Tag Archives: lgbt

Funko Celebrates Pride with Spongebob, Hello Kitty, and Batman Pop!s

The Funko Pride Pop! collection is a celebration of inclusivity and acceptance. Funko supports the LGBTQ+ community and rejects intolerance and discrimination.

At Funko, FUN is for EVERYONE! A donation has also been made to the It Gets Better Project, an organization that uplifts, empowers, and connects LGBTQ+ youth around the globe, in coordination with this program. The It Gets Better Project inspires people to share their stories and remind the next generation of LGBTQ+ youth that hope is out there, and it will get better.

Show your support and pride with these special edition rainbow collectibles: Pop! SpongeBob, Pop! Hello Kitty, and Pop! Batman.

She-ra & the Princesses of Power: Seasons 2&3

It’s bi-week! Time to talk about She-ra and the Princesses of Power. What with all the queer teen heroes, and their queer parents, and their bi-pride flag colored hologram mentors and freedom fighting unicorns. Mey Rude returns for her second dive into the Dreamworks animated series. Mey is a queer, trans and fat Latina living in LA where she works as a trans consultant and a culture and entertainment writer for Out.com. She loves nerds, Judy Hopps and talking about her feelings.

And joining for the first time is Samantha Puc!

Samantha Puc is an essayist and culture critic who frequently writes about LGBTQ and fat characters in fiction. She is the managing editor at The Beat, as well as the co-creator and editor-in-chief of Fatventure Mag, an outdoors zine for fat folx who are into being active, but not into toxic weight-loss culture. She lives in Montana with her partner and cats.

Discussed:

  • Everyone’s dreamgirl Huntara
  • The right kind of sympathetic villians
  • “Once Upon a Time in the Waste” is the best episode name ever
  • Hordak gets a Vader suit—and pathos
  • Looking queer, for the kids!

Listen to our coverage of She-ra season 1 (and on spotify, itunes etc etc)

And sign-up for the new she-ra fanzine, Fans for Etheria, that’s a fundraiser for RAICES.

Around the Tubes

Batman Universe #1

The weekend is almost here and we’re focused on San Diego Comic-Con prep! Lots to do with only a few days to get it done! While we scramble, here’s some comic news and reviews from around the web in our morning roundup.

Kotaku – What One Ton Of Manga Looks Like – A lot?

CBLDF – Love Is Love: An Inside Look At the Banning of an LGBTQ+ Comic – Sigh.

Hill Country News – Leander Public Library abruptly cancels appearance of popular comic authorcough Bullshit cough

KDVR – Meet Betty Pages: Denver’s comic-book selling drag queen– This is awesome and amazing and we can’t love this enough.

Reviews

Newsarama – Batman #74
CBR –
Batman Universe #1
AIPT! –
The Flash #74
Newsarama –
Giant-Size X-Statix #1
Newsarama –
Invisible Woman #1
AIPT! –
Unnatural #11
Newsarama –
Vox Machina: Origins II #1
Newsarama –
Wolverine and Captain America: Weapon Plus #1

FlameCon 2018: Writer Sina Grace Talks Iceman, Dad Jokes, and Li’l Depressed Boy

Sina Grace is a veteran L.A. based comic book writer, artist, and former editor whose body of work ranges from graphic memoirs like Not My Bag, Self-Obsessed, and Nothing Lasts Forever to an Iceman ongoing series for Marvel Comics. He has also done the artwork for the cult Image comic The Li’l Depressed Boy, which is written by Shaun Steven Struble. Self-Obsessed was made into a webseries starring Grace as himself and co-starring Buffy the Vampire Slayer‘s Amber Benson and Adam Busch.

At FlameCon, I had the opportunity to catch up with Sina Grace and chat about his upcoming Iceman miniseries and some other projects.

Graphic Policy: You’ve got the new Iceman coming up. What sets apart this miniseries from your initial run on the character?

Sina Grace: I’m really excited that I get to come back to the series after a passage of time. So, Bobby’s sort of done with the chapter of growing he went through in those first eleven issues, and in this one, we get to see him a little more settled in his skin. The reader will have so much more fun watching him do what he wants to do now that he’s like, “I am an omega level mutant. I am awesome.” He’s finally settling in.

With that comes a lot more fun and also some new challenges.

GP: What are some of those challenges?

SG: I’ve always thought that if you’re known for being an omega level mutant that means people with good and bad intentions are going to be paying more attention. Their eyes are on you. I’ve made it no secret that Mr. Sinister is the bad guy, and he kind of realizes that there’s something special about Bobby. Because Bobby is realizing there’s something special about Bobby. And you don’t want Mr. Sinister to be obsessed with you, I’ll leave it at that.

Then, similarly, we see Emma Frost come back into the fold, and their relationship is so rife with tension. I think one of the last times they had a very big talk about him, she seemed to be disappointed by his immense potential and how he never lived up to it. This series is really going to focus on him living up to his potential and being around people who can bring more out of him.

GP: I’ve talked to a lot of Iceman fans online, and they’ve wanted him to have more romantic and definitely more sexual relationships. What is Bobby’s dating and romantic life going to be like in the new series?

SG: I’m excited to keep Bobby single for a while. I think it’s going to be really fun to have him be single in the Marvel Universe and sort of show what that whole world looks like. How easy or how hard is it to be a mutant and in the X-Men and looking for romance. Usually, with all these other X-Men, they can date within the pool, but aside from Pyro, who they just wanted it to be what that evening was, there aren’t a lot of suitors out there.

He is dating. We get to see what that looks like for him. It’s adorable, but I’m not ready to have him fall in love just yet.

GP: You’re working with a new artist on the series, Nate Stockman (X-Men Blue). What has collaborating with him been like?

SG: Nate Stockman, and I’ve been so lucky because I’ve been saying this about the other artists, is really collaborative and so open minded in terms of taking notes from a writer who knows how to draw and has drawn comic books. Nate is injecting this level of humor that we didn’t quite hit with the previous artists, and I’m so happy because again and again I will say that this arc is a celebration. We got the book back. Bobby is a happier person. We’re just here to have a blast. It’s like a bonus round.

Nate really brings that energy. He’s just so happy and kind, and that’s all you can ask for in a collaborator. He also has really good insights as a storyteller and has helped me become a better writer in the end too.

GP: I saw Bishop on the cover of Iceman #1. What role is he going to play in the series?

SG: He’s mainly in issue one. He does show up at the end of the arc. I wanted a character where it’s the same thing as Bobby Drake. He’s always kind of around. But he’s always in the periphery. Bishop is like that too. There’s a lesson to be learned in the first adventure with them preventing the Mutant Massacre together that I felt he was able to speak to Bobby in a different way and help him understand things. I’ve always been drawn to the character, and I wanted to spend some time with him and see how his brain works. He’s cool.

GP: Yeah, wielding that big gun in X-Men Legends was when I fell in love with him.

SG: He’s also lived out the thing he needed to do in this timeline, and again, he’s in the periphery and on a similar, but different journey. So, I wanted to have these two personalities next to each other for that adventure.

GP: One thing that stands out about your Iceman is that he makes a ton of dad jokes. Why did you decide to make that a big part of his personality?

SG: It’s one of the consistent things about him. If you go through all these books, he makes really dumb jokes. His humor is a little stale, but I had to lean into as a writer because if you only do one or two, people think you can’t write a good joke. So, I kind of had to write 10 or 15 so readers would understand this is about the character kind of cracking wise.

Also, we talk a lot about how Bobby had been hiding a part of his identity from everyone. He’s filling the air. He’s nervous. These are nervous jokes. We’re going to be massaging that in the story talking about that, and how he changes on a micro-interaction level. Maybe, he’s gonna fill the air a little less with dumb jokes, or maybe his jokes will just be good. We shall see.

GP: Yeah, they’re a big part of his character. So, the X-Men have been used as a metaphor for LGBTQ themes for years. What experiences do you as a gay man bring to these characters that a straight writer couldn’t?

SG: I talk a lot about how the power of diverse storytelling lies in the details and specificity. On the way to the interview, we were talking about how opening up the restrooms at FlameCon and making them gender free opened my eyes to “Now I can’t just pop in and pop out. I have deal with a line.” But, cool, I’m aware of my privilege.

There’s no way you can have insight into a story so it’s not even in your eye line. But we bring the specifics of what the experience feels like. Case in point, in issue six of the first series, he falls head over heels with a guy he meets in L.A., Judah Miller. And he thinks about wanting to move to L.A. Resisters, and people who didn’t the like book as a whole, thought that was dumb, and gay Twitter had my back and was like, “No, girl, listen. This is what happens when you just come out, and you’ve spent your whole life thinking you can’t have something.”

You do latch onto the first person who gives it to you and make very questionable decisions about moving across the country. I almost moved to Seattle for love. So, the thing I bring where I can have a character do something that works for the sake of dramatic storytelling, but is still rooted in a reality. I think if a hetero, cis writer did this, it would come off more problematically.

GP: Speaking of your experience, you’ve written a lot of autobio comics, like Self-Obsessed and Not My Bag. How do you switch gears from writing so personally about yourself to writing about a corporate property?

SG: I think actually switching back and forth makes doing both easier for me. I have a space where I can be myself and talk about myself and reconcile questions about the world that I have that may not be interesting to everyone. I have a space for that with an audience that is willing to watch me go down these paths. And, then, because I have this safety valve, I can really look outside myself when I’m speaking to an audience that is 10,000 to 20,000 readers, and I can think about stuff that a larger group of people would want to have explored.

I like that I have both. What’s awesome is that Marvel readers aren’t like, “Let’s go look at your slice of life tales.” They love action books so it’s very safe space to go down some deep ends.

GP: In those autobio books, you have playlists, and I low key got into Jenny Lewis because of Nothing Lasts Forever. Do you have playlists for Iceman?

SG: I create playlists for any character with a big speaking role in my comics because I find music to be a fascinating look into someone’s psyche. On a very surface level, it’s a good way for me to be like “My brain is different from his brain.” So, Bobby listens to stuff I don’t listen to.

I joke that I don’t much care for The Weeknd, but Bobby likes him. He likes the War on Drugs a lot. I don’t mind them. They’re actually good. But I wouldn’t have pursued them. They’re in his wheelhouse. They’re what he likes. I was dating a guy, and we spent the date joking about what he would listen to versus us. The great debate is if Bobby Drake listens to Coldplay. I don’t have the answer yet.

It’s a good exercise. Like for Daken, I was listening to a lot of dark, nihilistic, and loud music like Health and Nine Inch Nails. Dirty Beaches too. He’s a very swagger-y guy. It’s a cool tip to tell burgeoning writers. This is how you get into a different groove and force yourself into something: a different conversation.

GP: That’s good advice. I have one last question. I’m a big fan of The Li’l Depressed Boy. Any news on that front?

SG: Our only goal with this new series of The Li’l Depressed Boy is to have the entire arc done before we put it on the calendar. I don’t think anyone likes when a book ships late, and the series comes from a personal place for both [me and Shaun Steven Struble]. We’re just letting it take the time it needs. But there are pages drawn. There is a ton of script written out.

Shaun and I are lifelong friends and partners so as long as we’re in love with each other and the book, it’s always going to be on our minds and always going to be made. Having the book come out on time and having it be the best it can be is more important than anything. No rushing for us.

Iceman #1 will available from Comixology and local comic book stores on September 12, 2018

Follow Sina Grace on Twitter.

Why Star Trek: Discovery Matters for Representation

In various interviews about her “Star Trek” role, Whoopi Goldberg describes why she wanted to be on the show: Up until “Star Trek,” people of color weren’t included in any vision of the future. She grew up in an era of segregation, with high-profile murders of civil rights leaders and activists, and a renewed push to build Confederate monuments. In such a time representation in science fiction might seem unimportant, but for 9-year-old Whoopi, it meant the world. Over the years she’s been very clear about how much it meant to her to see Lt. Uhura—a black woman—on screen. But despite the progressive history of “Star Trek,” LGBTQ children have never had the opportunity to see themselves represented on the show until now. This week’s episode of “Star Trek: Discovery” takes us inside the bedroom of a gay couple, putting their relationship front and center for the first time in the 50-year history of “Star Trek.”

“Star Trek” was groundbreaking for its representations of people of color and women. In addition to Nichelle Nichols’ portrayal of Uhura, George Takei played Lt. Sulu, who eventually becomes a captain, and Walter Koenig’s Ensign Pavel Chekov—at the height of the Cold War—showed a future where the Soviet Union was not an enemy. “Star Trek” creator Gene Roddenberry wanted to show women in command; the original pilot had a female first officer, but the studio nixed it. The show was also groundbreaking for having one of the first interracial kisses on TV. “Star Trek” offered a view of the future that was so fundamentally different and inclusive that it inspired people about their possibilities.

None of this is meant to negate some of the very real problems with sexism and racism that did creep through. Women wore skirts and, according to one episode, were not allowed to be captains. And in one episode, Uhura’s mind was erased and she suddenly spoke Swahili. Those are relics of the era and mistakes we shouldn’t repeat. But the grand mission of “Star Trek”—to show a future where humanity has overcome racism, hatred and greed, and has united to expand our understanding of the universe—is one that is as necessary today as it was in the 1960s.

While “Star Trek” was a pioneer in depicting people of color and women, it’s been sadly behind the curve in its representation of queer communities. Of course, in the original series there wouldn’t have been LGBTQ representation. It was the beginning of the LGBTQ movement. The Stonewall Riots happened the month the show was canceled, and it would be another decade before Harvey Milk would burst onto the scene in San Francisco.

But by the 90s and early 2000s, when “Star Trek” had the opportunity to continue with Roddenberry’s progressive vision of the future and include LGBTQ people, it did not. The producers flirted with it; Roddenberry himself was supportive of an AIDS metaphor episode, which would have been fitting since one of the actors from the film series died from AIDS related causes around the same time. But the network scrapped that idea. An episode of “The Next Generation” did feature an agender species, and “Deep Space Nine” had two women kiss. This kiss was a big deal; it came two years before Ellen DeGeneres came out, and it generated more hate mail than most episodes. But despite efforts over many years to have a LGBTQ character on “Star Trek,” our communities were mostly left behind by the franchise.

More recently, the film reboots have retconned Sulu to be gay, with the introduction of a husband and child, seen from a distance in 2016. Hopefully, we’ll get to see more of Sulu and his family in the fourth film, and while it was a very nice step for LGTBQ representation, it was also a very small aside.

Part of what got Whoopi Goldberg so excited about “Star Trek” was not only the existence of a black woman in that fictional world but the dignity with which she was treated:

“When I was 9 years old, ‘Star Trek’ came on. I looked at it and I went screaming through the house, ‘Come here, mom, everybody, come quick, come quick, there’s a black lady on television and she ain’t no maid!’ I knew right then and there I could be anything I wanted to be.”

Dignity is particularly important. LGBTQ people are often a punchline. Take a look at the recent remake of “Beauty and the Beast”; the gay character is a buffoon, someone to laugh at. Or producers will present a sexually charged scene with perfect bodies, meant more for eye candy than character development. And when it’s two women, it’s almost always directed for the male gaze. “Star Trek: Discovery,” however, takes us into the bedroom of a committed couple as they talk about their fears and their love for each other. It focuses specifically on an argument they have, centered on career and personal safety. This is a scene about them as people, whole and complete, struggling with what every other person struggles with. It affirms queer dignity, agency and love. It shows us that we make it to the 23rd century.

Before someone says “Of course you make it to the future,” just stop. The president of the United States made a joke about how the vice president would like to hang us all. He spoke at the conference of an actual real-life LGBTQ hate group this past weekend. Globally there are countries that still execute us. In the United States, poverty rates are higher for LGBTQ people, you can be fired in 28 states for being gay, and violence and hate crimes are on the rise. All of this is to say that we deserve to have a future to look forward to. We deserve to look at the TV and see ourselves portrayed with dignity—the way that Whoopi Goldberg and Martin Luther King Jr. did when they watched “Star Trek” in the 60s.

Growing up, I loved “Star Trek.” I discovered it when I was 6 or 7. It was the only show my mother allowed us to watch, because she too liked this vision for the future. My parents were going through a rather unpleasant divorce, and “Star Trek” offered a refuge, a stability in the future that I didn’t have in my daily life. I gravitated toward and saw myself most in the outsider characters—Spock, Data,  Odo and 7 of 9. I wasn’t quite represented; yes, there were white men, but none of them were quite like me. I recognize now that it was those characters’ struggle to fit in that I connected with. Ultimately, I felt alienated from the people and relationships portrayed in the media. Kids today who watch “Star Trek” don’t have to feel like outsiders; they get to be full people in the series.

Throughout the 80s, 90s and into the 21st century, television made huge strides in LGBTQ representation. “Designing Women,” “Will & Grace” and “Glee” saw LGBTQ storylines develop from one-off episodes to central plots of the series. Even science fiction, full of male bravado and, too often, toxic masculinity, managed to begin to include us before “Star Trek.” “Torchwood,” “True Blood,” “The Walking Dead” and others have had LGBTQ characters and storylines. The “Battlestar Galactica” web series outed a main character; the prequel series “Caprica” had a major gay relationship. And “Stargate” had a lesbian main character in 2009. Of course, there was no “Star Trek” during most of the era when sci-fi began including us.

This may seem small, but it’s affirming and it’s exciting. “Star Trek” has finally come into the modern era and made us a part of the future.


Asher Huey is a DC based progressive activist and organizer.

Prism Awards Finalists Announced!

Prism Comics and the Queer Comics Expo have announced the finalists for the first annual Prism Awards! The Prism Awards are being established this year (2017) to recognize, promote and celebrate diversity and excellence in the field of queer comics. The panel of 12 expert judges have selected several works in each category which expand the growing body of diverse, powerful, innovative, positive or challenging representations of LGBTQAI+ characters in fiction and nonfiction comics. The winners in each category will be announced at a ceremony at the Queer Comics Expo on Saturday July 8th, starting at 4pm at the SOMArts Cultural Center, 934 Brannan St, San Francisco.

Check out the list below for the nominees and congrats to everyone involved and nominated!

BEST SHORT FORM COMIC FINALISTS

Nothing Wrong With Me by Dylan Edwards http://www.studiondr.com/  – https://thenib.com/nothing-wrong-with-me
Flux by E Jackson http://eshiel.com/  – http://flux.eshiel.com/
Liar by Hari Conner  http://www.hari-illustration.com/ – https://gumroad.com/l/BtKou#
The Kiss of the Demoness by Gillian Pascasio http://7clubs.tumblr.com/

 

BEST WEBCOMIC FINALISTS

With Great Abandon by EH MacMillian https://withgreatabandon.tumblr.com/
Failing Sky: Ghost Story by Scout Tran-Caffee http://failingsky.com/ghoststory
Villainette by Scout Tran-Caffee http://strip.villainette.com

 

BEST COMIC FROM A SMALL TO MIDSIZE PRESS FINALISTS

Destiny, NY Volume One: Who I Used to Be by Pat Shand (Writer), Manuel Preitano (Artist), Jim Campbell (Letterer), and Shannon Lee (Editor) https://www.storenvy.com/stores/980896-continuity-entertainment
Short Gay Stories by H-P Lehkonen http://hplehkonen.com/
Active Voice The Comic Collection by P. Kristen Enos (writer), Heidi Ho (contributing writer), Casandra Grullon (artist), Derek Chua (artist), Leesamarie Croal (artist), Beth Varni (artist), and Dan Parent (cover art) http://www.pkristenenos.com/avgraphicnovel/

 

BEST SINGLE ISSUE FROM A MAINSTREAM PUBLISHER FINALISTS

Supergirl: Being Super #1 by Mariko Tamaki (writer), Joëlle Jones (pencils), Sandu Florea (inks), Kelly Fitzpatrick (colorist), Saida Temofonte (letters), Jones and Fitzpatrick (cover art) https://www.comixology.com/Supergirl-Being-Super-2016-1/digital-comic/431009
The Backstagers #1 by James Tynion IV (writer), and Rian Sygh (artist) https://www.comixology.com/The-Backstagers-1-of-8/digital-comic/410464
Lumberjanes #17 by Noelle Stevenson (writer), Shannon Watters (writer), and Brooke Allen (artist) https://www.comixology.com/Lumberjanes-17/digital-comic/260036

 

BEST ANTHOLOGY FINALISTS

Beyond: The Queer Sci-Fi & Fantasy Comic Anthology edited by Sfé R. Monster & Taneka Stotts
https://www.beyond-press.com/
POWER & MAGIC: The Queer Witch Comics Anthology edited by Joamette Gil
https://gumroad.com/powerandmagicpress
Food Porn edited by Gina Biggs http://comicorgy.com/print/food-porn-print-edition/
Chainmail Bikini: The Anthology of Women Gamers edited by Hazel Newlevant http://chainmail-bikini.com/


THE 2017 PRISM AWARD JUDGES

Rob McMonigal is a nonbinary writer who lives in Portland Oregon with too many cats and is the head writer of the Eisner Nominated comics review site, www.panelpatter.com.

Ajuan Mance is a genderqueer nerd, a Professor at Mills College, the author of Inventing Black Women and Proud Legacy, the editor of the anthology Before There Was Harlem, and the creator of the portrait series 1001 Black Men. http://8-rock.com/

Kirwan McHarry authored “Border Dwellers in Boys’ Love Manga” in On the Edge of the Panel (Cambridge Scholars Publishing, 2015), and co-edited a special section on BL manga for the Journal of Graphic Novels ! and Comics (4:1: 1-8). http://www.tandfonline.com/doi/abs/10.1080/21504857.2013.793207

Jon Erik Christianson is a comics journalist who aspires to Lois Lane greatness (in a universe where she’s given her due credit). https://twitter.com/HonestlyJon

Jack Baur is a Teen Services Librarian at the Berkeley Public Library, and the co-host of the (erratically updated) In the Library With a Comic Book podcast, available at http://inthelibrarywithacomicbook.org.

AJ Real is an educator, QPOC, blue lantern, Hufflepuff, games enthusiast, and Pokémon master. He can be found online wherever evil and heteronormativity must be vanquished. https://twitter.com/darkshifter

Mel Reiff Hill is the illustrator and co-author of the GENDER book, an illustrated gender 101 for everyone! Find more of their work online at rowdyferret.com

Nia King is the the author of Queer & Trans Artists of Color, Volumes 1 & 2 and the host and producer of We Want the Airwaves podcast. Artactivistnia.weebly.com

Brian Andersen is a life-long comic book lovin’ gay geek, a contributor to The Advocate and writer of “Stripling Warrior,” featuring gay Mormon superheroes.  http://www.sosuperduper.com/

Heidi MacDonald is the editor in chief of Comics Beat, an awarding winning site about graphic novels. comicsbeat.com

Mey Rude is a bi, trans Chicana and is a writer/editor at Autostraddle and consults on and edits comic books.  https://twitter.com/meyrude

William O. Tyler is the creator of WoT’s Cinephilia, a webcomic that studies the love of movies and how they shape us. williamotyler.com

Listen to The State of LGBTQ Comics: A Roundtable on Demand

On demand: iTunes ¦ Sound Cloud ¦ Stitcher ¦ BlogTalkRadio ¦ Listed on podcastdirectory.com

June is Pride Month so Graphic Policy Radio is talking with some of our favorite LGBTQ comics critics about the current state of LGBTQ people in comics: on and off the page.

Our guests:

Desiree Rodriguez is a columnist and Editorial Assistant for Lion Forge Comics’ Catalyst Prime. Desiree also writes for The Nerds of Color and Women Write About Comics @boricuadesiree)

Logan Dalton writes about comics and TV shows for sites like Graphic Policy and Nerds on the Rocks. Once he interviewed a vampire. He lives in the south. @MidnighterBae

Véronique Emma Houxbois is a fiercely queer trans woman from the wilds of Canada, most recently spotted in the Pacific Northwest. Contributor at Comicosity, Women Write About Comics, and London Graphic Novel Network. Consultant on Bitch Planet. Published by DC/IDW in Love is Love with Alejandra Gutierrez. @EmmaHouxbois

The State of LGBTQ Comics: A Roundtable LIVE Tonight on GP Radio

June is Pride Month so we’re talking with some of our favorite LGBTQ comics critics about the current state of LGBTQ people in comics: on and off the page.

The latest episode of Graphic Policy Radio airs LIVE tonight at 10pm ET.

Our guests:

Desiree Rodriguez is a columnist and Editorial Assistant for Lion Forge Comics’ Catalyst Prime. Desiree also writes for The Nerds of Color and Women Write About Comics @boricuadesiree)

Logan Dalton writes about comics and TV shows for sites like Graphic Policy and Nerds on the Rocks. Once he interviewed a vampire. He lives in the south. @MidnighterBae

Véronique Emma Houxbois is a fiercely queer trans woman from the wilds of Canada, most recently spotted in the Pacific Northwest. Contributor at Comicosity, Women Write About Comics, and London Graphic Novel Network. Consultant on Bitch Planet. Published by DC/IDW in Love is Love with Alejandra Gutierrez. @EmmaHouxbois

Listen in when the show airs live tonight.

Awesome Con and Geeks Out Announce Pride Alley

Awesome Con and Geeks Out have partnered up for the first ever Pride Alley at Awesome Con 2017.

The section of the convention puts a spotlight on queer creators and fans and unites the LGBTQ activities at Awesome Con. On top of a dedicated section of Artist Alley, it will include three days of panels and special events as well.

If you’re interested in taking part, Pride Alley’s table and panel submissions are open now!

The Woods Wins this Year’s GLAAD Media Awards for Comics

The 28th annual GLAAD Media Awards were announced this past Saturday in Los Angeles, and The Woods won in the comic book category. Receiving credit were James Tynion IV, Michael Dialynas, Josan Gonzalez, Ed Dukeshire. The series is published by BOOM! Studios (with the latest issue out this week).

The GLAAD Media Awards recognize and honor media for their fair, accurate and inclusive representations of the lesbian, gay, bisexual, transgender and queer community and the issues that affect their lives.

There’s two events, one held in Los Angeles on April 1 and another in New York City on May 6.

This year’s nominees included:

  • All-New X-Men (Marvel)by Dennis Hopeless, Mark Bagley, Andrew Hennessy, Paco Diaz, Nolan Woodard, Rachelle Rosenberg, Cory Petit
  • Black Panther (Marvel) – Ta-Nehisi Coates, Brian Stelfreeze, Chris Sprouse, Walden Wong, Karl C. Story, Laura Martin, Matt Milla, Joe Sabino, Clayton Cowles
  • DC Comics Bombshells (DC Comics) – Marguerite Bennett, Laura Braga, Sandy Jarrell, Maria Laura Sanapo, Mirka Andolfo, Pasquale Qualano, Marguerite Sauvage, Juan Albarran, Kelly Diane Fitzpatrick, J. Nanjan, Jeremy Lawson, Wendy Broome, Wes Abbott
  • Kim & Kim (Black Mask Studios) – Magdalene Visaggio, Eva Cabrera, Claudia Aguirre, Zakk Saam, Taylor Esposito
  • Love is Love (IDW Publishing/DC Comics) – anthology originated by Marc Andreyko
  • Lumberjanes (BOOM! Studios) – Shannon Watters, Kat Leyh, Carey Pietsch, Ayme Sotuyo, Carolyn Nowak, Maarta Laiho, Aubrey Aiese
  • Midnighter / Midnighter and Apollo (DC Comics) – Steve Orlando, David Messina, Aco, Hugo Petrus, Fernando Blanco, Gaetano Carlucci, Romulo Fajardo, Jr., Jeremy Cox, Tom Napolitano, Josh Reed
  • Patsy Walker, A.K.A Hellcat! (Marvel) – Kate Leth, Brittney L. Williams, Natasha Allegri, Megan Wilson, Rachelle Rosenberg, Clayton Cowles
  • Saga (Image Comics) – Brian K. Vaughan, Fiona Staples, Fonografiks
  • The Woods (BOOM! Studios)James Tynion IV, Michael Dialynas, Josan Gonzalez, Ed Dukeshire

Congrats to everyone!

(via The Hollywood Reporter)

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