Tag Archives: robert jeschonek

Review: Justice Warriors #2

Justice Warriors #2

Reality is pretty insane right now. Things look bleak. They get weirder by the day. It’s a tragedy within a comedy within a tragedy. Thankfully we have some brilliant people out there who have no issue finding the absurd and skewering it in so many ways. Justice Warriors #2 continues its quest to needle so much of the utter bullshit.

Written by Matt Bors and Ben Clarkson, Justice Warriors #2 continues as Swamp and Schitt must deal with the riots occurring around the city. First, due to a plot to drive record sales to spur the economy. Then, having to do with bread and speculation. In between that we get digs into Crypto/NFTs, “special months”, and so much more.

Justice Warriors #2 takes the insanity and ramps it up to massive levels. While the first issue gave us a scheme to drive record sales and for elected officials to profit off of that, this one shifts the focus to even more insane investments, this time dealing with bread. It’s hard to not think about Crypto and NFTs while reading either of these plots. At times you can swear you’ve heard the same pitches about each of those. But, at least bread has a use, unlike digital goods.

Then there’s the constant “special causes” that are promoted. With an arrest you get a cancer screening. A gun is green due to mental health awareness. It’s all small mocking of our commodification and exploitation of causes. Small jokes that have clear targets. And of course Bors and Clarkson just one-up each reference with an even more absurd next one.

The art is as much of the joke as anything else. Each scene is packed with visuals that’ll get you to pause and try to pick up on every small detail. This is a wacky world where mutants are plenty and every detail is a specific choice. It’s interesting to look and try to figure out the visual decisions that were made and how they enhance not just the story and jokes but the whole point that’s being made.

As with AHOY Comics, the issue has a lot of extras including a one page comic done totally by Borrs as well as two prose entries. They’re all nice additions to the comic and feel like a bonus but this comic is sold by the main comic all by itself, it’s that solid.

Justice Warriors #2 does a fantastic job of delivering laughs while skewering our society. It works as a mad camp of a cop story that goes in directions that are completely unexpected. The creative team delivers a read where you have no idea what they’re going to punch next and what jokes are coming.

Story: Matt Bors, Ben Clarkson, Kirk Vanderbeek, Robert Jeschonek
Art: Ben Clarkson, Matt Bors, Peter Bagge
Color: Felipe Sobreiro Letterer: Matt Bors

Story: 8.25 Art: 8.25 Overall: 8.25 Recommendation: Buy

AHOY Comics provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicscomiXology/Kindle

Preview: Edgar Allan Poe’s Snifter of Blood #6

Edgar Allan Poe’s Snifter of Blood #6

(W) Tom Peyer, Robert Jeschonek
(A) Alan Robinson, Greg Scott
(C) Alan Robinson
March 31, 2021
$4.99

“MASQUE OF THE RED DEATH”: The 1% think a pandemic is no threat to them in a ridiculously far-fetched tale by Tom Peyer and artist Alan Robinson. “BON BON”: Poe’s real-life rival Rufus W. Griswold has an ill-advised spat with the Devil. PLUS: Prose fiction, beautifully illustrated in the mighty AHOY manner!

Edgar Allan Poe's Snifter of Blood #6

Review: The Wrong Earth #5

On Earth-Alpha, sidekick Stinger loses faith in the grim Dragonfly as villains take control of their secret crime-fighting headquarters! On Earth-Omega, Dragonflyman befriends a member of the murderous Number One’s gang!

The Wrong Earth is one of the best comics out there right now and one of the best superhero comics.

Writer Tom Peyer continues the fantastic multiple world story he has created in The Wrong Earth #5 and uses it to explore different facets of the same character (from multiple Earths). What Peyer brilliantly is able to do is create a comic that’s a spoof, an homage, and just straight superhero adventure all at the same time. You can read it any way you want and no matter what, it’s still enjoyable. There’s a multi-level approach to it all.

In this issue on one Earth the destruction of the portal between worlds is dealt with resulting in something that’s rather unexpected. What’s also interesting is the exploration of the relationship between hero and villain. In this case what if you take a gritty modern hero and have their rogues be the more comical ones from the 60s. Wouldn’t those classic villains look like a joke? Did they then? There’s an interesting exploration of that and at the same time the gritty character too. Peyer feels like he’s making a statement about both comic eras and has concluded they’re both a bit silly.

We see that in the gritty world where the more innocent Dragonfly has come to the conclusion he should still stick to his ideals no matter how messed up the world is. But, there’s a bit of movement in those ideals and the conclusion seems to be there’s a happy middle. Go to the extreme on either end and things get rather comical and silly.

Peyer is joined by Jamal Igle on art, Juan Castro on ink, Andy Troy on color, and Rob Steen on lettering. I say this every issue but the team’s ability to take two very different styles and bring them together is impressive. It’s seamless and looks perfectly natural. What’s interesting is in this issue, those two styles have blended together a bit more as if to say that Peyer’s middle is the best route. Art and story seem to have the same focus.

That story alone would be worth picking this issue up.

Writer Paul Constant, Gary Erskine on art, Andy Troy on color, and Steen lettering deliver a back-up story focused on Dragonfly as he fights a nanite infuse bad guy. It’s the first back-up to be a multi-parter and not only is it solid it also adds in some history, as these back-ups all have. It’s an awesome bonus to an already great issue.

But there’s more!

There’s two prose articles, one by Matt Brady with art by Joe Orsak and another by Robert Jeschonek with art by Elliott Mattice and both are interesting reads. They’re the bonus that makes it feel like you’re really getting something for your dollar.

This is another great issue that delivers the more we should expect. The series has been entertaining and the fact you get so much more for your money makes it feel like even more of a deal and good value. AHOY is the company to watch out for in 2019 as they continue to show why they were the best of 2018.

Story: Tom Peyer, Paul Constant, Matt Brady, Robert Jeschonek
Art: Jamal Igle, Gary Erskine, Joe Orsak, Elliott Mattice
Color: Andy Troy Lettering: Rob Steen
Story: 8.75 Art: 8.75 Overall: 8.75 Recommendation: Buy

AHOY Comics provided Graphic Policy with a FREE copy for review