The Last Days of American Crime is a brand new comic adaptation coming to Netflix On June 5 and we have a new look. The film is based on the comic series published by Radical Publishing and created by Rick Remender and Greg Tocchini.
As a final response to terrorism and crime, the U.S. government plans to broadcast a signal making it impossible for anyone to knowingly commit unlawful acts. Graham Bricke (Édgar Ramírez), a career criminal who was never able to hit the big score, teams up with famous gangster progeny Kevin Cash (Michael Pitt), and black market hacker Shelby Dupree (Anna Brewster), to commit the heist of the century and the last crime in American history before the signal goes off.
There’s been rumors of the comic series The Last Days of American Crime coming to film for some time and it looks like it’s finally happening at Netflix. The Last Days of American Crime was a comic series published by Radical Publishing and created by Rick Remender and Greg Tocchini.
As a final response to terrorism and crime, the U.S. government plans to broadcast a signal making it impossible for anyone to knowingly commit unlawful acts. Graham Bricke (Édgar Ramírez), a career criminal who was never able to hit the big score, teams up with famous gangster progeny Kevin Cash (Michael Pitt), and black market hacker Shelby Dupree (Anna Brewster), to commit the heist of the century and the last crime in American history before the signal goes off.
The comic series was amazing and it’s exciting we finally get to see a live-action version. The Last Days of American Crime comes to Netflix on June 5.
Scarlett Johanson’s action-thriller (with a comic book like story) Lucy was number one this weekend with $44 million, beating Hercules based on Radical Publishing‘s comic by Steve Moore and Admira Wijaystarsa. Hercules brought in $29 million. The amount is a win for Lucy which was made for $40 million. Hercules, which cost about $100 million to make, earned $28.7 million over the weekend in 26 foreign markets.
With those two films topping the box office, the winner of the last two weekends, Dawn of the Planet of the Apes earned an additional $16.4 million to bring its domestic total to $172.1 million.
This coming weekend sees the opening of Guardians of the Galaxy, expect that to top the box office.
In other comic book movie related news the yearly grosses stand at:
Domestic Gross
1. Captain America: The Winter Soldier – $258.7 million
3. Transformers: Age of Extinction – $236.4 million
5. X-Men: Days of Future Past – $231.3 million
6. The Amazing Spider-Man 2 – $202.1 million
7. Godzilla – $199.3 million
9. Dawn of the Planet of the Apes – $172.1 million
16. Mr. Peabody & Sherman $111.3 million
17. 300: Rise of An Empire – $106.6 million
19. Edge of Tomorrow – $97.7 million
30. Robocop – $58.6 million
46. Hercules – $28.7 million
80. Snowpiercer – $3.9 million
Worldwide Gross
1. Transformers: Age of Extinction – $966.4 million
2. X-Men: Days of Future Past – $739.5 million
4. Captain America: The Winter Soldier – $713 million
5. The Amazing Spider-Man 2 – $706.3 million
6. Godzilla – $498.3 million
11. Edge of Tomorrow – $359 million
12. Dawn of the Planet of the Apes – $354 million
13. 300: Rise of An Empire – $331.1 million
16. Mr. Peabody & Sherman – $268.6 million
19. Robocop – $242.7 million
33. Snowpiercer – $85.5 million
47. Hercules – $57.7 million
159. We Are the Best! – $170,000
Executive produced by Sam Wothington
Created by John Schwarz, Michael Schwarz
Written by David Lapham
Illustrated by Leonardo Manco
Colored by Kinsun Loh, Jerry Choo, Sansan Saw
Lettered by Todd Klein
Edited by Renae Geerlings
UPC: 81390601059800411
Price: $3.50
Page count: 32
Format: Full color
Product to be distributed by Diamond Comic Distributors
As the mayoral election approaches, tension escalates in the city by the bay. With Henry Lincoln and his newfound apprentice, Isaac Lordsman, on the loose and back to their old ways, Frank Lincoln is compelled to hasten his retirement to go after his own brother and finally stop his path of destruction. Meanwhile, policeman Jack Cassidy’s world is changing, and not for the better. Now in charge of Frank’s former task force, Jack is confronted with a series of troubling discoveries that corrupt everything he once believed in- and nothing can ever be the same.
It’s been quite a while since I’ve read a comic from Radical Comics. Luckily they did a bit of outreach and checked in and in my hands were the first two issues of Damaged. I’d checked out the comic on the shelf at my local shop and for whatever reason didn’t grab it, but here was the opportunity to read something that should be up my way. Created by, Michael Schwarz and Jonathan Schwarz, executive produced by Sam Worthington, written by David Lapham with pencils by Leonardo Manco the comic reminded me of a Radical comic I loved, The Last Days of American Crime.
After a violent incident in their shared past forces the lives of brothers Frank and Henry Lincoln to diverge, each carries on with his own brand of justice. Frank, who is very close to retirement, has spent his life becoming a distinguished member of the San Francisco police force. Meanwhile, Henry has devoted his life to being a vigilante whose own brand of justice is far more violent than the law allows. After 35 years, these brothers are brought together again by the murder of a Russian mafia boss in the city by the bay. Frank, caught between political turmoil and training his replacement as he leaves the force, comes face to face with Henry, who may have more than just answers about the murder.
Take The Last Days of American Crime and mix it with the Punisher and you might get pretty close to the series. That’s a good thing I think. But how did it all measure up? Find out below.
Damaged #1
The comic kicks it off, taking you right into the vigilante justice. I really had it in the back of my mind it’s their version of the Punisher. Again, not a bad thing if done right. And they have. We’re introduced to a bunch of slimy politicians (I can spot them, I work in politics) and what seems like a pretty clean cop who they want to replace the old grizzled veteran. A nice twist to the vigilante comic, while not original it still added a layer to the story telling as opposed to the simple “catch the bad guy.” There’s a lot of twists, some mobsters get killed, there’s a story of another cop who took justice in his hands, it all adds up for the positive.
The art helps the case with some great work that doesn’t fall into Radical’s habits of lots of blacks (no idea why but it’s something I’ve noticed with their comics while reading digitally). The art is solid with similar work to some books I can’t quite place. Maybe a little Tim Bradstreet? It’s good, really good.
What easily could have been a stereotypical vigilante comic and the cop trying to stop him, got me to not only want to come back for the second issue, but happy Radical reached out.
Story: 8 Art: 8 Overall: 8 Recommendation: Buy
Damaged #2
So, there’s a lot of good stuff here that continues and adds to that first issue. We get a better sense of the problems between the two main characters and their falling out. We have the old grizzled cop trying to bring in the young upstart and give him advice. You also get a lot on Henry and his motivations and some of his plan.
There’s a nice contrast here. The older cop dealing with the younger cop who wants his job. The old vigilante who is looking for someone to take over. The two story lines will play off each other nicely.
The art is solid as expected with some great detail here. It’s really solid work that gets me to really linger on the art as I flip through the pages.
Two issue in, and I can’t wait to read the third. Very solid read with some great art too.
Story: 8 Art: 8 Overall: 8 Recommendation: Buy
Radical Comics provided Graphic Policy with an advance copy for FREE for review.
Radical Publishing Releases Driver for the Dead in Trade Paperback
September 13, 2011, Los Angeles, CA—Radical Publishing is thrilled to announce the release of the entire Driver for the Dead miniseries, now collected in trade paperback edition for the first time, this Wednesday, September 14, 2011. This new edition contains the entire three-issue miniseries along with interviews and extra features, including exclusive character and concept art, from the book’s writer and artist.
Written by John Heffernan and illustrated by Leonardo Manco (Hellblazer), Driver for the Dead is a rollicking adventure through the heart of the Deep South. The series follows Alabaster Graves, a special driver whose task it is to transport the dead to their final resting places; specifically, the dead no one else could handle. Vampires, zombies and the supernatural at large are Graves’ specialty, and with a veritable arsenal of weapons and a souped-up hearse called “Black Betty,” he is well equipped to deal with trouble. So when a much-beloved voodoo priest, Moses Freeman, is killed, Graves is called to ensure the body reaches its grave safely—and stays there. Accompanied by Freeman’s granddaughter, Graves embarks on a mission to transport Freeman’s body from Shreveport, Louisiana to New Orleans; however, unbeknownst to Graves, Fallow, an evil necromancer whose powers come from stolen body parts, has set his sights on the corpse of the powerful voodoo priest—and he
will stop at nothing to get it.
About Radical Publishing: Radical Publishing is a division of Radical Studios, a leading multimedia company producing award-winning print, digital, and motion picture content, including Hercules, Last Days of American Crime, and Legends. The company was founded in 2007 by Barry Levine and Jesse Berger. For more information, visit www.radicalstudios.com.
I don’t know what the Graphic Policy readership is like, but I’m guessing many will still be here to read this blog if the Rapture actually happens today. And, while you were planning the post Rapture looting, here’s the news you might have missed.
Comic Book Resources – “X-Men: Destiny” Introduces Grant Alexander – I’m interested in seeing what this game has to offer and it’ll be interesting to see if any of the original material makes it into the comic universe.
Win Two Tickets to the Coachella Music Festival through Radical Publishing’s “Where in the World is Radical?” Contest
February 14, 2011, Los Angeles, CA – Radical Publishing is happy to announce the launch of their most recent contest, “Where in the World is Radical?”
The contest will run from February 11 to March 15, 2011.
The winner of the contest will be flown from wherever they live in the United States to Indio, California, where they will receive two tickets to the Coachella music festival (April 15 – 17, 2011) and a 3-night stay at a local hotel, all courtesy of Radical.
To enter, visit the contest page and upload a photo of yourself holding a Radical book or the provided Radical printout in a location that shows where in the United States you live. Note that this does not necessarily mean you need to take a photo in front of a national landmark—submissions can be as simple as a photo taken next to a street sign. Think creatively, though— photos will be judged on the basis of originality.
Once you’ve got your photo, upload it to the contest page and ask your friends to vote— the more people you get involved, the better your chances at winning. Radical will select the winner from the three photos that receive the most votes, ultimately choosing a single winner based on the creativity of their submission.
Get creative, tell your friends, and enter Radical’s contest for a chance to win a pair of tickets to see your favorite musicians play at Coachella. For more detailed contest information, visit the following URL: http://bit.ly/e1kHR4
Good luck to all entrants!
About Radical Publishing: Founded by Barry Levine and Jesse Berger, Radical Publishing is a manufacturer of the next generation of premium comic book products, with a focus on high-concept stories and artwork by marquee and newly discovered talent. In addition, the quality of the work ensures a longer shelf life for each property as a collective library of high concepts. For more information, visit www.radicalpublishing.com.