Tag Archives: Jon Bogdanove

Preview: The Death of Superman 30th Anniversary Special #1

The Death of Superman 30th Anniversary Special #1

(W) Dan Jurgens, Roger Stern, Louise Simonson, Jerry Ordway (A) Dan Jurgens, Brett Breeding, Butch Guice, Jon Bogdanove, Tom Grummett, more
In Shops: Nov 08, 2022
SRP: $10.99

Written by DAN JURGENS, ROGER STERN, LOUISE SIMONSON, and JERRY ORDWAY. Art by DAN JURGENS, BRETT BREEDING, BUTCH GUICE, JON BOGDANOVE, TOM GRUMMETT, and more! 30 years ago, the unthinkable happened. The Man of Steel died. After sacrificing himself to stop the unstoppable global threat, Doomsday, Metropolis and the rest of the DC Universe mourned the loss of their greatest hero. To mark this monumental moment in comics, DC has reunited the complete creative team behind the original event for four brand-new stories. Led by Dan Jurgens and Brett Breeding, the special kicks off with a new Superman story and villain…DOOMBREAKER! Followed by a series of short stories revisiting some of Superman’s greatest allies and exclusive pinups done by some of comics’ greatest artistic talent including LEE WEEKS, GABRIEL RODRIGUEZ, BILL SIENKIEWICZ, and WALTER SIMONSON. • “The Life of Superman” by Dan Jurgens (W & A), Brett Breeding (A), Brad Anderson (C), and John Workman (L) – A young Jon Kent finds out in school that his dad had died years earlier, as his parents never told him about that fateful day. In the midst of dealing with this emotional news, Jon and Clark need to team up to fight a new villain connected to Doomsday called DOOMBREAKER. • “Standing Guard” by Roger Stern (W), Butch Guice (A), Glenn Whitmore (C), and Rob Leigh (L) – The epic battle between Superman and Doomsday from the Guardians’ perspective. • “Time” by Louise Simonson (W), Jon Bogdanove (A), Glenn Whitmore (C), and Rob Leigh (L) – The story of how the death of Superman looked from John Henry Irons’s perspective. • “Above and Beyond” by Jerry Ordway (W), Tom Grummett (P), Doug Hazelwood (I), Glenn Whitmore (C), and Rob Leigh (L) – A powerful story of Ma and Pa Kent watching their son fight Doomsday live on television and going through Clark’s photo albums with the feeling that their son always prevails.

The Death of Superman 30th Anniversary Special #1

Preview: The Death of Superman 30th Anniversary Special #1

The Death of Superman 30th Anniversary Special #1

(W) Dan Jurgens, Roger Stern, Louise Simonson, Jerry Ordway (A) Dan Jurgens, Brett Breeding, Butch Guice, Jon Bogdanove, Tom Grummett, more
In Shops: Nov 08, 2022
SRP: $10.99

Written by DAN JURGENS, ROGER STERN, LOUISE SIMONSON, and JERRY ORDWAY. Art by DAN JURGENS, BRETT BREEDING, BUTCH GUICE, JON BOGDANOVE, TOM GRUMMETT, and more! 30 years ago, the unthinkable happened. The Man of Steel died. After sacrificing himself to stop the unstoppable global threat, Doomsday, Metropolis and the rest of the DC Universe mourned the loss of their greatest hero. To mark this monumental moment in comics, DC has reunited the complete creative team behind the original event for four brand-new stories. Led by Dan Jurgens and Brett Breeding, the special kicks off with a new Superman story and villain…DOOMBREAKER! Followed by a series of short stories revisiting some of Superman’s greatest allies and exclusive pinups done by some of comics’ greatest artistic talent including LEE WEEKS, GABRIEL RODRIGUEZ, BILL SIENKIEWICZ, and WALTER SIMONSON. • “The Life of Superman” by Dan Jurgens (W & A), Brett Breeding (A), Brad Anderson (C), and John Workman (L) – A young Jon Kent finds out in school that his dad had died years earlier, as his parents never told him about that fateful day. In the midst of dealing with this emotional news, Jon and Clark need to team up to fight a new villain connected to Doomsday called DOOMBREAKER. • “Standing Guard” by Roger Stern (W), Butch Guice (A), Glenn Whitmore (C), and Rob Leigh (L) – The epic battle between Superman and Doomsday from the Guardians’ perspective. • “Time” by Louise Simonson (W), Jon Bogdanove (A), Glenn Whitmore (C), and Rob Leigh (L) – The story of how the death of Superman looked from John Henry Irons’s perspective. • “Above and Beyond” by Jerry Ordway (W), Tom Grummett (P), Doug Hazelwood (I), Glenn Whitmore (C), and Rob Leigh (L) – A powerful story of Ma and Pa Kent watching their son fight Doomsday live on television and going through Clark’s photo albums with the feeling that their son always prevails.

The Death of Superman 30th Anniversary Special #1

DC celebrates 30 Years of The Death of Superman with the Original Creative Teams

30 years ago, Superman sacrificed himself to defeat Doomsday. To celebrate the special anniversary of this defining moment, DC has reunited the original creative teams of Dan Jurgens and Brett Breeding; Roger Stern and Butch Guice; Louise Simonson and Jon Bogdanove; and Jerry Ordway and Tom Grummett for The Death of Superman 30th Anniversary Special #1. Available at comic shops on November 8, the comic features four all-new stories that explore the lasting impact that Clark’s death had on his family and friends as well as nine pinups and variant covers by some of the top names in comics.

Each of the original creative teams from The Death of Superman has reunited to tell a story that shows how some of Superman’s biggest allies reacted during and after his fateful battle with Doomsday:

  • “The Life of Superman” by Dan Jurgens (W & A), Brett Breeding (A), Brad Anderson (C), and John Workman (L) – A young Jon Kent finds out in school that his dad had died years earlier, as his parents never told him about that fateful day. In the midst of dealing with this emotional news, Jon and Clark need to team up to fight a new villain connected to Doomsday called DOOMBREAKER.
  • “Standing Guard” by Roger Stern (W), Butch Guice (A), Glenn Whitmore (C), and Rob Leigh (L) – The epic battle between Superman and Doomsday from the Guardians’ perspective.
  • “Time” by Louise Simonson (W), Jon Bogdanove (A), Glenn Whitmore (C), and Rob Leigh (L) – The story of how the death of Superman looked from John Henry Irons’s perspective.
  • “Above and Beyond” by Jerry Ordway (W), Tom Grummett (P), Doug Hazelwood (I), Glenn Whitmore (C), and Rob Leigh (L) – A powerful story of Ma and Pa Kent watching their son fight Doomsday live on television and going through Clark’s photo albums with the feeling that their son always prevails.

W=Writer, A=Artist, P=Penciller, I=Inker, C=Colorist, L=Letter

Highlighting the milestone, The Death of Superman 30th Anniversary will feature variant covers by artists including Jim Lee and Scott Williams; Dan Mora; Ivan Reis and Danny Miki; Francesco Mattina; Dan Jurgens; and Brett Breeding. Fans can also order a premium polybag variant that features a black armband with The Death of Superman 30th Anniversary logo and the main cover inside.

DC had previously announced details of The Death of Superman 30th Anniversary Deluxe Editionwhich will include Superman: Day of Doom #1-4 for the first time ever and will be available at comic shops and local bookstores on December 6, 2022. DC will also be releasing Superman #75 Special Edition featuring the original story by Dan Jurgens and Brett Breeding, which will be available at local comic shops on November 1.

Batman/Catwoman Special Brings Romance in January and Honors John Paul Leon

The Batman/Catwoman series has been showing us the romance between Bruce Wayne and Selina Kyle as it has changed over their lives, but what about their connections from BEFORE they became costumed adventurers? The upcoming Batman/Catwoman Special (on shelves Tuesday January 25) traces the life of Selina Kyle from its earliest days to her entry into the criminal underworld and reveals that Bruce was a presence in her life all along. Whether fate or coincidence, it’s even more of a reason why the Bat/Cat romance is one of the most enduring love affairs in all of comics.

Now expanded to celebrate the legacy of iconic artist John Paul Leon, whose untimely passing after a long battle with cancer shocked the comics world this past May, this special will feature the work Leon completed for the original story plus tributes to the renowned artist created in his name by some of his closest friends and admirers. Bernard Chang, Shawn CrystalMitch Gerads, and Dave Stewart will bring the original story to its conclusion, lettered by Clayton Cowles, while comics’ top artists gather to celebrate Leon’s creative legacy through pin-up pages and essays in the special, including Lee Bermejo, Denys Cowan, Joëlle Jones, Dave Gibbons, Walter Simonson, and more.

Batman/Catwoman Special #1 will publish on January 25, 2022 with a cover by John Paul Leon and variant covers by Lee Weeks and Bill Sienkiewicz.

Original Story “Interlude”

  • Tom King – Writer
  • John Paul Leon – Artist (p.1-13), Breakdowns (14-20) and Cover
  • Bernard Chang w/Shawn Crystal – Artists (p.14-20)
  • Mitch Gerads – Artist (p.21-38)
  • Dave Stewart – Colors (p.1-20)
  • Clayton Cowles – Letterer

Pin Ups

  • Lee Bermejo
  • Deny Cowan
  • Becky Cloonan
  • Klaus Janson & Dave Stewart
  • Rick Leonardi & Dave Stewart
  • Chris Batista
  • Dani & Tamra Bonvillain
  • Ibrahim Moustafa
  • Clay Mann & Seth Mann
  • Vanesa del Rey
  • Dave Johnson
  • Joëlle Jones
  • Shawn Martinborough & Chris Sotomayor
  • Khary Rhandolph & Emilio Lopez
  • Tula Lotay
  • Dave Gibbons
  • Walter Simonson & Laura Martin
  • Jon Bogdanove & Sian Mandrake

Essays

  • Michael Davis
  • Kurt Busiek

Heritage Auctions Teams with Comic Artists to Benefit the Ed Asner Memorial Fund

Heritage Auctions and numerous comic artists are teaming up to raise money of the Ed Asner Memorial Fund. Bill Sienkiewicz is one of those creators who after getting involved, helped convince other artists to do the same.

Beloved for generations for roles that included gruff-but-lovable Lou Grant on The Mary Tyler Moore Show, Santa Claus in Elf and Carl Fredericksen in Pixar’s Up, Ed Asner died Aug. 29, leaving a legacy as a giant among Hollywood stars and a champion for numerous special needs communities. Matthew Asner, the center’s president and CEO, and his wife, Navah Paskowitz-Asner, continue their tireless work of creating programs and services for those with special needs. Among the most important is raising funds to support the center, through events like Heritage Auctions’ Inktoberfest for the Ed Asner Family Center Charity Auction. Bidding for the event – Heritage’s third on behalf of The Ed Asner Family Center – opens Sept. 30 on HA.com; the event closes Oct. 28.

The event is one of the center’s primary annual fundraisers, thanks to generous contributions from some of the comic-book industry’s best and best-known artists.

The result is an extraordinary event, with roughly 140 lots of art donated by the artists who created them; the proceeds will go to support the programs and services offered at The Ed Asner Family Center. The list of artists who have contributed to the event reads like a Who’s Who of comic art, among them Sienkiewicz, Kevin Nowlan, Don Maitz, Jim Lee, Ibrahim Moustafa, Philip Tan, and Arthur Adams, to name but a few.

Without Ed’s involvement, this year’s event, of course, holds special significance to Matt and all involved with the Ed Asner Family Center.

Proceeds from the auction will go directly to the Ed Asner Memorial Fund for programs and services at The Ed Asner Family Center, “a one-stop shop for neurodivergent individuals and their families seeking wholeness in all attitudes of life.” The center “gives children and adults of all levels of ability a chance at dignity, confidence, and self-respect” through an assortment of arts and career advancement programs that are offered after school and on weekends, as well as counseling and mindfulness classes.

Relive the X-Men’s Biggest Events with X-Men Milestones

They are the tales of triumph and tragedy that changed Marvel’s mutants forever…and now, fans everywhere can relive these stories in a new series of trade paperbacks designed to form one complete library of X-Men events!

To start, dive into history with the tragic Jean Grey story that rocked the X-Men and the Marvel Universe in Dark Phoenix Saga by Chris Claremont and John Byrne! Brace yourself as the specter of death looms over three X-teams in Fall of the Mutants by Claremont, Louise Simonson, Marc Silvestri, Bret Blevins and Walter Simonson! And charge into the epic battle between the Morlocks and the Marauders in Mutant Massacre by Claremont, Louise Simonson, Walter Simonson, Ann Nocenti, John Romita Jr., Blevins, Rick Leonardi, Alan Davis, Barry Windsor-Smith, Terry Shoemaker, Butch Guice, Sal Buscema and Jon Bogdanove!

With this new collection, relive the X-Men’s best and the biggest storylines as their adventures remind you why the X-Men have been a cornerstone of the Marvel Universe for decades!

What other earth-shattering events will follow? Stay tuned to Marvel for more…

X-MEN MILESTONES: DARK PHOENIX SAGA

By Chris Claremont and John Byrne

X-MEN MILESTONES: FALL OF THE MUTANTS

By Chris Claremont, Louise Simonson, Marc Silvestri, Bret Blevins and Walter Simonson

X-MEN MILESTONES: MUTANT MASSACRE

By Chris Claremont, Louise Simonson, Walter Simonson, Ann Nocenti, John Romita Jr., Blevins, Rick Leonardi, Alan Davis, Barry Windsor-Smith, Terry Shoemaker, Butch Guice, Sal Buscema and Jon Bogdanove!

Review : The Sandman Special #1

At this point, there have been way more comic book “Sandmen” than a person can rightly count, and while the most popular remains the Neil Gaiman iteration, it owes a heavy debt — and over the course of its run makes references both tangential and concrete — to the version of the character introduced by Jack Kirby and Joe Simon in 1974. Simon and Kirby had collaborated on another “Sandman” altogether around three decades previously, but the ’70s version, while short-lived, remains beloved by fans and creators alike, and so when DC announced its series of specials in celebration of The King Of Comics’ centenary, it was certain he’d be making a return appearance — and so he has.

The Sandman Special #1 is neatly divided into three distinct sections — the first story, written by consistently-busy veteran Dan Jurgens and illustrated by nowhere-near-as-consistently-busy veteran Jon Bogdanove, sees the land of dreams’ sworn protector, along with colorful and loquacious sidekicks Brute and Glob, working overtime to try to contain the extra-powerful imaginings of a precocious little boy; the second, scripted by Steve Orlando with pencils by Rick Leonardi and inks by Dan Green, sees a now-grown version of Jed, who figured prominently in both the Simon/Kirby and Gaiman series during earlier phases of his “life,” trying to make amends with his past after the death of his grandfather; and the final third is a collection of “Strange Tales Of The D.N.A. Project” back-up strips by Kirby himself that originally ran in the pages of Superman’s Pal Jimmy Olsen. That’s the particulars out of the way, then.

You already don’t need me to tell you that the final section of this $4.99 book is the best one and worth the price of admission alone (that is if you haven’t read all these short, two-page strips already), so let’s talk about the new material : the Jurgens/Bogdanove yarn is definitely the stronger of the two, and while it’s entirely predictable, that’s also the source of its strength and charm — you know who the over-active little dreamer is from the get-go (or at least you know who you want him to be), and events play out precisely as expected. Jurgens’ script is simple and efficient, and really just gets out of the way and lets Bogdanove, who treats us to some sumptuous double-page spreads (including an amazing Kirby-esque collage) have all the fun. That’s as it should be. The art style is pure homage all the way, yet delivered in a manner free of the curse that is intentional irony, thereby allowing it all to look and feel as entirely respectful as it is. Nobody’s re-inventing the wheel here or anything, but I defy you not to have an ear-to-ear grin on your face by the time it’s all said and done.

Somewhat less successful, but still not too shabby, is the Orlando/Leonardi/Green strip — it’s great to see Jed again, don’t get me wrong, but having his grandfather be a physical doppleganger for Kirby feels like a clunkier and more forced tribute than the more seamlessly-woven one delivered just a handful of pages previously. It’s okay enough in its own right, but only that — okay. Again, the art is basically what we’ll call an extended, and entirely polite, tip of the hat to The King.

On the whole, then, I admit that I had plenty of fun reading this book, and a supremely cool cover by the great Paul Pope provides the icing on the cake for this birthday tribute celebration. I paid for this comic out of pocket and didn’t feel ripped-off in the least, and I’ll look forward to reading it again when I go through all these specials in a single sitting once they’ve all been released. Of the three that have come out so far, I’d rank this one in the middle of the pack, just a notch behind Howard Chaykin‘s The Newsboy Legion And The Boy Commandos Special, but well ahead of the dull and unimaginative travesty that was Shane Davis‘ New Gods Special.

Okay, fair enough, the greatest tribute one could pay to Jack Kirby would probably be to create new and innovative characters and concepts that actually push the medium forward, but if you’re bound and determined to play the “nostalgia card,” you could do it a whole lot worse than it’s done in these pages.

Story : Dan Jugens and Steve Orlando  Art : Jon Bogdanove, Rick Leonardi, and Dan Green

Story : 7  Art : 8  Overall : 7.5  Recommendation : Buy

 

 

Preview: The Sandman Special #1

The Sandman Special #1

(W) Dan Jurgens, Steve Orlando (A) Jon Bogdanove, Rick Leonardi (CA) Paul Pope
In Shops: Aug 16, 2017
SRP: $4.99

Don’t miss two new tales starring Jack Kirby’s costumed Master of Nightmares from the 1970s. Sandman, Brute and Glob battle an onslaught of dreams so powerful that they are invading the dreams of other people! Then, a grown-up Jed Walker returns to his childhood home, only to find himself haunted by dreams from the past. This issue also includes “Strange Tales from the D.N.A. Project” from SUPERMAN’S PAL, JIMMY OLSEN #142-144, 146 and 148, written and pencilled by Jack Kirby and “Turn on the Heat,” starring the Newsboy Legion, from STAR SPANGLED COMICS #27, written and illustrated by Joe Simon and Jack Kirby.

Review: The Sandman Special #1

SandmanSpecialCoverBetween the Sandman with the gas mask and gun and the Gothic, critically acclaimed one, there was the red and yellow superhero suit wearing Sandman created by Joe Simon and Jack Kirby in 1974. In a pair of stories, DC Comics creators both old and new show the imaginative potential of this superhero and his unwilling, monstrous assistants Brute and Glob. First, Dan Jurgens, Jon Bogdanove, and Madpencil tell a heartwarming story with a great twist ending about a young boy whose vivid dreams of monsters and superheroes threaten to break out of the dream world and into reality. Then, there is Steve Orlando, Rick Leonardi, Dan Green, and Steve Buccelato’s slightly wilder tale of the now adult Jed Walker, a supporting character in Sandman, battling his childhood nightmares with a cameo from basically the Grim Reaper. The comic is rounded out by a collection of two page “Strange Stories of the DNA Project” from Jack Kirby’s Fourth World stories.

What initially drew me to The Sandman Special was Jon Bogdanove’s uncanny ability to make his art look like Jack Kirby’s while using modern techniques like photo collages to show the surrealness of the young boy’s dream world.  I wish DC Comics put him on more projects. There is weight to Sandman’s throws and punches, and Madpencil cooks up an old school color palette straight out of the 1970s, like a smooth orange take on the classic Kirby krackle. Even though it has banter, punching, a sick team-up move from Sandman and Brute, and a tentacle monster that gets handily defeated, Jurgens and Bogdanove’s story is more metafictional than a straight up superhero adventure ending in a final panel that may make you cry.

Sandmaninterior

Through action and a couple heart rending Jurgens monologues towards the end, The Sandman Special looks at the important of embracing our fears and weaknesses through the dream monsters and then facing and defeating them as symbolized by the young boy’s superhero, who is an amalgamation of Kirby’s takes on Thor, Orion, and a little bit of Captain America. The battle between Sandman and the young boy’s nightmare monsters is also a wonderful tribute to Jack Kirby’s career where he would switch from drawing superheroes to monsters and vice versa from his first work at DC and Marvel in the early 1940s to his later work in the 1970s and 1980s. And sometimes monsters could be heroes, like the ever loving blue eyed Thing, which is why it’s nice to see Bogdanove homage Fantastic Four #1 in one of his panels and have the monster that Sandman fights talk and have feelings.

Unlike the lead story, which quickly establishes Sandman’s kooky status quo with a double page spread, Orlando, Leonardi, and Green rely on previous knowledge of the character of Jed Walker and his grandfather Ezra from Kirby’s Sandman. I vaguely remember Jed from the “Game of You” arc from Neil Gaiman’s Sandman, but luckily the story kicks up a notch when Sandman, Brute, and Glob end up fighting the angel of death in cowboy form Psychopomp on train while looking for a dream about Jed’s grandfather to scare away his now adult nightmares.

Orlando doesn’t really establish Jed as a character except his constant nightmares and that he left his unwelcoming hometown and only returned for his grandfather’s funeral so the big emotional moment isn’t as powerful as it could be. But he does make a human connection to Jed’s nightmares, which are about the fact that he didn’t spend enough time with his grandfather while he was alive. On a more fun note, the banter between Sandman, Brute, and Glob keeps the story from getting too doom and gloom as they sneak and mess around with Psychopomp. Also, I liked that Dan Green used a grittier, inking style for Jed in the “real world” and his feelings of guilt and a cleaner one for Sandman and his more traditional punching and magic whistle blowing heroism. The design for Psychopomp is also a perfect bridge from Jack Kirby’s Sandman to Neil Gaiman’s.

The second story leans too much on previous reader knowledge, but Sandman Special is a fantastic tribute to the well-designed (Both Madpencil and Steve Buccelato make that red and yellow costume pop), filled to the brim with imagination Sandman of the 1970s. It also shows the literal power of dreams to craft limitless opportunities for storytelling

Story: Dan Jurgens, Steve Orlando Art: Jon Bogdanove, Rick Leonardi with Dan Green
Colors: Madpencil, Steve Buccelato

Story: 7.5 Art: 8.5 Overall: 8.0 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review