Tag Archives: web comics

Webcomics Weekly: Zulu

Welcome to Graphic Policy’s spotlight on webcomics, where we take a look at one of the many comics available online every Sunday: Webcomics Weekly (but don’t be fooled by the “weekly” part of the title; the feature may happen more or less frequently than that). We’re defining webcomics as any comics published online for free consumption by the general public that doesn’t require a subscription service.

This week we’re taking a look at Zulu. The strip is written by Alverne Ball, who was kind enough to answer a few questions for us about the webcomic below.

Graphic Policy: In a nutshell, can you tell us what the strip’s about?

Alverne Ball: Zulu is the story of teen named Lazarus Jones who becomes possessed by the spirit of the great warrior king, Shaka Zulu, while visiting South Africa with his father. Back home in Chicago, Lazarus finds himself navigating through the turbulent streets of Chicago with friends when he discovers that a big corporation is behind the endless gang violence and disintegration of his neighborhood.

GP: How often do you update?

AB: Zulu will be updated with 2 pages every Tuesday on Afropunk.com

GP: How long have you been producing the strip?

AB: It’s been some years I’d say, too many to want to reveal the real number, but it wasn’t until a year ago I pulled the series back out of the dark closet of my hard drive and felt that it neeWded to get out. In that time there was ups and downs but I had just finished a multi-artist web comic with Afropunk (When We Were Kings) and I thought if I can get the band back together (more importantly, artist Mike Watson) then AP might be the perfect platform for telling this story since they gave me a shot to do WWWK when no one else would hear my proposal, plus I felt that with the rise in violence in Chicago this story spoke truth to a marginalized voice that lives in the middle of all the chaos.

GP: Where did the idea for the strip come from?

AB: It came in part because at the time I had never written a superhero comic and I wanted to challenge myself, you know, to see if i could do it, but at the same time I wanted to fuse my love of history with something or someone that when people saw it they’d get it, i.e. Shaka Zulu, but with a new twist to this hero’s journey and how embracing one’s ancestry and culture can build pride instead of a sense of apathy for that culture because of how its been portrayed in mass media.

Below you’ll find some sample images to when your appetite.

Zulu_1_cover_final copy.jpgZulu_page_10a copy 2.jpgZulu_page_30 copy 2.jpg


If you’d like to have your webcomic featured here, then drop us an email.

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Webcomics Weekly: Kid Carvers

Welcome to Graphic Policy’s spotlight on webcomics, where we take a look at one of the many comics available online every Sunday: Webcomics Weekly (but don’t be fooled by the “weekly” part of the title; the feature may happen more or less frequently than that). We’re defining webcomics as any comics published online for free consumption by the general public that doesn’t require a  subscription service.

This week we’re taking a look at Kid Carvers. The strip is created by Jason Reeves, who was kind enough to answer a few questions for us about the webcomic below.

Graphic Policy: In a nutshell, can you tell us what the strip’s about?

Jason Reeves: Sure. Kid Carvers is about twins; Marley and Charley Carver, who also happen to both be kid geniuses. The setting is New Orleans, LA. The twins’ stomping ground/base of operation is their grandmother, ‘Moonie’s backyard, where she takes care of them after school. Marley is a cross between Quvenzhané Wallis’ Annie and a mad scientist, and if you put Doc Brown’s brain into Marty Mcfly, with old Kanye’s fashion sense, you get Charley.

They have a bit of a time dodging bullies in school and outsmarting their teachers, but in their spare time they investigate strange occurrences & mysteries only their brilliance can solve.

GP: How often do you update?

JR: Every Wedenesday.

GP: How long have you been producing the strip?

JR: We’ve been posting since January 3, 2017. So we’re only a few weeks in. We’re very new.

GP: Where did the idea for the strip come from?

JR: Having done a few more comic conventions in the past couple years, we saw that there were few if any all-ages books that the kids could take home with them. As much as we love our sort of rated ‘teen’ comics, looking at all those little eyes peering over the table con after con and having to tell their parents that maybe this book or that was a little too old for them, was a problem for us. So we set out to fill that need as we saw it and Kid Carvers was born.

We (Alverne, Kemi, Joe, Brandi, & I) really loved the optics of shows like Doc McStuffins, the Boondocks, comics like Tuskegee Heirs, and webcomics like Bounce, so we set out to create, inspired by content with an animated feel. 

We also wanted to conjure the idea of Black inventors, many that may be the unsung but brilliant minds of our past. Who better to represent the idea than George Washington Carver. I’m a big fan of the inventive mindset, a mind not just willing to rest on convention, but step outside of it to find more optimal methods, and in turn creating new more efficient conventions. Carver was all about that, creating alternative means of production for poor farmers to compete, and even thrive with the resources (peanuts,….) already available to them. That spirit of overcoming is definitely something I wanted to infuse into the twins.

We plan to shine a spotlight on Black inventors, engineers, and scientists who would be the twins’ heroes. Expect to hear mentions of some you’ve heard of and some you haven’t.

Our model is one more creators have started to embrace in recent years, presenting the content as a webcomic and also collecting the pages into print copies. It gives readers their choice of how they’d like to consume the content. If they’d like to support monetarily they can do so, but anyone can enjoy Kid Carvers free of charge, I think its the win win.

You can read Kid Carvers: Engineers of the Impossible every Wedenesday at: http://kidcarvers.com/

Or you can get Kid Carvers: and the Backyard Bike Bandits for purchase at: http://www.133art.com/


Why it’s awesome: Oh man… I don’t honestly think I can say anything more than what’s already been said. Y’all need to check this out yesterday.

Below you’ll find some examples of the webcomic in no particular order..

Kid Carvers Poster v2.jpgKid Carvers pg1 [small].jpgwebcomic pg12.jpgKC advert4.jpg


If you’d like to have your webcomic featured here, then drop us an email.

Webcomic Review: Slang Pictorial

slang-pictorial

Imagine if you will a little town in England called Bouveray Town, Three Kings to the residents. It seems typical enough: shops, pubs, restaurants, neighbors that have known each other for decades, men and women getting up for work everyday while the children go to school. Nothing out of the ordinary.

Well, that’s unless you’re Jimmy, enforcer for the reigning crime lords. What follows is a series of vignettes about Jimmy, his family, and the various quirky citizens of the now not so quiet town.

It’s sad that so many comic websites focus mainly on the mainstream American direct market. Yes, I am even talking about Image, BOOM!, Oni Press, and all those darlings. And it’s true. Rarely do I see a site pay as much attention to Fantagraphics, Top Shelf, self-published books, and the various manga publishers as much as the billionth Batman comic. And pieces about European comics? Rare as a white, I tell you.

I understand why. It’s because these comics are, as stated, mainstream. They get the most promotion and produced works with large impacts on pop culture. I mean, that’s what pop culture is about, right? Not necessarily what is good, but what is popular.

Now, don’t take this observation as an anti-mainstream rant to bolster indie comics. There are equal amounts of good and bad comics on either side of the fence. However, I think that comic websites could do a lot better to look for, review, and promote comics that don’t get a spotlight for whatever reason.

An untapped market are Webcomics. There are exceptions like Sunstone with huge mainstream success, but must go unnoticed. Now, a lot of Webcomics are imperfect. After all, they tend to be made by a small group of people, usually one person, self-edited, published without the resources of a publisher. There can be delays in updates, the art isn’t so good, or the story riddled with holes. I say it is still important because Webcomics are a way for those with fresh ideas and perspectives to release their work.

Webcomics have a lot of potential to grow the industry, and to ignore them is criminal. That’s why I’m happy to review Slang Pictorial, a new Webcomic by Nick Prolix about a small little town with a lot of big drama. It’s got old school-inspired art, unique characters, and a myriad of influences that coalesce into a quirky slice-of-life story.

Now, there is a print version of the first chapter along with the actual Webcomic, so I think I’ll review both formats in terms of their functionality. With any print comic, I focus on the cover and how well it does in capturing my attention and selling the contents of the comic. Unfortunately for Slang Pictorial #1, it’s a rather boring cover

It has a block of red color at the top half with a map of the town in the bottom half, and the title of the comic and its creator across the center, but nothing else. The cover of issue #2 isn’t much better. In fact, it’s just the first cover but instead with a blue block of color. I appreciate how this comic implies that the setting is going to play a major role in the story, but where are the characters? Where are the implications of what happens in the story?

I need more details than what is provided. It doesn’t have to be much, it can be a group shot of the characters, scenes from the story put in the background, or mere objects placed around the cover that have significance to the story. The cover could be a nice way to anticipate the reader for what will happen, perhaps leave clues for them to put certain parts of the story together. Whatever is done, as long as it catches the eye somehow.

I will compliment, for both the print and Webcomic version, the layout of the panels. Typically, they are laid out vertically on a triangular page. Here, it is like a newspaper’s comic section where the comics are printed horizontally. This layout fits the art style which is like an extended newspaper strip. It also helps that at the beginning of Chapter One there are ads that look like the kind you would find in the back of a newspaper (We still remember what those look like, right?). It’s interesting to have this layout because it forces a comic artist to tell a sequential story with a limited amount of space. This might not sound good, but keep in mind limitations are an opportunity to find new, interesting ways of storytelling.

Slang Pictorial Image 1.jpg

As for the Webcomic’s format, it is good, but the only issue is that there is no archive button yet. However, it is important to keep in mind the Webcomic has just started and there are not that many pages to it, so there is not yet enough material for one.

The result of Nick Prolix’s choice of layout for the art is a mixed bag. On one hand, he creates a detailed setting by masterfully moving from wide, spacial views of the town, to close ups on people and details. At first, I thought there were too many close ups that obscured the architecture. However, there were more establishing shots as the story went on.

As for characters, their designs resemble the look of Krazy Kat and Popeye: exaggerated anatomy, emotive facial expressions, and haircuts that look like they went to a madman barber. The style fits perfectly with the early 1960s jazz/beat era of the story. Reading the comic is like stepping into that time period and getting a feel for the working class neighborhood.

Prolix manages a lot of details with just black and white, using the various inking details such a cross-hatching and motion lines to mimic movement. Unfortunately, the limited panel space makes it so that movement is imperfect, especially with how much buildings and background environs can clutter up the page and obscure motion lines. This might mess with the layout, but perhaps larger panels for scenes of significant movement will be of better use in future chapters.

Another issue is that anatomy wasn’t always consistent. Yes, it’s meant to be exaggerated, but there were where it went too far with misproportioned limbs and uneven spacial relations between objects and characters. These are flaws easily fixed though and don’t impede too much on the reading experience.

Also, the black and white color choice of Chapter One caused scenes to feel cluttered, preventing the reader from discerning objects and details. However, the addition of minimalist color fixed this. Objects and people are clearly separated, not to mention details missed before fleshed out, and I’m able to appreciate Prolix’s pencils more.

Slang Pictorial Image 2.jpg

I can’t tell what the overarching plot of the story is yet. So far, it’s a series of character-focused vignettes. The first two characters the reader meets are Jimmy and Linda. Jimmy is a smooth-talking debt collector for the mob. Arrogant and self-serving, he has violent fantasies about murdering his boss Vasos. It seems Jimmy is incredibly egotistical, and even the slightest insult or command he doesn’t like causes him to burst. He does help people, but only if there is something in it for him.

It’s pretty obvious Jimmy is the macho man type, always needing to appear tough and cool. Part of his machismo are gendered insults toward men to make them seem inferior to him, his favorite being “darling.” However, Jimmy is not this way with his younger brother Georgie. Georgie designs clothes for women, and one might think that Jimmy would berate him for not being manly. That’s not the case though. Instead, Jimmy encourages Georgie and even offers to intimidate judges at a contest to be in his favor. Jimmy is a good brother, except for the creepy way he hits on Georgie’s friend and love interest Hattie.

Slang Pictorial Image 3.jpg

Gross, man.

Linda is a seamstress that works hard in the morning and party harder at night. She lives with her parents, but they don’t know the full extent of her antics. She seems to like her dad well enough, but accuses her mother of being stuck up. Linda comes off as selfish and immature, only interested in the night life and not much else. However, just like Jimmy, there is more than meets the eye. At work, Linda has to deal with a manager that sexually harasses her and she quietly dismisses it, not bothering to report him to the boss. This is contrary to how she is with Jimmy. She likes the guy, but does not put up with his crap whenever he is late. In one scene, Linda gets so peeved with Jimmy she decides to dance with another man. Jimmy doesn’t take too kindly to this and scares the poor guy off. They make up and dance anyway.

Jimmy and Linda are both complicated individuals with both good and bad qualities, sometimes contrarian in how they act around certain groups of people. They also seem to genuinely like each other. Their first date ends with coitus and see each other the next night. My feelings toward them are complicated, which is good. I like that I never truly love or hate them. They resemble real people, and real people make us feel a variety of emotions even when we consider them friends.

Other significant characters include Georgie and Hattie who are also in a process of romantic adventure. Hattie comes with Georgie to art and political protests against the South African government, despite the disapproval of her older brother Eustace that thinks it is best not to get involved. Jimmy’s other family members include his sister Maria and their father. Maria is a hardworking daughter and surrogate mother/wife. The stress of taking care of all the men gives her a short temper, although given Jimmy’s antiques, it is justified. She loves him, but boy would she like to give the two-bit hustler a punch in the mouth. Dad is a kind man but a drunk. There is an implication that his wife and mother to all three children is absent (whether dead, missing, or no longer in their lives is not explained, and it would be interesting if it never was). So, it could be that alcoholism is a way to cope with her lost.

Despite the lack of an overarching story, Slang Prolix is doing a lot of character development and drama that draws the reader in. With Jimmy’s uneasy employment to the mob, Georgie’s protests, Dad’s depression, and the various romantic relationships going on, there is a lot of potential for different plots to unfold.

What I find most interesting are the eclectic influences. Slang Pictorial is an anthology of sorts, but with a main story, The Sheep and the Wolves, the one I’ve just analyzed. Nick Prolix got the title plus some story elements from a pulp novel written by George Burnett. The comic’s story structure, as he describes it is inspired by Quentin Tarantino’s “The Hateful Eight and Death Proof…in which Tarantino is happy to put the brakes on the central plotline and will instead shift the focus onto a seemingly unrelated, languidly paced conversation between his knowing characters.” Also,  Slang Pictorial is the title of a track by rapper Cappadonna. It’s interesting to see all the things that inspired the story when it seems like it has nothing to do with those influences, at least not yet. Who knows? Maybe in the next few chapters, Jimmy and Linda will be holding up diners while discussing beer served in European McDonald’s.

Slang Pictorial Image 4.jpg

One more thing I’ll touch on: I liked the introduction in Chapter One where the character Gus the Gent introduces the reader to Three Kings ad drops some factoids about the town. This was interesting because it allowed the reader to get a better sense of the town. Sadly, this does not appear in Chapter Two. I hope that they return in later chapters. Factoids sprinkled here and there about a setting can make it feel like its own character and not just a background for the humans.

Despite being relatively new, Slang Pictorial has a lot of potential. There are flaws in the art, but the rich setting and fascinating characters draw the reader in. I highly recommend it for  fans of historical fiction, romance, comedy, family drama, and crime thrillers. If you’re interested in getting into Webcomics, then this is a great place to start.

Story: Nick Prolix Art: Nick Prolix
Story: 9.0 Art: 8.0 Overall: 8.5 Recommendation: Buy/Read

The Webcomic: http://thesheepandthewolves.com/page:12

Nick Prolix‘s Twitter: https://twitter.com/nickprolix

Buy the printed versions: http://nickprolix.bigcartel.com/

Nick Prolix‘s patreon: https://www.patreon.com/nickprolix

 

Webcomics Weekly: Big Fucking Hammer

Welcome to Graphic Policy’s spotlight on webcomics, where we take a look at one of the many comics available online every Monday: Webcomics Weekly (but don’t be fooled by the “weekly” part of the title; the feature may happen more or less frequently than that). We’re defining webcomics as any comics published online for free consumption by the general public that doesn’t require a  subscription service.

This week we’re taking a look at Big Fucking Hammer. The strip is created by Danny Djeljosevic, who was kind enough to answer a few questions for us about the webcomic below.

Graphic Policy: In a nutshell, can you tell us what the strip’s about?

Danny Djeljosevic: Big Fucking Hammer is the story of Madison Tiger, a teenage girl who gains the power to puke up a giant hammer every time she eats. She finds out her small town of Meteor Fell is secretly run by a mysterious criminal organization that experiments on teenagers for nefarious purposes, so she gets super mad and decides to use her newfound abilities to bring the whole system down and smash everyone who gets in her way. It’s like if Mean Girls were a battle manga.

GP: How often do you update? 

DD: I was gonna be mega glib and say “when it’s done” but I don’t wanna put that Duke Nukem Forever curse on me and my crew. We don’t really have a set schedule — when we finish a chapter, it goes up a single page at a time on an MWF schedule, so there will be an embarrassing drought before a month of new content. So, in other words, “when it’s done.”

GP: How long have you been producing the strip?

DD: Our first update was in March of 2015, so we probably got started working on Big Fucking Hammer in late 2014.

GP: Where did the idea for the strip come from?

DD: The basic concept of the strip — normal teenage girl is given superpowers by a shady experiment in a small town — dates back to a comic I was hashing out in 2007 when I was sad that I ran out of episodes of Veronica Mars to binge watch. Over the years the premise evolved, gained a title and a feel closer to the final product. When I wanted to come up with a new project with Diana Naneva after our one-shot Final Derby, it felt like the perfect time to pull the trigger on Big Fucking Hammer.

Why it’s awesome: If the name alone doesn’t grab you, then the fact that you’ll see somebody puking up a giant hammer should. This is stupid fun, and yet there’s somethering just below the surface that you’ll want t get more of; Big Fucking Hammer is well worth looking out for.

Below you’ll find two strips that were originally posted to the site from the first update.

bfh1

bfh2


If you’d like to have your webcomic featured here, then drop us an email.

Webcomics Weekly: Versus

Welcome to Graphic Policy’s spotlight on webcomics, where we take a look at one of the many comics available online every Monday: Webcomics Weekly (but don’t be fooled by the “weekly” part of the title; the feature may happen more or less frequently than that). We’re defining webcomics as any comics published online for free consumption by the general public that doesn’t require a  subscription service.

This week we’re taking a look at Versus. The strip is created by Robert White, who was kind enough to answer a few questions for us about the webcomic below.

Graphic Policy: In a nutshell, can you tell us what the strip’s about?

Robert White: Versus takes genre types or types of people and pits them against each other in humorous, single panel gag strip ‘battles’.

GP: How often do you update?

RW: Five times a week, Monday to Friday.

GP: How long have you been producing the strip?

RW: Must be about six years now

GP: Where did the idea for the strip come from?

RW: It was back when zombies started becoming popular again: lots of movies, comics and games were doing ‘_________ versus Zombies’ type of stuff and I came up with my own: Pirates Versus Zombies. I wasn’t sure what to do with the idea at first but eventually decided to make up a poster in the style of the sort you’d see for boxing matches. It was whilst making that, that I came up with other ‘versus’ battles and decided to make it into a series. The style of the strips has obviously changed somewhat over the years, but the core idea of taking different genre types and putting them together in an off the wall battle was born from that initial ‘Pirates Versus Zombies’ poster.

Why it’s awesome: This site is a fantastic quick-hit laugh. Check it out each morning while you’re making your coffee, or you have a spare minute or three to read through the archives – whether that’s just clicking randomly on different days (which is what I did for the two sample strips below), or by methodically going through one at a time.

There’s absolutely no reason for you not to be reading this page.

Below you’ll find two strips that were originally posted to the site, the first from November 24th, 2014…fanboysvssportsfans.jpg

….and the second from August 1st of 2016

cannibalsvsdrugaddicts.jpg


If you’d like to have your webcomic featured here, then drop us an email.

Man Plus Leads The Charge Of Titan’s New Web-First Comics!

33530_MAN-PLUS-#1-HAv3Titan Comics has launched their all-new web-first comics program with dystopian thriller Man Plus by André Lima Araújo, with updates scheduled Mondays, Wednesdays and Fridays at manpluscomic.com!

Titan’s web-first program is aimed at building new audiences for print and digital by letting you read the greatest next-gen comics…TODAY!

With other amazing web-first projects soon to follow, Titan’s new initiative gives readers and retailers direct immersion in never-before-seen creator-owned worlds before they hit the comic racks.

Print editions of web-first comics will also be crammed full of can’t-miss bonus material – from character profiles, interviews and deep-dives into the worlds of each comics universe, to unseen art pages and more!

The first 12 pages of Man Plus #1 are live right now on the official Man Plus website!

Welcome to Olissipo City: a shimmering metropolis where technology rules with a heavy hand, cyborg strike teams are commonplace, and the lines between man and machine grow hazier every day.

From artist/writer André Lima Araújo comes a high-octane dystopian thriller that whisks the reader into the thick of a robotic skirmish and the unsettling conspiracy that lies at its heart…

Review: Questionable Content web-comic

logo14Jeph Jacques launched Questionable Content (QC) in August of 2003 as a twice-weekly web-comic to three times a week until September 2004 when Jacques decided to quit his day job and focus solely on creating comics five days a week.

QC begins as a story about Martin Reed, a twenty-something single guy living with his personal AI robot named Pintsize. Pintsize is an jerk.

Soon though, Martin meets Faye – bad-ass hipster-chick – who quickly becomes Martin’s sass-talkin’ room-mate. The art evolves as quickly as the story-line so the reader is treated to witnessing the evolution of Jacques’ style and character design.

The story is set in a mostly-present day society, but in a parallel universe where the robotics industry has made HUGE leaps ahead of what we have. But with all the same indie-bands as this universe, who are referenced frequently.

The characters face a wide array of social challenges that they help each other through, and the comic features a long list of main characters as well as characters who drop in and out, either never to be seen again or who re-emerge in later arcs.

There’s something for everybody in this comic, from the gothic coffee-shop owner Dora, the lesbian librarian Tai, the OCD insomniac Hannelore and just too many others to list.

Story & Art: Jeph Jaqcques
Story: 9 Art: 9 Overall: 9 Recommendation: Read it NOW

Shinobi: Ninja Princess Announces Free Webcomic

Action Lab Entertainment’s popular coming of age action series, Shinobi: Ninja Princess is well into its run with issue 4 coming soon. Now, Series creator Martheus Wade is introducing new fans to the world of Shianndrea “Jetta” Toshigawa with a new tie in webcomic.

These 1-4 page webstories weave into and out of the existing 6 issue mini series published by Action Lab Entertainment. Each story will give readers more information on the characters and world of this martial arts adventure as well as serve as a gateway for new readers.

The stories mix the lighter side of the series and answers those burning questions fans have been asking for such as “how did the Azumi Ninja Clan get the contract to find Shianndrea Toshigawa in the first place?” and “What do young ninjas do to blow off steam?”

The free webisodes are available at the official Jetta website at http://toshigawa.com/

SHINOBI NINJA PRINCESS WEBCOMIC

Edgar Rice Burrough’s The Mucker Webcomic Launches with Ron Marz & Lee Moder

Mucker TitleReturning to the spotlight for the first time in a century, Edgar Rice Burroughs’ classic rough ‘n tumble man of action, The Mucker, is making a  digital debut this Saturday, January 18, 2014, in an all-new adventure strip written by Ron Marz and drawn by Lee Moder. The strip will be available on the Burroughs website.

Marz is a long time Burroughs fan. In a release he explained:

I grew up on the work of Edgar Rice Burroughs and, to a large extent, I’m the kind of writer I am because of Edgar Rice Burroughs. I’m following not only in his footsteps, but in those of so many other creators who have left their mark on these concepts and characters. My job is to make these stories worthy for existing fans and completely accessible for new fans.

Though not as well-known as Burroughs’ other works of science fiction, fantasy and adventure, like Tarzan of the Apes and John Carter of Mars, The Mucker is a unique story about the exploits of Burroughs’ only anti-hero – Billy Byrne, a brash and brawling street tough from Chicago’s West Side – grounded in the harsh realities of life in the slums of the early 1900’s. Decades before Indiana Jones uncovered the Lost Ark and Rambo fought his personal guerrilla wars, the ruthless Mucker would find himself on whatever side of the law suited his savage nature, taking on crooked fight promoters, brutal gangsters, sinister kidnappers, ferocious headhunters and a femme fatale or two.

Artist Lee Moder, known for his work on Legion of Superheroes, Wonder Woman and Stars and S.T.R.I.P.E., combines a classic sense of design, setting and anatomy with a flair for exciting storytelling.

The first four strips will be available for free and upcoming episodes will be available anytime, anywhere for just $1.99 a month with a subscription to the official Edgar Rice Burroughs Digital Comic Strips service. The service includes numerous other series to enjoy including:

  • The Mucher™ by Ron Marz, Lee Moder, Troy Peteri and Neeraj Menon
  • Tarzan of the Apes™ by Roy Thomas, Pablo Marcos and Oscar Gonzalez
  • Thew New Adventures of Tarzan™ by Roy Thomas and Tom Grindberg
  • Carson of Venus™ by Martin Powell, Thomas Floyd and Diana Leto
  • The Eternal Savage™ by Martin Powell and Steven E. Gordon
  • The War Chief™ by Martin Powell and Nik Poliwko
  • The Cave Girl™ by Martin Powell and Diana Leto
  • Pellucidar™ by Chuck Dixion and Gary Kwapisz
  • The Land That Time Forgot™ by Martin Powell, Pablo Marcos and Oscar Gonzalez­

Egypt’s Hijab-clad Superheroine

8451I_qahera1Egypt has its own superhero, and the comic book crime fighting Qahera is a hijab wearing crime fighter taking on prejudice and representing strength.

Created by Deena Mohamed, the character was started as a web comic as a way to respond to frustrations at the time. The web comic has gained a following world-wide, not just in Egpyt. The popularity has grown to the point it’s moved from digital to print.

Qahera is the Arabic word for Egypt’s capital, Cairo and also means the conqueror or the vanquisher. An appropriate name for a character whose donning of a hijab is to fight the stereotype that women who wear the Islamic attire can’t also be strong.

The comic is written in English as Mohamed had a Western audience in mind from the beginning, another reason for the hijab. The character is partially a response to the backlash to Islam and meant to address that. In a recent story, that was the main plot with western women calling the outer-wear a sign of “oppression.”

The character also takes on the increase of sexual harassment and attacks on women in the streets of Egypt. An issue that’s been on the rise in recent years. She’s taken up arms, literally with a sword, to battle the issue.

Lately the web comic has taken on more recent history, paying tribute to the women who took part in the 2011 uprising protests.

A fine example of a comic series documenting recent experienced history through the guise of a superhero.

qahera

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