Tag Archives: joana lafuente

Review: Earthdivers #2

Earthdivers #2

Earthdivers #2 continues one of the more intriguing new series of the year. After dodging the apocalypse, four Indigenous outcasts are past the point of no return on their audacious one-way, time travel mission to save the world by killing Christopher Columbus. Tad in 1492 must not only survive but figure out how to complete his mission. In 2112 questions and suspicion grow as questions linger in how to measure success keep being raised.

Writer Stephen Graham Jones has put together a very interesting series that plays with a lot of time travel concepts. Generally, with time travel there’s a cascading impact of actions. If you kill the wrong person, a ripple will happen potentially leading to a vital person not being born. But, Jones asks the question, how would you know? If the past is changed, how do you know you’re not living in that changed present? Add in other paranoia and Earthdivers #2 isn’t just a historical assassination attempt but an interesting take on the entire time travel genre.

But that historical aspect is interesting as well, because there too Jones delivers something new. Not only is there a question of how the mission should be completed but a question is raised that the mission itself is impacting time and history. Will history attempt to fight back when some attempts to change it? It’s an intriguing concept that makes the mission feel even more like it’s swimming against the tide.

The art by Davide Gianfelice continues to be solid. With color by Joana Lafuente and lettering by Steve Wands, the comic looks great jumping between its two eras. I can’t say how accurate the past is but it feels like what I’d expect or at least delivers enough to feel believable. The future too is a bleak dry wasteland but there’s something interesting in the emptiness of it all. The two compared to each other creates a visual clash that works so well and enhances the choices of each.

Earthdivers #2 is a solid read whose details really stand out. Small things said or concepts thrown in make a simple time travel action story something more. There’s a great sci-fi aspect to it where it’s exploring so much of its concept and delivering something new and different for readers at the same time.

Story: Stephen Graham Jones Art: Davide Gianfelice
Color: Joana Lafuente Letterer: Steve Wands
Story: 8.25 Art: 8.25 Overall: 8.25 Recommendation: Read

IDW Publishing provided Graphic Policy with a FREE copy for review


Purchase: comiXology/Kindle

Review: Earthdivers #1

Earthdivers #1

In the year 2112, Earth is destroyed. The apocalypse and meltdown of society has happened but much later than so many predictions. But, what if you could stop it by traveling to the past? That’s the concept presented in Earthdivers #1 but instead of some minor event, what must be changed is huge. The goal? Stopping Christopher Columbus and the “discovery” of America.

Written by Stephen Graham Jones, Earthdivers #1 is a new and nice twist on a familiar concept and story. And with that interesting twist and the tense story presented, Jones delivers a hell of a debut that should get folks talking. What works so well about the comic is its split storytelling and the details it focuses on.

Earthdivers #1 doesn’t linger on the specifics of time travel, just its possible and that it’s one-way. Who is sent and why is laid out, with a logic that feels like Jones himself has really thought through what would be needed. We’re also presented with an individual who isn’t perfect. While he’s good with languages, something needed, he often has trouble keeping straight which should be spoken. While he’s supposed to be a sailor, he fumbles with simple tasks like knots raising suspicion. It’s small things like those that deliver a tense thread that goes throughout the comic. How will the mission succeed? Will it? Will our time traveler be found out and thrown overboard?

Then there’s the individuals in the future. How do they discover if the mission was successful or not? That delivers a lot of discussion, something that’s not often brought up in these types of stories. Will the world change around them? Will they go about their timeline? It’s all interesting and a new aspect for readers to ponder. Maybe Columbus was stopped but it didn’t change anything? These are the type of details that’ll have people coming back for more.

The art by Davide Gianfelice is solid. The comic looks great with a nice balance between the eras. There’s also solid detail in the past to make you feel like it is indeed that time period. I myself couldn’t say how accurate the dress, ship, and other things are, but it all felt like a nice trip to the past. Giangelice is joined by Joana Lafuente on color and Steve Wands on lettering. It all comes together in a way that’s entertaining to look at and enhances the tense nature and slight paranoia of the story.

Earthdivers #1 kicks off a nice time travel “what if” type of story. Its focus is what makes it stand out keeping readers guessing what might happen next. While the overall idea isn’t anything new (kill someone to change the future), how it’s presented feels different and fresh and makes it a debut that’s well worth checking out.

Story: Stephen Graham Jones Art: Davide Gianfelice
Color: Joana Lafuente Letterer: Steve Wands
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

IDW Publishing provided Graphic Policy with a FREE copy for review


Purchase: comiXology/Kindle

Indigenous Time Travelers are Hell-Bent on Preventing the Founding of the United States in Earthdivers

Cerebral horror visionary and New York Times best-selling author Stephen Graham Jones, writer of acclaimed genre favorites The Only Good Indians and My Heart Is a Chainsaw, ventures deep into the bloody terrain of American colonial history this October with the launch of his new ongoing comic book series Earthdivers from IDW Publishing. With art by Davide Gianfelice, colors by Joana Lafuente, and lettering by Steve WandsEarthdivers was announced in April as part of the upcoming slate of original titles from IDW set to launch throughout 2022 and beyond.

Set in a postapocalyptic near future, Earthdivers follows a small group of Indigenous survivors who time-travel to prevent the creation of America and retroactively save the world from destruction. In each arc, they will target a pivotal point in history, beginning with a mission to kill Christopher Columbus in 1492.

As well as a fantastical exploration of America’s history (and future), Earthdivers is a cautionary tale about the need for an expanded environmental consciousness and the perils of impending climate disaster.

Earthdivers #1 will be available with four variant covers for fans and retailers to enjoy, including Cover A by American Vampire’s Rafael Albuquerque, Cover B by Maria Wolf, Cover C by Aaron Campbell, and Cover D by Christian Ward.

Rise Above the Competition in C.S. Pacat and Johanna the Mad’s Fence

BOOM! Studios has announced a new original graphic novel, Fence: Rise, from the GLAAD Award-nominated series and best-selling novelist C.S. Pacat, fan favorite artist Johanna the Mad, colorist Joana LaFuente, and letterer Jim Campbell, presenting the next all-new thrilling chapter in the story of the Kings Row fencing team, available in August 2022. 

Excitement is in the air as Nicholas and his friends celebrate their coveted invitation to the Halverton Training Camp. They immediately come face-to-face with the best fencing teams in the country, and Nicholas struggles as he suffers defeat after defeat by an old enemy. Will a new addition to a rival team bring Nicholas closer to the rest of the Kings Row team and awaken the resilience within that he needs to prevail?

But Seiji, in contrast to Nicholas, remains unchallenged and let down by the camp. With Seiji’s goal to learn (instead of win) stuck in his head, will Nicholas step up to pose a real challenge to Seiji, maybe even growing their friendship as a result?

Fence: Rise comes to shops in August 2022.

Fence: Rise

En Garde! The next installment of C.S. Pacat & Johanna the Mad’s Fence is coming in August!

BOOM! Studios has announced a new original graphic novel, Fence: Rise, from the GLAAD Award-nominated series and best-selling novelist C.S. Pacat, fan favorite artist Johanna the Mad, colorist Joana LaFuente, and letterer Jim Campbell, presenting the next all-new thrilling chapter in the story of the Kings Row fencing team, available in August 2022. 

Excitement is in the air as Nicholas and his friends celebrate their coveted invitation to the Halverton Training Camp. They immediately come face-to-face with the best fencing teams in the country, and Nicholas struggles as he suffers defeat after defeat by an old enemy. Will a new addition to a rival team bring Nicholas closer to the rest of the Kings Row team and awaken the resilience within that he needs to prevail?

But Seiji, in contrast to Nicholas, remains unchallenged and let down by the camp. With Seiji’s goal to learn (instead of win) stuck in his head, will Nicholas step up to pose a real challenge to Seiji, maybe even growing their friendship as a result?

Fence: Rise

Review: Star Trek: The Next Generation—Best of Captain Picard

Star Trek: The Next Generation—Best of Captain Picard

In the most recent episode of Young Sheldon, it exposed one of the open secrets of Star Trek fandom. That there lies a schism between the different generations. Of course, this is nothing new. As this very issue lies within the Star Wars fandom, one which divides them, and is very apparent in the how the fans feel about The Book Of Boba Fett.  

As the scene that expositions this difference, was when Sheldon got into a debate with another fan of whether or not ST:TNG is as good or better than ST:TOS. They had gone over all the reasons why one was better than the other. As a fan of all the series, I can honestly say that love the shows after the original cast, as they broadened that world and made us all fall in love with new characters and worlds. I especially ST:TNG, as it  fulfilled the promise the original series gave the world.. As I am partial to one captain, and with his new series, I can see I am not the only one , as IDW decided to do a collection of past stories in in a beautiful one shot, Star Trek: The Next Generation—Best of Captain Picard.

In “The Q Conflict”, Q creates a conflict between the TOS, TNG, DS9 and Voyager crews. In “The Mirror Broken#1”, we find a very evil version of the crew in the Mirror Universe, one where war is where they thrive. In “ DC Originals:TNG#1-Return to Raimon Part 1”,Picard uncovers a conspiracy to murder a monarch, one that puts the away crew in danger. In the last story“Picard#1”,  we find out about what transpired in Picard’s final year before the events of the first season of Picard.

Overall, Star Trek: The Next Generation—Best of Captain Picard is an excellent collection that shows the character’s transcendence. The stories by the different creators are fun and action packed. The art by the different creators are beautiful. Altogether, this set of stories shows why fans have long loved this character.

Story: Scott & David Tipton, Michael Jan Friedman, Kirsten Beyer, and Mike Johnson
Art: David Messina, Elisabette D’Amico, Alexandra Alexakis, Neil Uyetake, J.K. Woodward, AndWorld Design, Pablo Marcos, Julianna Ferriter, Bob Pinaha, Angel Hernandez, 
and Joana Lafuente
Story: 10 Art: 10 Overall: 10 Recommendation: Buy

IDW Publishing provided Graphic Policy with a FREE copy for review


Purchase: comiXologyKindle

Review: Buffy the Last Vampire Slayer #1

Buffy the Last Vampire Slayer #1

In the tradition of Old Man Logan, the last couple of Halloween films, and Terminator: Dark Fate, Buffy the Last Vampire Slayer #1 is set in an alternate universe about thirty years or so since the conclusion of the Buffy TV show. Casey Gilly, Joe Jaro, and Joana Lafuente craft a world where dark magic and other forces have weakened the sun, and vampires are free to walk the Earth and turn and feed on humans with their consent in kind of a metaphor for legalized sex work. However, one human that isn’t welcome in this new regime where humans, vampires, and other supernatural beings co-exist is the Slayer, Buffy Summers. She’s the last of her kind and quite grumpy with many of her friends dying in an accident that is alluded to in flashbacks. This first issue shows her running from vampires instead of fighting them, aimless and purpose free, just ready to die even though it’s looking she might be immortal just like the monsters she used to hunt.

The strongest thing about Gilly’s script is how she understands that Buffy the Vampire Slayer and its spinoff Angel were about their protagonists finding purpose and calling in life. Because she’s a Chosen One-type figure, Buffy used to have a life with regimented trainings and patrols before her Watcher, Giles, finally let her have more freedom and go off to college and basically raise her younger sister, Dawn, after the death of their mother. However, that’s all gone out of the window, and the early bits of Buffy the Last Vampire Slayer show her aimlessly drinking coffee at a pub, evading instead of fighting vampires, and reluctantly sparring with Anya, one of her few surviving friends. Jaro draws Buffy with a kind of listlessness even though Casey Gilly’s dialogue for her is just as quippy as the TV show, but it’s almost like she’s playing a part rather than being her full authentic self. The question of purpose comes up as Anya and Buffy eat burritos and guacamole at a Mexican restaurant that is classic vampire movie themed, and the juxtaposition of broad comedy and poignant moments show the potential of the series.

Buffy the Last Vampire Slayer‘s art is really hit or miss from me. Joe Jaro has a nice bag of tricks adding small panels between sequences to show that even though Buffy has lost a step or two over the years, she’s still nimble, badass, and could probably take that whole bar of vampires. He also adds lots of background details that fill in this post-apocalyptic world while Buffy is busy self-flagellating. However, Jaro and Lafuente have some missteps, including a pivotal sequence that is just covered in pure red, including reaction shots. It’s a scene of total violence, but it doesn’t land like it should because it’s hard to make out what’s going on. There are also several instances of the character’s expressions not matching Gilly’s writing that are awkward, but Buffy the Last Vampire Slayer isn’t an unreadable book by any means.

Along with continuing Buffy and Angel‘s themes of making one’s own way in a world instead of being governed by prophecies and fate (“Seize the moment” pops up as dialogue in the first episode of the show.), Buffy the Last Vampire Slayer #1 features a multi-faceted, middle-aged female hero, who is a total badass and has great one-liners, but is also allowed to sit with her trauma, guilt, and grief and be messy sometimes. Like in the show, Buffy and Anya aren’t total besties, and they really only hang out together because of the human/vampire treaty, Buffy isn’t allowed to attack many supernatural creatures other than her and needs to blow off steam. She grapples with loneliness and uncertainty throughout the issue with only the last few pages offering a chance at a fresh start and an amazing hook for fans of the original series.

Although it’s set in an alternate universe and features middling art, Buffy the Last Vampire Slayer is a story that has some of themes and stylistic dialogue of the original TV show while featuring a complex lead character that is perfect for the literal Hellmouth we currently live in.

Story: Casey Gilly Art: Joe Jaro 
Colors: Joana Lafuente Letters: Ed Dukeshire
Story: 8.0 Art: 7.0 Overall: 7.5 Recommendation: Read

BOOM! Studios provided Graphic Policy with a FREE copy for review


Purchase: comiXologyKindleZeus ComicsTFAW

Preview: Buffy the Last Vampire Slayer #1 (of 4)

Buffy the Last Vampire Slayer #1 (of 4)

(W) Casey Gilly (A) Joe Jaro (CA) Ario Anindito
In Shops: Dec 08, 2021
SRP: $4.99

Can a lone Slayer save what’s left of humanity?

Buffy Summers is the last Slayer. Now in her 50s, she wages a one woman fight against the forces of darkness, who prey on humanity in the daylight unimpeded thanks to a magical catastrophe that has nearly blotted out the sun.
The same disaster robbed Buffy of her friends and ended the Slayer-line, forcing her into an endless guerilla war. That is, until she stumbles across something she hasn’t seen in a long time – hope, in the form of a prophecy and the young girl who carries it.

The Multiverse explodes as writer Casey Gilly (Femme Magnifique, You Died) and artist Joe Jaro (Firefly) bring you a dystopian tale of Buffy Summers as you’ve never seen her before for fans of Wonder Woman: Dead Earth, Batman: Last Knight On Earth, and Future State: Wonder Woman.

Buffy the Last Vampire Slayer #1 (of 4)

A Real Horror Show in R.L. Stine’s Just Beyond: Monstrosity

BOOM! Studios has revealed a new look at Just Beyond: Monstrosity, from R.L. Stine, the award-winning, bestselling author of Goosebumps and Fear Street, artist Irene Flores with additional inks by Lea Caballero, colorist Joana LaFuente, and letterer Mike Fiorentino, set in the world of the highly acclaimed middle grade horror series Just Beyond, soon to be a television show on Disney+.   

THERE’S NO BUSINESS LIKE HORROR BUSINESS! Ruthie and Ezra Dillon’s dad and uncle just bought an old Hollywood movie studio. And while the family has plans for reviving it to make scary movies for a modern audience, the monsters hiding in the backlot have other ideas. Ruthie and Ezra are eager to star in their family’s films, but they’ll soon find themselves in a real horror show with Wolfenscreem, the Lagoonatics, and the Wasp-Keeper…who are all ready for their revival with a vengeance! 

Just Beyond: Monstrosity will be available for sale on October 20, 2021 at local comic book shops and on October 26, 2020 at bookstores.

Just Beyond: Monstrosity

Daisy takes you between Heaven and Hell

From writer and illustrator Colin Lorimer, one of graphic fiction’s emerging unique creative voices, and colorist Joana Lafuente and letterer Jim Campbell comes Daisy, a tale both horrific and beautiful.     

A desperate mother’s five-year search for her missing son leads her to the small town of Brimount and to the mysterious Phillips family. Daisy Phillips, like many teenagers, has a hard time fitting in, but not for the usual reasons. Daisy stands eight-and-a-half feet tall and is still growing, but her troubles with ill health, daily ridicule, and custom-made clothing are only the tip of the iceberg. Daisy may well be descended from a race of cannibalistic giants spawned from the outcasts of Heaven!

Says Lorimer about the project, “I’m delighted to be back at Dark Horse Comics! Their logo attached to Daisy gives it the ‘horror’ seal of approval.”

Daisy #1 (of five) will be in comic shops on December 8, 2021.

Daisy #1
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