Tag Archives: huntress

Toy Fair 2019: DC Collectibles Shows New Statues, Figures, and Props

Toy Fair 2019 kicks off this weekend and DC Collectibles has revealed so much including Lucha Libre superhero figures, DC Prime, and DC Engines of Chaos. On top of these new lines there’s even more statues, figures and props.

Additional collectibles debuting in 2019 include a life-size Wonder Woman shield prop measuring 22 in diameter and crafted from fiberglass and polyresin, and new statues starring Batman, Harley Quinn, Red Hood and the Huntress, among others, designed by acclaimed comic book artists Greg Capullo, Greg Horn, Frank Miller, Joëlle Jones and more.

Check them out below!









BAT-FAMILY Multi-Part Statue


BAT-FAMILY Multi-Part Statue


















When Comic Book Film Costumes Stray

It’s an exciting time to be a fan of comic book-based films. New stories are optioned often, and the wait usually isn’t more than a couple of months for the next theatrical release. Part of the fun of following these adaptations is witnessing the choices made in transferring the bold costumes of the printed page to the silver screen. In any adaptation of material from one medium to another, changes are bound to happen, and sometimes for the better. Of course, it can also be disappointing when the choices unnecessarily stray from the established lore. Let’s take a look at a few of the most drastic examples of unfaithful costume choices in comic book films, and whether those changes were appropriate, or way off base.

In writing this article, I made a few rules to help keep things focused: 1) No animation, only live-action projects. 2) Nothing before Superman: The Movie in 1978, just to keep the comparisons relatively similar. 3) Any cases where the alter-ego of a comic character was introduced but not exhibiting powers (such as Dr. Curt Conners in Sam Raimi’s Spider-Man trilogy; he never became The Lizard) was not eligible. 4) Characters created with heavy CGI (like The Hulk) were also in a different category, so they were out.

comic-punisherTHE PUNISHER, Dolph Lundgren, 1989.

1) Dolph Lundgren as The Punisher, The Punisher (1989): A cornerstone of most iconic superheroes is a symbol that sums up their mission and their persona. In the case of The Punisher, this is especially true. The skull emblazoned on his costume is a harbinger of death. And yet, in the first feature adaptation of The Punisher starring Dolph Lundgren, his black tactical gear featured no skull at all. There were tiny skulls on the knives that he used as weapons, but that was all. While this film debuted at a time when comic book films (especially those few licensed by Marvel) were not even a shadow of what they have become, it still doesn’t excuse the omission. Beyond the skull, the other parts of the costume are negotiable and variable, but the skull really ties it all together (to paraphrase The Dude). Whatever you may think of the 2004 and 2008 versions of the character, the filmmakers at least had the good sense to include the skull.

comic-x-men x-men-film-cast

2) The Main Cast of X-Men, X-Men (2000): After Blade became a surprise hit in 1998, Marvel upped the stakes by adapting the much-beloved X-Men. Under Bryan Singer’s guidance, the key word was realism, and that extended to the costumes. For the X-Men team, Singer decided on black leather uniforms with hints of color. While the idea of coordinated battle uniforms remained from the earliest comics, otherwise they were quite different from anything seen on the characters before. While at first it seemed that Singer’s choices unnecessarily toned down the bold world of the X-Men, it proved to be a wise choice in the bigger picture. X-Men was a pivotal film in legitimizing the comic book film to worldwide audiences. While Blade may have cracked the door, X-Men pushed it further so that 2002’s Spider-Man could kick it open. Viewing it through that perspective, the care that Bryan Singer and his team took in creating an X-Men film for the masses seems downright prophetic. A film that completely tackled all the outrageousness of the X-Men comics could have alienated some viewers, perhaps causing a much different comic movie landscape.

comic-witchbladeWitchblade Complete TV Series on DVD, starring Yancy Butler as Sara Pezzini

3) Yancy Butler as Det. Sara Pezzini/Witchblade, Witchblade (2001 – 2002): Of all properties to be adapted to basic cable television, Witchblade must have been far down most people’s list. But it was adapted for TNT, where it aired for two seasons. While the show had a decent share of fans, the realization of the Witchblade itself left a bit to be desired. While in the comics a self-aware organic gauntlet/armor, the Witchblade of the show took on the look of a medieval knight’s armor. Perhaps it was inevitable on a television budget, yet the result was still disappointing. The subsequent anime adaptation presented a truer version of the Witchblade, though it wasn’t Sara Pezzini wearing it in that series. Plans for a feature film reboot have been floated, but nothing has yet landed.

comic-huntress tv-huntress

4) Ashley Scott as The Huntress, Birds of Prey (2002 – 2003): Smallville debuted in 2001, and proved to be a decade-long success for the WB network (which became the CW). In response to the success of that show, Birds of Prey came along one season later. While some aspects were very faithful to the comic book series (Dina Meyer as Oracle, formerly Batgirl), others were wildly divergent (Dinah Lance as a psychic teenager rather than martial artist Black Canary). In the latter column was Ashley Scott’s Huntress, a curious mixture of old and new versions of the character. Her costume, however, favored neither version. A strange mix of club wear that included no mask or other source of identity concealment, this Huntress looked like she had just finished crime-fighting and was headed downtown to blow off some steam. While on the show Batman was her biological father, he obviously never instructed her in the importance of anonymity.

comic-dracula film-dracula

5) Dominic Purcell as Dracula/Drake, Blade: Trinity (2004): When the third Blade film rolled around, he had already battled and defeated Deacon Frost and a horde of mutant bloodsuckers. So what could up the stakes? How about Dracula? Yes, I know Dracula isn’t originally a comic book character, but he was published by Marvel in Tomb of Dracula in the 1970s, and that comic was where Blade debuted (he didn’t headline his own book until after the original Blade film became a hit). Marvel’s version of Bram Stoker’s big bad took a page from Bela Lugosi, Christopher Lee and even Jack Palance, whom his facial features were based upon. He also had a jaunty mustache. But in David Goyer’s take on him, Dracula (here using the name “Drake” as an alias) wore no cape, nor evening wear, nor even a mustache. Instead, he settled for a silk shirt and leather pants like he was shooting a 90’s R&B video in the desert. He did have another, more demonic-looking form that was cooler, but it was underused. Couldn’t they at least have kept the mustache?

comic-catwoman film-catwoman

6) Halle Berry as Catwoman, Catwoman (2004): It felt weird typing “Halle Berry as Catwoman”, because this film is a concrete example of using a familiar name to sell an unfamiliar character. Berry’s character in this film, Patience Price, has no affiliation to Batman or any previous version of Catwoman. And then there’s the costume. A goofy mask that sits too high like a trucker hat, a bikini top with mismatched straps, and ripped leather pants create a look that doesn’t make sense even in the weird pocket universe of the film. At least there is a whip involved; as much a trademark of any Catwoman as of Indiana Jones. A creative misfire added to the list of misfires that comprise this deeply misguided film.

comic-dark-phoenix film-dark-phoenix

7) Famke Janssen as Dark Phoenix, X-Men: The Last Stand (2006): After the exciting tease for The Dark Phoenix Saga at the end of X2, fans were piqued to see Jean Grey take a walk on the wild side. Unfortunately, the combination of two major plotlines in X-Men: The Last Stand left only half the space for the Phoenix story, and so her debut wasn’t all it could’ve been. That included to her costume as well. The comic story featured a maroon and gold bodysuit complete with a gold sash and a flamebird emblem. For the film, Famke was outfitted with a red dress that alluded to the comic costume, but without the gold, sash or emblem. A choice that paid a bit of service to the look, but minus any of the detail. Would something a bit more bold have worked better to sell her character as a being of incredible power? It couldn’t have hurt.

comic-green-goblin film-new-goblin

8) James Franco as New Goblin, Spider-Man 3 (2007): The film costumes of the Green Goblin have always been offbeat choices, from Willem Dafoe’s shiny lime-green armor to Dane DeHaan’s grotesque cyborg combination. But perhaps the most off-the-wall was James Franco as the New Goblin. Harry Osborn’s turn to super-villainy had been progressing for two movies, and by the third film the idea was ripe. If only the execution had been better. The New Goblin opted for a suit based on extreme sports, including a flying snowboard-like glider and a modified paintball mask. While Dafoe’s suit was on the goofy side, it did possess elements of intimidation. But the New Goblin simply came off as the drunken creation of a pissed-off ski patrol douche. Hopefully in the future a more traditional route may be attempted.

film-wanted wanted-comic

9) James McAvoy as Wesley Gibson, Wanted (2008): Now this choice runs perilously close to breaking my rule of “no alter-ego characters”. In the original Wanted comic series, Wesley was outfitted with a very tactical costume that looked like a high-tech cross between Snake Eyes and SWAT team. Because of the change from super-villains to assassins for the film, he never wears anything other than street clothes. However, since he uses and exhibits his skills in those street clothes, he is in full “super” mode. It is definitely the most unfaithful costume choice on this list, since there was no particular attempt made to replicate the comic’s costume. It’s a shame, too, as that costume would’ve looked slick onscreen.

comic-deadpool film-deadpool

10) Ryan Reynolds as Deadpool, X-Men Origins: Wolverine (2009): I feel much the same way about Deadpool in this film as I do about Halle’s Catwoman – i.e., I just wish they were named something else. In my opinion, the Wade Wilson scenes in this film were good – funny, while also showcasing the character’s powers. But then there’s that troublesome climax, with the eyebeams, the teleportation and the absence of a mouth. It isn’t enough to awkwardly suggest the look of Deadpool’s comic costume. If it’s only half-Deadpool, then it’s not Deadpool. Thankfully, it really does look like Fox is correcting their mistakes with the upcoming solo film. Ryan Reynolds is great casting, but there has to be commitment to the character.



It’s got to be a tricky assignment for costume designers to create the film version of characters with such striking ensembles. You have to pay homage to the source material to please the fans, but you can’t make beloved characters look goofy for their mass-audience debuts. The most successful projects seem to walk the thin line of heightened reality leavened by common sense and real-world input. But make no mistake, it doesn’t take much more than a misstep to lose that line. Still, much of the outside wrappings can be forgiven if the structural integrity of the characters’ personalities are intact. When both are missing, you have Catwoman or the first attempt at Deadpool. When both are present, you have Iron Man or Hellboy. We can only hope that as comic book-based films continue to evolve, more filmmakers will find ways to exhibit both in a satisfying way.

Comic Book Weekly Reviews – 11/9/11

A pretty good stack of books this week.  Find out what’s worth it below.

Avenging Spider-Man #1 – When a comic has me laughing out loud multiple times that’s a good sign.  The comic has energy, fun and excitement dripping out of it’s pages.  The writing by Zeb Wells is perfect with some amazing one-liners and the art by Joe Madureira is as fantastic as I’d expect.  I can’t wait for the second issue.  Is all of Spider-Man this fun?

Story: 9 Art: 9 Overall: 9

Batgirl #3 – Everyone is worried about Barbara Gordon.  She’s recovering you know… That fact and that she’s experienced a miracle is beat over our head throughout this issue as she attempts to diffuse a bomb, chats with her dad and goes toe to toe in a flirtatious fight with Nightwing.  Some lines in this comic just make me even more confused about the new 52 timeline.  Just best to ignore all of that.  The comic isn’t bad and is quite entertaining, it’s just the repeated mentioning of some simple facts in Babs life that keep being repeated each issue, that feels old already.

Story: 7.75 Art: 8.5 Overall: 8

Batman and Robin #3 – The first three issues really seem to be about Damian and the fine line he walks between vigilante who has some sort of moral code and a full on murderer.  The villain is the represent that latter side.  A “good guy” who brings the ultimate justice to criminals.  Damian is caught between that and Batman’s style and interesting intro story.  This issue is good continuing to build on what’s been one of the better comics of the new 52.

Story: 8.25 Art: 8.25 Overall: 8.25

Battle Scars #1 – An attempt to introduce a new character post Fear Itself it would seem.  I’ll read it, but so far not too impressed.

Story: 7 Art: 7.75 Overall: 7

Batwoman #3 – The art is amazing, absolutely stunning.  The layouts just make you question the visual aspect of comic book story telling and show what can be done.  The story though is a mixed bag.  There’s a lot I like here, like Kate Kane’s personal life and her juggling that with being Batwoman but the Weeping Woman thing confounds me.

Story: 7 Art: 9.5 Overall: 7.5

Black Panther: The Most Dangerous Man Alive #525 – The other pulp comic Marvel is doing. Black Panther now faces the Kingpin who is making a move on Wakanda and has the Hand to help him.  The story is interesting, art great as usual.  The series is one that deserves an audience as it’s pretty high quality and entertaining.

Story: 8 Art: 8 Overall: 8

Fear Itself #7.2 – Wait, what the hell happened?  We get a new God of Thunder, which everyone just seems to accept but hoisting beers and he seems to have no issues with his fellow Avengers and then is that Don Blake?  I’m so confused.  Then there’s the ending which we could all predict.  Sigh….

Story: 6.75 Art: 9 Overall: 7

Green Lantern #3 – Um, that was a bit unexpected.  Jordan has to come to grips with his new role and Sinestro’s as well.  The two have to team up too, which makes it all a bit more complicated.  All the while it seems the Guardians are plotting on what to do next.  There’s some hints we’ll be seeing some fireworks soon and that ending definitely caught me off guard.

Story: 8 Art: 8 Overall: 8

Huntress #2 – Pretty similar to the first issue but Huntress now has a better idea as to who the first target should be, but clearly there’s someone higher or something bigger going on.  The art is great and story is solid, I just wonder if it really needs to be six issues and whether it might read better as a trade or graphic novel.  Still, a strong female lead, great story and art, it’s a comic that’s a buy.

Story: 8.25 Art: 8.25 Overall: 8.25

Jennifer Blood #6 – This is a very interesting series.  Jennifer has got her revenge and lays it out there for the final victim.  After all her talk, you’re left to think.  Is she as bad as they are?  Is she somehow more perverse due to her duality?  Is she a new type of feminist?  It’s a series I’d love to debate folks about.  A female lead with twisted violence and sexuality that only Garth Ennis can do.

Story: 8 Art: 8 Overall: 8

Journey Into Mystery #631 – An interesting issue where Loki has to deal with the new status-quo of Asgard.  It’s all about setting up the future and the pseudo Shakespearean speak bothers me still, but the character of Loki is back to his roots and very entertaining.  This is really for the hardcore Thor fans.

Story: 8 Art: 8.25 Overall: 8

Magneto: Not a Hero #1 – A lot I like, especially the interaction between Cyclops, Magneto, Captain America and Iron Man but the second half teeters a bit diving into X-Men history I’m a bit fuzzy on.  It’s not quite as new reader friendly as I’d hope, but still entertaining.

Story: 7.75 Art: 8.25 Overall: 7.75

The New Avengers #18 – Osborn is back and he’s forming his own group of Avengers again.  This issue focuses on that as well as why A.I.M., Hydra, some Hand and H.A.M.M.E.R. are all coming behind his leadership.  Something awesome is brewing here, you can just tell.

Story: 8.5 Art: 8.5 Overall: 8.5

Point One – Hmmm, there’s a lot here and about half of it gets me interested, but that’s for stuff I’d probably buy anyways.  Also, a lot of the stories teased here have been set up in other series.  It’s also probably not quite enough to suck in and get a new reader interested.  But, it’s interesting for the most part.  I have to give Marvel props for trying, but this comes up short overall.

Story: 7 Art: 8.25 Overall: 7

Rachel Rising #3 – It’s a horror comic that’s creepy more than anything.  There’s a lot here that’s disturbing and still a mystery as to exactly what’s going on, but I’m hooked.  It’s all interesting and different, definitely a comic I look forward to each month to see how it’d unfold.

Story: 8.25 Art: 8.25 Overall: 8.25

Resurrection Man #3 – We get a bit better of a sense as to what’s going on here and the mystery deepens really.  Isn’t the “caught between heaven and hell” schtick more of a John Constatine thing?  No matter, the comic is entertaining as it explains a lot of what’s going on, but the ending makes me feel like I missed something.  I’m sure for long time DC fans it’s a cool moment but for me, I shouldn’t have to go to wikipedia to get the back story after the relaunch.

Story: 8 Art: 8.25 Overall: 8

Suicide Squad #3 – The issue is a bit choppy in the story telling as it just back and forth in time though that’s not totally clear.  There’s an essence of time with the series that could be played up a lot better, but overall it seems to just be getting it’s footing and it’s pretty entertaining.

Story: 7 Art: 7 Overall: 7

Superboy #3 – Well, I think that answers who Red really is.  Superboy is out and discovering what the real world is like.  That’s interesting, but there’s not enough of it.  We also learn a bit about who this Superboy really is, also interesting stuff.  Overall though, we’re still in the set up phase and the verdict is still out on the series overall.

Story: 7.5 Art: 8 Overall: 7.5

Ultimate Comics Spider-Man #4 – Bendis has put together a comic that plays off nicely on what’s coming before creating a connected transition that doesn’t feel forced but a natural passing of the torch.  The story is still in the whole discovering powers phase but Miles and his friends seem interesting and there’s a sense of fun that flows off the page.  I’ve never been a big fan of the Ultimate universe, but I’m a fan of this newly rebooted series.

Story: 8.25 Art: 8.25 Overall: 8.25

Uncanny X-Force #17 – Wow.  The issue is impressive and is filled with moments that make me say holy shit.  I have no idea what to expect and what’s going to happen next.  For a series to keep my on my toes just shoes how top notch it is.  So far everything has been on the table and so much being pulled out of so many different places.  The Dark Angel Saga is going to go down as one of the best “X” arcs ever.

Story: 9 Art: 8.75 Overall: 9

Wolverine #18 – A nice mix of action and humor as Logan and friends take on the Jade Claw.  An entertaining issue that’s leading the series away from the depressing morose plot it’s had for way too long.

Story: 8.25 Art: 8.25 Overall: 8.25

X-Men: Legacy #258 – Why is there a moment where I can see the writer pausing to figure out how to end this arc and get everyone home?  The X-Men save the day and get folks back to Earth, shocker.  It’s really all to set up what happens next.

Story: 6.75 Art: 7.5 Overall: 7

Comic Book Weekly Reviews – 11/2/11

The pile of new comics has started to dwindle as I’m figuring out the comics from DC’s relaunch I’m keeping and what’s just not making the cut.  Will things get cut this week?  Find out below!

American Vampire #20 – The lead up to the origin of Skinner continues as we learn more about how his maker became a vampire and there’s hints why the “American vampire” is different than it’s European cousins, though that’s not completely laid out.  The story is entertaining and it’s fun to see a western mashed up with a good ole horror tale.  Snyder continues to put out a solid product here.

Story: 8.25 Art: 7.5 Overall: 8

Animal Man #3 – Vertigo is in full effect in the DCU.  This comic is so out there and so crazy and at the same time so entertaining.  Animal Man and his daughter head into The Red and we learn a bit about the origin of Animal Man.  Meanwhile the rest of their family are attacked too.  The series is so crazy and “out horrors” the rest of DC dark.

Story: 8.25 Art: 8.25 Overall: 8.25

Avengers Academy #21 – I haven’t been the biggest fan of the series, much preferring it’s incarnation as the “Initiative,” but this issue kicks off it’s new direction with a lot of new characters and one hell of an ending.  I’m still a bit skeptical due to the past, but this first issue has piqued my interest.

Story: 7.5 Art: 7.5 Overall: 7.5

Batman: Detective Comics #3 – So, we finally get to find out who the Dollmaker is, but something about this issue just doesn’t quite seem right.  It might be because it’s predictable.  It might be that the whole schtick for this bad guy doesn’t quite make sense.  Out of the three main Bat-titles, this is the weakest of the bunch.

Story: 7.5 Art: 8.25 Overall: 7.5

Batwing #3 – Huh.  The politics is very subtle so far, but this issue delves a little into that with The Kingdom, but mostly the issue is Batwing getting his ass kicked and we get to see a bit of his past that adds a whole lot of depth about him.  The series is interesting and surprisingly good.  The art is solid and stands out.  Overall, it’s a welcome addition to the Bat-family and DC comics.

Story: 8.25 Art: 8.25 Overall: 8.25

Dark Shadows #1 – All I know of Dark Shadows is that it’s a former television show involving a vampire that has a cult following and is highly regarded.  So, I went into the first issue as a blank slate and I came out pretty impressed.  The issue focuses on the individuals giving enough for new readers to figure out who everyone is and what their deal is and I’m sure fans will have a lot more to go on.  The story is interesting and I can’t quite tell if this is a horror soap opera or a straight up horror story.  There’s enough to make me come back for a second issue.

Story: 8 Art: 8 Overall: 8

Fear Itself #7.1: Captain America – The first of three epilogue’s for Fear Itself reveals the fate of Bucky who’ll get his own series starting in January (I’d say that’s a spoiler, but it’s been all over).  It’s funny that this comic is so much better than the event in spun out of, but it really feels like a lead up and pitch for a new series as opposed to closure to Marvel’s sub-par event.

Story: 7.75 Art: 8 Overall: 7.75

Fear Itself: The Fearless #2 – The series is focused on Valkyrie’s and Crossbone’s attempts to regain the hammers.  Valkyrie’s story is a bit of a stretch as it attempts to flesh out her background and Crossbone’s seems to avoid the change that happened to him in Thunderbolts.  The first issue was entertaining, but this second one quickly has fallen into issues that Fear Itself had.

Story: 7 Art: 7 Overall: 7

Huntress #1 – I’ve had a lot of people recommend this comic that came out a few weeks ago, so I decided to give it a shot.  Huntress heads to Naples and takes on a smuggler of women and guns.  The series is pretty solid, but I don’t quite get why it doesn’t take place in the new DCU.  The Huntress is a solid, strong, female lead which is great to see.  She kicks a lot of ass and the bad guy is down to Earth in that, he doesn’t have super powers sort of way.  The series could have a hell of a message if the writer wanted, but as it stands it’s an entertaining read.

Story: 8.5 Art: 8.5 Overall: 8.5

Moon Knight #7 – Moon Knight deals with the fact that he was snitched on and the Avengers were called.  He also hatches a plan to find out who the bad guy behind it all is.  Those around him also begin to deal with the fact the man is clearly nuts.  The series is fantastic with amazing art, and some great action.  The interaction between everyone is top notch as well.  This is one of the best comics Marvel is putting out right now.

Story: 8.5 Art: 8.5 Overall: 8.5

New Mutants #33 – The split is done and the team must decide who they’re sticking with and what their role in the “X” world will be.  The art I think is still off and there’s some parts of the story I liked, but overall something is still off about the series.  It seems that they’ll be playing a more integrated role with human society in Cyclop’s world and their first mission seems interesting, but there’s a lot of talk in this issue that doesn’t shed a lot of depth on the characters.  It is a decent hopping on point for new readers.

Story: 7 Art: 7 Overall: 7

Red Lantern #3 – Writer Peter Milligan is attempting to give depth to characters who have been one note up until now.  His direction has them being the Ghost Riders of rage and so far it’s been ok.  But, the characters have been mindless beasts for the most part driven by rage.  Next up to get the fleshed out treatment is Bleez whose mind is cleared and becomes the second in command.  But, with that promotion there’s also hints there’s more to it.  Not the best issue, but Milligan is doing what he can with what he’s been given.

Story: 7.5 Art: 8.25 Overall: 7.5

Stormwatch #3 – This is supposed to be one of the pillars of the new DCU but the comic has been a bit hard to sift through and figure out everything that’s going on.  We’ve been thrown into the action without much of an explanation and while it’s all quirky and somewhat entertaining, I can’t yet declare it an “A” list series.  I’m giving it the first arc, then I’ll make my decision.

Story: 7.5 Art: 7.75 Overall: 7.5

Swamp Thing #3 – We’re starting to get a clearer picture as to what the big baddie Swamp Thing will face.  I also get a sense that this same bad guy is also who Animal Man will deal with.  It’s interesting that these two series are relying on colors as much as Green Lantern mythos does.  The horror feel is still present and the two books are definitely Vertigo come to DC.  Snyder is always slow to start with his series, that’s his style, but when it’s still so good, who cares.

Story: 8.5 Art: 8.25 Overall: 8.5

Uncanny X-Men #1 – The good is they’ve finally thrown it out there and equated mutant powers as a deterrent and Utopia as a nation with one.  They’ve been hinting at it for quite a while, but never just laid it out there.  It’s some interesting logic thrown around and hopefully we finally get to see what was promised, the focus on a true mutant nation and what that really means as well as what it takes to pull that off.  The action itself revolves around the Dreaming Celestial and Mr. Sinister, that’s all off.  If anything, this first issue shows a lot of potential, but doesn’t quite excite.

Story: 7 Art: 7.75 Overall: 7.25

Villains for Hire #0.1 – We’ve seen the heroes, but this point one issue sets up the villains out there looking to be hired to pull off jobs.  The first issue is interesting, but doesn’t quite set up the series to come enough.  Instead it focuses a lot more on the heroes stopping the villains, not what brought them together.  Together the two series should be fun and here’s hoping it has the exploitation movie feel like it’s sister series.  But, this “first issue” doesn’t quite excite me enough.

Story: 7 Art: 7 Overall: 7

X-Men #20 – Hmmm.  The team is interesting and first issue of it’s direction much like Uncanny has potential.  I don’t dig the overused good guys versus good guys over a misunderstanding before they team up schtick.  But, the story continues the whole proliferation of Sentinels story, so that’s cool.  But, overall, meh.

Story: 7 Art: 7.5 Overall: 7

X-23 #16 – Um, yeah.  Can’t say I dig the Captain Universe thing.

Story: 6.5 Art: 6.75 Overall: 6.5