There are moments in film, comics, television, and books where the hero discovers their inner power and the tide begins to turn against evil. In Transformers: The Movie it was Hot Rod opening the Matrix and turning into Rodimus Prime. Those moments can bring tingles and excitement as good begins to triumph over evil. King in Black #4 delivers that moment multiple times in the penultimate issue of the event.
Written by Donny Cates, things look dire as the issue begins. Knull has dominated the world, killed Eddie Brock, and subjugated most of the world’s heroes. But Cates has been hinting at another who might defeat Knull. If Knull represents darkness, someone, or something, must be the light. It’s been pretty obvious for a while that we’d eventually find out who the who or what is in this event and this is the issue where that all becomes clearer.
King in Black #4 features a showdown between Dylan and Knull with Dylan being the clearest current threat to the wannabe god. It’s a solid showdown as Dylan takes his stand showing all it takes is a single individual to make a change. It being a kid feels all the more symbolic as it is so many kids over recent years that are leading the way. But Dylan is just a catalyst. The comic is full of “fuck yeah” moments as heroes begin to free themselves and make their attacks against Knull. We don’t get one “Rodimus” moment, we get multiple resulting in a crescendo of excitement of “hells yes” beats. All building to the issue’s finale with the big reveal Cates has been hinted at.
Cates is helped by Ryan Stegman who nails every beat. Along with JP Mayer on ink, Frank Martin on color, and Clayton Cowles on lettering, the crescendo is clear in the art. The battle goes from what feels like a “psychic landscape” to the physical world and it just ups the awe with every opportunity. There’s so many moments that are memorable, the art brings home Cates’ concepts with a blast. Cowles lettering is key as he depicts Knull giving him his own font. It emphasizes the character’s evil stance and without it, the character wouldn’t work as well. It’s a perfect combination and team.
The issue also features our first look and Peach Momoko‘s Demon Days. The short backup comic features an English Adaptation by Zack Davisson, and lettering by Ariana Maher. Momoko takes the X-Men into a fantasy world rooted in Japan and its mythology. The result is a story that’s beautiful to look at but the story itself doesn’t feel quite unique enough. Taking characters and just making them samurai and animals isn’t new or different. So, this is one to wait and see. As a teaser for the first issue and series, it doesn’t excite and quite land.
King in Black #4 is a hell of a comic that’ll get you pumped and excited. There’s just one more issue left and this could leave us with a hell of a change to the Marvel landscape. Marvel has stumbled with events in recent years but King in Black #4 has delivered with every issue and is their best in a long time. It brings popcorn excitement and this issue helps lights our darkest hour.
Story: Donny Cates, Peach Momoko Art: Ryan Stegman, Peach Momoko
Ink: JP Mayer Color: Frank Martin Letterer: Clayton Cowles, Ariana Maher
English Adaptation: Zack Davisson
Story: 8.5 Art: 8.5 Overall: 8.5 Recommendation: Buy
Marvel provided Graphic Policy with a FREE copy for review