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The Punisher #2 has Frank Struggling while Jigsaw Makes Some Moves

The Punisher #2

Frank Castle’s most notorious foe, Jigsaw, is back – and this time, he’s not launching all-out assaults or wars in the street! Instead, he’s taking a more surgical approach to dismantling The Punisher, targeting his body, mind and soul with a game of death designed to spill innocent blood and to push Frank Castle to his absolute limit! The Punisher #2 feels like a piece of the bigger puzzle as it continues its reintroduction of these two classic characters.

Written by Benjamin Percy, The Punisher #2 is a good follow up to the debut continuing this new volume and direction for the character. It doesn’t quite stand on its own as an issue but still delivers some solid moments for Frank that feels like his classic ways, intimidating and leaving readers unsure as to what he’ll do next. Percy plays into a man hurting and desperate to find out answers as to why. While we don’t get the answer we’re looking for, we’re reminded of the abuse and wear he’s gone through, and at this point he’s a man driven by his obsession.

But, the issue is more than Frank as Percy lays the groundwork for whatever Jigsaw is planning. It’s been a long time since I read a comic with the character, but he always felt like the stooge as opposed to the heavy hitting villain. He was the weapon to real bad guy pointed at the Punisher. But, Percy seems to want to change that around having the character make a play to control the NYC underworld, which should create reverberations beyond just this series. It’s a solid next step for the character.

The art by Jose Luis Soares is good. With ink by Oren Junior, color by Frank D’Armata, and lettering by Cory Petit, the comic has a good look to it that delivers dark and dirty without it being hard to follow in the shadows or too depressing. The art works well for the vibe of the comic and you get a good sense of Frank’s struggles through the visuals. The Jigsaw reveals generally fall flat, never quite hitting like it’s wanted and instead move the moments along, explaining some details, as opposed to real surprises.

The Punisher #2 is a good second issue that builds off of the first and not rushing the story overall. It’s a piece of the puzzle that’ll hold up much better when all the issues are read together than on their own. Still, it’s nice to see this classic character back with a slightly new twist that adds a sense of vulnerability while also giving a classic villain a boost.

Story: Benjamin Percy Art: Jose Luis Soares
Ink: Oren Junior Color: Frank D’Armata Letterer: Cory Petit
Story: 7.5 Art: 7.5 Overall: 7.5 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

The Punisher #1 shakes things up just enough while also sticking to the basics

The Punisher #1

As unflinching and uncompromising as ever, Frank Castle’s memory is damaged and he’s hunting for answers and criminals alike! He’ll get more than he bargained for of both when the notorious and bloodthirsty JIGSAW returns…with THE PUNISHER dead in his sights! The Punisher #1 is the return of Frank Castle to an ongoing series with a debut that sticks to the formula that works while giving something new.

When I was heavily collecting comics in the 90s, I bought up everything featuring the Punisher. The character felt a bit adult for my barely teen self, the R-rated comic I probably shouldn’t have been reading. So, I have a bit of a nostalgic spot for the character. That and the fact Benjamin Percy has taken on the writing duties for this new ongoing series made The Punisher #1 a comic I had to check out.

While the comic is a debut issue, it isn’t a clean one. Percy dips a bit into the recent Punisher: Red Band series, making it a recommended read to get completely caught up with what’s going on. But, with some details missing, the basic concept of the Punisher is simple. Frank is back out there killing criminals but now he has some memory trouble.

Percy’s writing takes on a noir-ish vibe to it with a lot of narration as Frank struggles to function. While the vigilante justice is quick and sporadic, Percy focuses in on the physical struggles the Punisher is having and it causing him to pass out. It creates an unpredictability for the character and takes him from being the unstoppable killing machine to a vulnerable man that you know will collapse at an inconvenient time endangering himself.

Percy too shakes things up with the first villain on the deck. While Jigsaw is a classic Punisher foe, this comic also changes things up for him, giving him a new focus and goal. It has potential to spill out from beyond this series, impacting other street level New York City characters and could be one of the more intriguing aspects to spin out of the series.

The art by José Luis Soares is solid. With ink by Oren Junior, color by Frank D’Armata, and lettering by Cory Petit, the comic looks solid. There’s a grittiness to the comic that matches its vigilante tone. The comic at times has a noir-ish/detective tone to the writing that the art reflects. You almost expect Frank in a trench coat and fedora at his desk as he has a spell and passes out. But, Soares and the team delivers far more with small details that emphasizes the physical struggle Frank faces. You can see by his body language the frustration at what’s happening to him.

The Punisher #1 feels like a new concept for the character who has struggled over the decades to deliver something new. From instrument of god to Frankenstein, the character has had change ups that haven’t often worked. But, The Punisher #1 does. It sticks to the basics while adding in a new obstacle for Frank to overcome and a new mystery to unfold. It has the DNA of the character and what fans can expect but makes sure to give us something a bit more to keep readers on their toes.

Story: Benjamin Percy Art: José Luis Soares
Ink: Oren Junior Color: Frank D’Armata Letterer: Cory Petit
Story: 8.0 Art: 8.0 Overall: 8.0 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Get a look at Predator: Badlands #1, the Prequel Comic to the New Film

Predator: Badlands, the new entry in the “Predator” film franchise, arrives in theaters on November 7. That same week, Marvel will publish Predator: Badlands #1, a tie-in comic by writer Ethan Sacks, known for his stellar work on Marvel’s Star Wars titles, and, in his Marvel Comics debut, artist Elvin Ching, a promising recent participant of Marvel’s Art Atelier program, and inks by Oren Junior. Serving as the official prelude to the highly anticipated film, the one-shot is being produced in close collaboration with director Dan Trachtenberg, who will also write a foreword for the issue. Fans can check out never-before-seen interior artwork as well as all three of the issue’s covers.

Predator: Badlands, which stars Elle Fanning and Dimitrius Schuster-Koloamatangi, is set in the future on a remote planet, where Dek, a young Predator outcast from his clan, finds an unlikely ally in Thia and embarks on a treacherous journey in search of the ultimate adversary. Taking place shortly before these events, the Predator: Badlands comic explores the film’s bold new approach to “Predator” franchise storytelling, introducing readers to Dek and other key characters.

THE HUNT BEGINS.

In the one-shot, a young Yautja warrior named Dek is given a seemingly simple task by his father: retrieve a piece of technology from a derelict spaceship that crashed years ago. Inside, however, an ancient and deadly threat lies in wait.

Predator: Badlands #1 features a main cover by Juan Ferreyra, a variant by Cafu, and movie variant cover and arrives in comic shops on November 11.

Predator: Badlands #1

Predator: Badlands gets a Prequel Comic from Marvel

Predator: Badlands is the latest entry in the “Predator” film franchise and arrives in theaters on November 7. That same month, Marvel Comics will publish Predator: Badlands #1, a tie-in comic by writer Ethan Sacks and, in his Marvel Comics debut, artist Elvin Ching, a promising recent participant of Marvel’s Art Atelier program with inks by Oren Junior. Serving as the official prelude to the highly anticipated film, the one-shot is being produced in close collaboration with director Dan Trachtenberg, who will also write a foreword for the issue.

Predator: Badlands which stars Elle Fanning and Dimitrius Schuster-Koloamatangi, is set in the future on a remote planet, where Dek, a young Predator outcast from his clan, finds an unlikely ally in Thia and embarks on a treacherous journey in search of the ultimate adversary. Taking place shortly before these events, the “Predator: Badlands” comic explores the film’s bold new approach to “Predator” franchise storytelling, introducing readers to Dek and other key characters.

THE HUNT BEGINS.

In the one-shot, a young Yautja warrior is given a seemingly simple task by his father: retrieve a piece of technology from a derelict spaceship that crashed years ago. Inside, however, an ancient and deadly threat lies in wait.

Check out the cover by superstar artist Juan Ferreyra and preorder Predator: Badlands #1 at your local comic shop before it arrives in comic shops on November 12. It also features a variant cover by CAFU and movie variant cover.

Predator: Badlands #1

Wolverine #50 wraps up the latest volume with ho-hum finale

Wolverine #50

It’s all come down to this: the final battle between Wolverine and Sabretooth. The “Sabretooth War” concludes in the way it began – a violent, bloody battle – but WHO will be left standing? Wolverine #50 wraps up the brutal confrontation between Wolverine and Sabretooth delivering a hallow finale.

Written by Benjamin Percy and Victor LaValle, Wolverine #50 gives readers a final battle between the two foes wrapping up “Sabretooth War” as well as this latest volume of the series. The story up to this point has been brutal at times with a massive body count that has included some surprises. As expected, Logan and Victor battle it out until one is left standing. And, it’s a brutal one with body parts being sliced off and blood spurting. But, in the end, it all feels rather hallow.

There’s a lack of real emotion to Wolverine #50 as the main story wraps. Creed’s horrible actions are recounted emphasizing his lack of empathy or reflection on any of it. But, Logan shows that same sort of brutality with what feels like no reaction from him or anyone around him. Usually when a person is chopped into bits there’d be some sort of shock, but everyone comes off as rather numb which feels like it diminishes the contrast that’s painted in the text. There’s a disconnect with what we’re told makes Logan different from Creed. We’re told it and not shown it at all.

The art at times is solid and at others its a panned out mix of things that’s just ok. Geoff Shaw, Cory Smith, and Oren Junior all handle the visuals with Alex Sinclair on color and lettering by Cory Petit. There’s some solid action but like the story itself, the visuals don’t feel like they drive home the brutality of it all. Even with Creed laying at Logan’s feet, it feels more comedic than sad or shocking.

The comic features two additional stories. One features writing by Larry Hama with art by Daniel Picciotto, color by Yen Nitro, and lettering by Cory Petit. The other features a story by Benjamin Percy, art by Javi Fernandez, color by Matt Hollingsworth, and lettering by Petit. Both have their moments and would feel right at home in an anthology celebrating 50 years of Wolverine but here there’s a feel like they’re just tacked on and not as much a celebration.

Wolverine #50 wraps things up and celebrates 50 years more with a whimper than a bang. The comic isn’t bad but it also doesn’t quite excite either. It’s perfectly fine wrapping up the story arc and the series. What it doesn’t do is excite for what comes next beyond a few pages shown and doesn’t feel like much of a celebration of an iconic character.

Story: Benjamin Percy, Victor LaValle, Larry Hama
Art: Geoff Shaw, Cory Smith, Oren Junior, Yen Nitro, Javi Fernandez
Color: Alex Sinclair, Matt Hollingsworth Letterer: Cory Petit
Story: 7.0 Art: 7.25 Overall: 7.0 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Wolverine #41, Bring On Sabertooth! 

Wolverine #41

It’s one of the greatest hero and villain relationships in comics, Wolverine and Sabertooth. These characters have been at it longer than I’ve been alive. And here writers Victor LaValle and Benjamin Percy alongside pencilers Geoff Shaw and Cory Smith tell their own saga in this most epic of comic book rivalries. 

I’m a huge fan of Percy’s Wolverine, I think he has one of the best voices for the character ever and really understands Logan. LaValle has told two Sabertooth stories before, the eponymously named Sabertooth and Sabertooth And The Exiles. Both of which are steller comics that take the character of Sabertooth in unexpectedly narratively rich places and explore issues like the carceral system and institutional medical abuse of minority groups. In the first part of the Sabertooth War epic Percy and LaValle mix their peanut butter and chocolate into a oh so great flavor. 

Sabertooth And The Exiles left off with Sabertooth meeting up with a multiversal cohort of his variants, after raiding a collection of Orchis bases. Wolverine and X-Force left off with Wolverine meeting back up with X-Force, his biological, and found family in the arctic. Here they collide on Wolverine’s birthday just in time for Sabertooth to tear it all down. 

The cover of the title purports to be “The most violent Wolverine story ever told”, while that’s a high bar to match — and maybe not even a worthy challenge to even attempt — Sabertooth war takes a valiant swing at it with some truly brutal moments. Only time will tell if those moments eclipse pure shock value or not, at times they were pretty hard to read, but it’s a great way to show the brutality of Sabertooth.  

On the art front I was a little disappointed to hear that the artist on the past two Sabertooth series Leonard Kirk wouldn’t be returning. That being said pencilers Geoff Shaw and Cory Smith alongside colorist Alex Sinclair and inker Oren Junior do a fantastic job of telling this gorey tale. Shaw’s pencils and inks remind me much more of Kirk’s but Smith and Junior’s work is by no means a slouch either. 

The first chapter in Sabertooth War is a very promising start. It’s appropriately violent while also having some surprisingly tender moments before all hell breaks loose. The title is an easy recommendation. 

Story: Victor LaValle & Benjamin Percy Art: Geoff Shaw & Cory Smith
Color: Alex Sinclair Inker: Oren Junior Letterer: Cory Petit Design: Stacie Zucker with Tom Muller & Jay Bowen
Story: 9.5 Art: 9.0 Overall: 10.0 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

X-Men Blue: Origins #1 clears up that whole Nightcrawler/Mystique connection

X-Men Blue: Origins #1

You think you know how the beloved blue devil came into this troubled world? You think you know the tale of his mendacious mamma Mystique? You don’t! Mother and son reunite in a mold-shattering tale that exposes secrets held for decades and redefines both characters forever. X-Men Blue: Origins #1 dives into the history of Nightcrawler and Mystique, delivering the definitive “origin” and connection between the two settling decades of speculation.

Written by Si Spurrier, X-Men Blue: Origins #1 is a fairly straightforward comic. Mystique seeks out Nightcrawler who is now dressed as Spider-Man doing the heroic thing in New York and the two lay it all out on the table. For years there’s been speculation, rumors, confusion as to the connection between Nightcrawler and Mystique and this issue clears tha tup with the definitive take and answer. And it’s… kind of not surprising?

While Spurrier clears things up, the story overall isn’t as shocking/weird/new as one might expect. There’s some small details regarding Mystique’s mutation which sets up the character to have an even more interesting future, but the connection between her and Nightcrawler overall feels rather… anticlimactic.

There’s some emotional moments and in the end you feel bad for Mystique and the trauma she’s enduring but the issue really feels like it highlights the fact it’s taken so long to get here. This all should have been resolved years before. It also continues to highlight the fact that Professor X is kind of a bad guy in the big picture of things, continuing his slide over the years from visionary to borderline villain.

X-Men Blue: Origins #1 has some interesting aspects regarding Destiny and “fate.” That aspect hopefully will be explored in further storylines down the road as the implication on Nightcrawler and his role in events is pretty significant. Overall, it comes off as a concept that’s thrown out there but the reaction isn’t quite what you’d really expect and feels a bit subdued.

The art by Wilton Santos and Marcus To is solid. They’re joined by Oren Junior on ink, Ceci De La Cruz on color and Joe Caramagna on lettering. The comic looks great with some small bumps visually. You get the feeling of the emotion and confusion coming from Mystique but the visuals never quite give that overly dramatic moment where you really connect with the character and what she’s going through. It lays out the emotion but I never really connected with the emotional moments.

X-Men Blue: Origins #1 really is for those that care about the small details and need to know definitive origins. So far, its impact feels like what’s teased about Mystique’s power will have greater ramifications than the connection between her and Nightcrawler. Not a bad issue and some interesting history of the characters but overall what comes out of it, if anyhting, feels like it’ll matter more.

Story: Si Spurrier Art: Wilton Santos, Marcus To
Ink: Oren Junior Color: Ceci De La Cruz Letterer: Joe Caramagna Design Tom Muller, Jay Bowen
Story: 8.0 Art: 8.25 Overall: 8.0 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Review: Hawkeye: Kate Bishop #1

Hawkeye: Kate Bishop #1

Kate Bishop is the new hotness right now with the spotlight shining on the character due to the live-action Hawkeye series on Disney+. Perfectly timed with its debut is Hawkeye: Kate Bishop #1 which has Kate Bishop deciding what to do next with her life. Should she stay on the West Coast or should she head back to New York City? No matter where she ends up, this debut has her making a detour to a posh resort where some quirky things are going on.

Marieke Nijkamp takes Kate on her next adventure delivering a nice dose of emotion, reflection, and wtf moments. I’ll admit, Kate isn’t a character I know a lot of. My experience has been what Young Avengers I’ve read and some interaction with Clint Barton. I know the basics and honestly, that’s about all you need.

Nijkamp does a solid job of catching new readers up on the character. We get a good run through of what her skills are and the drama in her life. We also get a good sense of what we can expect in the type of storytelling with intermittent use of text messages to give us a lot on what we need to know. The issue also acts as a way to break away in some ways from everything. This is Kate on her own trying to solve a mystery. Her past relationships are mentioned but that feels more to flesh out a character and give us some flavor instead of a rather dry detective story.

Dry is definitely one thing this comic is not. There’s a good dose of humor throughout, even when Kate is contemplating the more dramatic aspects of her life. The dialogue and interactions work well and even the most intense moments have a bit of humor about them. That’s partially due to the art.

Enid Balám handles the pencils for Hawkeye: Kate Bishop #1. Oren Junior handles the inks with Brittany Peer on color, and Joe Caramagna lettering. The art looks good. There’s some good action moments that are balanced well with the dramatic. What’s interesting is Balám sparringly uses some recent visual ticks that have become popular in the Hawkeye and Young Avengers comics, that of the sprawling image that takes the reader on a visual journey to follow. There’s one instance of it here which feels like more of a wink and a nod to what was that a real solid use of the style. We get a good look at the sprawling resort Kate has gone to with a lot to mull over as to how much it means.

Hawkeye: Kate Bishop #1 is a pretty solid start that kicks off what feels like a fun mini-series. I don’t see this as a world-changing story but enough entertainment that long time fans should be pleased and new ones will feel welcomed.

Story: Marieke Nijkamp Art: Enid Balám
Ink: Oren Junior Color: Brittany Peer Letterer: Joe Caramagna
Story: 7.75 Art: 7.75 Overall: 7.75 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review


Purchase: comiXologyKindleZeus ComicsTFAW

Review: Spider-Woman #1

Jessica Drew has bills to pay but hasn’t been feeling like herself lately. The mystery of what’s up, with a brand new costume, starts here!

Story: Karla Pacheco
Art: Pere Pérez, Paulo Siqueura
Ink: Oren Junior
Color: Frank D’Armata
Letterer: Travis Lanham

Get your copy in comic shops! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon
Kindle/comiXology
TFAW
Zeus Comics

Marvel provided Graphic Policy with a FREE copy for review
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Review: Marvel Comics Presents #1

The classic series is back! Marvel Comics Presents delivers three new stories featuring Wolverine, Namor, and Captain America.

Marvel Comics Presents #1 is by Charles Soule, Paulo Siqueira, Oren Junior, Frank D’Armata, Joe Caramagna, Greg Pak, Tomm Coker, Michael Garland, Ann Nocenti, Greg Land, and Jay Leisten.

Get your copy in comic shops on January 16! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/comiXology/Kindle

Marvel provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

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