision. But Clint forces himself on her and kisses her right when the Vision arrives. The Starcore deep space monitoring station picks up unusual blips flying out of the sun and heading towards Earth…it is a fleet of Sentinels. Quicksilver thinks back to their last encounter with the mutant-hunting robots in X-Men #57-59. He thought the robots were gone forever. Wanda gets dressed up and goes for an evening stroll. Pietro beckons Vision to go after her, finally understanding that both need to stop playing games and tell each other how they feel. Vision declines, only until he sees in the distance, something flying in Wanda’s direction. He jets out after it, with the other Avengers following. Wanda is attacked and captured by the Sentinel. I didn’t know these early models could adapt to mutant abilities, I thought that wasn’t until the NIMROD class. The one Sentinel holds off the entire team (Thor later stated he and Iron Man were holding back to ensure Wanda wasn’t hurt), then teleports away with Wanda. Pietro blows a gasket because the “so-called Mighty Avengers” couldn’t take one lone Sentinel. He vows to find his sister, alone.

Avengers #103

To start off Avengers #103, the team exchanges intel with SHIELD to locate the Sentinels, while Pietro explores an old Sentinel bunker he was once held prisoner in with the X-men and the Brotherhood.  He chases a lead to Judge Chalmers, someone who took in Larry Trask, the now orphaned son of Bolivar Trask, creator of the Sentinels. Larry has amnesia and Chalmers was trying to keep it that way. Be that as it may, Pietro did abscond from the residence with Trask. While the team conferences with Nick Fury about the situation, Vision contemplates using the amulet that Grim Reaper gave Vision to contact him. Peter Corbeau, from Starcore, contacts the team to let them know something is causing massive solar flares in the sun that may soon reach Earth. The flare-inducing beam is tracked to the Australian Outback. Just as the team is about to take off, Rick Jones appears, intent on joining them on this mission. Cap, however, states that the mission is too dangerous and wants Rick to sit out this one. Rick is pissed, due to the fact that he saved the universe a few months earlier (Kree-Skrull War). The team flew off in an experimental jet that hit supersonic speeds, with an engine designed by Tony Stark and powered by lightning from Thor’s hammer, which was pretty damn awesome. Trask had an amulet around his neck that suppressed his memories (man, amulets were pretty popular this arc). Quicksilver ripped it off and Trask’s memories flooded back. Pietro felt guilty for exploiting a mental illness, but he felt justified because of trying to find his kidnapped sister. Trask revealed the location of the Australian Sentinel base. Pietro stated if they don’t make it in time, Trask will pay with his life. The team attacks the Sentinel base. I appreciate Thor discussing a battle plan. Sometime in the 90s-2000s, Thor went from strategist on par with Captain America to giant brute that gets trounced by the new villain du jour, just to prove how badass said villain is. Vision jumped the gun and they were all attacked by Sentinels. In a passenger jet en route to the battle, Trask discussed that Sentinels never had the ability to teleport. Suddenly, Trask concentrated enough and he teleported the plane. He remembered now that his father wanted to hide a dark secret. Larry is a mutant. In addition to teleporting, he can see into the future. He predicted not only the death of Pietro’s teammates but everyone on Earth due to a massive solar flare.

Avengers #104

Avengers #104 is the end of an era, marking the final issue of Roy Thomas’ six-year run on The Avengers. While the Avengers continued to do their best against the Sentinels (with Vision only feigning injury in the last issue to sucker punch a couple of their attackers) Pietro and Trask found an alternate entrance into the base. A captive Wanda discovers her captors’ horrific plan. They seek to use Wanda to boost the power of their flare generator to create enough radiation to make all organic life on Earth sterile, a loophole around the Sentinels’ primary programming; to not bring harm to any non-mutant humans. Once the human race eventually dies off, the Sentinels will genetically engineer humans, removing the possibility of mutation. It was The Matrix, by way of Josef Mengele, quite unsettling. Quicksilver outwits a Sentinel that can move nearly at his speed. He intentionally face plants into a wall, knowing the Sentinel was too large to change direction in time and the Sentinel smashes into a control panel, killing two birds with one stone. Yet, Pietro is injured, forcing Trask to push on alone to stop the plan of the murderous robots. Trask gets another vision. This time, he sees the complete annihilation of Earth and then…nothingness. The leader of this pack of Sentinels, Number Two, took command after the Master Mold, the gargantuan unit that manufactures the Sentinels, was destroyed in X-Men #16. Though it looks half-melted, it is the biggest threat, namely because it doesn’t have the “non-lethal against humans” protocol that the other Sentinels do. Before it can dispatch Cap, Iron Man, Thor and Hawkeye, they’re saved by Vision and a now freed Scarlet Witch. A crude Cerebro-like device is noticed by both Scarlet Witch and by Larry Trask. They both notice it’s turned off. On a hunch, Trask activates it. Suddenly, all sensors home in on Wanda, Pietro, Trask…and Sentinel Number Two. When they flew close to the sun, some of the components and organics in the Sentinel mutated, making him essentially a non-organic mutant. This also gave Number Two the ability to teleport. The other Sentinels promptly turned and engaged Number Two in battle. Once he is destroyed, the Sentinels deactivate, one of them collapsing on and killing Trask. That is why his last vision was total darkness. He willingly helped the Avengers stop the murder machines built by his father.

It was around this time that Barry Windsor-Smith started experimenting more with his art, to amazing results. I loved the thin line work and more odd “camera angles” and expressions that really made his work stand out from the pack at the time. Speaking of amazing, I have to give credit where credit is due. Despite Stan Lee’s first three years with of issues, pushing the team as Marvel’s all stars, it was Thomas who really did explore the meaty dramatic elements with the secondary characters like Vision, Hawkeye, Scarlet Witch and Black Knight. He really gave Vision his voice and had the foresight to plant seeds leading to the first “event story” in Avengers lore (The Kree-Skrull War). On the one hand, reading tales penned by him will be missed. On the other hand, I cannot wait to dive into the upcoming writer’s run once again.

When next we meet, we celebrate the debut of Steve Englehart as the writer of Earth’s Mightiest Heroes. The Grim Reaper’s scheme unfolds, with guest appearances galore gracing the pages of the book. We also build up towards the next event story, The Avengers/Defenders War. Until next time, my friends…AVENGERS ASSEMBLE!!!

Preview: Monsters

Monsters

Written by Barry Windsor-Smith
Art by Barry Windsor-Smith
Purchase: AmazoncomiXology

In this pen-and-ink graphic novel, in 1964, Bobby Bailey is recruited for a U.S. military experimental genetics program that was discovered in Nazi Germany 20 years prior. His only ally, Sergeant McFarland, intervenes to try to protect him, which sets off a chain of events that spin out of everyone’s control. As the titular monsters multiply, becoming real and metaphorical, literal and ironic, the story reaches its emotional and moral reckoning. Windsor-Smith has been working on this passion project for more than 35 years, and Monsters is part intergenerational family drama, part espionage thriller, and part metaphysical journey. Trauma, fate, conscience, and redemption are just a few of the themes that intersect in the most ambitious (and intense) graphic novel of Windsor-Smith’s career.

Monsters

Michael Moreci, Nathan Gooden, Addison Duke, and Jim Campbell Get Barbaric at Vault

Vault Comics has announced Barbaric, a wild, blood-thirsty fantasy series from writer Michael Moreci, artist Nathan Gooden, colorist Addison Duke, letterer Jim Campbell, and designer Tim Daniel

Barbaric follows Owen the Barbarian who has been cursed to do good with what remains of his life. His bloodthirsty weapon, Axe, has become his moral compass with a drinking problem. Together they wander the realm, foredoomed to help any who seek assistance. But there is one thing Owen hates more than a life with rules: Witches. Welcome to the skull-cracking, blood-splattering, mayhem-loving comic brave enough to ask: How can a man sworn to do good do so much violence? Hah! F***ing with you. It’s just…BARBARIC.

Axe, co-star of Barbaric (Owen’s sentient, blood-drunk axe) slurred his way through a statement about his upcoming role in the book. “Look, maybe I am a bloodthirsty axe with a drinking problem, but I still know an epic, kick-ass story when I see one. Granted, I happen to be the star of this particular tale (never mind that barbarian oaf), but that doesn’t change the fact that Barbaric has got it all: action, a sweet f***ing axe, mystery, magic, an awesome AXE, and other non-axe related stuff. So come for the axe and stay for the axe. You don’t want to get me mad, do you?” 

Barbaric #1 will hit store shelves in June 2021, and will debut with a special Vault Vintage cover from Nathan Gooden and Tim Daniel that pays homage to Barry Windsor-Smith’s epic cover to Conan The Barbarian #1 (1970). 

Barbaric #1
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