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Advance Book Review: For Your Consideration: Keanu Reeves

For Your Consideration: Keanu Reeves

Larissa Zageris and Kitty Curran’s new illustrated book of essays/biography/fan fiction For Your Consideration: Keanu Reeves doesn’t come out until October, but my reading of it timed perfectly with the announcement of the fourth Matrix film and the end of filming Bill and Ted Face the Music. Keanu Reeves is the Internet’s boyfriend, has three film franchises (Matrix, Bill and Ted, John Wick), and resisted Disney/Marvel’s siren call. So, it’s the perfect time to look back at his career, see why he was loved and derided, and maybe even why he is more aspirational than any self-help guru.

Zageris and Curran structure For Your Consideration: Keanu Reeves like a series of essays looking at different aspects of Keanu Reeves’ career with fun extras like trivia and a quiz about which character named “John” played by Reeves you are (I was John Constantine.). There’s also a spaghetti Western-style fan fiction about what he was up to in the two year gap between Devil’s Advocate (1997) and The Matrix (1999), and best of all, a pitch for a romantic comedy/musical spinoff of John Wick set in Paris and co-starring Charlize Theron and Winona Ryder.

The five essays cover a range of topics from how Reeves’ vulnerable approach to acting clashed with some critics and endeared fans, his identity as Asian-American/Canadian man, his hard-working approach to his acting craft, his collaborations with both actors and business partners, and finally, one about his roles that fall on the “evil” side of the spectrum. A repeated theme is how Reeves’ main goal as an actor is to create a pocket reality for audiences to project themselves on them. He does this by working tirelessly at different skills his characters have (The eight months of kung fu training for The Matrix, surfing dangerous areas in Kauai for Point Break.) and also actively listening to his scene partners and not having his performance overwhelm theirs. Zageris and Curran state that this quality is why actresses like Sandra Bullock and Winona Ryder want to work with him multiple times, and Bullock saying his kindness to her and rapport in Speed helped ease her into the world of show business.

However, what makes For Your Consideration go beyond just a blow by blow recap/analysis of Keanu Reeves’ 30+ year career is Larissa Zageris and Kitty Curran using him as a vehicle to explore American society’s changing ideals of masculinity, the role of the Internet and celebrity, and how Reeves may have even paved the way for Asian-American representation in pop culture though he mainly plays white-passing roles. They discuss about how Reeves’ body is filmed like a female actor in some of his movies, and the similarities of how critics talk about his acting like assuming just because he played an airhead slacker in the Bill and Ted films that he was one and focusing on his looks and not his ability. As far as action movies, Zageris and Curran write about how Reeves’ earnest approach and emotional openness in films like Point Break and Speed set him apart from the machismo and smartassery of actors like Arnold Schwarzenegger and Bruce Willis.

At times, For Your Consideration: Keanu Reeves veers from being a work of cultural and film criticism with jokes to being almost a straight-up, self-help book with Keanu Reeves being held up as an example of how we should be. This goes beyond his characters’ mantras of “Be excellent” and Internet memes of calling people breathtaking and warm, vulnerable stories about how he uses Shakespeare monologues to stay calm and would rather read a book than be a celebrity.

Some of the self-help bits pop up in the chapter about collaboration that discusses how Reeves acts as if he’s in a supporting role even he is a leading man and praises his co-stars in interviews instead of talking about himself. The chapter also shows that he isn’t afraid to pursue his passions like bookmaking and motorcycle design and that his approach to these businesses mirrors his work with Chad Stahelski, who went from being his stunt double on The Matrix to directing him in all three John Wick films. There is a quote about Reeves’ dedication to learning fight choreography, gunplay, etc so that Stahelski has a full range of creative choices instead of cutting around him. (Basically, he was throwing shade on the Taken movies.)

Even if there isn’t enough space to go into detail of each and every Keanu Reeves role, Larissa Zageris and Kitty Curran perform an excellent close reading of Keanu Reeves the actor and human being with funny spot illustrations like a “human evolution” chart from Theodore Logan to John Wick, bearded badass. It isn’t a total hagiography with some critiques of Reeves’ accent work and deadpan descriptions of some of his “weirder” film choices like Bad Batch and Knock Knock, which I want to track down. However, it’s an appreciation of actor, who wants to take audiences on heroic (or anti-heroic) journeys into the world with him not just as a guide, but as someone they can identify with and walk out of the theater playing air guitar, doing kung fu, killing a man with a pencil, or maybe just hugging one’s beloved pooch a little tighter.

Overall Rating: 8.0

Quirk Books provided Graphic Policy with a FREE copy for review

Star Wars: The Force Awakens Crosses $1 Billion, Stays in First

star-wars-force-awakens-official-posterThe records keep falling to Star Wars: The Force Awakens. The film broke even more records this past weekend. The film cross the $1 billion mark worldwide in record time. The film earned an estimated $153.5 million this past weekend, the highest second weekend of all time. It beat the previous record holder, Jurassic World, by $46.9 million. The film has earned $544 million domestically and $546 million internationally for a total of $1.09 billion.

In just two weekends, the film is now the second highest grossing domestic release in 2015 and the fifth worldwide. Avatar holds the domestic record of $760.5 million, and it’s not a question “if” Star Wars will top that, but more likely “when” will it top that. The film is currently fifteenth in the all-time non-adjusted grosses. It would have to over double its earnings, and has yet to open in some key markets like China.

A whole bunch of other films opened up this weekend as well.

Daddy’s Home opened in second place earning an estimated $38.8 million, better than expectations. Joy opened in third with $17.5 million. Concussion, which takes on the NFL and football, opened in sixth with $11 million. The Point Break remake came in eighth earning an estimated $10.2 million. The Hateful Eight opened in limited released coming in eleventh and earning $4.5 million. Also opening in limited release, The Revenant earned an estimated $471,000 and came in 21st; Mr. Six earned $286,847 for 24th place; and 45 Years earned $69,300 for 29th place.

Here’s this year’s top earners so far:

Domestic

  1. Jurassic World – $652.27 million
  2. Star Wars: The Force Awakens – $544.57 million
  3. Avengers: Age of Ultron – $459.01 million
  4. Inside Out – $356.46 million
  5. Furious 7 – $353.01 million

Worldwide

  1. Jurassic World – $1.6690 billion
  2. Furious 7 – $1.5150 billion
  3. Avengers: Age of Ultron – $1.4050 billion
  4. Minions – $1.1573 billion
  5. Star Wars: The Force Awakens – $1.0906 billion

Comic Adaptations Domestic

  1. Avengers: Age of Ultron – $459.01 million
  2. Ant-Man – $180.20 million
  3. Kingsman: The Secret Service – $128.26 million
  4. The Peanuts Movie – $127.60 million
  5. Fantastic Four – $56.12 million
  6. Diary of a Teenage Girl – $1.48 million

Comic Adaptations Worldwide

  1. Avengers: Age of Ultron – $1.4050 billion
  2. Ant-Man – $518.63 million
  3. Kingsman: The Secret Service – $414.35 million
  4. The Peanuts Movie – $172.74 million
  5. Fantastic Four – $167.98 million
  6. Diary of a Teenage Girl – $1.48 million