Tag Archives: sally of the wasteland

Titan Comics Launches Sally Of The Wasteland Art Competition!

SallyOfTheWasteland_CovwebTo celebrate the hit collection of grind-house by Victor Gischler and Tazio Bettin, Titan Comics is running an art competition for a chance to win an original piece of Sally Of The Wasteland artwork by series artist Tazio Bettin!

Sally Of The Wasteland follows​ the Grind-house Glamor Girl of post-Apocalyptic Louisiana as she battles her way through mutant monsters, crawgators and cannibal pirates in a crazed monsoon of madness!

To enter, artists must send in a piece of art that reflects post-apocalyptic world of Sally Of The Wasteland, and inspired by the tone of the series and its characters.

Produce a piece of Sally Of The Wasteland inspired artwork measuring 170mm X 258mm, 300 DPI, and submit to titancomicsentry@titanemail.com by May 21st for your chance to win!

The top three entries will be judged by the Titan editorial team, and will receive the following:

  • 1st Prize – Original artwork featuring a Sally of The Wasteland character by Tazio Bettin
  • Two runners-up – Sally Of The Wasteland hardcover signed by the creative team

To enter, send your entries to titancomicsentry@titanemail.com by the closing date of May 21, 2015.

For more details on the competition, terms and conditions and information about Sally Of The Wasteland visit Titan Comics Tumblr.

Preview: Sally of the Wasteland

SALLY OF THE WASTELAND

WRITER: Victor Gischler
ARTIST: Tazio Bettin
PUBLISHER: Titan Comics
PAGECOUNT: 128pp
FORMAT: HC, FC​
ISBN: 9781782760726
PRICE: $19.99​/$22.95 CAN/£14.99 UK​
RELEASE DATE:  March 25
​ORDER CODE:​ OCT141654

TARANTINO MEETS MAD MAX IN A POST-APOCALYPTIC NEW ORLEANS FROM THE WRITER OF ANGEL & FAITH!

COLLECTS SALLY OF THE WASTELAND #1-5

Sally’s just your everyday post-apocalyptic young woman, shooting mutant fauna by day, hanging at the local bayou bar by night. She might be slightly insane, but that’s all to the good after the fall of civilisation. But Sally cares about one thing above all others, and that’s her innocent, fair-haired boy, Tommy.

When Tommy takes off on a treasure hunt to the forbidden city of New Orleans, Sally follows the boy she loves on his expedition, because hell knows he can’t take care of himself…!

A satirical popcorn adventure, punctuated with garish set pieces and bawdy one-liners, Sally of the Wasteland is intended for theenjoyment – and delight – of mature audiences!

SallyOfTheWasteland_Covweb

Preview: Sally Of The Wasteland #5

Sally Of The Wasteland #5

STORY BY: Victor Gischler
ART BY: Tazio Bettin
COVER BY: Tazio Bettin
PUBLISHER: Titan Comics
PAGECOUNT: 32
COVER PRICE: $3.99
RELEASE DATE: November 26, 2015

SHE’S A BADASS BEAUTY WITH MAYHEM ON HER MIND!

Get ready for thrills, chills and overkills as Victor Gischler (X-Men, Angel & Faith, Noir) and Tazio Bettin’s post-apocalyptic princess comes to the end of her neo-American odyssey.

Secret societies, spooky scientists and shuddery scenarios abound as Sally’s Wasteland crusade reaches its epic conclusion, but what does this mean for our butt-kicking heroine? Will she save the world and bag the dude of her dreams to boot? Find out all and more in this nail-biting final issue!

Sally5_Cover

Preview: Sally of the Wasteland #4

SALLY OF THE WASTELAND #4

STORY: Victor Gischler
ART: Tazio Bettin
PAGECOUNT: 32pp
PUBLISHER: Titan Comics
VOLUMES IN SERIES: 1 (of 5)
PRICE: $3.99
COMIC STORE RELEASE DATE: October 29, 2014

SHE’S A GUN-TOTING DAME ON A MISSION TO MAIM!

Victor Gischler (X-Men, Angel & Faith, Noir) and Tazio Bettin’s trigger-happy heroine reaches the climax of her post-apocalyptic pursuit in this epic penultimate issue.

New Orleans ain’t what it used to be… Long gone are the jazz bands, boutiques and Mardi Gras mayhem, leaving only rubble and mutants in their wake. With their goal in sight, Sally and her crew are gonna need a little more than luck if they’re hoping to navigate the city in one piece. Better get those guns loaded, ladies!

Sally of the Wateland #4 hits comic stores on October 29.

SALLY_OF_THE_WASTELAND_004_RGB

We Talk Sally of the Wasteland with Victor Gischler

SallyOfTheWasteland_CovwebVictor Gischler is already a veteran of the comic industry, having worked with Marvel Comics for a number of years. His new project, Sally of the Wasteland has brought him to Titan Comics to tell the story of a normal girl with a normal girl problems, who just so happens to be stuck in a post-apocalyptic world with a lot of problems of its own.  It is a mixture of action and humor which is befitting of someone that used to write Deadpool.

Victor opened up some time in his busy schedule to talk with us about the series and a little more about his interests in the post-apocalyptic worlds and the people that live in them.

Graphic Policy: Your new series, Sally of the Wasteland is an interesting mix of post-apocalypse and humour.  How did you come up with the concept for the story?

Victor Gischler: This mix comes natural to me, I think.  I wrote a novel called Go-Go Girls of the Apocalypse which is very violent and graphic but also irreverent and humorous.  I wanted to do something in the same vein but with new characters and lots of cool visuals since it was for comics.

GP: The post-apocalyptic genre is not a very developed genre in terms of a long tradition, and the recognizable characters in this genre are thus are fewer in number but also probably more immediately recognizable and iconic.  What would you say that you have done to distinguish your characters from others?

VG: I don’t mind playing with archetypes. It’s fun.  At the same time, I think Sally has her own voice and identity.  Part of this is that she is a half-step removed from the reality around her which aids in the humor and the way we view the apocalyptic landscape.

GP: Do you have a favourite in the Post-Apocalyptic genre?

VG: Man … so many.  Novels like Lucifer’s Hammer and Alas Babylon come to mind.  Also the Mad Max films.  Also old role playing games like Gamma World.

trim

Hopefully no one answers trimaran

GP: What would be your vehicle of choice if you were trapped in a Post-Apocalyptic world?  Souped up car?  Ultra-light helicopter?  Cobbled-together trimaran?

VG: Big truck with spikes and armor.  I’d like to be able to run over stuff.

GP: How did you draw on your previous experience with other comic characters to craft this story?

VG: I used to write a little Deadpool for Marvel, and there is maybe like 10% Deadpool in Sally.  She has her own warped way of seeing the world around her.

ole miss

If the Rebels have obtained a complete technical reading of this station, it is possible, however unlikely, they might find a weakness and exploit it.

GP: One of my laugh out loud moments so far from reading the series was the introduction of the ‘Bamazons.  Is there a bit of state rivalry creeping in there?

VG: Yes, a little.  At the time of answering this question, Ole Miss has just beaten ‘Bama in a huge upset.  I’m a child of the SEC and I guess that fact has bubbled up in my work.  Ha ha.

GP: How did you get to Titan Comics?

VG: Writer Rob Williams was doing the book Ordinary with them and made some introductions. After a lengthy false start with another publisher, I just wanted to find the book a home so I could get it out to readers.  Titan has been marvelous and supportive, so I feel it all worked out for the best.

GP: How do you feel that it compares to work at one of the big companies versus the independents?

VG: Hmmm.  I’m not sure how to answer that. I mean I would try to write the best story I could regardless of the size of the publisher. I suppose a big publisher might have the power to push the book out there, but that’s not about the quality of the work.  I feel that readers with a similar sense of humor to mine will really enjoy Sally.

GP: Will Sally ever get Tommy to notice her?

VG: Stay tuned, fearless readers!

Street Level Characters to the Rescue of Zombicide

zombicideLike most table-top gamers I have a huge problem with purchasing versus playing. By that I mean that I am likely to buy interesting looking games and then let them languish unopened on my shelf for months. In the past year I have either been given or bought a lot of high-profile games that I still haven’t had a chance to get into – for instance Twilight Struggle, Dominion, Clash of Cultures and Ticket to Ride. Part of the problem is time, as each game takes a certain amount of time to learn and then to play. Another problem is being behind in terms of the medium itself.  When I was a kid I kind of prided myself on a collection of board games numbering more than 100. After a while I lost interest, and so too did most of popular culture.  Tabletop gaming was being rapidly replaced by video games, which allows better player immersion and topical stories.

mr t board game

I pity the fool that plays this

It was not until I wandered by our city’s first board game café that I realized how much had changed. Certainly games based on any topic or theme were gone, but table top strategy games were making a resurgence. Though these had always been part of the medium, tracing as far back as with Axis and Allies or earlier games, the new wave of games were aimed at a different crowd. The days when games littered the walls of department stores were gone, but in their place were games that were either more intelligent or more entertaining and usually both.  Out was the Mr. T board game, in came Settlers of Catan.

The problem with being behind the curve in games though is also the fact that the gaming industry has changed. Where once the games were mass-produced for a huge market, now they are niche entities. A lot of games rely not only on fan participation through purchasing but also through just getting the things started in the first place. Kickstarter became a major avenue by which game producers could get their product financed, and true to Kickstarter, financial support by fans often led to thank you in the form of exclusive content. Being a late-comer to the resurgence meant that I missed the opportunity to get involved at all with these Kickstarter campaigns, and in a lot of cases I lost a chance at exclusive material, the only other viable source for the material being on eBay, where complete sets of exclusive material can run in the hundreds of dollars.

ivyLast night I decided it was time to crack open a new game and to give it a try. I had been leaning heavily towards Thebes, a game about the golden age of archaeology, but I ended up on a completely different topic. After a quick video tutorial from Youtube I dived into Zombicide.  his is another Kickstarter funded game and one which has a fairly fun premise – guiding survivors through a zombie apocalypse. The first game ended in failure as my wife and I died pretty quickly, but in the second game we figured out a pretty good system and managed to beat the first scenario. This left us wanting a little more (despite that it was well past midnight.)  I got into researching the game and found out to my disappointment that the game’s expandable content, other than two expansions, was mostly all exclusive to Kickstarter supporters that was never released and never would be.

leaMost of this content was just additional player characters, and most of these were based on pop culture.  For instance, Ivy an assassin turned housewife is a direct rip-off of Angelina Jolie’s character from Mr. and Mrs. Smith. While not necessary to play the game, the additional character certainly would make it more fun, but the price would not be able to justify the benefit to the game. It is perhaps that the game makers (Guillotine Games) knew this. Among the other giveaways to the game, the company also produces blank character cards for individual customization. I looked up some of these and for instance certain people on DeviantArt have created some interesting looking characters. For someone artistically challenged as I am though, I came up with a different inspiration namely to mix two mediums of which I am a fan – board games and comic books.

faith

The cover for Angel and Faith Season 10 #7

This is a much easier enterprise as comics has done all of the work for me in an artistic sense. Browsing through the new releases for the next few weeks I came across an image of Faith with a flamethrower. That Faith has not been ripped off yet is a bit surprising (though the character Lea is close enough to being Buffy). Being based in a universe where they battle all kinds of supernatural creatures, living such characters through a zombie apocalypse is a fun idea, and the expansion of this game to most street-level characters is a pretty natural one. Even such characters as for instance Sally of the Wasteland, from Titan Comics would be a great fit. In a sense therefore, the company has allowed me a chance to catch up as well, only one fueled by a bit of research and my own creativity.

Sally Of The Wasteland Trailer

LISTEN UP, BOTTOM FEEDERS! IT’S TIME TO GET…WASTED!

An irreverent, grindhouse-style post-apocalyptic adventure, complete with atomic monsters, Crawgators, mutant cannibals, and fearsome river bandits!

Take a blood-spattered ride into darkness with the shotgun-toting Sally and her gang — as they take a treasure-hunting expedition into the forbidden heart of New Orleans!

NYCC 2013: Titan Announces New Wave of Titles

Titan Comics has released details on the brand-new wave of creator-owned titles for 2014, including titles from established comics stars Rob Williams,  D’Israeli, Peter Milligan, Arthur Suydam, Simon Bisley and more!

Announced at the panel  ‘Titan Comics: The Next Wave’, the new batch of fresh creator-owned titles includes adrenal grindhouse-flick Sally Of The Wasteland by Victor Gischler and artist Tazio Bettin, superhero thriller Girl 1 by award-winning actor-writer-director Noel Clarke and Yishan Li, and quirky anti-capes tale Ordinary by Rob Williams and D’Israeli.

Brand-new collections to add to Titan’s blossoming deluxe library include a cutting-edge two-volume English edition of the never-before-translated French science fiction masterpiece Snowpiercer. Snowpiercer is about a postapocalyptic train that can never stop, its thousand carriages housing all that’s left of humanity. The story has been adapted into an astounding new film directed by Joon-ho Bong, starring Chris Evans, John Hurt Tilda Swinton, Ed Harris and Jamie Bell, distributed in the USA by The Weinstein Company, and due for release in early 2014.

Other astounding graphic novels to come from Titan include the definitive edition of existentialist hitman satire Johnny Nemo,by industry legend Peter Milligan and Brett Ewins; The Complete Cholly & Flytrap by Arthur Suydam, collecting the full EPIC shorts and more; Gothic Victorian horror-adventure Springheeled Jack by David Hitchcock, and gnarly skull-crusher The Four Horsemen of the Apocalypse by screenwriter Michael Mendheim and rock-star of comics, Simon Bisley!

You can find out more at their next panel on Sunday October 13th at 3.45pm in Room 1A01, where you can meet the creators and be in at the very beginning…!

Titan Comics Logo (1)