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In Vitro

The weekend is almost here! We’ve got lots of geeky things planned on our end, how about you all? Sound off in the comments. While you wait for the weekday to end and weekend to begin, here’s some news and reviews from around the web.

Book Riot – 15 of the Best Comic Books for Kids – What comics would you add to this list?

Newsarama – The 2020 Will Eisner Graphic Novel Grants for Libraries Recipients Revealed – Fantastic and good to see libraries helped.

Sequart Organization – Green Lantern’s Burden: Re-Evaluating The Superhero Genre’s ‘Woke’ Moment – A very interesting read.

Reviews

Geek Dad – In Vitro
Newsarama – Suicide Squad #5

Review: In Vitro

In Vitro

In Vitro is a sweet, funny French graphic memoir by cartoonist William Roy about him and his wife’s quest to have a child via in vitro fertilization. What follows is an emotional, educational, and sometimes downright hilarious look at the IVF process. Guillaume (The protagonist) and Emma deal with all kinds of doctors with weird bedside manners, all kinds of invasive medical procedure, their friends and families, and the comic’s biggest subplot: Guillaume’s strained relationship with his biological father, Jean-Pierre.

In Vitro is rendered with a light, cartoonish touch from Roy, who has a background in documentary filmmaking, and agilely transfers this skill set to comics. This is evident in Guillaume using cinema to make sense of stressful situations like a memory of falling in love with movies when his dad took him to Empire Strikes Back when he was a child to an IVF doctor reminding him of Clint Eastwood’s Dirty Harry.

The cinematic influence is most seen in some of the techniques that Roy uses to tell the story like a kind of Super 8, reel to reel panel layouts to show how he fell in love with his wife Emma, and later on, to show how he lost touch with his father. The color palette is the difference is the scene with Roy choosing a more romantic palette for the love story and a dark, melodramatic one for the father/son story. The shift in panel style also signals to the reader that these sequences add important context and layers to In Vitro‘s key relationships: Guillaume and Emma and Guillaume and his father.

On the flip side, Roy is also a master of storytelling in a single image. Think New Yorker single panel cartoon, not a superhero splash page, or God forbid, Family Circus. He uses a lot of white space on these pages, which boosts the importance of the art in the scene. Sometimes, Roy even drops the dialogue out like when he draws a panel of the sterile container with his semen at the doctor’s office, hoping, that this time it will lead to a viable embryo and then a child. Other times, he uses it to emphasis a plot point, like a cliffhanger in a serial comic, like when his dad sends him an email: his first contact in 20 years.

William Roy’s sense of humor in In Vitro is what endeared me to his work and to this book. His first great gag in the comic is when Guillaume sees a doctor holding something that looks like rosary beads in spectacularly awkward scene at his and Emma’s first IVF appointment. An intern is present so Guillaume is definitely feeling uncomfortable, and that feeling is tripled when he finds out that what he thought were rosary beads is a medical device that is used to measure his testicles. Roy finds the funny, surreal in all of it, and makes quite a few masturbation jokes as Guillaume and Emma deal with rude, incompetent doctors and finally find someone good ones thanks to his surprisingly compassionate boss at the TV network where he works as a film editor. Also, he goes into full cartoon mode every time he explains the medical context of the story and even creates a silly, exasperated doctor character to deliver the exposition in an amusing way.

Speaking of the boss, William Roy, for the most part, avoids stock character types in his storytelling in In Vitro and instead revels in the idiosyncracy of human nature. One gynecologist seems sleazy, not making eye contact while he converses with while an anesthesiologist is a terse, bundle of nerves quickly asking Emma what kind of anesthesia she would like during the IVF process. To go with the cinematic elements again, Roy is a skilled cast director, picking the right character actors to people the halls, offices, and corridors of the clinics and hospitals that Guillaume and Emma find themselves at.

William Roy is vulnerable, funny, and turns in some great sequential storytelling In Vitro showing a real mastery of layout, color palette, and having symbolism tie into the story instead of just having it to make him look clever. He can do both sad (Guillaume looking at the kids with their parents on the playground.) and wacky (Guillaume as a sperm) and is a cartoonist who I would definitely want to see more of.

Story: William Roy Art: William Roy
Story: 8.6 Art: 8.8 Overall: 8.7 Recommendation: Buy

Humanoids/Life Drawn provided Graphic Policy with a FREE copy for review


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Review: In Vitro

In Vitro

In Vitro is a sweet, funny French graphic memoir by cartoonist William Roy about him and his wife’s quest to have a child via in vitro fertilization. What follows is an emotional, educational, and sometimes downright hilarious look at the IVF process. Guillaume (The protagonist) and Emma deal with all kinds of doctors with weird bedside manners, all kinds of invasive medical procedure, their friends and families, and the comic’s biggest subplot: Guillaume’s strained relationship with his biological father, Jean-Pierre.

In Vitro is rendered with a light, cartoonish touch from Roy, who has a background in documentary filmmaking, and agilely transfers this skill set to comics. This is evident in Guillaume using cinema to make sense of stressful situations like a memory of falling in love with movies when his dad took him to Empire Strikes Back when he was a child to an IVF doctor reminding him of Clint Eastwood’s Dirty Harry.

The cinematic influence is most seen in some of the techniques that Roy uses to tell the story like a kind of Super 8, reel to reel panel layouts to show how he fell in love with his wife Emma, and later on, to show how he lost touch with his father. The color palette is the difference is the scene with Roy choosing a more romantic palette for the love story and a dark, melodramatic one for the father/son story. The shift in panel style also signals to the reader that these sequences add important context and layers to In Vitro‘s key relationships: Guillaume and Emma and Guillaume and his father.

On the flip side, Roy is also a master of storytelling in a single image. Think New Yorker single panel cartoon, not a superhero splash page, or God forbid, Family Circus. He uses a lot of white space on these pages, which boosts the importance of the art in the scene. Sometimes, Roy even drops the dialogue out like when he draws a panel of the sterile container with his semen at the doctor’s office, hoping, that this time it will lead to a viable embryo and then a child. Other times, he uses it to emphasis a plot point, like a cliffhanger in a serial comic, like when his dad sends him an email: his first contact in 20 years.

William Roy’s sense of humor in In Vitro is what endeared me to his work and to this book. His first great gag in the comic is when Guillaume sees a doctor holding something that looks like rosary beads in spectacularly awkward scene at his and Emma’s first IVF appointment. An intern is present so Guillaume is definitely feeling uncomfortable, and that feeling is tripled when he finds out that what he thought were rosary beads is a medical device that is used to measure his testicles. Roy finds the funny, surreal in all of it, and makes quite a few masturbation jokes as Guillaume and Emma deal with rude, incompetent doctors and finally find someone good ones thanks to his surprisingly compassionate boss at the TV network where he works as a film editor. Also, he goes into full cartoon mode every time he explains the medical context of the story and even creates a silly, exasperated doctor character to deliver the exposition in an amusing way.

Speaking of the boss, William Roy, for the most part, avoids stock character types in his storytelling in In Vitro and instead revels in the idiosyncracy of human nature. One gynecologist seems sleazy, not making eye contact while he converses with while an anesthesiologist is a terse, bundle of nerves quickly asking Emma what kind of anesthesia she would like during the IVF process. To go with the cinematic elements again, Roy is a skilled cast director, picking the right character actors to people the halls, offices, and corridors of the clinics and hospitals that Guillaume and Emma find themselves at.

William Roy is vulnerable, funny, and turns in some great sequential storytelling In Vitro showing a real mastery of layout, color palette, and having symbolism tie into the story instead of just having it to make him look clever. He can do both sad (Guillaume looking at the kids with their parents on the playground.) and wacky (Guillaume as a sperm) and is a cartoonist who I would definitely want to see more of.

Story: William Roy Art: William Roy
Story: 8.6 Art: 8.8 Overall: 8.7 Recommendation: Buy

Humanoids/Life Drawn provided Graphic Policy with a FREE copy for review

Ahead of National Infertility Awareness Week, Humanoids Publishes In Vitro

Humanoids has been showcasing deeply personal and political stories inspired not by science fiction but the world around us with its new Life Drawn imprint. These acclaimed graphic novels run the gamut: from cartoonist Koren Shadmi’s dazzling biography Twilight Man: Rod Serling and The Birth of Television; to runner Sebastien Samson’s memoir of the New York Marathon; to William Roy’s stunning biography Hedy Lamarr: An Incredible Life. Now William Roy returns with the latest Life Drawn release, the intimate and surprisingly funny graphic novel memoir In Vitro.

Guillaume and Emma are newlyweds. Their life together is full of love and happiness, and they have everything they’ve always wanted… well, almost everything. The two newlyweds are staring down a new and menacing foe unlike anything they’ve ever faced together before: sterility. Determined to find a way to become parents, the couple embarks on the confusing journey that is in vitro fertilization.Together Guillaume and Emma navigate unsuccessful attempts, repeated failures, and the menacing hyperbole of WebMD. Guillaume experiences the daily embarrassment of sperm donations, tests with dreaded results, and endless consultations—not to mention the specter of his own estranged father who reappears suddenly in his life…

With National Infertility Awareness Week coming up on April 19th, In Vitro is a timely, honest, and empathetic portrayal of an experience millions of couples have encountered. With self-effacing charm, William Roy humbly and accurately shares a deeply human experience that is propelled by unshakable hope.

In Vitro will be available where books are sold, in bookstores on March 31st.

In Vitro