A ghost from Batman’s past returns with a vengeance. The mysterious Red Hood is taking Gotham’s underworld by storm—and he knows all of Batman’s secrets.
Batman is confronted with a hidden face from the past—it’s the return of the vigilante Red Hood who appears to be Batman’s one-time partner Jason Todd, the same Jason Todd that died many years ago. But the Red Hood’s violent ways pit him against the Dark Knight in his hunt for the very person responsible for his death: The Joker.
Batman: Under the Red Hood – DC Compact Comics Edition collects the full original Red Hood saga from Batman #635–641, #645–650, and Batman Annual #25.
Story: Judd Winick, Jeph Loeb Art: Doug Mahnke, Paul Lee, Shane Davis, Eric Battle, Jim Lee Ink: Tom Nguyen, Cam Smith, Rodney Ramos, Wayne Faucher, Lary Stucker, Mark Morales, Scott Williams Color: Alex Sinclair Letterer: Pat Brosseau, Rob Leigh, Phil Balsman, Ken Lopez, Nick J. Napolitano, Jared K. Fletcher, Travis Lanham, Richard Starkings
Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site
Come to the 2026 Baltimore Comic-Con at the Inner Harbor’s Baltimore Convention Center on September 25-27, 2026. Baltimore Comic-Con 2026 welcomes Olivia Cuartero-Briggs, Gene Ha, Jose Marzan Jr., Mark Morales, Patrick Olliffe, and Tom Raney to the 2026 event! Avoid lines — get your tickets online now.
Olivia Cuartero-Briggs is an award-winning dramatic writer born and raised in New York City. She holds an M.F.A. from NYU’s Tisch School of the Arts and is currently enjoying a career writing for film, TV, and comic books in Brooklyn, NY. Recent credits include E! Entertainment’s The Arrangement, USA’s Queen of the South, and co-producer on Mike Schur’s Field of Dreams. Published comic books include The College Try with Maverick, Jill and the Killers with Oni Press, Kill Train with Mad Cave Studios, and Mary Shelley Monster Hunter and Silver City with Aftershock Comics. OCB also currently has unannounced projects in the works with Humanoids, IDW, Mad Cave Studios, Maverick, and Scholastic. Awards include The Jane Chambers Playwriting Award, The New York Theater Festival’s Best Original Play Award, Hollywood Comedy Shorts Best of Fest Award, and the Flint Film Festival’s Best Screenplay Award.
Four-time Eisner winner Gene Ha is known for his art on Fables and on Alan Moore’s Top 10. He currently writes and draws Mae from Oni Press. It’s the story of Mae Fortell, a girl who follows her long missing sister Abbie to a world of mad science and mystery. Gene lives outside Chicago in Berwyn, IL with his lovely wife Lisa. Learn more at https://www.geneha.com/.
Jose Marzan Jr. is a 43-year veteran of the comic book industry. He has worked for DC Comics, Marvel Comics, Dark Horse, and Disney Comics. Some titles from his long list of credits include Y: The Last Man, The Flash, Action Comics featuring Superman, The Adventures of Superman, Jack of Fables, The House of Mystery, Moon Girl and Devil Dinosaur, The Justice League of America, Time Masters, Dr. Strange, The Silver Surfer, GI Joe, Marvel Comics Presents, and Roger Rabbit.
Jose Marzan Jr. received two 2008 Will Eisner Comic Industry Awards for work on Vertigo Comics’ Y: The Last Man. One award (along with penciller Pia Guerra) for Best Penciller/Inker or Penciller/Inker Team for their work on Y: The Last Man (Vertigo/DC Comics), and an award (alongside his fellow creators Brian K. Vaughan and Pia Guerra) for Y: The Last Man as Best Continuing Series.
Recent work has included contributing to DC Comics‘ Hellblazer and Batgirl titles, Marvel Comics’ Moon Girl and Devil Dinosaur, and cover and interior illustrations for O’Reilly Media.
His paintings were exhibited in the 1990 and 1991 Society of Illustrators Annual exhibitions in New York.
A longtime comics pro, Mark Morales has worked for many companies, including Image, Dark Horse, Chaos, DC Comics, and Marvel Comics, mostly as an inker. Past projects from Mark include Thor, Daredevil, Batman, X-Men, Avengers vs. X-Men, Spider-Man/Deadpool, and Astonishing X-Men. Currently, he is working on Weapon X-Men from Marvel Comics.
Patrick Olliffe is a veteran comic book illustrator with over 39 years of experience, working for some of the largest publishers in the industry, including Marvel Comics, DC Comics, Dark Horse, and Disney Publishing. His long list of credits include Untold Tales of Spider-Man, Spider-Girl, Thor, Marvel Team-Up, Secret Wars Battleworld, Star Wars, Captain Marvel, Barb Wire, DC’s 52 series, Booster Gold, The Atom, Catwoman, Scooby Apocalypse, and Hawkman, plus Captain America, The Fantastic Four, The Avengers, and the X-Men for Disney’s Marvel Press. He, along with writer Chuck Austen, has created the sci-fi western series Edgeworld and the supernatural series The Tormented for Comixology Originals as well as the sci-fi book Defiant for DSTLRY.
Tom Raney has spent much of his career working for the mid- to large-size publishers in the comics industry. He has contributed to many of Marvel’s titles, from Thor to X-Men, spent some time with Valiant’s relaunched titles, and Dark Horse Comics’ Star Wars among many other titles and publishers. He recently wrapped up a year-long run on DC Comics’ Green Lantern.
This year’s confirmed guests for the show include: Jason Aaron (Teenage Mutant Ninja Turtles), Mark Buckingham (Fables),JimCalafiore (NED, Lord of the Pit),Howard Chaykin (Time Squared), Jo Chen (Runaways), Cliff Chiang (Paper Girls), Frank Cho (Harley Quinn), Steve Conley (The Middle Age), Amanda Conner (Harley Quinn), Olivia Cuartero-Briggs (The College Try),Todd Dezago (The Perhapanauts), Colleen Doran (The Sandman), Trish Forstner (Feral), Gene Ha (Mae), Larry Hama (GI Joe: A Real American Hero), Tony Harris (The Whistling Skull), Mike Hawthorne (Deadpool), Jamal Igle (Superman), Dan Jurgens (Action Comics), Mike Kunkel (Herobear and the Kid), JaeLee(Inhumans), Jose Marzen Jr. (Y: The Last Man), Mike McKone (Teen Titans), Bob McLeod (New Mutants), Carla Speed McNeil (Finder), Adriana Melo (Fantastic Four), Pop Mhan (He-Man and the Masters of the Universe), Al Milgrom (Spectacular Spider-Man), Terry Moore (Strangers in Paradise), Mark Morales (Thor), Bill Morrison (The Simpsons), Sarah Myer (TMNT Saturday Morning Adventures), Kevin Nowlan (Batman: Sword of Azrael), Patrick Olliffe (Untold Tales of Spider-Man), Ryan Ottley (Invincible), Jimmy Palmiotti (The Punisher), Andrew Pepoy (Simone & Ajax), David Petersen (Mouse Guard), Tom Raney (Incredible Hulk), Don Rosa (Uncle Scrooge), Craig Rousseau (The Perhapanauts),Louise Simonson (The Death of Superman 30th Anniversary Special), Walter Simonson (Thor), Matthew Dow Smith (DC’s Misfits of Magic), Scott Snyder (DC K.O.), Mark Waid (Action Comics), Matt Wieringo (Stagrate Atlantis: Gateways), and Thom Zahler (Long Distance),
Bring on the bad guys! In the wake of the Age of Revelation, the gene-terrorist group 3K has been revitalized. But will their internal schemes undo them? X-Men #24 puts the spotlight on the villains after the events of the “Age of Revelation.”
While I read the first few issues of the latest X-Men run, I quickly dropped off. It wasn’t bad but it also didn’t hook me like it did when I was a regular reader. So, when it comes to groups like 3K, I’m fairly in the dark as to their history and motivations. But, X-Men #24 delivers enough you don’t need to know any of that. After the previous issue focused on Cyclops’ return to the present after being flung into the future, X-Men #24 focuses on the impact of the event for 3K.
Writer Jed MacKay delivers an interesting issue that shows a group of villains in disarray and sniping at each other as leadership vacuum is present. In just one issue, you get a sense of personalities and motivations, but most importantly the conflict within the group. This is one that will be its own undoing with attacks on each other as they each try to take control. You don’t get the full history, but the issue catches readers up and then charts a path forward.
The art by Tony Daniel is good with interesting character designs and some nice action as the situation plays out. With ink by Mark Morales, color by Fer Sifuentes-Sujo, and lettering by Clayton Cowles, this isn’t an issue of flash, full page spreads, and memorable art. It plays out more like a focused play with a few sets and mainly about characters interacting with each other.
X-Men #24 is good in that it catches up readers, reflects on the recent event, and then moves the story forward. It shows off a group of villains that are flawed and interesting in their dysfunction. They don’t come off as major threats though, overall they feel like the villains who are constantly defeated due to some minor detail they missed. Still, the issue answers some questions and sets things up for what’s to come.
Story: Jed MacKay Art: Tony Daniel Ink: Mark Morales Color: Fer Sifuentes-Sujo Letterer: Clayton Cowles Story: 7.75 Art: 7.75 Overall: 7.75 Recommendation: Read
Marvel provided Graphic Policy with a FREE copy for review
One X-Man of the present has been stranded in the Age of Revelation, fighting against impossible odds in the world of tomorrow. But while they’ve been there, what has their future counterpart been doing in their body in the present? X-Men #23 fills in a gap in the “Age of Revelation” storyline and sets up the next storyline “Shadows of Tomorrow.”
Written by Jed MacKay, X-Men #23 is an interesting comic. It is sort of an epilogue to the recent “Age of Revelation” event, but also leads into what comes next. It answers some questions readers might have had that weren’t answered during the event.
In “Age of Revelation” the consciousness of Cyclops got pulled into the future into his body while his future consciousness was put into his younger body. We know what happened to the “future self” version but this reveals what happened in the present and checks off one burning question… why didn’t they just try to kill Doug Ramsey aka Revelation?
We see how things played out and yes, future Cyclops attempts to kill Ramsey and clearly fails but that sets up strife within the group and also teases, maybe the “Age of Revelation” isn’t a guaranteed future?
Though it’s subtle, MacKay gives an out with future Cyclops remarking how things were slightly different and not how he remembered it. It could mean that he just misremembered or it means that this past is different and might not lead to his future. It’s a two page interaction and moment, but is a key one going forward that hopefully will be revisited when things revert back.
The art by Tony Daniel is solid as expected. There’s some great pages and panels and while the action is solid, it’s a simple moment between Magneto and Cyclops that stands out. With ink by Mark Morales, color by Fer Sifuentes-Sujo, and lettering by Clayton Cowles, the comic looks great with a visual feel of tension and chaos. The characters look solid and Daniel really emphasizes the emotional aspects to MacKay’s story.
X-Men #23 is a comic that’s key for those all in on the “Age of Revelation” storyline and what comes next with “Shadows of Tomorrow.” It answers some questions but also sets up some key aspects for what’s to come. This is more for the die-hards already invested in the story but those who want to jump on might want to start here too.
Story: Jed MacKay Art: Tony Daniel Ink: Mark Morales Color: Fer Sifuentes-Sujo Letterer: Clayton Cowles Story: 8.0 Art: 8.0 Overall: 8.0 Recommendation: Read
Marvel provided Graphic Policy with a FREE copy for review
A future world savaged and sundered by super villains, the United States ain’t what it used to be. In California, now a wasteland controlled by the evil Hulk Gang, the former Wolverine seeks to live in peace. He’s retired, finally free from the violence of his former existence as an X-Man — and he wants to keep it that way. If only they’d let him.
Logan and an aged, blind Hawkeye are forced into a cross-country jaunt through villain-ruled lands, on a collision course with the worst of them all! Can Old Man Logan maintain his pacifist vow and make his last stand without doing what he does best? Mark Millar and Steve McNiven unite for a riotous romp through a future world of death, despair and dynamic action!
BONUS CONTENT variant/unused covers, Old Man Logan concepts, preliminary/final pencils
COLLECTING: Wolverine (1988) 66-72, Wolverine: Old Man Logan Giant-Size (2009) 1
Story: Mark Millar Art: Steve McNiven Color: Morry Hollowell, Christina Strain, Justin Ponso, Jason Keith, Paul Mounts, Nathan Fairbairn Ink: Dexter Vines, Mark Morales, Jay Leisten Letterer: Cory Petit
Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site
Marvel’s best-selling graphic novel of all time debuts in the Premier Collection! Features an exclusive foreword by Captain America: Civil War Executive Producer Nate Moore.
Includes a brand-new introduction by Civil War illustrator Steve McNiven.
Presented in a newly designed book-format edition. As Avengers allies Captain America and Iron Man clash, it’s time to choose: Whose side are you on? In the wake of a superhuman tragedy, the proposed Superhuman Registration Act requires all costumed heroes to unmask themselves before the government.
Divided, the nation’s greatest champions each must decide how to react — a choice that will alter the course of their lives forever. Captain America rejects the Act and goes underground, while Iron Man steps up to spearhead the registration effort — and Marvel’s heroes split right down the middle!
COLLECTING: Civil War (2006) #1-7
Story: Mark Millar Art: Steve McNiven Color: Morry Hollowell Ink: Dexter Vines, Mark Morales, Steve McNiven, John Dell, Tim Townsend Letterer: Chris Eliopoulos
Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site
Join the Baltimore Comic-Con on October 17-19, 2025 at the Inner Harbor’s Baltimore Convention Center. The Baltimore Comic-Con has announced comics guests Jim Calafiore, Becky Cloonan, Michael W. Conrad, Mark Morales, Amy Reeder, and Rich Woodall to this year’s event. Purchase your tickets now!
In 30-plus years working in comics, Jim Calafiore has worked on Peter David’s Aquaman, Judd Winnick’s Exiles, Gotham Underground with Frank Tieri, Red Lanterns with Charles Soule, various Batman books, Deadpool, and Black Panther.
After a run on the critically-acclaimed Secret Six with Gail Simone, they reunited for their creator-owned success Leaving Megalopolis. He’s currently working on his creator-owned supernatural-comedy saga, NED, Lord of the Pit.
Becky Cloonan began her career making minicomics as part of the Meathaus collective. Since then, she’s gone on to write and draw on titles like Dark Agnes, Conan the Barbarian, The Punisher, True Lives of the Fabulous Killjoys, Gotham Academy, Detective Comics, and Batman, and working on creator-owned books like Southern Cross and the critically acclaimed collection of short stories, By Chance or Providence. When she’s not making comics, she illustrates album art, and gig and movie posters for My Chemical Romance, Black Sabbath, Adult Swim, and Mondo. She enjoys old movies, true crime podcasts, and still tries to self-publish new minicomics when she can. Becky currently lives in Portland with her partner Michael, two weird cats, and a couple dozen plants.
Michael W. Conrad has often been described as “a gin soaked monster”, which is a lie — that was how Hemingway’s son described his father. Based on this, we can ascertain that Conrad is a liar, which is a fine way to describe a writer.
While Conrad laments the fact that his art is indeed a commodity, he revels in the high strangeness that has afforded him the opportunity to contribute to the legacies of many characters y’all know including: Wonder Woman, Batman, Superman, Godzilla, Nightwing, Doom Patrol, and countless others.
Michael’s own work has been markedly more subversive, including Tremor Dose and Double Walker. These books explore an absurd and often surreal anxiety, with a focus on an inability to reconcile one’s own perceptions. With a number of creator-owned projects currently in development, one can only imagine that these explorations will continue in future work.
Conrad remains critical of himself and often feels like an imposter, but as his contributions to comics grow, one can only imagine that such ideations are rapidly being replaced with dread.
A longtime comics pro, Mark Morales has worked for many companies, including Image, Dark Horse, Chaos, DC Comics, and Marvel Comics, mostly as an inker. Past projects from Mark include Thor, Daredevil, Batman, X-Men, Avengers vs. X-Men, Spider-Man/Deadpool, and Astonishing X-Men. Currently, he is working on Weapon X-Men from Marvel Comics.
Whether it’s creating new characters or reinventing older ones, Amy Reeder is here to remind us that great characters are what keep us hooked on comics. Her cover work spans many of the DC and Marvel characters we all love, but she’s especially known for her interior work on titles like Madame Xanadu, Batwoman, Amethyst, and Wonder Woman. Amy co-created Rocket Girl through Image Comics, as well as Moon Girl from Marvel’s Moon Girl and Devil Dinosaur–who now stars in her own cartoon on Disney! These days, Amy tends to write what she draws, which includes her recent work on DC’s Amethyst. Currently, she’s working on an unannounced romance graphic novel, while balancing cover gigs for the Big Two.
Rich Woodall is the former Co-Publisher of Black Caravan. He is also the creator or co-creator of The Bloody Ring of Dracula, Gods of Brutality, The Electric Black, Kyrra: Alien Jungle Girl, Johnny Raygun, and Sgt. Werewolf! Woodall has also worked on covers for Teenage Mutant Ninja Turtles, The Last Ronin, The Powerpuff Girls, Masters of the Universe, Crossover, and Phantom Starkiller.
2025 GUESTS
This year’s confirmed guests for the show include: Kaare Andrews (Spider-Man: REIGN 2), Eddy Barrows (Superman), Marty Baumann ((Pixar artist), John Beatty (Marvel Super Heroes: Secret Wars), Josh Blaylock (Mercy Sparx, courtesy of Hero Initiative), Russ Braun (The Boys), Mark Buckingham (Fables), Letizia Cadonici (House of Slaughter), Jim Calafiore (NED, Lord of the Pit), Keith Champagne (Stranger Things), Howard Chaykin (Time Squared), Jim Cheung (Young Avengers), Frank Cho (Harley Quinn), Amy Chu (Emma Frost: The White Queen), Chris Claremont (X-Men), Matthew Clark (Adventures of Superman, courtesy of Hero Initiative), Becky Cloonan (Somna), Steve Conley (The Middle Age), Michael W. Conrad (Manowar: Invictus), Dani (Sensational Wonder Woman), Jeff Dekal (Something is Killing the Children), David Finch (Moon Knight), Trish Forstner (Feral), Franco (Deadman Tells the Spooky Tales), Barbara Friedlander (Swing with Scooter), Jose Luis Garcia-Lopez (DC Nation), Mike Grell (Green Arrow: The Longbow Hunters), Brian Haberlin (Spawn, courtesy of Hero Initiative), Mike Hawthorne (Deadpool), Phillip Kennedy Johnson (Incredible Hulk), Jae Lee (Inhumans), Tula Lotay (Barnstormers), Kevin Maguire (Justice League), Laura Martin (Nubia: Queen of the Amazons), Shawn Martinbrough (Red Hood: The Hill), Ron Marz (Green Lantern), Mike McKone (Red Goblin), Bob McLeod (New Mutants), Adriana Melo (Action Comics), Josh Middleton (Aquaman), Al Milgrom (Spectacular Spider-Man), Mark Morales (Thor), Trevor Mueller (Albert the Alien), Sarah Myers (TMNT Saturday Morning Adventures), Tom Nguyen (The Switch), Mike Norton (Battlepug, courtesy of Hero Initiative), Kevin Nowlan (Batman: Sword of Azrael), Dan Parent (Sabrina the Teenage Witch), John J. Pearson (In Bloom), Andrew Pepoy (Simone & Ajax), Barbara Perez Marquez (The Cardboard Kingdom), Tom Raney (Green Lantern), Amy Reeder (Power Girl), Esad Ribic (Conan the Barbarian), Afua Richardson (Kahhori: Reshaper of Worlds), Craig Rousseau (Herculoids), Jim Rugg (Street Angel), Declan Shalvey (Old Dog), Louise Simonson (The Death of Superman 30th Anniversary Special), Walter Simonson (Thor), Jeff Smith (Bone), Joe Staton (Dick Tracy), Zoe Thorogood (It’s Lonely at the Centre of the Universe), Mark Waid (Justice League Unlimited), Matt Wieringo (Stargate Atlantis: Gateways), Keith Williams (Web of Spider-Man), Maria Wolf (Phoenix), Rich Woodall (Electric Black), John Workman (Wild Things), and Thom Zahler (Love and Capes).
The Mike Wieringo Comic Book Industry Awards is an annual celebration of the creativity, skill, and fun of comics. The awards will be presented on Saturday, October 18, 2025 as part of the fan- and pro-favorite convention, The Baltimore Comic-Con. The Ringo Awards is currently in the midst of the 2025 nomination process, which is inclusive of fans and comic book professionals alike. Submit your nominations before voting closes at midnight on June 19, 2025.
An esteemed jury of comics professionals will participate in the nomination process, selecting favorite works in over 20 categories. The 2025 jury was chosen as a representative cross-section of the comic book industry, with members representing seasoned and venerated retailers, educators, and creators across numerous genres.
Becky Cloonan began her career making minicomics as part of the Meathaus collective. Since then, she’s gone on to write and draw on titles like Dark Agnes, Conan the Barbarian, The Punisher, True Lives of the Fabulous Killjoys, Gotham Academy, Detective Comics, and Batman, and working on creator-owned books like Southern Cross and the critically acclaimed collection of short stories, By Chance or Providence. When she’s not making comics, she illustrates album art, and gig and movie posters for My Chemical Romance, Black Sabbath, Adult Swim, and Mondo. She enjoys old movies, true crime podcasts, and still tries to self-publish new minicomics when she can. Becky currently lives in Portland with her partner Michael, two weird cats, and a couple dozen plants.
Steve Leaf started reading comics in 1959 with his first comic book, Adventure Comics #264, along with his first movie, Hercules Unchained.
Influenced by Jack Davis having attended the University of Georgia and being a Dawgs fan, he attended the school for an art degree, eventually getting a Bachelor of Visual Art from Georgia State University. While he never had the opportunity to attend, he did get to interview and was accepted for the inaugural class of the Joe Kubert School.
Steve was part of the local Atlanta comics club that put together the first Atlanta Comics and Fantasy Fair, bringing in Stan Lee as a guest for their first convention in 1974, which had dealers like Steve Geppi and Chuck Rozanski among the local comic collection dealers. In those early days, he helped bring the direct market to the area, selling new comics from Phil Seuling’s Seagate Distribution at The Book Nook in Atlanta. He continued working on conventions with The Atlanta Mini Comic Con in 1977 and then expanded shows, including creators during the run of the show like Mike Grell, Bill Sienkiewicz, Mike Kaluta, Paul Gulacy, Bob McCloud, John Beatty, Steve Oliff, Dave Sim, and George Perez (who became a good friend and attended his son Scott’s bar mitzvah and did drawings for everyone).
After years at the Book Nook, Steve became the buyer for comics and pop culture product for a regional distributor, Southern Fantasies, that became CIB and Associates and, in 1995, was purchased by Diamond Comic Distributors. As an opening in their purchasing department was not available, Steve was in the customer service department in those days, which included the Heroes World purchase by Marvel and the subsequent exclusive arrangements between distributors and publishers. This led to warehouse consolidation and moved CS to the home office where he ran the southeastern CS team as he moved to Baltimore. When the opportunity arose, he became part of the purchasing team and eventually the assistant manager working with publishers like Dark Horse, IDW (their first brand manager), Wizard Magazine, Archie Comics, Crossgen, Slave Labor Graphics, AC Comics, Abstract Studios, Zenescope Entertainment, and numerous publishers from small indie to Premiere over his 30+ years with Diamond.
Having been an Eisner judge, he is looking forward to seeing all the items up for consideration this year.
A longtime comics pro, Mark Morales has worked for many companies, including Image, Dark Horse, Chaos, DC Comics, and Marvel Comics, mostly as an inker. Past projects from Mark include Thor, Daredevil, Batman, X-Men, Avengers vs. X-Men, Spider-Man/Deadpool, and Astonishing X-Men. Currently, he is working on Weapon X-Men from Marvel Comics.
Whether it’s creating new characters or reinventing older ones, Amy Reeder is here to remind us that great characters are what keep us hooked on comics. Her cover work spans many of the DC and Marvel characters we all love, but she’s especially known for her interior work on titles like Madame Xanadu, Batwoman, Amethyst, and Wonder Woman. Amy co-created Rocket Girl through Image Comics, as well as Moon Girl from Marvel’s Moon Girl and Devil Dinosaur–who now stars in her own cartoon on Disney! These days, Amy tends to write what she draws, which includes her recent work on DC’s Amethyst. Currently, she’s working on an unannounced romance graphic novel, while balancing cover gigs for the Big Two.
Born in Rockford, Illinois, raised in Memphis, Tennessee, matriculated in Tacoma, Washington, and broadcasting live from Los Angeles, California, Hannibal Tabu is a writer, a brother, a misanthrope, a son, an emcee, an uncle, a poet, a father, a designer, a nephew, a romantic, a storyteller, and by God, a fan.
He spent more than twenty years doing the journalist thing for Vibe, Slave Trade, MTV Online, The Los Angeles Wave Newspaper, Rap Pages, America Online, the Los Angeles Sentinel, the now-defunct Spinner Rack website, Speak, and The Source.
Hannibal has worked as a web designer/producer and graphic artist for American Honda, eHobbies.com, Quicken.com, L.A. Care Health Plan, the now-defunct DVD Express, the California Association of REALTORS, Disney Channel, NextPlanetOver.com, Toyota Motor Sales, Kaiser Permanente, California Bank & Trust, and many more.
As a poet, Hannibal has been published in The Drumming Between Us, (sic) Vice Verse, Drumvoices Review, Voices From Leimert Park, and other anthologies, as well as being author of the collection Born Beneath an Angry Star and co-author of Flight Manual.
In terms of prose fiction, he’s written short stories for Stranger Comics and The Operative Network and the novels The Crown: Ascension and Faraway (both available on Amazon, Barnes & Noble, & Smashwords), plus the upcoming sci-fi political thriller Rogue Nation.
From 2003 to 2022, Hannibal did comic book reviews under the banner The Buy Pile, which was also syndicated on the iHeartRadio podcast Nerd-O-Rama with Mo and Tawala. Hannibal was also the Head Comics Reviewer at one of the comics’ industries leading online outlets, Bleeding Cool, and is still a regular panelist and moderator at comics conventions, including multiple appearances in multiple years at San Diego’s Comic-Con International.
Hannibal was the winner of the 2012 Top Cow Talent Hunt, writer of New Money for Canon Comics, Waso: Will To Power for Stranger Comics, four issues of Project: Wildfire for Legends Press, three issues of Menthu for Hometown Studios, and co-writer of an issue of Watson & Holmes (alongside 2 Guns writer Steven Grant) for New Paradigm Studios. In 2015, he wrote the Aspen Sourcebooks for the makers of Fathom, Soulfire, and Executive Assistant Iris.
Hannibal was the winner of the 2018-2019 Cultural Trailblazer award from the City of Los Angeles Department of Cultural Affairs.
For six years, he was the editor-in-chief of the Los Angeles Herald-Dispatch group of newspapers, is currently the co-owner and editor-in-chief of the Black geek channel Komplicated at the Good Men Project.
In 2023, Hannibal entered the world of table top role playing games (TTRPG) with The Sundering: The Nation Beneath Our Feet, a book created with actor Damion Poitier that achieved 453% funding on Kickstarter to the tune of over $54,000. He has since been running paid Dungeons & Dragons games set in his fictional world and working on a sequel. With accolades from Eberron creator Keith Baker, legendary actor Phil LaMarr, and Critical Role cast member Taliesin Jaffe, the DND community has embraced Hannibal’s efforts in this regard.
Hannibal uses this website to publish his poetry, market what he’s doing, rant at the world, and emit strangled cries for help.
In addition to all that, Hannibal collects comic books, has scores of action figures, DJs private parties, is a Mac OS zealot, sings and sometimes even hosts karaoke, practices a form of spirituality based on ancient Egyptian belief, and goes to bed every day secretly hoping that half the world will commit suicide in his honor.
Fan and Pro Nomination Categories
Best Cartoonist (Writer/Artist)
Best Writer
Best Artist or Penciller/Inker Team
Best Letterer
Best Colorist
Best Cover Artist
Best Series
Best Single Issue or Story
Best Original Graphic Novel
Best Anthology
Best Humor Comic
Best Webcomic
Best Humor Webcomic
Best Non-fiction Comic Work
Best Kids Comic or Graphic Novel
Best Presentation in Design
Perennial Jury-Only Nomination
The Mike Wieringo Spirit Award
Fan-Only Favorite Categories
Favorite Hero
Favorite Villain
Favorite New Series
Favorite New Talent
Favorite Publisher
Hero Initiative Award (selected by the Hero Initiative)
Together on their very own X-team for the very first X-time – all in an X-tra-sized first issue! When a high-stakes mutant rescue mission from the ultimate global hot spot exposes the true enemy – possibly from within – an all-new team of all-action icons suddenly find themselves forged in fire. And the official membership policy is…no mercy allowed! Weapon X-Men #1 kicks off the “One World Under Doom” tie-in series that I’m still trying to figure out.
With major events and shifts in status-quo comes miniseries, and tie-in series, and one shots, some of which are head scratching as far as their connection. So far, out of all of the releases, Weapon X-Men #1 is that big question mark. Written by Joe Casey, Weapon X-Men #1 has the frenetic pacing you’d kind of expect for 00s/10s X-Men comics. The basic story is a team is put together for… something. It’s not clear exactly what but the series of events connects Wolverine, Deadpool, Chamber, Cable, and James Proudstar aka Warpath. Why? That’s still up in the air, but the issue is packed with twists and turns and action, none of it really makes much sense at this point. This is the popcorn action story you just sit back and try to not think too much about the details.
The art by Chriscross has a bit of a throwback feel to it, much like the story. With ink by Mark Morales, color by Yen Nitro, and lettering by Clayton Cowles, the comic’s visuals pop. It reminds me a lot of the X-Men style in the late 90s/early 00s and if that’s your thing, that’s great. The characters look good and the action is entertaining, visually the comic is solid and the panels echo the vibe Casey is going for in the writing. It’s a good combo of writer and art team.
The action is kind of fun and the banter ok but overall, Weapon X-Men #1 feels like a bit of a throwback with a tie into “One World Under Doom,” somehow. Things will obviously clear up as the series progresses but as far as a start, it’s an odd one.
Story: Joe Casey Art: Chriscross Ink: Mark Morales Color: Yen Nitro Letterer: Clayton Cowles Story: 7.0 Art: 7.75 Overall: 7.0 Recommendation: Read
Marvel provided Graphic Policy with a FREE copy for review
Oregon teen Beth Ross has just been elected President of the United States of America. Age restrictions were abolished when corporations gained the right to run for office. Elections are now held on social media, and after a corndog accident makes Beth Ross go viral, a nation is shocked to wake up and find that “Corndog Girl” has just become their new president.
Story: Mark Russell Art: Ben Caldwell Ink: Mark Morales Color: Jeremy Lawson Letterer: Travis Lanham
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