Tag Archives: jason reeves

Meet Black Indie Comix Distro, the New Distributor on the Shelf

BIC DIstro

With all of the focus on the current distribution shake-ups at Diamond, a new distributor has flown under the radar. Black Indie Comix Distro is a new comic distributor having launched on May 25, 2020.

BIC Distro is a partnership formed by 133art, MVmedia, LLC, and Hiro! Unlimited. They offer comic and graphic novel distribution specializing in independent POC creators. In their about page, they also mention they will “utilize state of the art distribution and printing service to provide new opportunities for POC independent creators and retail outlets.”

The company’s team includes Milton Davis, the writer/publisher at MVmedia, Andre Owens, the writer/publisher at Hiro! Unlimited, and Jason Reeves, illustrator/publisher at 133art.

The current catalog includes about a dozen comics from 133art Publishing, Hiro! Unlimited, Legends Press, MVmedia, Robert Jeffrey, and Webway Comics.

With BIC Distro there’s now at least a half dozen distributors focused on the comic industry.

Review: One Nation #2

One Nation #2

Every great hero has a great villain. In real life, there is no person that is all good or all evil.  That is why the dichotomy between Professor X and Magneto is so compelling. Many essayists like to compare them to Martin Luther King Jr. and Malcolm X, which I find to be a lazy contrast. Their relationship was a bit more nuanced and was aligned together at one time where MLK and Malcolm X were never aligned in any of their views. That is why when readers find a good antagonist, they can be more intriguing than the hero, like in the Black Panther film.

In 133Art’s second issue of One Nation, we meet our hero’s rogue. Who are ‘the Tenth’ and what do they want from our hero!

We are taken to 1991 Los Angeles, where a young man gets pulled over for simply being black in a white neighborhood, right before a tragedy occurs, Paragon steps in and sends the police on their way. We find out exactly how he gained his autonomy, becoming the United States military’s super-powered being, going on missions only he can carry out with reduced casualties. Which brings them from Kuwait to Los Angeles, carrying out missions domestically which local law enforcement can’t? By the issue’s end, we find Paragon facing a new threat and we meet some of his super-powered team.

Overall, an action-packed issue which dives deeper into this world. The story by Jason Reeves and Alverne Ball is exhilarating. The art by Reeves and Luis Guerrero is beguiling. Altogether, an excellent issue of this hero and his journey.

Story: Jason Reeves and Alverne Ball Art: Jason Reeves and Luis Guerrero
Story: 9.8 Art: 9.7 Overall: 10 Recommendation: Buy

Review: One Nation #1

One Nation #1

The crazy thing about being first in anything is that no one has ever seen what you have done before. I can think of how people never thought that America would ever see a Black president. The world thought we would see a female president beforehand and it is almost befuddling to think for either milestone it took until the 21st century to seriously think of it. As far as America finally having a President of color, it somehow could cross that threshold without first looking at its ugly history.

When Milestone Comics came on the scene years before we had even seriously pondered these possibilities, it came with a bit of skepticism. These heroes purported some of the same avenues as other superheroes, just they had melanin.  Since then, many creators have taken up that mantle to mixed results. In 133Art’s One Nation, we find another hero, with a deeper hue, but with as much valor.

We are taken to 1991 Kuwait, where an Army platoon is carrying out a search and destroy mission, and where we meet our hero, Deacon, whose unit has come under heavy fire from an ambush, and using his powers becomes the only way any of them gets out of this firefight alive. As we go back in time to 1971 Louisiana, where a bunch of ruffians is chasing a black couple down the road where they coincide with the crashing of a yellow object falling from the sky, where a humanoid boy lay. Fast Forward 10 years later, and Deacon is 10 human years older, seemingly normal, until a flood forces him and his family off the road to car mishap, making it the first time Deacon uses his powers to get him and his family safe. By the issue’s end, Deacon’s road to becoming Paragon is littered with lies and bodies, a path he intends to set clear.

Overall, an engaging debut that has shadows of some familiar characters but happens to be more interesting. The story by Jason Reeves and Alverne Ball is exciting. The art by Reeves and Luis Guerrero is enticing. Altogether, an exquisite take on the superhero genre, that looks to be more appealing than its predecessors.

Story: Jason Reeves and Alverne Ball
Art: Jason Reeves and Luis Guerrero
Story: 9.8 Art: 9.7 Overall: 10 Recommendation: Buy

Webcomics Weekly: Kid Carvers

Welcome to Graphic Policy’s spotlight on webcomics, where we take a look at one of the many comics available online every Sunday: Webcomics Weekly (but don’t be fooled by the “weekly” part of the title; the feature may happen more or less frequently than that). We’re defining webcomics as any comics published online for free consumption by the general public that doesn’t require a  subscription service.

This week we’re taking a look at Kid Carvers. The strip is created by Jason Reeves, who was kind enough to answer a few questions for us about the webcomic below.

Graphic Policy: In a nutshell, can you tell us what the strip’s about?

Jason Reeves: Sure. Kid Carvers is about twins; Marley and Charley Carver, who also happen to both be kid geniuses. The setting is New Orleans, LA. The twins’ stomping ground/base of operation is their grandmother, ‘Moonie’s backyard, where she takes care of them after school. Marley is a cross between Quvenzhané Wallis’ Annie and a mad scientist, and if you put Doc Brown’s brain into Marty Mcfly, with old Kanye’s fashion sense, you get Charley.

They have a bit of a time dodging bullies in school and outsmarting their teachers, but in their spare time they investigate strange occurrences & mysteries only their brilliance can solve.

GP: How often do you update?

JR: Every Wedenesday.

GP: How long have you been producing the strip?

JR: We’ve been posting since January 3, 2017. So we’re only a few weeks in. We’re very new.

GP: Where did the idea for the strip come from?

JR: Having done a few more comic conventions in the past couple years, we saw that there were few if any all-ages books that the kids could take home with them. As much as we love our sort of rated ‘teen’ comics, looking at all those little eyes peering over the table con after con and having to tell their parents that maybe this book or that was a little too old for them, was a problem for us. So we set out to fill that need as we saw it and Kid Carvers was born.

We (Alverne, Kemi, Joe, Brandi, & I) really loved the optics of shows like Doc McStuffins, the Boondocks, comics like Tuskegee Heirs, and webcomics like Bounce, so we set out to create, inspired by content with an animated feel. 

We also wanted to conjure the idea of Black inventors, many that may be the unsung but brilliant minds of our past. Who better to represent the idea than George Washington Carver. I’m a big fan of the inventive mindset, a mind not just willing to rest on convention, but step outside of it to find more optimal methods, and in turn creating new more efficient conventions. Carver was all about that, creating alternative means of production for poor farmers to compete, and even thrive with the resources (peanuts,….) already available to them. That spirit of overcoming is definitely something I wanted to infuse into the twins.

We plan to shine a spotlight on Black inventors, engineers, and scientists who would be the twins’ heroes. Expect to hear mentions of some you’ve heard of and some you haven’t.

Our model is one more creators have started to embrace in recent years, presenting the content as a webcomic and also collecting the pages into print copies. It gives readers their choice of how they’d like to consume the content. If they’d like to support monetarily they can do so, but anyone can enjoy Kid Carvers free of charge, I think its the win win.

You can read Kid Carvers: Engineers of the Impossible every Wedenesday at: http://kidcarvers.com/

Or you can get Kid Carvers: and the Backyard Bike Bandits for purchase at: http://www.133art.com/


Why it’s awesome: Oh man… I don’t honestly think I can say anything more than what’s already been said. Y’all need to check this out yesterday.

Below you’ll find some examples of the webcomic in no particular order..

Kid Carvers Poster v2.jpgKid Carvers pg1 [small].jpgwebcomic pg12.jpgKC advert4.jpg


If you’d like to have your webcomic featured here, then drop us an email.