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Review: Bloodshot #10

Project Rising Spirit is back and a team is coming together to stop them from whatever evil plans they might have.

Bloodshot #10 kicks off “One Last Shot“, a solid starting point for new readers and a new story arc that should have long time fans excited.

Story: Tim Seeley
Art: Brett Booth and Pedro Andreo
Color: Andrew Dalhouse
Letterer: Dave Sharpe

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Review: Bloodshot #10

Bloodshot #10

Bloodshot only has “One Last Shot” as the brand-new story arc starts in Bloodshot #10! Artists Brett Booth and Pedro Andreo join writer Tim Seeley for Bloodshot’s road to retribution. Who can a one-man army trust when everyone’s trying to kill him?

The last issue of Bloodshot wasn’t exactly the strongest in the series. Whereas the series has found its strength in the urgency that comes from Tim Seeley’s writing and the speed in which things happen from moment to moment, the last issue suffered from a general lack of cohesiveness as the story (and the character) jumped from location to location in an interesting use of Bloodshot’s abilities that did come across as well as it could have. Otherwise, though, the series has been a breath of excitement borne from the action movie pace of the comic; when it’s good, it’s very good.

Bloodshot #10 introduces comics fans to characters that we’ve seen in the 2020 movie with Wilfred Wigins making his on page debut, and I can’t help but read his lines Lamorne Morris’ voice – something that Seeley captures really well. Wigans’ adds a level of levity to the comic that has been missing (it’s odd, because levity and humour don’t often go hand in hand with Bloodshot, but with Seeley’s style of story telling, the combination actually works a lot better than I’d have expected after previous Bloodshot runs). It’s not all fun and games, though, as we find Bloodshot locked in a place he’ll need to escape from in order to face a new and familiar threat – without going into specifics, the escape sequence is somewhat disturbing in what it doesn’t show you. There’s also a lot of story here; I had to check a couple of times when reading the comic what page I was on, because I was convinced the comic was an oversized book

Seeley is joined by artists Brett Booth and Pedro Andrea, colorist Andrew Dalhouse, and letterer Dave Sharpe. Although Booth’s name comes ahead of Andreo’s in the credits, he’s only actually credited with a handful of pages in the comic. The reason I mention this is because Andreo’s work is really good. The Spaniard adds a visual flair to the book that’s a lot like adding parmesan cheese onto a pasta dish; it just makes an already good meal a touch better. His style also flows from the previous issue, which gives the entire series a sense of visual continuity despite having a plethora of talented artists in its ten-issue run. Andreo bolsters a solid story with his layouts and copious use of blank space amongst the action. The sequential art in this book has some spectacular moments amidst a story that slides between good and pretty good with ease.

Bloodshot #10 is a return to the series previous energy and flow, kicking off another arc that should allow new readers to hop into the series with relative ease. What isn’t captured in the recap you can figure out from exposition in the dialogue. A return to form after last issue, which is always good news for any jumping on point.

Story: Tim Seeley Art: Brett Booth and Pedro Andreo
Color: Andrew Dalhouse Letterer: Dave Sharpe
Story: 8.2 Art: 8.7 Overall: 8.3 Recommendation: Buy

Valiant provided Graphic Policy with a FREE copy for review.


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Preview: Bloodshot #10

BLOODSHOT #10

Written by TIM SEELEY
Art by BRETT BOOTH, PEDRO ANDREO
Colors by ANDREW DALHOUSE
Letters by DAVE SHARPE
Cover A by SIMON BISLEY
Cover B by DAVID NAKAYAMA
Preorder Variant Cover by SHAWN CRYSTAL
On Sale January 13th | 32 pages, full color | $3.99 US | T+

Bloodshot only has “One Last Shot” as the brand-new story arc starts now!

Superstar artist Brett Booth and Pedro Andreo join best-selling scribe Tim Seeley for Bloodshot’s road to retribution.

Who can a one-man army trust when everyone’s trying to kill him?

BLOODSHOT #10

We Talk with Bloodshot Artist Pedro Andreo About Making His Valiant!

Bloodshot #10

Pedro Andreo is a name that most of you are likely unfamiliar with unless you read Bloodshot #8 or Aartha, Chronicles of the No Lands. The talented Spaniard is a new face in the North American comics scene, and we got a chance to sit down with him via the magic of the internet and ask a few questions about his work on Bloodshot and how it came to be.

In the lead up to his return to Bloodshot with issues #10 through #12, we talk to Andreo about his upcoming run.

And check out some of Pedro Andreo’s work from Bloodshot #8 and Bloodshot #10 below!

Graphic Policy: How did you come to work on Bloodshot?

Pedro Andreo: It’s been an exciting ride! Back in December 2019 I was trying to get some interviews with editors at a local comic convention here in Madrid and my portfolio caught the attention of Senior Editor Heather Antos. After a lovely chat and exchanging cards, I did some samples. I was super happy! Not long after, Senior Editor Lysa Hawkins approached me to see if I was available to do Bloodshot 8 (BOY, WAS I!) and it seems my work on it was well-received cause I’m still working on the series! 

GP: How does working for Valiant differ from what you’ve done in the past?

PA: I would say it’s mostly about the style and deadlines. I try to do my best work in every page and every issue, so, to me, the only difference is sticking to a more realistic tone and delivering everything on a tighter schedule!

GP: We’ve seen quite a few talented artists on this series over the course of the last ten issues – do you feel the need to alter your style to keep the comic’s visuals consistent?

PA: Not so much as alter the style completely, but definitely I have some big shoes to fill! Given that my style is influenced not only by US authors but manga and European artists too, I’ve had to alter it slightly to keep it more or less similar to the other great artists that have been working on this series. It’s been a pleasure, though, and a challenge that I’ve fully embraced and keeps me learning, improving and enjoying page after page.

Bloodshot #10

GP: When taking on issues with a gap as you’ve done with #8 and #10, did you get to see the script of #9 to make sure you’re aware of any visual nuance?

PA: I didn’t get the script on issue #9 itself, but that’s mostly on me, because I didn’t ask for it (I know for a fact that Lysa and Tim would have sent it to me within minutes). Reading the script for #10 I got the whole picture fast (Tim is an amazing writer and everything is super clear). The plot itself happens a little after the events of issue 9, so there’s little to no elements that carry over from one to another. In any case, they provided me with enough visual references and the materials I needed to get issue 10 rolling.

GP: With Bloodshot introducing characters, KT and Wiggins, from the Vin Diesel led movie in the tenth issue, was there any pressure (internal or external) to capture the actors’ likenesses or were you able to put a little of your own spin on the characters?

PA: Mostly internal, since Valiant didn’t pressure me at all about it. I’m not a very realistic artist when it comes to facial likeness!

GP: You’ve done some work in Spain and Italy – how does the process differ when working on an American comic?

PA: Not a lot, really. The process itself is practically the same, with a few differences on stylistic choices or mediums. I’m going fully digital on Bloodshot, but I worked on traditional pen and paper (no inking!) for Italy for 5 years, so, although the process of the page and the drawing are the same, there’s some stuff you can and cannot do depending on the medium you’re working on. 

GP: You’ve said that fantasy tends to be where you excel at – is there any character that you’d love to get your hands on?

PA: Oh! Great question! I think I would love to work on Shadowman or Punk Mambo. There’s always so much creativity involved when you have to design magic, other dimensions and such weird stuff. Doctor Mirage would be amazing too. Even X-O Manowar or Eternal Warrior have some fantasy side I would love to explore!

GP: Do you have any other projects for Valiant you’re currently working on you can tell us about? 

PA: Not at the moment! The whole COVID-19 situation has thrown a wrench on all the publishing schedules, as you know, so I’m only working on Bloodshot at the moment. I hope we get back slowly but surely and make some more awesome stuff for you all to enjoy soon enough!

GP: Thanks for chatting and looking forward to checking out the issue!

Bloodshot #8

Bloodshot #10

Bloodshot has “One Last Shot” in January

Get ready for rampage as the action-packed storyline “One Last Shot” begins this January in Bloodshot #10!

For the explosive final arc of Tim Seeley‘s critically-acclaimed run, the New York Times best-selling writer will be joined by industry icon Brett Booth and the amazingly talented Pedro Andreo to unleash all kinds of mayhem as Bloodshot faces retribution. The upcoming storyline will also feature two characters from Bloodshot’s blockbuster movie starring Vin Diesel: Wilfred Wigans and KT!

Seeley enjoyed building a past for Wigans, hinting that the upcoming tale introduces a familiar face for longtime Bloodshot fans.

Bloodshot #10, Part 1 of “One Last Shot”, goes on sale January 13th, 2021.

Bloodshot #10

Preview: Bloodshot #8

BLOODSHOT #8

Written by TIM SEELEY
Art by PEDRO ANDREO
Colors by ANDREW DALHOUSE
Letters by DAVE SHARPE 
Cover A by TYLER KIRKHAM
Cover B by DIEGO BERNARD
Cover C by CRYSSY CHEUNG
Preorder Variant Cover by SHAWN CRYSTAL
On sale SEPTEMBER 16th | 32 pages, full color | $3.99 US | T+

Unthinkable monsters are unleashing Hell on Earth!

Surrounded by enemies, who can Bloodshot trust?

BLOODSHOT #8