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Review: The Goon #2

The Goon #2

The Goon #2 delivers the fun, humor, and action, I expect from this series. I’ve read The Goon off and on for years. It’s one of those few series that I really can’t think of any issues or graphic novels I’ve disliked. It’s a series that entertains with each release. This latest volume keeps up that record. The second issue shows off the insane mix of horror and comedy that makes this a beloved series.

For those that don’t know The Goon, the best description is a comedy horror version of Popeye. That’s a good thing. The series, and its creator Eric Powell, have consistently delivered a read that takes that fun action element of Popeye and mix it with a horror infused world and it really works. Add in art that’s out of this world and it’s a killer combo of a series that shouldn’t be missed.

The first issue was a nice return for the character and this second one ups the fighting, and jokes, we’d expect as our two heroes attempt to get settled back in. As the first issue showed, the Goon’s return to Lonely Street is off to a bumpy start. Their return gets bumpier when he crosses paths with up and coming crime lord Vinnie Nosferatu.

If the action and humor weren’t enough, the art is out of this world. Rachel Cohen joins Powell on color and their teamwork is amazing. The Goon #2‘s art features a style that isn’t repeated by anyone else. The limited use of color brilliantly emphasizes certain elements. The issue seamlessly transitions from pencil like flashbacks to its more usual style that’s almost classical animation.

The Goon #2 has it all, and that includes a Looney Tunes like homage. The Goon for me is one of the most fun comics out there. It doesn’t take itself too seriously. Powell is a master of mixing elements so that it all works out so well. Two issues in and I’m still in love with this series. It’s not too late to dive in and see what you’re missing and why this is so good.

Story: Eric Powell Art: Eric Powell
Color: Rachel Cohen and Eric Powell
Story: 10 Art: 10 Overall: 10 Recommendation: Buy

Albatross Funnybooks provided Graphic Policy with a FREE copy for review

Graphic Policy’s Top Comic Picks this Week!

Drawing Blood

Wednesdays are new comic book day! Each week hundreds of comics are released, and that can be pretty daunting to go over and choose what to buy. That’s where we come in!

Each week our contributors choose what they can’t wait to read this week or just sounds interesting. In other words, this is what we’re looking forward to and think you should be taking a look at!

Find out what folks think below, and what comics you should be looking out for this Wednesday.

The Avant-Guards #5 (BOOM! Studios/BOOM! Box) – This series has been fantastic and a lot of fun following an upstart college basketball team. You get a new issue and the first trade out this week!

Bone Parish #9 (BOOM! Studios) – A mix of horror and crime, this is a comic that’s delivered with every issue. The concept of a drug made from the ground up dead plus the crime family aspect is such an amazing mix.

Clue: Candlestick #1 (IDW Publishing) – We’re board game fans, so this makes the list because we’re intrigued as to what it is.

Drawing Blood: Spilled Ink #1 (Kevin Eastman Studios) – One of two releases from Kevin Eastman this week. This is his return to indie comics and this release is a look at the turbulent life and times of a once-successfull cartoonist…. Hmmmm. Eastman co-created this with David Avallone.

The Flash #71 (DC Comics) – “Year One” continues!

The Goon #2

The Goon #2 (Albatross Funnybooks) – Eric Powell’s The Goon is always fun with a mix of horror and a Popeye vibe. Love it!

Radically Rearranged Ronin Ragdolls (Kevin Eastman Studios) – The other Eastman comic out this week. This one is the story-within-the-story about three crime-fighting mutant cats that launched a franchise. Sound familiar?

Road of Bones #1 (IDW Publishing) – A Russian prisoner must escape a gulag and survive in a frozen tundra with the help of his childhood fantasy story. It sounds really interesting to us.

Wage Slaves (Conundrum Press) – Daria Bogdanska’s autobiographical story about attempting to build a life in Malmö and a battle that leads to fairer work practices for people in her community.

X-Force #8 (Marvel) – A fun throwback to some classic X-Force that picks up the loose threads from recent X-events. Stryfe is back… nuff said.

Review: Grumble #6

Grumble #6

What the Hell are we doing in New Jersey? Eddie and Tala barrel full-force into the Garden State in search of the one man who can turn Eddie human again. But standing in their way are some small-time mobsters, a crew of inter-dimensional bounty hunters, and an army of toothless grannies! Oh, and Eddie summons The Devil! New arc! A perfect jumping on point!

It’s rare that I find a comic I enjoy as much as Grumble, and yet have so little to say about it. The series stays on the fantasy side of things, in a world where the supernatural and interdimensional could easily be one and the same, where talking dogs aren’t as out of the ordinary as you’d think (though in fairness this could be because Tala is making people forget/not notice that Eddie is a bipedal pug). Regardless of the reasoning, it makes for a fantastic comic.

Rafer Roberts and Mike Norton have created a comic that is effortlessly entertaining and funny without sacrificing the strength of the story. More importantly, they’re very consistent with each comic – there’s something with each issue that hooks you in and pulls you further into the world as one of the main characters does something that leaves the other speechless (usually Eddie) that hasn’t failed to leave me entertained.

After the revelations of the previous issue, Grumble #6 eases up a little and allows you to digest what you know, and allows you to adjust your perspectives a little as the comic goes on. The pacing of this issue after the last is perfect – Roberts allows you to breath and digest the emotional impact of issue five while keeping the story moving with his customary wit and charm. Norton, once again, is also brilliant. His page construction, the facial expressions and body language often made me smile as much as the words upon the page.

Truly one of my favourite series on the racks right now… one could easily say it’s a magical experience.

…I’ll stop talking now.

Story: Rafer Roberts Art: Mike Norton
 Colours: Marissa Louise Letters: Crank 
Story: 9.4 Art: 8.9 Overall: 9.2 Recommendation: Buy

Albatross Funnybooks provided Graphic Policy with a FREE copy for review

Review: Grumble #5

Eddie and Tala have narrowly escaped the forces of good and evil, but now they face the ultimate danger: each other!

“Grumble #3 is what far too few comics are lately; fun. And funny, without ever coming off as forced; nor is it the main focus of the comic as Grumble is naturally funny whilst telling a really enjoyable story.” I quote that paragraph because aside from updating the issue number, the same can be said quite perfectly about Grumble #5. Rafer Roberts and Mike Norton have created a comic that is remarkably entertaining and funny without sacrificing the strength of the story.

That probably sounds familiar, right? It should. It’s the opening from my last review of Grumble #4, and the same is just as true now as it was. Roberts and Norton are nothing if not consistent, which is great news for fans of this series.

This issue sees us taking a bit of a look back at the events leading up to the first issue as we learn a little about Tala and her back story – and the revelation in this issue will hit you harder than a freight train. I’m not going to tell you want it is, but you will go back and reread the previous four issues in an entirely new light.

I’m not going to lie to you friends, there’s really not a lot I can talk about here without revealing too much of the comic itself; Roberts does reveal a little more about the world at large, hinting toward a conflict in the recent past and revealing more about the force driving Tala in the series that until now we really haven’t seen or read much of (unless… well, maybe we have and I didn’t notice it initially). Grumble #5 will change your perceptions on the series, and while we now have a bit more light shed on the tale’s direction, we’ve also got a lot of questions that need answers.

No, I won’t ask them here. Spoilers, and all.

I’ve praised the series before, and rightly so, but this issue is a huge payoff for those having read the previous ones. It’s a brilliant comic because of how Roberts and Norton build upon everything in the series so far and present a fully formed story that we’re only now beginning to figure out.

I need the sixth issue now.

Story: Rafer Roberts Art: Mike Norton
 Colours: Marissa Louise Letters: Crank 
Story: 9.4 Art: 8.9 Overall: 9.2 Recommendation: Buy

Albatross Funnybooks provided Graphic Policy with a FREE copy for review

Review: The Goon #1

The Goon #1

The next era in the legacy of The Goon starts here! This all new series marks The Goon’s return to Albatross Funnybooks and is just in time to commemorate the 20th anniversary of the book. Eric Powell takes the series to its humor-based roots as Goon & Franky return from strange adventures abroad to find a horde of unsavory characters have filled the void left in his absence from Lonely Street.

I won’t pretend to be an expert on the Goon, because I have never read a comic with the character in it before. So with that being said, the question for today’s review is whether this first issue is an easy place for new readers to start with the character (and whether it’s actually any good).

I won’t make you wait for an answer to that, because the comic didn’t leave me feeling utterly lost, which in turn meant I quite enjoyed the supernatural aspect of the story (which came as a bit of a surprise to me, I’ve gotta say).

Written and drawn by Eric Powell, who also contributed to the colouring of the book along with Rachael Cohen, The Goon #1 tells a very atmospheric story in a world that feels as though there’s a rich history – but that never relies on new readers knowing that history. Previous events are referred to in passing which helps in fleshing out the characters relationships, but also serves as a way to recap or give readers an idea to what the Goon has been up to – and for how long he’s been away.

The story is almost a standalone comic, with an almost complete tale being told in the first issue that has a strangely satisfying conclusion as the Goon reestablishes himself in the Town With No Name. It’s darkly funny at times, eliciting genuine chuckles from your humble reviewer at the visual and verbal comedy. But it’s the deeply atmospheric art where the comic shines; or rather doesn’t shine, but excels. Powell and Cohen have produced a comic that feels at once like a visual representation of the depression era (although I don’t know when the tale is set, based on the costumes and colouring I felt it was very likely a depression-era story), with the odd splash of colour temporarily brightening the page, or used to highlight certain things.

I don’t know what I expected when coming into The Goon #1 but it certainly wasn’t this – I loved the supernatural tinged depression era story that never once left me feeling as though I was jumping into a story 20 years in the making with no idea of who the Goon is (although I totally am). The Goon #1 is the kind of comic you can read without any preconceived notions, nor any need to worry about understanding the rules of the universe – it’s fun, entertaining, and offers the reader a great example of good comics.

Writer: Eric Powell Art: Eric Powell
Colours: Rachael Cohen and Eric Powell
Story: 8.1 Art: 8.6 Overall: 8.5 Recommendation: Buy

Albatross Funnybooks provided Graphic Policy with a FREE copy for review

Preview: The Goon #1

The Goon #1

(W) Eric Powell (A/CA) Eric Powell
In Shops: Mar 13, 2019
SRP: $3.99

The next era in the legacy of The Goon starts here! This all new series marks The Goon’s return to Albatross Funnybooks and is just in time to commemorate the 20th anniversary of the book. Eric Powell takes the series to its humor-based roots as Goon & Franky return from strange adventures abroad to find a horde of unsavory characters have filled the void left in his absence from Lonely Street.

Graphic Policy’s Top Comic Picks this Week!

Age of Conan: Bêlit #1

Wednesdays are new comic book day! Each week hundreds of comics are released, and that can be pretty daunting to go over and choose what to buy. That’s where we come in!

Each week our contributors choose what they can’t wait to read this week or just sounds interesting. In other words, this is what we’re looking forward to and think you should be taking a look at!

Find out what folks think below, and what comics you should be looking out for this Wednesday.

Age of Conan: Bêlit #1 (Marvel) – The she-devil of the sea who would be Queen gets her own series! Follow a teenage Bêlit on her own journey and adventure.

Assassin Nation #1 (Image Comics) – The world’s former greatest hitman hires the 20 best assassins to be his bodyguards to not just protect him but figure out who’s trying to kill him.

Batman Who Laughs: The Grim Knight #1 (DC Comics) – The breakout character gets the spotlight! Imagine Batman crossed with the Punisher.

Calamity Kate #1 (Dark Horse Comics) – Kate Strand reboots her destructive life and moves to LA to be the superhero she always wanted to be-Calamity Kate: gun-toting monster killer. Sounds like fun to us.

The Goon #1 (Albatross Funnybooks) – The Goon is back in a brand new series! We’re fans of this character and can’t wait to see where this new series goes.

Iliad (Candlewick Press) – The classic story gets a graphic novel adaptation.

Magnificent Ms. Marvel #1 (Marvel) – Ms. Marvel had a hell of a run and we’re expecting the same with a brand new creative team. We’re interested in seeing what the new team will deliver.

Marvel Action: Spider-Man #2 (IDW Publishing) – All-ages Spider-Man fun.

Riverdale Season 3 #1 (Archie Comics) – If you’re in to the CW television show, you want to get this issue which ties directly into the series.

Transformers #1 (IDW Publishing) – A new direction for Transformers comics exploring Cybertron before the war broke out.

Review: Grumble #4

Grumble #4

Eddie and Tala are getting the hell out of Baltimore, but Baltimore isn’t through with them yet! Can our heroes survive a breakneck car chase through the city, pursued by fascist inter-dimensional warlocks, gun-toting maniac mobsters, and a trio of mystical bounty hunters? Buckle up, Grumble fans, and get ready for the most magically destructive ride of your life!

“Grumble #3 is what far too few comics are lately; fun. And funny, without ever coming off as forced; nor is it the main focus of the comic as Grumble is naturally funny whilst telling a really enjoyable story.” I quote that paragraph because aside from updating the issue number, the same can be said quite perfectly about Grumble #4. Rafer Roberts and Mike Norton have created a comic that is remarkably entertaining and funny without sacrificing the strength of the story.

At this point I should probably talk a little about the actual contents of the book, but there’s a recap up above that gives you the gist of the book, and unless I start diving too deeply into spoiler territory there’s not much else I want to reveal just now (especially if you haven’t read the first three issues). What I will say, however, is that there’s no forced chemistry between the two leads, nor any illusions about the cowardly and near criminal nature of one; there’s an effortless connection between the two, and Roberts’ dialogue is utterly captivating. The characters are neither overtly good nor evil, but live in the moral grey areas that all great comics tend to touch on every once in awhile. That they are the protagonists means we’re cheering for them, but Roberts has developed the world in such a way that if the focus of the comic were on the mysterious bounty hunter and not her prey, then the two leads could easily be seen as the antagonists.

Hot damn, but do I love this series. The writing and the art combine to give you the perfect blend of Hellblazer and Howard the Duck with a side of the Dresden Files, making Grumble  one of the series to keep your eye on as the year progresses. If your shop didn’t get this series in, then correct that; it’s still available from Diamond (or it was when my LCS ordered a couple copies in), and it’s such a good read.

Story: Rafer Roberts Art: Mike Norton
 Colours: Marissa Louise Letters: Crank 
Story: 8.8 Art: 8.9 Overall: 8.8 Recommendation: Buy

Albatross Funnybooks provided Graphic Policy with a FREE copy for review

Review: Grumble #3

Grumble #3

The cat’s outta the bag… and out for blood! Eddie and Tala are on the verge of escaping Baltimore once and for all, but Simon, the feline hitman, stands in their way. Will our heroes be able to defeat Simon, steal back their car, and skip town in one piece? Or will Eddie do something stupid and get everyone killed? 

Grumble #3 is what far too few comics are lately; fun. And funny, without ever coming off as forced; nor is it the main focus of the comic as Grumble is naturally funny whilst telling a really enjoyable story. It’s easy to see that Rafer Roberts is having a blast writing this book, which makes it an easy sell when talking to people at my local comic shop. Mike Norton‘s visuals are perfectly suited to the style of this comic – of course, one of the characters being a pug is also right up his alley (this is the guy who created Battlepug, after all).

At this point I should probably talk a little about the actual contents of the book, but there’s a recap up above that gives you the gist of the book, and unless I start diving too deeply into spoiler territory there’s not much else I want to reveal just now (especially if you haven’t read the first two issues). What I will say, however, is that there’s no forced chemistry between the two leads, nor any illusions about the cowardly and near criminal nature of one. The characters are neither overtly good nor evil, but live in the moral grey areas that all great comics tend to touch on every once in awhile. That they are the protagonists means we’re cheering for them, but Roberts has developed the world in such a way that if the focus of the comic were on the mysterious bounty hunter and not her prey, then the two leads could easily be seen as the antagonists.

Hot damn, but do I love this series. The writing and the art combine to give you the perfect blend of Hellblazer and Howard the Duck with a side of the Dresden Files, making Grumble  one of the series to keep your eye on as the year progresses. If your shop didn’t get this series in, then correct that; it’s still available from Diamond (or it was when my LCS ordered a couple copies in), and it’s such a good read.

Writer: Rafer Roberts Art: Mike Norton
 Colours: Marissa Louise Letters: Crank 
Story: 8.8 Art: 8.9 Overall: 8.8 Recommendation: Buy

Albatross Funny Books provided a FREE copy for review

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