Category Archives: Business

BookWalker Expands its Digital Library with Launch of Abrams Books’ Kana imprint

BookWalker Kana

BookWalker has added Abrams Books‘ Kana imprint to its digital platform. Readers worldwide can now access and read Kana’s acclaimed lineup of graphic novels and manga directly through BookWalker’s web browser and mobile apps.

Known for high-quality production and compelling international storytelling, Kana brings a fresh wave of rich narratives and stunning artwork to BookWalker’s vast catalog of over 79,000 digital titles.

Now Available on BookWalker

The following Kana titles are live and available for purchase now, with even more releases from Kana’s growing catalog scheduled to join the BookWalker platform in the coming months.

Explore the full Kana Collection on BookWalker:

  • Leviathan Vol. 1–3
  • Manhole Vol. 1–3
  • Blades of the Guardians Vol. 1–2
  • City Hunger Vol. 1–3
  • Cat’s Eye Vol. 1–3
  • My Life in 24 Frames per Second
  • Scars Vol. 1–3
  • Space Punch Vol. 1-5
  • Eden of Witches Vol. 1-7
  • Silence Vol. 1-4
  • Billy Bat

To explore the newly launched Kana catalog, visit www.bookwalker.com or download the BookWalker app on iOS and Android.

Dark Horse Workers United Hits a Bump in its Negotiations with Dark Horse

Dark Horse Workers United

In May 2026, Dark Horse Workers United was launched to unionize Dark Horse staff. It was focused on five principles with three goals to improve working conditions for the publisher’s employees. In June, Dark Horse voluntarily recognized the union, preventing a protracted and drawn out process. As we said in that article, there were many steps to go and it could be a daunting process. In an update, Dark Horse Workers United states that’s exactly what’s going on.

In posts, the union has said Dark Horse leadership is “attempting to reduce union membership by claiming supervisory status for Senior Editors.” In general, non-managerial employees may form and join labor unions. So, who is and isn’t “managerial” can become a point of contention. Designating individuals and jobs as “managerial” is a tactic to shrink the influence and reach of the union.

Dark Horse Workers United state that Senior Editors for Dark Horse were given “job clarifications” that changed their job descriptions which include management tasks. If they agree to that, they sacrifice their union eligibility. If they don’t accept it, they’d be demoted and receive a “significant pay cut.”

While the union calls it an “underhanded attempt to reduce (the) union membership,” it could also be a lack of clarification in the job role but also opens up the publisher to questions as to what those editors might have been missing as far as benefits if they were indeed “management” but not designated. It could also be an attempt to decrease the membership. It’s also not an unusual issue and point of contention in these negotiations.

Even when this matter is settled, there’s still a long way to go and this could drag out for years before the first union contract is ratified.

The Joe Kubert School of Cartoon and Graphic Art is moving to County College of Morris

Joe Kubert School of Cartoon and Graphic Art

The County College of Morris has scored a big one in the comic community as the Joe Kubert School of Cartoon and Graphic Art will be moving there and begin operations in the fall semester. Located in Dover for many years, the Kubert School moved to downtown Madison last year. County College of Morris is located in Randolph, New Jersey.

A formal signing event will be held on County College of Morris campus on August 17.

The Kubert School is a well-renowned school that has launched numerous careers in the visual arts covering illustrators, animators, cartoonists, and comic creators. Around for five decades, it has built up a reputation and connections that has made it one to watch for the next generation of talent.

The move will allow the Kubert School to combine its specialized education with County College of Morris’ resources creating even more resources for its students.

It also brings numerous services to the Kubert School’s students including tutoring, academic and career advising, transfer services, and a veteran’s resource center, as well as the campus facilities like its library and fitness center.

The Kubert School was launched in 1976 and moved to Dover in 1980. It began as a two-year school and programs were extended to three years in 1978. The school relocated to the James Building in downtown Madison last year. Operations officially began on the Randolph campus on July 18 with KubieCon. that annual event lures artists and fans to a show featuring comic vendors and artists to celebrate all things comics.

Comix.one announces a new Print-on-Demand Collaboration

Comix.one

Comix.one has announced a collaboration with HP’s Graphics Solutions Business and its global PSPs ‘Print Service Providers’ network to deliver print-on-demand service that empowers independent comic book creators from around the world to reach and engage fans of print comics. To be launched in late August, the fans of independent comics in multiple countries will be able to order a printed copy of a digital comic they like from the platform. The books will be printed, packaged and shipped exclusively for each reader.

HP brings a great deal of experience, reliability and scale with seamless connection to its network of Print Service Providers (PSPs) and the intuitiveness of the HP Brand Center software and HP Site Flow APIs. Through deeper integration with the platform, Comix.one is bringing the full print process flow into the platform. From pre-press proofing to sending the book orders directly to the partner PSPs, Comix.one intends to build the whole workflow directly into the dashboard.

As a part of this re-release of POD, there will be a phased rollout into multiple countries. The fans of comic books in the USA, Canada, UK, EU and Australia will soon be able to order books on demand from Comix.one. The global availability of POD will also allow the creators to reach fans in these new geographies with ease.

Comix.one provides a platform to hundreds of independent comic book creators from all over the world to sell and distribute their creator-owned work digitally to readers globally. They have recently launched a brand new crowdfunding platform, tailored entirely towards independent comic book creators and fans with built-in digital fulfillment and intend to launch a social platform to complement these features.

SDCC 2026: Independent Manga Alliance launches to give Creators and Publishers Resources to Grow the Global Manga Audience

Independent Manga Alliance

A new manga industry organization called the Independent Manga Alliance announced its formation at the 2026 Comic Con International in San Diego last week.

The organization aims to provide resources to independent manga creators and smaller publishers to help with marketing, translation, distribution, and sales support and connect them with a wider range of readers globally. The Alliance includes founding members comprised of Manga Mavericks BooksMahjong ProsStrict Algorithm LLCRed String Manga, and Curation Entertainment Partners Inc (B!Juku).

Beyond highlighting manga through event panels, the organization looks to be putting together a website full of resources, programs, events, and the ability to network, as well as highlighting publishers.

The organization is also teasing an “Indie Manga Futures Lab,” an initiative “supporting bold ideas and new voices through mentorship, resources, and micro-grants.”

The IMA is also actively seeking new members, and interested manga creators and publishers can fill out the form.

SDCC 2026: Titan Announces a Major Edgar Rice Burroughs publishing program launching Summer 2027 including Comics, Paperback Editions, Unfinished Works, Illustrated Books, and more!

Titan Comics logo

As announced at San Diego Comic-Con 2026 during the Tarzan and John Carter of Mars Live! panel on Friday, July 24, 2026 – Titan Publishing revealed a major new publishing initiative celebrating the legendary works of Edgar Rice Burroughs. The program is set to launch in Summer 2027 with a brand-new Dejah Thoris comic series.

Developed in collaboration with Edgar Rice Burroughs, Inc., this ambitious publishing program is designed to introduce both lifelong fans and new readers to the extraordinary worlds of one of history’s most influential adventure storytellers. Spanning a wide range of publishing formats, the initiative celebrates Edgar Rice Burroughs’ enduring legacy while bringing his timeless stories to a new generation of readers.

Titan’s new publishing program will include new paperback editions of the Edgar Rice Burroughs Authorized Library, previously unfinished works, illustrated books, original comics, and omnibus collections, offering fresh ways to experience Burroughs’ iconic creations. The program will be available through bookstores, comic shops, and digital retailers worldwide.

Edgar Rice Burroughs Inc. logo

The creator of the immortal characters Tarzan of the Apes and John Carter of Mars, Edgar Rice Burroughs is one of the world’s most influential authors. Mr. Burroughs’ timeless tales of heroes and heroines transport readers from the jungles of Africa and the dead sea bottoms of Barsoom to the miles-high forests of Amtor and the savage inner world of Pellucidar, and even to alien civilizations Beyond The Farthest Star. Mr. Burroughs’ books are estimated to have sold hundreds of millions of copies, and they have spawned 60 films and 250 television episodes.

Further details will be revealed throughout 2026 and leading up to the launch in Summer 2027.

Massive Publishing Launches Discounted Printing Services for Massive Indies Clients, With Public Rollout Planned for Late 2026

Massive Publishing

Massive Publishing has announced the launch of a new discounted printing service exclusively for its Massive Indies clients, offering independent creators the same production quality found in Massive Publishing’s deluxe exclusive releases, at pricing designed to compete directly with the leading printers in the comics industry. 

Beyond standard offset and digital printing options, a wide variety of creative printing processes will be available to meet the demands of today’s fans, who increasingly gravitate toward high-end collectibles. These specialty treatments – including foil, embossing, metal covers, spot varnishes, and more – are designed to help publishers expand their offerings to retailers and increase revenue throughout the entire distribution pipeline.

The expansion represents another step in Massive Publishing’s mission to empower independent comic creators and publishers by providing the tools and infrastructure needed to compete at the highest level of the industry. By leveraging Massive Publishing’s existing print infrastructure and production expertise, the service delivers the same craftsmanship behind the company’s premium exclusive titles, now made accessible at a price point built for independent budgets.

A Phased Rollout

The printing service is launching first as a benefit exclusively for Massive Indies clients, allowing Massive Publishing to refine operations, gather creator feedback, and ensure consistent quality at scale. Following this initial phase, Massive Publishing plans to open the service to the general public by the end of 2026, extending the same competitive pricing and premium print quality to creators and publishers across the industry.

The Odyssey has a Monster Second Weekend

The Odyssey

The Odyssey is bringing people into theaters and grossed an estimated $87 million in its second weekend, a 29.6% drop from its debut weekend. Often you see blockbusters have a massive drop in the second week, 50% or more, so a drop of less than 30% is pretty solid. Internationally, it grossed $213.7 million over the week to bring its international total to $353.3 million. Worldwide, the movie has grossed $639.6 million after just two weeks making it the seventh highest grossed film worldwide this year so far and it’ll easily move into the top five when the week is over.

Moana held on to second place with $10.5 million domestically bring its domestic gross to $102.5 million after three weeks. Over the week, it grossed $29.3 million internationally to bring that to $125.7 million. Worldwide, the movie has grossed $228.2 million.

Toy Story 5 is one of the big films of the year and came in third, adding $10 million to its domestic total which is $448.6 million. Internationally, it grossed $46 million over the week to bring that total to $573.5 million. Worldwide, the movie has grossed $1.022 billion.

In fourth place was Hadestown: The Musical which grossed $9.7 million domestically with no international gross reported.

Rounding out the top give was Minions & Monsters with $9.6 million domestically which lifts its total to $155.4 million. Internationally, it grossed $36.2 million over the week to bring that total to $256.5 million. Worldwide, the movie has grossed $411.9 million.

In comic related movies…

Supergirl grossed an estimated $630,000 domestically and is no $71.5 million. Internationally, the movie grossed $2.1 million over a week to bring that up to $53 million. Worldwide, the movie has grossed $124.5 million.

Star Wars: The Mandalorian and Grogu grossed an estimated $73,000 over the weekend to bring its domestic gross to $177.7 million. Internationally, the movie’s gross increased to $167.3 million. Worldwide, the movie has grossed just under $345 million.

Bleach: Thousand-Year Blood War – The Calamity has grossed $4.3 million domestically. Internationally, the movie has grossed $763,798 which makes a little over $5 million worldwide.

Masters of the Universe grossed about $200,000 domestically over the week which is now $64.8 million and has also grossed $48.9 million internationally for $113.7 million worldwide.

Numbers have 55 movies grossing $146,638,349 from 31,444 theaters for an average of $4,663.48. That is compared to last week’s 48 movies grossing $188,271,704 from 29,288 theaters for an average of $6,428.29.

Breaking: Paramount Agrees to Halt its Acquisition of Warner Bros. Discovery Until June 2027 or Court Rulings are Decided

Warner Bros. logo

In a legal filing, Paramount and state attorneys general have reached an agreement to delay the acquisition of Warner Bros. Discovery to June 2027 or earlier if it makes it way through courts and a ruling is made before. The agreement needs to be approved by Judge Araceli Martínez-Olguín, who is overseeing the case.

On July 13, a dozen attorneys general filed a lawsuit to stop the acquisition of Warner Bros. Discovery by Paramount Skydance. The lawsuit raised antitrust concerns and a decrease of competition. On July 20, a temporary restraining order was granted that prevented the deal from “closing” or “consummating” or taking any steps that would integrate or consolidate the operations. That temporary restraining order was extended an additional two weeks before today’s deal.

The delay throws the entire deal into chaos as it potentially increases the cost to Paramount. For each quarter the deal doesn’t close beginning in October 2026 the cost increases $650 million. If the decision really stretches out until June 2027, that’d increase the cost nearly $2 billion. Paramount has stated that it might have to rework its financing if the price increases and with the volatility in the Ellison’s net-worth due to Oracle stock prices, the deal’s financial situation became far more complicated.

Paramount described the delay as a “significant win” as it will give the company “a direct path to a trial based on the evidence,” a spokeswoman said. “This is the fastest and clearest way to prove that this transaction is good for competition, good for consumers, and good for creators.”

Below is California Attorney General Rob Bonta’s press release regarding the deal:

California Attorney General Rob Bonta today announced securing an agreement with Warner Bros. and Paramount that would keep the entertainment titans from merging until June 1, 2027, or until after a decision by the court on the states’ claims, whichever comes first. If the court finds in favor of the states, the merger would be blocked pending appeal. Last week, Attorney General Bonta led a coalition of 12 attorneys general in filing a lawsuit challenging the unlawful merger, and this week, he celebrated a critical win when he secured a temporary restraining order pausing the merger. The Warner Bros./ Paramount merger is expected to result in higher prices, lower content quality, and fewer movies and TV shows. The proposed $110 billion merger — the largest in Hollywood history — would combine two of Hollywood’s five major film distributors and two of the five major owners of basic cable channels, extinguishing competition between Paramount and Warner Bros., and inflicting substantial harm on movie theaters, basic cable distributors, and ultimately, audiences nationwide. 

“Our argument against this illegal merger is straightforward: When too few corporations have too much power in markets central to American life, it makes things more expensive, and it makes things worse,” said Attorney General Bonta. “Today’s agreement is great news for audiences, movie theaters, and the many people who write, build, and create the art, news, and entertainment so many of us enjoy. We are eager to continue to make our case in court and celebrate another tremendous win in our effort to ensure this unlawful merger never sees the light of day.”

As part of today’s deal, Warner Bros./Paramount agree not to merge until 5 days after a decision on the merits of the states’ challenge or until June 1, 2027, whichever comes earlier. If the court finds in favor of the states, the merger would be blocked pending appeal. If there is no merits determination by June 1, 2027, the states can file a motion for a preliminary injunction.

For more than a century, Warner Bros. and Paramount have stood astride the film and television industry as independent sources of creativity and competition. The lawsuit alleges that the merger violates Section 7 of the Clayton Act, which holds that mergers that may substantially lessen competition or tend to create a monopoly are illegal. The attorneys general allege that, if Warner Bros. and Paramount are allowed to merge, it would lessen competition in three markets: film distribution, anticipated blockbuster film distribution, and licensing cable TV channels.

And the release from the office of Attorney General Letitia James:

Attorney General Letitia James and a coalition of 11 other attorneys general today secured a months-long halt to Paramount Skydance Corp.’s (Paramount) $110 billion takeover of Warner Bros. Discovery, Inc. (Warner Bros.). On July 13, Attorney General James and the coalition sued Paramount and Warner Bros., alleging that their merger would illegally reduce competition throughout the film and television industries, harming workers, consumers, and businesses. Attorney General James and the coalition today secured a stipulation from Paramount and Warner Bros. that will delay the merger until after a court ruling on the merits of the lawsuit or June 1, 2027, whichever is earlier.

“From the workers and artists who bring stories to life to the families who buy tickets at the box office, Paramount’s illegal takeover of Warner Bros. is a bad deal for all those who count on a competitive entertainment industry,” said Attorney General James. “Halting this merger while our case proceeds is a critical victory in our efforts to uphold the law and protect the film and television industries. I look forward to continuing our case to stop this illegal merger.”

On July 20, Attorney General James and the coalition won a temporary restraining order preventing Paramount and Warner Bros. from carrying out their merger. Under the stipulation announced today, Paramount and Warner Bros. will continue to remain separate companies until five days after the court’s decision on the merits of the case or June 1, 2027, whichever comes earlier.

Joining Attorney General James in this case are the attorneys general of Arizona, California, Colorado, Connecticut, Massachusetts, Minnesota, Nevada, New Jersey, New Mexico, Oregon, and Washington.

For New York, this matter is being handled by Assistant Attorneys General Pratik Agarwal, Morgan Feder, and Will Margrabe and Attorney General Fellow Jaya Mantovani, all of the Antitrust Bureau, under the supervision of Bureau Chief Elinor Hoffmann and Deputy Bureau Chief Amy McFarlane, and with the assistance of Chief Economist Chitra Marti. The Antitrust Bureau is part of the Division for Economic Justice, which is led by Chief Deputy Attorney General Christopher D’Angelo and overseen by First Deputy Attorney General Jennifer Levy.

Restraining Order Against Paramount’s Warner Bros. Discovery Acquisition Extended

Warner Bros. logo

On July 13, a dozen attorneys general filed a lawsuit to stop the acquisition of Warner Bros. Discovery by Paramount Skydance. The lawsuit raised antitrust concerns and a decrease of competition. On July 20, a temporary restraining order was granted that prevented the deal from “closing” or “consummating” or taking any steps that would integrate or consolidate the operations.

Now, the judge has extended that restraining order by an additional 14 days, through August 17. The reason is to give the parties in the case more time to set an extended schedule for legal proceedings.

A hearing is currently set for August 3 to address the motion by the states and a preliminary injunction that could outright block the deal.

Paramount, though, has filed a motion for a three-day evidentiary hearing to take place later in August instead of that August 3 motion. They want that format so they can cross-examine the states’ expert witnesses. The states have said it’s an attempt to get around the process and decrease the time for the states to prepare their argument before the court.

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