Get a look at the Winter Soldier 1/6 Scale Figure from Hot Toys! Following the events of Avengers: Endgame, Bucky Barnes finds himself in a mismatched partnership with Falcon as they take on the Flag Smashers.
Inspired by Marvel Studios’ original series The Falcon and The Winter Soldier, the Winter Soldier 1/6 Scale Figure features a hand-painted headsculpt with a highly detailed and ultra-realistic likeness of Sebastian Stan. The figure is dressed in a meticulously tailored tactical outfit with forearm armor and his iconic prosthetic arm includes a screen-accurate metallic finish. Bucky is ready for any mission with his machine gun and dagger accessories.
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This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site.
There are likely those that think that the well of ideas for Secret Wars might already be exhausted, between the new material and the inspiration from previous crossovers or other inspirations. If thinking only inside of Marvel, then they might be right, but Red Skull #1 proves that there is still some more distance to go in this massive crossover. Although it draws upon characters from across Battleworld, this series is one which is at home in the heart of the Deadlands, the realm of the crossover title of Marvel Zombies vs. Age of Ultron. The setup is not like anything from Marvel though, as it is essentially a Secret Wars version of the Suicide Squad. This group of supervillains only has one job, to travel to the Deadlands and to prove that the Red Skull died after being exiled there.
The team is made up of an unlikely grouping of villains, similar once again to the Suicide Squad comparison – Electro, Moonstone, Magneto, Lady Deathstrike, Jack O’Lantern, and Bucky Barnes, seemingly acting in the Rick Flag role. They are recruited by Crossbones, a one-time loyal follower of the Red Skull who has given him up for a blind allegiance to Doom. He leads the team to the brink of danger before stopping to stand guard over the portal from which he expects them all to try to instantly escape. The remainder of the story comes across as a bit of a juvenile wish list, with zombies, robots and dinosaurs, but the action never lets up in this exciting issue as the team get pretty close to discovering the source of their mission.
This issue proves that there are still some fresh ideas floating around in the somewhat constrained world of Secret Wars. This has proven to be a winning formula elsewhere, and works well here too. The combination of characters is broad, but it seems like they fit well together, even if they don’t have much of a chance yet at this point. With so many other Secret Wars inspired series being born after this crossover, it would be nice to see one inspired by the same concept as presented here. Many people will look at the title for this series and likely not give it a chance, but for those that do, they will find something pretty fun and probably what will become one of the highlights of the entire crossover.
It wasn’t that long ago that the world’s first glimpse of a new superhero costume for a live-action project would premiere in, say, the pages of a fan magazine, or even an early trailer. Now, we live in a time when every major news outlet scrambles to score the first run of such an image. The recent debuts of Jason Momoa‘s Aquaman costume from Batman v. Superman: Dawn of Justice and Melissa Benoist‘s Supergirl costume from the upcoming CBS show got me thinking.
With so many examples of superhero costumes for fans to examine, which have been the most faithful to their four-color roots? And is there any connection between the loyalty of a costume to its source material and the quality of the adaptation; that is, do they go hand in hand? Let’s take a look through some of the most reverent examples and see what we can find. All of the costumes I considered for this article were from live-action projects, as animation doesn’t carry as many challenges for transitioning a costume. I also omitted CGI characters such as The Hulk and The Silver Surfer, since their creation was primarily digital.
1) Christopher Reeve as Superman, Superman: The Movie (1978): What better place to start than with an icon? While the suit doesn’t conform expressly to any one comic artist, it does replicate all the hallmarks of the widely accepted Superman look: spit curl, wide “S” on the chest, secondary yellow “S” on the cape, thin yellow belt with circular buckle, even the subtle “M” shapes cut into the top of the red boots. The thorough translation of that look, along with Reeve’s heartfelt performance, lifted Superman: The Movie to its status as both the first serious superhero blockbuster and the grandfather of the entire comic-book film landscape.
2) Andrew Garfield as Spider-Man, The Amazing Spider-Man 2 (2014): Another iconic hero, another familiar costume, though perhaps not from a film afforded the same affection as Superman: The Movie. Whatever your thoughts regarding Marc Webb’s second stab at Spidey, you have to admit that the costume is hard to criticize. It’s all there, as if he just swung in from an early Stan Lee/John Romita Sr. issue: the rounded white eyepieces (not pointed; a detail that bugged me about the Raimi films), the bright blue and red in their classic configuration, even the black web-rings that encircle the web-slinger’s fingers. If anyone ever thought that the Spider-Man costume wouldn’t work on film as is, here’s proof to the contrary.
3) Sebastian Stan as The Winter Soldier, Captain America: The Winter Soldier (2014): A more recently created character, but another successful translation from page to screen. The Winter Soldier springs from the mind of Ed Brubaker into the Marvel Cinematic Universe, complete with metal arm and a half-mask that makes him look like a Cobra trooper. The comic design of the Winter Soldier already lent itself to cinematic copy, and the recent debut of the character allowed much of the general audience to experience the character on film without prior knowledge.
4) Lynda Carter as Wonder Woman, Wonder Woman (1975 – 1979): Much like Christopher Reeve’s super-wear, this costume was a crystallization of Wonder Woman’s history of slightly modified battle attire (sometimes shorts, sometimes a skirt, etc.) by cementing the “swimsuit” style look in the public’s mind. Like Reeve, it helped that Carter was a solid physical match for the character. This is generally what springs to mind when one thinks of WW: golden tiara with red star, gold and red top, blue star-spangled lower piece, bullet-stopping bracelets and striped red boots. While the show suffered from an overabundance of camp and the absence of a generous budget, the costume would continue to appear in much the same form across multiple media formats for decades.
5) Robert DowneyJr., Iron Man, Iron Man (2008): An instant classic. Utilizing Adi Gradov’s Extremis-era armor design from the comics (which made sense as Gradov worked as a concept artist on the film), the Stan Winston Studio delivered a detailed, believable armored battle suit that filtered the multitudes of Iron Man suits into a crowd-pleasing singularity. Bonus points for the design of the Mark 1 armor, capturing the DIY feel of a clunky, first-draft walking tank with panache. A rare example of all elements of a film working together to produce something special and unexpected.
6) Brandon Lee as The Crow, The Crow (1994): While admittedly a relatively simple look to replicate on film, the late Brandon Lee’s striking performance leapt out from behind the rage-mime makeup to create a truly memorable character: raw, emotional, caring and vengeful. The unadorned black clothing kept the focus on the power of the character and his mission while satisfying the fans of James O’Barr’s graphic novel.
7) Billy Campbell as The Rocketeer, The Rocketeer (1991): Such a period-evocative costume design that feels as if it could only have exploded out of the 1930s, yet Dave Stevens’ high-flying aviator first appeared in 1982. Disney’s 1991 film followed Stevens’ lead exceptionally well, nailing the thick-buttoned leather jacket, jet pack, puffy pants, boots and that Art Deco helmet that looks like Dr. Fate’s blue-collar cousin. This adherence to Stevens’ design helped the film achieve its rollicking derring-do and high adventure as an energetic throwback to the early days of cliffhanger serials.
8) Nicolas Cage as Ghost Rider, Ghost Rider (2007): Ghost Rider’s costume design isn’t necessarily the most eye-popping, from the neck down. From the neck up, well, it’s just hard to beat a burning skull that can talk, laugh and spew brimstone. But the filmmakers did an admirable job of equipping that flaming skull with all of his comic-accurate accoutrements: lots of leather (with buttons that transform into metal spikes), a long length of lethal chain, and of course, that seriously intimidating bike. While the film may have stumbled with wild shifts in tone, the look of the main character was handled with aplomb.
9) Ron Perlman as Hellboy, Hellboy (2004): A great example of an above-and-beyond creation of costume design. The Hellboy design team, under the direction of Guillermo del Toro, duplicated Mike Mignola’s Hellboy comic design even down to the underbite that gives him that tough-guy profile. The devil’s in the details: the filed-down horns, the symbols cut into his skin, the worn duster jacket, and of course the Right Hand of Doom. The character’s relative human-like size allowed practical effects to create him believably in live-action, as opposed to Michael Chiklis’ Thing in Fantastic Four, who was rendered much smaller than his on-the-page counterpart. Coupled with Ron Perlman’s surly yet lovable performance, Hellboy translates improbably well into our world.
10) Jackie Earle Haley as Rorschach, Watchmen (2009): Aside from the shifting mask, the rest of Rorschach’s ensemble may seem a bit pedestrian. But this one’s all about the little touches: broken belt loops, old bloodstains; all the effects of an obsessive crime-fighting mission on a man without Bruce Wayne’s resources. This wear and tear, combined with Haley’s mastery of the character’s objectivist rage and bulldog tenacity, made Rorschach as much of a standout in the film as he was in the graphic novel.
Now obviously this isn’t an exhaustive list, or even particularly ranked on a subjective scale of comic-faithfulness. It’s simply my opinions regarding the examples that bridged the visual gap between comic and film in the best way. But within these picks there seems to be one through-line that pertains to the best examples: attention to replicating a character’s costume usually runs parallel to attention paid to the character’s inner workings and personality. Not always the case (Ghost Rider may be an exception) but many times a commitment to the legacy of a character’s outside equals a respect for the character’s inside.
Marvel has a brand new initiative in the fall dubbed Avengers NOW! which follows Marvel NOW!, and All-New Marvel NOW! in shaking up the Marvel universe landscape and a point to launch numerous new titles.
In November, Iron Man kicks it off with Superior Iron Man #1 which sends Tony Stark to San Francisco with a new outlook on life, and a whole new Iron Man suit, sporting a silver and black look. Much like Superior Spider-Man which saw Doc Ock take over Peter Parker’s body and mind, this Tony Stark will be hard to cheer for. The series is written by Tom Taylor and drawn by Yildiray Cinar.
In November we also get the Sam Wilson, previously the Falcon, taking up the mantle in All-New Captain America #1. The change announced on last night’s The Colbert Report, has been a while in the making, with Cap being side lined in the latest issue after her serum is sucked out of him. The series will be written by Rick Remender and art by Stuart Immonen.
Courtesy of writer Jason Aaron and drawn by Russell Dauterman, this October sees Thor #1 with a woman taking up the role, after the current Thor is determined to no longer be worthy. That change was announced this week on The View.
The change is greater than just those three, with a greater focus on some other characters who have either been featured in films, or will be. In an article with Entertainment Weekly, the characters depicted below will all feature more prominent roles. It’s not surprising that Dr. Strange (we have confirmation to expect a solo-series), Scarlet Witch, and Ant-Man are included, they’ll all be heading to the big screen soon. But, also shown are Inhuman characters Medusa and Inferno who have been getting some love in the Inhumanity storyline. Also shown are The Winter Soldier, and Deathlok, both who have series announced and are prominent in the Marvel cinematic universe either in movies or television.
All together there’s ten titles in the planning stages. With next year also seeing the release of Avengers: Age of Ultron, expect to see the return of Ultron some time in the near future. I would also speculate you’ll see some of the classic take on the characters like Cap, Thor, and Iron Man, return in some form around then too.
Update: Here’s Marvel’s official press release:
The most popular characters. The most acclaimed creators. The most ambitious stories. This is the recharged Avengers NOW!.
This Fall, the Marvel Universe heads in an exciting and ambitious new direction as the industry’s top creators and brightest rising stars join the top Super Heroes – Captain America, Thor, Iron Man and more – to deliver the most exciting and energetic comics on the market with can’t miss all-new ongoing series!
“Avengers NOW! is the start of a Marvel Universe like you’ve never seen before,” says Marvel Editor-in-Chief Axel Alonso. “With massive changes coming to some of our biggest characters, Avengers NOW! is ready to kick off a bold new era of the Marvel Universe and will certainly close out 2014 with a bang.”
It all starts this October when Jason Aaron and Russell Dauterman bring the thunder in Thor #1. Bereft of his mighty magic hammer Mjölnir, Thor must contend with a new God of Thunder in the Marvel Universe – and she’s unlike anything you’ve ever seen before! Who is this new mysterious leading lady? Not even Odin knows! Prepare for a senses-shattering new beginning as the all-new Thor thunders her way through the Marvel Universe!
Then, Avengers NOW! soars to new heights in All-New Captain America #1! From superstar creators Rick Remender and Stuart Immonen comes the next evolution of the Captain America mythos. Drained of the Super-Soldier Serum, the frail Steve Rogers has handpicked his shield-wielding successor – Sam Wilson, the Falcon! But as the winged warrior assumes his new heroic mantle, he’ll have to contend with a gauntlet of Captain America’s most terrifying foes! Can the new, untested Captain America stand up to his predecessor’s most vile villains? Find out this November in All-New Captain America #1!
It only gets bolder from there as the billionaire playboy unleashes his dark side in Superior Iron Man #1! Rising comic stars Tom Taylor and Yildray Cinar craft an all-new tale of a Tony Stark you’ve never seen before! Releasing the dangerous Extremis technology to the citizens of San Francisco, he’ll transform the City by the Bay into the City of Tomorrow! But at what price? And what does a world look like when it’s consumed by technology? Find out this November in Superior Iron Man #1!
Once again, the biggest creators bring you the biggest characters in the biggest stories…and it’s happening NOW!