Category Archives: Business

Consumers are Suing to Block the Paramount/Warner Bros. Discovery Merger

Warner Bros.

The stockholders have voted, the federal government will provide little resistance, and rumors are European regulators won’t ask for any changes to the deal. But, there’s still some resistance to the $110 billion merger between Paramount and Warner Bros. Discovery.

A group of Paramount+ subscribers have filed a federal antitrust lawsuit in an attempt to stop the deal. They claim that the deal will harm competition, raise prices, and reduce quality.

The move also attempts to rollback Skydance’s takeover Paramount stating that and the Warner Bros. Discovery is an attempt at consolidation and eliminating rivals.

From the lawsuit:

Paramount’s ability and incentive to raise prices, reduce output, narrow slates, reduce quality and worsen consumer-facing terms, including through control of distribution, exclusivity, windowing and licensing.

If Paramount’s proposed acquisition of Warner Bros. Discovery is consummated, the combined firm would have increased ability and incentive to reduce theatrical film output and narrow release slates, substantially lessening competition by leaving moviegoers with fewer theatrical titles, less genre and budget variety, and fewer meaningful alternatives at local theaters.

Skydance’s nontrivial acquisition of Paramount Global and the proposed nontrivial acquisition of Warner Bros. Discovery reflect the same strategy of refusing to compete by building better products, investing, innovating, or winning customers through rivalry on the merits, but instead pursuing scale through consolidation that eliminates independent rivals and weakens the competitive constraints that protect consumers.

The lawsuit focuses on Section 7 of the Clayton Antitrust Act. That bars mergers that reduces competition and the number of “top companies” in a marketplace. With this deal, Paramount would control about 24% of the theatrical distribution market.

The post-merger top four studios would be Paramount/Warner Bros. at approximately 23.6%, Disney at approximately 21.4%, Universal at approximately 20.2%, and Sony/Columbia at approximately 11.1%, for a combined top-four share of approximately 76.3%. The proposed transaction, therefore, would not merely combine two studios; it would increase top-four concentration by approximately 10.2 percentage points and eliminate Paramount as an independent studio competitor.

That percentage of the market has caused the trade organization Cinema United to oppose the merger as well. Over 4,000 individuals have no signed a letter opposing the merger.

The lawsuit also focuses on the consolidation of the news media. In the takeover of Paramount by Skydance, they gained control of CBS News. The Ellisons are also an investor in the US controlled TikTok, a major source of news. The lawsuit focuses on the consolidation of news and that the new company would control CNN if it acquires Warner Bros. Discovery. It too would “weaken competitive constraints that protect editorial rivalry, investigative resources, and viewpoint diversity.”

California Attorney General Rob Bonta is reviewing the merger and its expected there will be legal action from state attorneys general opposing the merger.

WEBTOON Entertainment’s LINE Digital Frontier Launches Studio White in Collaboration with Redice Studio and Kadokawa

Studio White

WEBTOON Entertainment‘s LINE Digital Frontier has announced Studio White, a new webcomic production company in collaboration with KADOKAWA, one of Japan’s most prolific publishers, and Redice Studio, the creative force behind Omniscient Reader and other hit webcomics. Studio White will adapt beloved stories from Kadokawa‘s iconic library into original webcomics, exclusively for WEBTOON readers worldwide.

Studio White will launch with new stories based on the hit Japanese fantasy franchise Record of Lodoss War by Ryo Mizuno starting May 9, 2026 on WEBTOON in Korean and coming soon to readers in English, Japanese, French, Traditional Chinese, Thai, and Indonesian. Additional KADOKAWA titles that Studio WHite will publish spin-off webcomics of include Sword Art Online by Reki Kawahara and illustrator “abec”; Slayers by Hajime Kanzaka and illustrator Rui Araizumi; and The Familiar of Zero by Noboru Yamaguchi and illustrator Eiji Usatsuka.

REDICE STUDIO is renowned for producing some of the biggest hits in webcomics, including Omniscient Reader’s Viewpoint, 7FATES: CHAKHO, Assassin’s Creed: Forgotten Temple, and more.

Top Cow and Rocketship Entertainment Partner for Exclusives and Collected Editions

Rocketship Entertainment and Top Cow Productions have announced that they will be partnering to bring all new unique products and collected editions to fans through Kickstarter and the Top Cow Store. Rocketship is powering Top Cow’s new ecommerce store which continues to give fans new experiences with the titles they love. New exclusives, slabs, and collections will be releasing every month. Recent drops include The Darkness vs. Angelus “I Hate Fairyland” Team-Up variants, The Darkness/Invincible Team Up variants, slabbed 9.8 Batman & The Joker: The Deadly Duo signed copies, and the Top Cow Holiday Special: All Through the House foil variant.

The partnership runs on Rocketship’s proprietary publishing infrastructure, built to handle the full lifecycle of a modern comics launch. Rocketship’s in-house technology stack manages crowdfunding integration, BackerKit pledge management, Shopify storefronts, inventory and fulfillment logistics, and a unified customer data platform across every channel. It’s an end-to-end system purpose-built for direct-to-fan publishing at scale, giving Top Cow a turnkey path to launch campaigns, drop exclusives, and ship product seamlessly. In the last year, Top Cow and Rocketship have launched massively successful Kickstarter campaigns for titles like SunstoneCrimson, and Cyber Force, with an upcoming campaign for The Darkness Complete Collection Volume 4 launching in May, followed by campaigns for Freshmen, Witchblade, and Stjepan Sejic’s Letters to the Vampire Queen. The campaigns include access to slab cards, mini-prints, variants, challenge coins, signed bookplates and other exclusive merchandise that’s never been available before.

Two More Unions! Hachette Book Group Employees and workers at Magic The Gathering: Arena Both Vote to Unionize!

There are two more unions in the geek space as Hachette Book Group Employees and workers at Magic The Gathering: Arena both have voted to unionize.

Hachette Workers Coalition (HWC)

Employees of Hachette Book Group have voted to unionize, joining the Washington-Baltimore News-Guild-CW Local 32035 of the AFL-CIO. A supermajority of the 600 workers signed up and the Hachette Workers Coalition (HWC) is now the largest union in trade publishing history. The members are seeking a livable wage regardless of work location, better working conditions, a cap on workload hours, a clear and neutral grievance process, AI protections, follow-through on DEI policies, and more.

The HWC have successfully organized in the past, canceling HBG’s publication of Woody Allen’s memoir in 2020 and amending the return-to-office work in 2022.

In the announcement, they mention “substandard working conditions, overwhelming workloads, and compensation not commensurate with the exceptional success and growth that workers have brought HBG.”

The organizing campaign has taken over 5 years.


United Wizards of the Coast - CWA (UWOTC

In other union news, the workers at Magic: The Gathering – Arena have overwhelmingly voted to form a union, United Wizards of the Coast – CWA (UWOTC).

The USWOTC has asked the Wizards of the Coast and Hasbro management to voluntarily recognize the union by International Workers Day (May Day) which takes place on May 1, 2026.

In their announcement, the union has said they are negotiating for:

  • Layoff Protections: Employees currently live in fear of suddenly losing their jobs, with no warning and through no fault of their own.
  • Remote Work Protections: Leadership is instituting a mandatory RTO, forcing numerous remote employees to return to a physical office or be forced to resign. This painful choice is splitting our employees between their homes, communities, and the jobs they love.
  • Generative AI Protections: Pressure has ramped up from leadership to adopt LLMs and Gen AI tools in various aspects of our work. WOTC lacks a robust AI policy, leaving opportunities for abuse and communicating a level of disrespect for artists and other creatives.
  • Sustainable Workload: Employees’ experiences with “crunch” (intense, mandatory unpaid overtime) to meet deadlines vary widely by team and project, with some teams crunching on a regular basis just to get planned work out the door.

They are asking individuals to sign a letter to show their support for the union.

Michael Moonwalks into First at the Weekend Box Office

Michael

With brutal reviews from critics and a lot of criticism, Michael was first at the weekend box office with an impressive $97 million domestically and $120.4 million internationally, for a worldwide opening of $217.4 million.

The film had the best opening weekend of all time for a biopic and the biggest opening of 2026 for an original film so far.

The film received very positive reviews from the public showing they don’t care about the film’s flaws or there’s just still an impressive amount of Michael Jackson fans. Let’s face it, fans of the pop star would be the first to head to theaters causing an initial boost in positive reviews from the general public, so it’ll be interesting to see if that stays or if more see it that aren’t fans and that positive score drops. There’s also a chance this film will be frontloaded with fans and see a pretty hard drop. It’s hard to say how this one will play out.

The Super Mario Galaxy Movie slipped to second place with an estimated $21.2 million to lift its domestic gross to $386.5 million. Internationally, the movie added $52.8 million to bring its total to $445 million for a worldwide gross of $831.5 million.

Project Hail Mary was in third place with $13.2 million to bring its domestic gross to $305.4 million. Internationally, it grossed $20 million over the week to bring that to $308 million. Worldwide, the movie has grossed $613.4 million.

Lee Cronin’s The Mummy came in fourth place with $5.6 million. It has now grossed $23.5 million domestically after two weeks. Internationally, the movie added $21.5 million over the week and is now at $42 million. Worldwide, the movie has grossed $65.5 million.

The Drama rounds up the top five with $2.6 million domestically and $44.8 million overall so far. Internationally, it added $14.9 million over the week and now $57 million overall. Worldwide, the movie has grossed $101.8 million.

In comic related movies…

Demon Slayer: Kimetsu no Yaiba- The Movie – Infinity Castle gained a little and is $137 million domestically. Internationally, the movie remained at $604.4 million. Its worldwide gross is $741.3 million.

All You Need Is Kill remained at $695,290 domestically and internationally gained a little and is at $46,328 for a worldwide gross of $741,618.

Jujutsu Kaisen: Execution remained at $16.6 million domestically. Internationally, it also sits at $27.9 million for a worldwide gross of $44.5 million.

Chainsaw Man – The Movie: Reze Arc remained at $43.4 million domestically. Internationally, the movie added a little and has grossed $119 million. Worldwide, the movie has grossed $162.5 million.

Numbers have 74 movies grossing $152,398,778 from 32,057 theaters for an average of $4,753.99. That is compared to last week’s 61 movies grossing $95,049,773 from 32,374 theaters for an average of $2,935.99.

Warner Bros. Discovery’s Shareholders Approve of Paramount’s Takeover but Reject David Zaslav’s Pay Package

Warner Bros.

As expected, shareholders of Warner Bros. Discovery have given the green light for Paramount‘s $110 billion deal to purchase the company. Around 99% of the shares voted in favor of the deal.

But, those same shareholders rejected the compensation package for WBD CEO David Zaslav. A reported 82% of shareholders voted against the package with just 17% voting for it. That vote is non-binding though.

The vote doesn’t guarantee the merger will go through. It still needs to get approval from the United States federal government, which will likely go through with few issues. But, there’s a possibility European regulators could step in, Canadian officials have spoken up about the deal, and multiple US attorneys general seem to be organizing to oppose the deal.

There’s also growing opposition within the industry with more than 4,000 individuals who work in Hollywood signing a letter opposing the deal, numerous unions, and more including Democrats in Washington.

You can learn more about the deal and weird connections between the powerful and Trump administration in the second episode of Comic Shoot.

The Super Mario Galaxy Movie, Project Hail Mary repeat in the Top Two at the Weekend Box Office

The Super Mario Galaxy Movie

The Super Mario Galaxy Movie was the top of the weekend box office for the third weekend in a row adding $35 million to its domestic total which is now $355.2 million. Internationally, the film added $71.6 million over the week and has now grossed $392.2 million. Worldwide, the film has grossed $747.5 million. Expect this sequel to cross the billion dollar mark before its run is over.

Project Hail Mary held on to second place with $20.5 million to bring its domestic gross to $285.1 million. Over the week, it grossed $34 million internationally where the total now stands at $288 million. Worldwide, the movie has grossed $573.1 million.

Lee Cronin’s The Mummy debuted in third place with $13.5 million domestically and $20.5 million internationally for $34 million worldwide.

The Drama slipped one spot to fourth with $4.8 million domestically where it has grossed $39.7 million. Internationally, it has grossed $42.1 million for a worldwide total of $81.8 million.

You, Me & Tuscany rounded out the top five with $3.8 million to bring its domestic total to $14.4 million. Internationally, it grossed around $650,000 to bring that to $1.8 million. Worldwide, it has grossed $16.1 million.

In comic related movies…

Demon Slayer: Kimetsu no Yaiba- The Movie – Infinity Castle gained a little and is now at $137 million domestically. Internationally, the movie added about $2.8 million and has now grossed $604.6 million. Its worldwide gross is $741.5 million.

All You Need Is Kill remained at $695,290 domestically and internationally gained a little and is at $46,328 for a worldwide gross of $741,618.

Jujutsu Kaisen: Execution remained at $16.6 million domestically. Internationally, it also sits at $27.9 million for a worldwide gross of $44.5 million.

Chainsaw Man – The Movie: Reze Arc remained at $43.4 million domestically. Internationally, the movie added a little and has grossed $119 million. Worldwide, the movie has grossed $162.4 million.

Numbers have 61 movies grossing $95,049,773 from 32,374 theaters for an average of $2,935.99. That is compared to last week’s 64 movies grossing $126,949,737 from 30,219 theaters for an average of $4,200.99.

Tiny Onion hires Sami Demonster as Community Manager and Promotes Harley Salbacka to Events & Libraries Manager

Tiny Onion has hired social media and comic book expert Sami DeMonster as Community Manager in the team’s expansion, which has also included promoting Eric Harburn to Director of Narrative & Editor-in-Chief and a number of recent hires. Seasoned industry veteran Harley Salbacka has been promoted from Community & Events Manager to Events & Libraries Manager.

Sami DeMonster

DeMonster will be in charge of communicating with Tiny Onion’s growing fanbase and expanding the production house’s social footprint. She will run the company’s social media accounts and will be producing original content for their channels, including making weekly New Comic Book Day videos in collaboration with popular Los Angeles comic book store Revenge Of, as well as covering Tiny Onion’s activities at conventions and events. She will also be overseeing community management for the production house, engaging with fans online. 

DeMonster’s extensive background in content creation, strategy, and journalism includes collaborations with many major comic book publishers, including DC, Dark Horse Comics, Image Comics, BOOM! Studios, Vault Comics, DSTLRY, Mad Cave Studios, and creators such as Tynion, Tini Howard, Babs Tarr, Patton Oswalt, Jordan Blum, Stephanie Phillips, Jeff Lemire, Melissa Flores, and Dan Quintana. With an emphasis in comic book and horror coverage, she has cultivated an online community with over 30,000 followers on Instagram, and 40,000 followers on TikTok, with over 1 million likes. She has also partnered with e-commerce giant eBay on social media content, collaborating with their team at New York Comic Con and other events. 

Last year, DeMonster hosted Revenge Of’s globally streamed “Comic Creator Couch Party,” sponsored by Dark Horse Comics and streamed worldwide, which featured interviews with stars like Oswalt and Blum, Nathan Fillion and Heath Corson, Brian Michael Bendis, Kelly Sue DeConnick, Hannah Rose May and Utkarsh Ambudkar, Gerry Duggan, and more. In addition to video content, Sami is an editorial columnist for DC.com; among her many articles, she recently wrote a guide to the world and characters of Tynion and Álvaro Martínez Bueno’s The Nice House series timed to DC’s Vertigo relaunch. 

DeMonster got her start in the industry working at her local comic book shop before collaborating with BOOM! Studios in 2023 as a freelance Content Creator, best known for being their “New Comic Book Day” host. She has been covering Tynion and artist Werther Dell’Edera’s hit series Something is Killing the Children for BOOM! Studios since 2023 and is an expert on the Slaughterverse; for the last couple years, she has been the Slaughterverse panel moderator for BOOM! Studios at conventions like San Diego Comic-Con, New York Comic Con, and C2E2.

Tynion and DeMonster have collaborated for several years, inclusive of her work on Something is Killing the Children (SIKTC). In the last year, she has not only partnered with Tiny Onion to create videos about their titles for New Comic Book Day on a weekly basis, but has also shared deep dives on their comics and collections on her channels. She has also hosted several of their panels at conventions and produced short-form video content at events.

Harley Salbacka

Harley Salbacka, the previous Community & Events Manager, has been promoted to Events & Libraries Manager. With the success of Tiny Onion’s convention programming and the Corpse Tour (the global Exquisite Corpses comic book tour with Tynion and the Corpse Crew of creators), the team will be expanding their event footprint; Salbacka will be managing Tiny Onion’s expansion of events and in-person programming even further. In addition to events, Salbacka will also take the lead in launching Tiny Onion’s first ever Libraries program. She will be working alongside librarians to bring Tiny Onion’s titles to more readers, making their books more accessible to the public. 

During Salbacka’s fifteen years working in all facets of the comic book industry, she has gained extensive knowledge of collaborating with librarians. Salbacka started her comic book journey by running one of Los Angeles’ premier comic book shops for five years. She then worked for Humanoids as their Sales & Marketing Representative before moving to BOOM! Studios, where she rose to Sales Lead, handling not only their library market, but also their book and digital market needs, as well as running their booth at San Diego Comic-Con. She managed BOOM! Studios’ library market and ran their booths at the American Library Association (ALA) conference during her time at the company.

“I’m excited to be working with the library market again,” said Salbacka. “Libraries are one of the most important institutions in keeping literacy and comics alive in communities. I’m excited to see what cool things Tiny Onion and librarians will do together!”

“I’ve always admired Harley’s deep understanding and dedication to libraries,” said Tynion. “She has helped Tiny Onion reach new audiences at conventions and our events, and we’re excited for her to help us grow within the library space. We’re so grateful to librarians for the essential work that they do, and we’re looking forward to working with them to make Tiny Onion’s books accessible to more fans and first-time readers.”

In addition to the hiring of DeMonster and the promotion of Salbacka as well as Harburn to Director of Narrative & Editor-in-Chief to reflect their expansion into the multimedia space, Tiny Onion has also recently brought aboard Bryce Gold as Operations Manager for Publishing, Casey Gonzalez as Director of Multimedia Development for Animation, Andra Hermann as Operations Manager for Communications, and Dylan Todd as Senior Designer.

Neon Ichiban and DSTLRY Introduce Pre-Order Rewards

Neon Ichiban DSTLRY FOC Rewards

Neon Ichiban and DSTLRY have announced FOC Rewards, a first-of-its-kind program that gives fans credit on Neon Ichiban when they pre-order print comics at their local comic shop before Final Order Cutoff (FOC).

The program is live now. Fans earn up to $5 in digital credit per title redeemable toward any comics or manga purchase on Neon Ichiban. FOC Rewards debuts with six DSTLRY print titles that are currently available for pre-order via local comic shops.

How It Works: Fans earn $2.50 for submitting proof of a qualifying pre-order, and an additional $2.50 for confirming in-store pickup with a photo and geolocation — $5 total per title.

Launch Titles

Neon Ichiban’s FOC Rewards launches with six forthcoming DSTLRY titles. DSTLRY’s print single issues ship in their Prestige format; collected editions as premium hardcovers. Each title below carries a $5 reward on Neon Ichiban:

  • WHITE HOUSE ROBOT ROMANCE #3 — Chip Zdarsky & Rachael Stott
  • THE CITY BENEATH HER FEET #3 — James Tynion IV & Elsa Charretier
  • WHITE BOAT #3 — Scott Snyder & Francesco Francavilla
  • A MISCHIEF OF MAGPIES #1 — Simon Spurrier & Matías Bergara
  • BIG BURN Hardcover — Joe Henderson & Lee Garbett
  • WARM FUSION Hardcover — Scott Hoffman & Alberto Ponticelli

Mahjong Pros announce Multiple Distribution Deals

Mahjong Pros

Mahjong Pros, a new startup North American publisher, has announced a distribution deal with Pathway Book Service, a specialized distributor and logistics provider. Pathway will manage comprehensive book fulfillment, warehousing, and retail distribution for Mahjong Pros’ print catalog.

Pathway services a broad range of top national retailers including Barnes & Noble, Books A Million, Walmart and Amazon. Wholesalers can purchase Mahjong Pros titles directly from Pathway through the company’s relationship with Ingram Book Distributors and Ingram’s iPage Platform, which offers booksellers, librarians, and industry professionals the ability to search, order, and manage inventory from Ingram Content Group.

Additionally, select Mahjong Pros titles will be distributed throughout the EU through Gazelle Book Services Ltd.

Mahjong Pros recently announced the debut of its first 4 manga titles that include Crybaby Mermaid: Illustrated Memoir of Yuumi Uotani, an intimate illustrated memoir set for release in April about the quiet, relentless work of learning to believe you belong. Next comes the May release of Reform with No Wasted Draws: The Legend of Koizumi, an engrossing story of how the fate of nations rests on Japanese Prime Minister Junichiro Koizumi’s mahjong diplomacy. Getter Robo High also debuts in May and delivers a tense spin on the super robot manga classic, Getter Robo, originally created by the famed creator Go Nagai, where doubt, pressure, and split-second decisions decide the fight. This is followed by the June release of Vermilion Stella: – Illustrated Memoir of Arisa Date, a poignant portrait of what it costs to keep going while the world waits for you to fail.

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