Tag Archives: kenneth rocafort

Preview: X-O Manowar #25

X-O MANOWAR #25

Written by MATT KINDT
Art by TOMÁS GIORELLO
Colors by DIEGO RODRIGUEZ
Letters by DAVE SHARPE
Cover A by KENNETH ROCAFORT
Cover B by LEO COLAPIETRO
Cover C by MICHAEL MANOMIVBUL
Interlocking Variant by FRANCIS PORTELA
Pre-order Variant Cover by DIEGO YAPUR
On sale March 20, 2019

Bounty hunted!

Long ago, Aric of Dacia left the life he knew on Earth behind to start afresh in a distant galaxy… Now the mistakes of his past have come home to roost, causing untold devastation on the planet Aric first called home! Clad in the X-O Manowar armor he once renounced, the former Emperor of Gorin has a choice to make: Does he take on this band of intergalactic warriors alone, or does he trust the mysterious woman warrior in black who’s come to his aid?

X-O MANOWAR #25

Preview: X-O Manowar #24

X-O MANOWAR #24

Written by MATT KINDT
Art by TOMAS GIORELLO
Cover A by KENNETH ROCAFORT
Cover B by GREY WILLIAMSON
Cover C by MICHAEL MANOMIVIBUL
Interlocking Variant by FRANCIS PORTELA

“Hero” – Part Two!

The intergalactic bounty hunters once bested by Aric of Dacia have followed him to Earth to reclaim their victory – by any means necessary! But X-O Manowar doesn’t stand alone: From out of nowhere, another armor-clad challenger has jumped into the fray… Who is this mysterious warrior, and what business does she have with Aric?

Vita Ayala and Heather Antos Talk Livewire Plus an Exclusive Look at Livewire #5

Livewire #5

Livewire #5 kicks off a brand new story arc “Guardian.” Investigating the disappearance of a young psiot girl, Livewire stumbles upon Omen’s answer to the psiot “problem,” a facility where young psiots are taken and taught to control their powers. Is this facility the safe haven Livewire’s dreamed of or is there something more sinister to this sanctuary?

Featuring art by Kano and covers by Kenneth Rocafort, Will Conrad, and Grey Williamson, the comic is written by Vita Ayala and edited by Heather Antos.

We got a chance to ask Vita and Heather a few questions about the series, who Livewire is to them, and what it’s like to work with a character and world that’s so fresh.

Livewire #5 is out in stores April 10, 2019.

Graphic Policy: If you could sum up Livewire in a half dozen words, which words would you use?

Vita Ayala: Brilliant. Strong. Powerful. Empathetic. She can be gentle and kid, but she’s not the one to mess with.

Heather Antos: Fearless. Curious. Driven. Proud. Amanda is an extremely intelligent woman, with a passion for protecting those she feels responsible for. Unfortunately, like any of us, sometimes she makes mistakes. And sometimes, like any of us, it takes a good hard look in the mirror before she realizes that she could, in fact, have made the wrong call, despite the best of intentions.

GP: Comics have some very noteworthy villains who can have some very sympathetic motives; Magneto and Toyo Harada immediately spring to mind as villains of circumstance (and the story) rather than being outright evil. Livewire deals with Livewire’s actions in Harbinger Wars II, and how she’s viewed more as a villain now than a hero. What approach do you take when writing a (perceived within the universe) villain as a hero?

VA: For me, the saying that no one is the villain of their own story is very much accurate here. Part of making a character sympathetic is to align readers with them. I think that, for me, one way to do that effectively (and quickly) is to present the world through Amanda’s viewpoint. Not literally through her eyes, but figuratively. We are her, and we know the WHY of her actions and motivations like they are our own.

GP: Heather, you’ve worked on some really well-established properties. What might be different for someone in your role working with a relatively new character and series?

HA: When working on high-profile properties and characters, publishers have the luxury of a pre-established fanbase for their books. New characters don’t have that same privilege of years of loving and adoring fans. But that’s what makes creating new characters and new worlds such a fun and unique challenge! It’s all about how we can make characters like Livewire interesting and relatable to a new audience. How do we, as readers, see ourselves in Livewire? How can we get people to love to love her, as well as love to hate her? How do we make her HUMAN?

GP: What got you to come back to comics and Valiant?

HA: Technically, I never left! You can see my work on Image comics like Redlands, Injection, and Bitter Root. However, when I first met with Publisher Fred Pierce and Senior Editorial Director Robert Meyers about joining the Valiant team full-time, I was intrigued with the idea of creating new characters and titles in an already established universe. The Valiant Universe is still so young and fresh and there’s so much here ready to explore. I can’t wait until you see what we’ve been cooking up!

GP: In preparation for this, I had read the script for issue 5. This is the first comic script I’ve ever read, so I’m curious about how many changes do you find you typically make to the script during the creation process of the comic? It must be exciting seeing your vision come to life at the artist’s hands?

VA: Some scripts go through some pretty intense overhauls, so there are minor tweaks and adjustments in the dialogue phase. It depends on the goal of the issue, I think. Issue #5 may have some real changes in the dialogue, but the art is already on the way. I remember rewriting issue #1 three or four times, then going back and tweaking it a few more times after that (and then doing more tweaking in the lettering stage).

There is no way to really describe the awe I feel when I get to see the art for the first (or fifth, or one hundredth) time! There are usually things that are different from the script, so there is that thrill of newness – which, whatever I had in mind always pales in comparison. To see the story come to life in the hands of such incredible collaborators is a blessing, every single time.

GP: Phoebe Daniels seems like a very interesting character; where did she come from? Was she created because of the story, or did the story form because of her?

VA: We wanted to tell a story about self-control, coming off of her realizing her mistakes during Harbinger Wars II. We wanted to put Amanda in a situation where she couldn’t just snap her fingers and make everything better. We wanted to pit Amanda against an enemy that seemed – on the face of things – to have the same motivations as her. We also wanted a character who could almost remind Amanda of herself during her most vulnerable time. So I guess in a real way, it was a little of both?

GP: I LOVED the idea of the between panel art in the early pages, which leads me to my next question. You seem very open to allowing your artists room to create and do their thing; how important is it for you to give freedom to your collaborators?

VA: It is VERY important to me. I try and stay out of an artist’s way as much as possible, unless I have a very specific thing I want to convey (like with the art between the panels), and even then, ultimately it is up to them if they want to incorporate it. I trust my collaborators WAY more than I trust myself – I can’t draw! They have a much better sense of what will work with their style.

I think that the more freedom artists have, the more of themselves they can put into a project – and comics are a VISUAL medium. The artists (line and color, and lettering, too) are the ones that spend the most time with the book, so it makes sense to want them to feel as much ownership of it as humanly possible. I am happy to adjust any text that will appear on page to that – and usually, I end up cutting a lot of on-page text because the art says it better than my words ever could.

GP: As an editor what different approaches might you take working in the Valiant universe than your previous roles?

HA: As an editor, I’ve always seen my job as handling all the outside bullshit so that my team of writers and artists only have to focus on what it is they do best: create great stories. Whether with Marvel or Image or Valiant, that vision and responsibility hasn’t changed. It’s an insanely exciting time to be a creator at Valiant – there is an endless universe of new ground just waiting to be built upon. And I’m just here to help them do it.

GP: Thanks so much for chatting!

Livewire #5

Preview: Sideways #12

Sideways #12

(W) Dan DiDio (A/CA) Kenneth Rocafort
In Shops: Jan 23, 2019
SRP: $2.99

Trapped at mysterious Dark Star Sciences, Sideways learns how Leto has been following him all along, as well as her plans for the Dark Multiverse as an endless energy source to be mined-and his powers are her way in. Sideways goes over the edge and breaks free, battling Bolt again in the process. Will Derek’s quest for vengeance for his mother’s death lead to a rift he can’t escape or control?

Sideways #12

Preview: X-O Manowar #23

X-O MANOWAR #23

Written by MATT KINDT
Art by TOMÁS GIORELLO
Cover A by KENNETH ROCAFORT
Cover B by DIEGO YAPUR
Cover C by MICHAEL MANOMIVIBUL
Interlocking Variant by FRANCIS PORTELA

NEW ARC! NEW JUMPING-ON POINT! “HERO” – PART ONE!

Aric of Dacia may have left Planet Gorin behind, but its people still remember the ruin they felt in his wake…and so do the bounty hunters who sought to end his barbaric reign! Enraged by the blight on their perfect record, they’ve arrived on our world to finish the job they started – and this time, they don’t plan on taking X-O Manowar alive!

The past catches up with Earth’s Visigoth guardian in “HERO,” an unforgettable new jumping-on point for the bestselling Valiant series from Eisner Award-nominated writer Matt Kindt (DIVINITY, Mind MGMT) and spectacular artist Tomás Giorello (NINJA-K)!

X-O MANOWAR #23

Wonder Woman, Titans, Swamp Thing, and The Flash Get Giant at Walmart

DC announced today that it’s expanding its line of comics currently exclusive to Walmart. The publisher is increasing the slate of 100-Page Giant comics from four to six. In addition, two titles from the original lineup will be re-titled and renumbered as #1 issues. All titles, including the Superman 100-Page Giant featuring Tom King with Andy Kubert and the Batman 100-Page Giant featuring Brian Michael Bendis and Nick Derington, will arrive in participating U.S. Walmart retail stores by Sunday, February 17.

Additions to the lineup include the Swamp Thing 100-Page Giant #1 and The Flash 100-Page Giant #1. As with the other Walmart titles, each book will retail at $4.99 and combine new original stories with “flashback” content from popular DC story eras such as DC Rebirth, the New Age of Heroes and the New 52.

The debut issue of the Swamp Thing 100-Page Giant includes an original story, “Desert of Ash,” written by Tim Seeley, with art by Mike Perkins. This 12-page tale features Swamp Thing and his witch companion Briar as they face the pyromaniac Char Man, who possesses the ability to control flames, a power granted by the elemental spirits of fire itself. Issues #2 and #3 feature “Bog of Blood,” a two-parter by Seeley with art by Joëlle Jones, which introduces a terrifying and potentially supernatural slasher stalking the swamps of Louisiana.

This 100-page spectacular also includes fan-favorite stories from DC’s New 52 period, including Jeff Lemire, Travel Foreman, and Dan Green’s “The Hunt,” from Animal Man, in addition to “Raise Dem Bones,” from the New 52 Swamp Thing by writer Scott Snyder and Yanick Paquette, plus “Death in a Small Town,” featuring Detective Chimp and Shadowpact.

Swamp Thing 100-Page Giant

The Flash 100-Page Giant #1 features an all-new tale of the Scarlet Speedster, written by Gail Simone with art by Clayton Henry. In the 12-part arc “Glass Houses,” Barry Allen is dedicated to keeping the streets of Central City safe as the Fastest Man Alive. But when his old foe Mirror Master shows up looking to cause trouble, it’s up to the Flash to stop him. This book also debuts classic tales of the New 52 version of the Flash by Francis Manapul and Brian Buccellato, in addition to the spacefaring adventures of Adam Strange from 2004 by Andy Diggle and Pasqual Ferry, plus the classic New 52 “rebirth” of the World’s Mightiest Mortal, Shazam, from Geoff Johns and Gary Frank.

The Flash 100-Page Giant #1

Both the Justice League of America and Teen Titans Giants will retain their same contents but continue with new cover titles and will be renumbered with #1 issues. The Justice League of America 100-Page Giant becomes Wonder Woman 100-Page Giant #1, continuing the original Wonder Woman story by Amanda Conner, Jimmy Palmiotti ,Tom Derenick, and Chad Hardin, with “flashback” stories from Geoff Johns’ New 52 Justice League and Aquaman, plus 2006’s “Who Is Wonder Woman?” by Allan Heinberg, Rachel Dodson, and Terry Dodson.

Wonder Woman 100-Page Giant #1

The Teen Titans 100-Page Giant continues as Titans 100-Page Giant #1, with writer Dan Jurgens continuing his original story with art by Scot Eaton and Wayne Faucher. In addition, the book will continue the ongoing reprint stories from Geoff Johns and Tom Grummett’s Teen Titans from 2004, Peter Tomasi’s Super Sons from 2017’s DC Rebirth and Kenneth Rocafort, Dan DiDio, and Max Raynor’s Sideways from the New Age of Heroes.

Titans 100-Page Giant #1

Each 100-page comic sells for $4.99 and are available in more than 3,000 participating Walmart retailers in the United States.

Preview: Bloodshot Salvation Vol. 3 The Book of Revelations

BLOODSHOT SALVATION VOL. 3: THE BOOK OF REVELATIONS TPB

Written by JEFF LEMIRE
Art by DOUG BRAITHWAITE
Cover by KENNETH ROCAFORT

Time to kill!

Two thousand years in the future – in the year 4001 A.D. – the man once known as Ray Garrison is no more…but the microscopic nanites inside him live on. Enter Bloodshot 4001 – a strange, gunslinging echo of Bloodshot’s mind, body, and soul that is now more machine than man. But when our century’s Bloodshot finds himself delivered to the dawn of the 41st century with one last mission to fulfill, two Valiant legends will finally come face to face…just as the secret revelation that binds them together across the ages will forever reshape Bloodshot’s place at the center of the Valiant Universe!

From superstar writer Jeff Lemire (The TerrificsBlack Hammer) and artistic powerhouse Doug Braithwaite (X-O MANOWAR, Journey into Mystery), Valiant’s Eisner Award-nominated superhero saga comes to a thrilling conclusion right here in the far, far future with the ultimate meeting of man and machine at the crossroads of tomorrow and today!

Collects BLOODSHOT SALVATION #10–12.

$14.99 | 112 pgs. | T+ | On Sale DECEMBER 19th
TRADE PAPERBACK | ISBN: 978-1-68215-293-5

Preview: X-O Manowar (2017) #22

X-O MANOWAR (2017) #22

Written by MATT KINDT
Art by JUAN JOSÉ RYP
Cover A by KENNETH ROCAFORT
Cover B by ALAN QUAH
Cover C by AJ JOTHIKUMAR
Interlocking Variant by RENATO GUEDES

The thrilling finale to “AGENT!”

With the help of Atom-13, X-O Manowar has succeeded in beating back the forces of the Unknown… But the militant leader of New Eden, now known as the Cartographer, may have yet another surprise up his sleeve.

Eisner-nominated writer Matt Kindt (Mind MGMT, NINJAK) and insatiable artist Juan José Ryp (BRITANNIA) push reality to its limited in this show-stopping fight to the finish!

$3.99 | 32. Pgs. | VALIANT PREMIUM | T+ | On sale DECEMBER 19th

Exclusive Preview: Sideways #11

Sideways #11

Written by: Dan Didio
Art by: Kenneth Rocafort
Cover by: Kenneth Rocafort
U.S. Price: $2.99
On Sale Date: December 12, 2018

Sideways…caught between a cop and a hard case! Derek’s got the cops in his house when he uncovers an important clue that could crack his mother’s case wide open. Seems the powers that be at Dark Sciences know about his superpowers, and they’ve got the paperwork to prove it. But then metahuman mercenary Bolt crashes the party, puts the kibosh on Derek and gets his hands on the evidence. Bolt takes Derek back to Professor Portefoy, whose plan is straight out of the evil-scientist playbook: drain the Dark Matter energy from Derek to steal his rift powers!

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