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Graphic Policy’s Top Comic Picks this Week!

Black Badge #7

Wednesdays are new comic book day! Each week hundreds of comics are released, and that can be pretty daunting to go over and choose what to buy. That’s where we come in!

Each week our contributors choose what they can’t wait to read this week or just sounds interesting. In other words, this is what we’re looking forward to and think you should be taking a look at!

Find out what folks think below, and what comics you should be looking out for this Wednesday.

Black Badge #7 (BOOM! Studios) – The Badge of Champions reaches its blood conclusion! This series takes the concept of Scouts to a whole new level.

Go-Bots #4 (IDW Publishing) – Tom Scioli continues to rock this series which brings the classic property back with childlike fun.

High Level #1 (DC Comics/Vertigo) – The latest Vertigo release, written by Rob Sheridan with art by Barnaby Bagenda and Romulo Fajardo takes a look at a future society built from scratch and hopefully delivers the social commentary we’d expect from Vertigo.

Hulkverines #1 (Marvel) – Every time we’ve expected little from this concept it not only surprised us but blew us away.

Incursion #1 (Valiant) – It’s the Geomancer and Eternal Warrior standing against an invasion.

Letter to Survivors (New York Review Comics) – A graphic novel that follows a postal worker on his bizarre mail route in a post-apocalyptic world.

Naomi #2 (DC Comics/Wonder Comics) – The first issue set up an interesting mystery in the DC universe and we want to see where it goes.

Sharkey Bounty Hunter #1 (Image Comics/Millarworld) – With Millar’s Netflix deal, we want to see what properties are being created.

Stronghold #1 (AfterShock Comics) – From writer Phil Hester and artist Ryan Kelly, the concept is intriguing. Our planet is actually a prison designed to shelter and trap an amnesiac alien of incalculable power.

Wolverine: Infinity Watch #1 (Marvel) – Now we can finally find out what the hell is going on.

Review: Slum Wolf

Slum Wolf

For anyone who has ever been to Japan, there’s something both magical and mysterious about the wonderful country. When I was first temporarily assigned to the USS Obrien in Naval Station Yokuska, it very much felt like I was living in a storybook. At first, I felt the emptiness of being a stranger in a strange land. That is where the magic of being in Japan practically whisks you away. The land, its inhabitants, and the places along the way, makes the whole country so beautiful and amazing experience. I also became very much enamored with its history. It’s complicated, storied, and epic, making the nation’s story so compelling.

What the world knows about Japan usually lies in what mass media portrays. Many of the movies that are imported from Japan usually are focused on the Yakuza and fall into over the top action. Then there’s anime which both tug at the heat and leaves viewers in awe. Rarely, other than Grave Of The Fireflies does the Western world get a glimpse of what happened after World War II . One such creator, Tadao Tsuge, made it his mission to portray the Japan he lived in and one of his first collections to be printed here in the United States, Slum Wolf, gives the Western world a peak into the mind and view of this master storyteller.

In “Sentimental Melody,” two old friends reminisce of friends lost and times they rather forget. In “Sounds,” one man gets haunted by what he believes he hears but it’s what he isn’t paying attention to which causes him concern. In “Legend Of The Wolf,” one retired hitman looks back at his life and mistakes a stranger for a work colleague. In the lasts tory that I will highlight, “The Death Of Ryokichi Aogishi,” a student pontificates on his life within the grand design which leads him to some murky roads.

Overall, the graphic novel is a sprawling collection that traverses genres and audiences to tell a complete story of Japan and its impact on the world. The stories by Tsuge are smart, relatable, funny, and sometimes tense. The art by Tsude is at times only serviceable, but at other times, magnificent. Altogether, the father of alternative manga delivers his best work and brings his own style to the art form.

Story: Tadao Tsuge Art: Tadao Tsuge Translator: Ryan Holmberg
Story : 9.7 Art: 9.4 Overall: 9.6 Recommendation: Buy

Review: Yellow Negroes and Other Imaginary Creatures

Living in America, we tend to be caught up in our own bubble, to plainly say, we only concern ourselves with what is going on in the USA. The news media is good for contriving this narrative, as they usually push the fact that America is a superpower. For the most part, this narrative is very much true, as our influence not only politically but culturally can’t be felt in places most American have never traversed. We also believe, in general, that we face unique problems, once that people not form America would not understand.

Take the issue of race, which Americans tend to largely ignore or avoid talking about for fear of reprisal or holding a unpopular opinion. The truth is there are several nuances to how Americans even talk about the issue of race that are unique to our history. The sad truth is we rarely are honest about it, unlike countries such as Germany and France who have whole curriculum mandated by their government to expose their youth to their history. In all its beauty and ugliness. France, has their own issues with race, but their anticolonial legacy, is still part of their lifeblood. In Yvan Alagbe’s outstanding Yellow Negroes and Other Imaginary Creatures, the creator tackles these issue head on.

We meet a mixed-race couple, Claire, a young French woman and Alain, a young Balinese man and an illegal immigrant, who are madly in love but each other families do not support the relationship. We also meet Sam, an artist documenting what is going on, as well as Mario, a former police officer when he lived in Algeria, who constantly torments the other three for a false sense of authority form being prior law enforcement. Each of the characters deal with being outcasts, in one form or the other as France is not their home especially Alain, Sam and Mario, and to some extent, Claire. The other stories in this book, shows Alagbe’s awareness of the current political climate, as he also revisits how race affects him in France. By books end, the reader gets a view of how the world sees race, specially France, who has along complicated history with the subject, much like us, but not one they shy away from.

Overall, an excellent book, which confronts, racism, ageism, sexism, xenophobia, nationalism and through these characters, we see firsthand, how these elements weigh on people like them. The story by Alagbe, is brilliant, harrowing, and endearing. The art by Alagbe, feels like a Basquiat painting, Altogether, an interesting study in human behavior, and all the different baggage each of us carried with it.

Story: Yvan Alagbe Art: Yvan Alagbe
Story: 10 Art:10 Overall:10 Recommendation: Buy

Review: Pretending is Lying

Most of us, either consciously or unconsciously seek relationships that most resemble our parents. This is not always a good thing, as I have seen friends who have had tons of toxic relationships, quite unknowingly, maybe because it resembled their definition of normalcy, what they grew up seeing. It can also, be a good thing, as the marriages on both sides of my family, though not perfect, are all rocksteady.  My own parents’ relationship had their difficulties, as no two people I knew growing up loved each other more.

That is why some people try find people that they are attracted to, who is different than everyone they have dated prior. Because they are weary of the same results, they no longer want to be weighed down by the repetitive heartbreak. Therefore, being single is so difficult, and why some people are just happy being alone. In Dominique Goblet’s Pretending Is Lying her life told in fragments of memories through relationships with her daughter, to her parents to her boyfriend, shaping her to who she has become.

We first meet Dominique as a child, and soon find out her relationship with her mother is paramount to everything in her world and how she parents her own daughter.  Her father bares a large shadow over her life as well, sowing seeds of distrust to how she perceives men in her life. The reader gets to see this firsthand in Dominique’s relationship with Guy Marc, her partner, who both excites and infuriates her, and has some straits much like her father. By book’s end, everything circles back, as though these people caused her pain, love remains the answer.

Overall, an intense intimately drawn and told book that leaves the reader uncomfortable at times, but also laughing hysterically. The story by Goblet is granular, pure, and very relatable. The art by Goblet becomes throughout the book more refined, as her feelings towards each subject can instantly be told by how beautiful she draws the person. Altogether, a book, that elevates the subgenre of graphic memoirs, letting readers know that there is sometimes humor in the darkest of circumstances.

Story: Dominique Goblet Art: Dominique Goblet
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

Early Review: Yellow Negroes and Other Imaginary Creatures

Living in America, we tend to be caught up in our own bubble, to plainly say, we only concern ourselves with what is going on in the USA. The news media is good for contriving this narrative, as they usually push the fact that America is a superpower. For the most part, this narrative is very much true, as our influence not only politically but culturally can’t be felt in places most American have never traversed. We also believe, in general, that we face unique problems, once that people not form America would not understand.

Take the issue of race, which Americans tend to largely ignore or avoid talking about for fear of reprisal or holding a unpopular opinion. The truth is there are several nuances to how Americans even talk about the issue of race that are unique to our history. The sad truth is we rarely are honest about it, unlike countries such as Germany and France who have whole curriculum mandated by their government to expose their youth to their history. In all its beauty and ugliness. France, has their own issues with race, but their anticolonial legacy, is still part of their lifeblood. In Yvan Alagbe’s outstanding Yellow Negroes and Other Imaginary Creatures, the creator tackles these issue head on.

We meet a mixed-race couple, Claire, a young French woman and Alain, a young Balinese man and an illegal immigrant, who are madly in love but each other families do not support the relationship. We also meet Sam, an artist documenting what is going on, as well as Mario, a former police officer when he lived in Algeria, who constantly torments the other three for a false sense of authority form being prior law enforcement. Each of the characters deal with being outcasts, in one form or the other as France is not their home especially Alain, Sam and Mario, and to some extent, Claire. The other stories in this book, shows Alagbe’s awareness of the current political climate, as he also revisits how race affects him in France. By books end, the reader gets a view of how the world sees race, specially France, who has along complicated history with the subject, much like us, but not one they shy away from.

Overall, an excellent book, which confronts, racism, ageism, sexism, xenophobia, nationalism and through these characters, we see firsthand, how these elements weigh on people like them. The story by Alagbe, is brilliant, harrowing, and endearing. The art by Alagbe, feels like a Basquiat painting, Altogether, an interesting study in human behavior, and all the different baggage each of us carried with it.

Yellow Negroes and Other Imaginary Creatures will be published April 3, 2018.

Story: Yvan Alagbe Art: Yvan Alagbe
Story: 10 Art:10 Overall:10 Recommendation: Buy