Show your love of Maleficent and Funko Pop!s with the Pop! Deluxe: Villains – Maleficent on Throne figure. Shown at New York Toy Fair, the figure is available for pre-order now.
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Maleficent in 2014 made a killing at the box office. It was a critical success, and (along with Tim Burton’s Alice in Wonderland) set off Disney’s current craze of remaking all of their IP as live action blockbusters. So the sequel Maleficent: Mistress of Evil was a sure bet, right? Yes and no.
Angelina Jolie returns as the eponymous and misunderstood queen of the fey. Elle Fanning is back as her adopted daughter, the Princess Aurora. Prince Phillip has proposed to her, so now it’s time to meet the parents! Michelle Pfieffer sinks her teeth into the juicy role of Queen Ingrith, who bears a giant grudge against the magical moor lands and all magic users. This great feud breaks out between her and Maleficent. It’s like if Joan Crawford and Bette Davis’s squabbles were also all a pretense for war. There are certain elements in this film that seem to condemn the military-industrial complex. . . or at least its equivalent in a pre-industrial medieval setting.
Maleficent also discovers her heritage as she discovers a near-extinct species of dark fey that once lived all throughout the land but who have hunted by humans and driven into hiding. Their tribes are divided between wanting to pursue war or peace with the humans, with the peace faction being led by Conall (Chiwetel Ejiofor) and the war faction led by Borra (Ed Skrein).
The giant action sequences and production design of this film are phenomenal. The only problem is that it’s the personal interactions between Pfieffer and Jolie that are the best parts here. The giant action scenes where they are literally fighting one another are altogether less interesting.
While visually stunning, Maleficent: Mistress of Evil is missing some of its edge. I loved the first Maleficent. It’s an amazing film that dared to turn the essence of a classic Disney tale on its head. It features a strong feminist message about not pitting women against each other. This sequel feels like nothing but pitting powerful women against each other.
Still, the aesthetics of the film are amazing. Maleficent’s costumes and makeup/CG-enhancements make her absolutely stunning to look at. Maybe it’s the wings, maybe it’s those cheekbones, maybe it’s the CG-coloring that makes the green magic swirl in her eyes, but it’s gorgeous.
While maybe not as good as the first, like most modern sequels this film does it bigger and brashier. That’s not necessarily a good thing. If you’re a fan it’s a good enough reason to go ahead and make sure you see this on the big screen.
3 1/2 out of 5 stars