Tag Archives: sirens: love hurts

Mini Reviews: Alias: Red Band #1, Die Loaded #5, Bleeding Hearts #2, Sirens: Love Hurts #2

Bleeding Hearts #2

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Alias: Red Band #1 (Marvel)Sam Humphries and Gerardo BorgesAlias: Red Band #1 is like the warm embrace of an old friend. It all starts with the visuals as Borges channels Michael Gaydos in his faded out, noir approach with the assistance of colorist Arthur Hesli. His double page layouts where conversations become fights that look like the newspaper columns of the paparazzi photographer that has it out for “the mayor’s wife” aka Jessica Jones. Alias definitely lives up to its “red band” billing with a grisly murder almost on page one, but the conflict is through debates between following the law and doing what’s right and trusting your gut not fisticuffs. A particularly heated argument between Luke Cage and Jessica particularly shows the powerless of power. Alias: Red Band #1 definitely doesn’t have any new tricks, but it brings the aesthetic of Alias to the current Marvel Universe where Jessica, Luke, and engaging third lead Typhoid Mary are worlds away from who they were in 2001. Overall: 7.9 Verdict: Buy

Die Loaded #5 (Image)Kieron Gillen and Stephanie Hans expand the world of Die in this consequential, reveal-filled installment of the series. Sophie is still the POV character, but Chuck’s gaming-obsessed daughter Violet takes center stage as the new Master. Die Loaded #5 heads back into the trauma side of Die with Violet dealing with her father’s death through a gorgeous, yet dark island fantasy world. Also, Sophie continues to improve at Die’s mechanics with a side of her maternality as she tries to collect the party and go home. But this is hindered by the aforementioned complex trauma and bleed of Violet, who quickly becomes one of Die Loaded‘s most compelling characters. Throw in a mystery reveal, an Ursula K. LeGuin riff on par with the Tolkien one in Die, and some splendid colors, character designs, and high energy layouts from Hans, and I’m even more hooked on this series. Overall: 8.7 Verdict: Buy

Bleeding Hearts #2 (Vertigo) – Mmm, I love how Deniz Camp and Stipan Morian structure the sophomore issue of Bleeding Hearts. Our lovable zombie protagonist Poke appears in the beginning and the end and has a key moment. However, Bleeding Hearts #2 zeroes in on the potential victims from the end of the previous issue: a mother and her precious daughter named Rabbit. It lays out the difficulty of surviving in this zombified world with unrelenting narration from the mom, who focuses all her energy to giving Rabbit as normal a childhood as possible, including a stuffed animal. However, there are some super disturbing scenes, and Morian captures the trauma seared in Rabbit’s eyes. There’s an old school Frank Miller/John Romita Jr. quality to his figure work that lends the visuals darkness, but also unwavering humanity. By the time Bleeding Hearts #2 wrapped up, I cared deeply about three individuals in this comic and hope against hope for a bond of survival between them. Kudos to Camp and Stipan Morian doing something a little different and switching POVs to give a fuller picture of what this series could be. For old school Vertigo heads, this has Invisibles “Best Man Fall” energy, but with a happier ending. Overall: 9.3 Verdict: Buy

Sirens: Love Hurts #2 (DC/Black Label) Sirens: Love Hurts continues to be one of the most fun current comics as Black Canary, Catwoman, Harley Quinn, and Poison Ivy encounter a red herring and uncover more evidence about Gotham’s newest killer of women. Tini Howard‘s script is laugh out loud funny (I’m not over “dick dizzy”), and Babs Tarr brings some fierce fits and even fiercer facial expression accentuated by Miquel Muerto’s dynamic color palette. I love seeing how comfortable Dinah is with her new villain/anti-hero friends especially compared with the boredom of pre-wedding activities. (I could read a whole comic where Dick Grayson plays a wedding planner though.) Astrology ends up playing a key role in the plot, but let’s say Sirens: Love Hurts brings more of a girl’s girl approach to the zodiac killer than David Fincher and company. Overall: 9.1 Verdict: Buy

Preview: Sirens: Love Hurts #2

Sirens: Love Hurts #2

(W) Tini Howard (A) Babs Tarr

THE KILLER REVEALED! Things heat up in Gotham City as Catwoman, Poison Ivy, Harley Quinn, and their reluctant new partner in crime — solving , that is — Black Canary hunt down leads in their serial killer case. Catwoman ropes Batman into some steamy surveillance work, Harley and Ivy pour out the wine as they pore over evidence, and Canary… well, the only thing keeping her sane amidst wedding dress shopping and her too-fancy engagement party is getting her knuckles a little bruised and bloody during suspect interrogations. But as the bodies pile up and Halloween looms large over Gotham, the Sirens realize working together across enemy lines proves harder than your average Justice League team-up. When the killer suddenly turns the sharp point of their knife from the city ‘ s most vulnerable women to the Sirens themselves, will the threat unite them at long last? Or tear their alliance apart for good?

Sirens: Love Hurts #2

Sirens: Love Hurts #1 is a grown person’s superhero comic that nails the complex dynamics of relationships in 2026

Sirens: Love Hurts #1

Sirens: Love Hurts #1 is the triumphant return of Babs Tarr to drawing interior comics art as well as a perfect use of the Black Label imprint to tell a more mature as in complex relationship dynamics and not gratuitous violence, language, and sex, although Harley Quinn does call Bruce Wayne a “fuckboy” in a memorable panel. (He’s not, though.) Tarr, writer Tini Howard, breakdown artist Xanthe Bouma, colorist Miquel Muerto, and seriously snazzy letterer Becca Carey bring anti-heroes/villains Quinn, Poison Ivy, and Catwoman together with do-gooder/rockstar/billionaire fiancée Black Canary to solve the murders of women in Gotham that the police have neglected.

Sirens: Love Hurts #1 is truly a girl’s girl comic. From the immaculate fits designed by Babs Tarr to the fact that this story features both a brunch and a night out, Sirens exudes fun despite its dark subject material. These are four very different women with a wide range of moral compasses and approaches to fighting crime, relationships, and just life in general, and the story flows from this rather than just “Oh, I guess it’s been a lot of talking, let’s have an action sequence.” There’s also a true sense of symmetry in Sirens’ storytelling, one the whole creative team contributes to, like a five-panel page with a four-panel grid, where each cast member lays out their boundaries for their working relationship. The expressiveness of Tarr’s character portraits, combined with Howard’s witty dialogue and Muerto’s flat background colors, establishes the dynamic before they go their separate heist/superhero ways.

This symmetry threads its way throughout Sirens #1, keeping narrative momentum while indulging in plenty of chaos. (Seriously, I’m obsessed with Tini Howard and Babs Tarr’s take on Harley Quinn in this book and need Ashnikko to dress up as her at one of her gigs.) After finding the murder victim Julie in a state that is more true crime horror than superhero, each Siren does their own research in a way that’s true to their character whether (In a relatable moment for yours truly.) it’s Poison Ivy using her university/grad school credentials, Harley Quinn finding Julie’s therapist file and address, Catwoman flirting with Batman, and Black Canary juggling life as a rock star and crime fighter back stage at the Light. These solo moments apart contribute to the moments of banter and fun when the team unites towards the back end of the comic and debuts yet another glorious set of outfits/costumes from Tarr. (Her reimagining of the Uma Thurman Poison Ivy costume in Batman and Robin as a disguise is truly iconic.)

Sirens : Love Hurts #1 is a grown person’s superhero comic that nails the complex dynamics of relationships in 2026. (Seriously, the poly dynamic between Harley and Ivy has never been this well-done or hilarious.) I love that there are multiple discussions of boundaries in different aspects of the story whether that’s in relation to the law of Gotham City or whatever Harley/Ivy, Dinah/Oliver, and Bruce/Selina and various other wild cards are. However, above all, this is a be hot, do crime, and fight injustice towards women comic with style for days thanks to the visuals of Babs Tarr and Miquel Muerto.

Story: Tini Howard Art: Babs Tarr Breakdowns: Xanthe Bouma
Colors: Miquel Muerto Letters: Becca Carey
Story: 9 Art: 9.5 Overall: 9.3 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Preview: Sirens: Love Hurts #1

Sirens: Love Hurts #1

(W) Tini Howard (A) Babs Tarr

HARLEY, IVY, CATWOMAN, AND BLACK CANARY BROUGHT TO YOU BY FAN-FAVORITE CREATORS TINI HOWARD AND BABS TARR! Introducing Gotham’s most eligible bachelorettes… for at least a little while longer! First, there’s Catwoman, who’s been playing cat and mouse with her two favorite boy toys — Bruce Wayne and the Dark Knight himself, Batman. Next up? Harley Quinn, who’s recently single and now committed only to her hot girl era. Of course, there’s also Poison Ivy, who just wants to enjoy her solitude…as long as her best friend Harley’s there to enjoy it with her. And then there’s the new girl, Black Canary, who’s engaged to the love of her life, Green Arrow — but the closer they get to the wedding day, the more it feels like they might not be so written in the stars after all.

But these four fabulous women aren’t meeting to discuss any of that. At least, not willingly. There’s a killer on the loose in Gotham City — a killer of women. And when Black Canary realizes stopping the murders requires more criminal company than she’s used to keeping, she finds herself reluctantly teaming up with the infamous Gotham City Sirens for the hunt. Easier said than done when the four of them can barely make it through one lousy brunch… Fan-favorite writer Tini Howard (Catwoman , Harley Quinn) teams with superstar artist Babs Tarr (Batgirl) to bring you the sexiest and most scintillating DC Black Label series yet!

Sirens: Love Hurts #1