We’ve gotten teases and now we have our first look at Y: The Last Man. The show is based on the acclaimed comic series published by DC Comics‘ Vertigo imprint and created by Brian K. Vaughan and Pia Guerra. The comic was published from 2002 to 2008 and ran for 60 issues.
The story involves an apocalyptical even where all living mammals with a Y chromosome simultaneously die. There’s two exceptions, Yorick Brown and a capuchin monkey named Ampersand. Yorick wants to find his fiancée while others want to figure out why Yorick died or capture the last man alive.
Y: The Last Man begins streaming exclusively on Hulu on September 13.
FX Networks revealed the debut dates for numerous series including Y: The Last Man. The series is based on the acclaimed DC Comics series that follows on man and his pet monkey after a cataclysmic event that decimates every mammal with a Y chromosome.
The series will debut exclusively on FX on Hulu on September 13.
The comic series debuted in 2002 running in 2008 for 60 issues. The series was written by Brian K. Vaughan with art by Pia Guerrera, Goran Sudzuka, and Paul Chadwick, with ink by Jose Marzan, Jr.
An egomaniacal super-villain struggles to maintain control of his evil organization after it is bought by a multinational tech company, all while juggling the needs of his demanding family. Watch Marvel’s M.O.D.O.K. May 21, only on Hulu.
After a massive deal with Netflix, Sony Pictures has signed another deal, this time with Disney. The licensing deal will bring Spider-Man and other “Marvel properties” from Sony to Disney+ and elsewhere starting with Sony’s 2022 release slate.
The deal features a lot of parts and runs through Sony’s 2026 theatrical slate. Sony titles will come to Disney+, Hulu, FX Networks, ABC, Disney Channels, and Freeform. There are other titles that are included in the deal. Disney said a “significant number’ of films will come to Hulu in June.
This is not long after Sony and Netflix signed a deal to bring Sony’s films to the platform in the post-theatrical window. The Disney deal would cover airisng after. The films will come to Netflix about nine months after the start of the theatrical run then after to Disney’s various platforms. Both deals are for the same term.
Like the Netflix deal, the Disney deal only covers the US market.
At WonderCon@Home, Hulu paneled its upcoming adult animated series, Marvel’s M.O.D.O.K., which premieres May 21 on Hulu! Jordan Blum (co-creator) and Patton Oswalt (co-creator and voice of M.O.D.O.K.) answered fan-submitted questions alongside cast members Melissa Fumero, Aimee Garcia, Ben Schwartz and Jon Daly and revealed some special guest stars . . . including Jon Hamm, Whoopi Goldberg, Nathan Fillion and Bill Hader! See below for which characters they will be voicing:
Jon Hamm as Iron Man
Whoopi Goldberg as Poundcakes
Nathan Fillion as Wonder Man
Bill Hader as Angar the Screamer and The Leader
In Marvel’s M.O.D.O.K., the megalomaniacal supervillain M.O.D.O.K. (Patton Oswalt) has long pursued his dream of one day conquering the world. But after years of setbacks and failures fighting the Earth’s mightiest heroes, M.O.D.O.K. has run his evil organization A.I.M. into the ground. Ousted as A.I.M.’s leader, while also dealing with his crumbling marriage and family life, the Mental Organism Designed Only for Killing is set to confront his greatest challenge yet! The series stars Patton Oswalt (M.O.D.O.K.), Melissa Fumero (Melissa), Aimee Garcia (Jodie), Ben Schwartz (Lou), Wendi McLendon-Covey (Monica), Beck Bennett (Austin Van Der Sleet), Jon Daly (Super-Adaptoid), and Sam Richardson (Gary).
Marvel’s M.O.D.O.K. is created and written by executive producers Jordan Blum and Patton Oswalt. Brett Crawley, Robert Maitia, Grant Gish, Joe Quesada, Karim Zreik, and Jeph Loeb also serve as executive producers.
Marvel’s M.O.D.O.K. premieres May 21, only on Hulu!
In Marvel’s M.O.D.O.K., the megalomaniacal supervillain M.O.D.O.K. (Patton Oswalt) has long pursued his dream of one day conquering the world. But after years of setbacks and failures fighting the Earth’s mightiest heroes, M.O.D.O.K. has run his evil organization A.I.M. into the ground. Ousted as A.I.M.’s leader, while also dealing with his crumbling marriage and family life, the Mental Organism Designed Only for Killing is set to confront his greatest challenge yet!
The previous episode of Helstrom left us with a very possessed, after being bitten by the skull, Chris. He kills the brother of the serial killer that Ana made commit suicide in the pilot when he comes looking for answers to his accomplice/sibling’s death. We also found out that mom really loves Ana, and the dark force that the siblings have been hunting from both ends is their father. Those big reveals and changes leave us with a lot to look forward to in Helstrom S1E3“The One Who Got Away” and the build up was worth it because it gets you even more invested in the episodes that are going to follow.
The One Who Got Away: The demon inhabiting mom’s body lets the siblings know that their Dad is back and he’s going after the one who got away. Ana is convinced that the one who got away is her and she’s scared. But, Gabriella’s research leads them to a victim of her fathers who got away. Her name is Zoe and it turns out that despite the horrible things that happened to her, including being burned alive, she managed to survive and has been living in secret at her sisters until Ana, Gabriella, and Daimon come to call. Zoe’s sister pretends to be her and sees this as a way to enact revenge on the little girl who led her sister into a trap, putting Ana in danger in the same way Ana put her sister in danger.
Daddy’s Home: Zoe’s sister gets what she wants, sort of, when she leads Ana into an abandoned building but, she also gets something she didn’t expect. The person who is supposed to get her revenge for her sister is the person who did the horrible things to her sister in the first place, and when he turns on her and kills her, she dies not knowing the whole story. Ana goes toe to toe with dear old dad solo and jumps out of the building to get away from him because, this isn’t the dad she knew, he’s a suped-up version of him with a whole lot of new tricks and powers up his sleeve.
Episode MVP: Ana! No question. Sydney Lemmon portrays her with such conviction, talent, grace, and heart that you forget she isn’t a “real” person. It’s impossible not to want to give her a hug and tell her it wasn’t her fault and that she was just a child and should let go of all that guilt. Her character went through the wringer this episode and you felt every moment of anguish, pain, and fear right along with her. If she was to win an Emmy based on this episode alone, I wouldn’t be mad at it. The way she fought her dad off with such ferocity through her fear and how she broke down in front of her brother almost immediately afterward is the stuff that true character development and amazing acting chops make legends of and I’m here for it.
Overall: Helstrom S1E3 “The One Who Got Away” doesn’t tell us what happened to Chris but, there was so much other awesomeness going on, I didn’t mind that loose end being left hanging, in fact, I kind of forgot about it. The writers seem to be very capable and I’m sure they will double back to that string at a later episode. This episode filled in a few more blanks about the siblings’ dad, their mom, the Caretaker, and Hastings. We learn about the things that Ana was forced to do, to survive, as a child under her dad’s murderous roof and we can see how it impacts her today. The story was very Ana and her trauma centered and I liked it. I also love learning about Hastings and Caretaker’s friendship and the private very human battle that Hastings has been fighting on her own. There was a lot of heart in Helstrom S1E3 “The One Who Got Away” and it aided in me becoming bonded and fully invested in the characters and the story. I can’t wait to see what happens next and make sure that Ana is okay.
Helstrom S1E2 “Viaticum” starts off filling in a little bit more of the siblings’ backstory and gives some much-needed info on their family dynamic and shared family trauma. The family side of this dark supernatural drama is only part of the story in the show and in this episode. No sooner than the full family reunion kicks off we find ourselves drawn back into the mystery of the demon who’s inhabiting mom’s body and what it’s after.
Family Affair: After a decades-long absence Ana finally gets a one one one with her mom. In an attempt to “connect” she slaps her mother coaxing out a telekinetic attack that flings her and Dr. Hasting across the room. Daimon and Ana come to verbal blows and bring up a lot of family history after Ana’s visit with her mom and the slap that followed. There’s a lot of sibling bickering that seems realistic and rings true. There’s a lot of pain and jealousy and it’s nice to see the show showcase a real family dynamic with compassion and honesty.
The Big Bad: A man inhabited by the demon’s henchman gets picked up by a Good Samaritan who repays his kindness with a ruthless attack. Ana’s associate is trying to work out the provenance of an axe when he finds himself face to face with the skull that the demon sent his possessed acolytes to find. Of course, her partner lies to the Caretaker about being in possession of the skull, even though it was whispering in a wild old language when he was checking out the axe. I’m a fan of the way the show drops breadcrumbs in each episode about what the demon is up to, it builds suspense and keeps the viewer invested in what happens next.
Overall: So far the show isn’t perfect, it’s a slow burn on a long wick but, it’s pretty damn close. Helstrom S1E2 “Viaticum” builds on the tension and story from the last one. It’s well written like the pilot, beautifully shot, wonderfully acted and the directing is top-notch. I like the way the show highlights relationships between people and families, the ones you are bound to by blood, and the ones who choose you. We learned in the pilot that Daimon had Dr. Hastings. In this episode, we find out that Ana had the Caretaker when she got a little older. We also learn that there are two different factions who have been keeping the siblings apart for unknown reasons. There’s a lot of mystery going on in this show and while we don’t get a lot of supernatural power showcasing we do get a good story. The build-up to the full power blast that we are expecting to come at some point this season seems like a fun gamble that I hope is worth it. But, if I don’t get it, I won’t be too disappointed because the story is good enough so far that it’s still worth it to watch,
Kicking off the first episode of Helstrom, n Portland, Oregon, Saint Teresa’s in under attack. In Salem, Oregon Sister Gabriella and Daimon have come to call on Mr. Cavallo and his wife who is dealing with an attack of their own from their demon-possessed child. After a few minutes alone with the kid, Damion realizes that the kid isn’t possessed just crying out for attention, and calls his bluff by showing him his power, setting the stage for a supernatural Marvel show that could possibly give us everything that New Mutants could never.
The Run Down: It’s 2020 so obviously I’m naturally afraid of anything that might bring back the murder hornet, so when the escaped Saint Teresa patients and the rogue guard make their way to a crypt in the City of the Dead and decide to open it up for the lolz, I get a little nervous. While Daimon is on the hunt for the escapees and wants to stop their plans, his sister Ana is working on things for the other end as she tries to find out why someone broke into the City of the Dead in the first place and what kind of demon they unleashed. Sister Gabriella is tired of being kept in the dark and her insistence on being kept in the loop she can report back to the Vatican might get her in more trouble than she can handle.
A Family Affair: Helstrom focuses on a family. This episode introduces some of the major players. Daimon, Ana, and their mother. In the first half of the episode, we get to meet them and see what each of them is bringing to the table. Ana has a side hustle where she hunts serial killers and uses her powers to kill them in a way that looks like natural causes, Daimon uses his power to fight demons, and mom is possessed by a demon who is up to something sinister. We are also introduced to Dr. Hastings who raised Daimon to fight demons on Earth but didn’t get to raise Ana, who still grew up to fight another kind of demon, the human kind who are mortal and still your everyday kind of normal monster.
Best Scene: The backstory montage complete with the tear-jerking follow up Ana and Daimon separation scene. It is well done, emotion-evoking, and done in a way that fills the viewer in on most of what they need to know to catch them up if they’ve never read or heard of the comics. We see the mother’s torment at the hands of the demon and her isolation, Sister Gabriella learning about the family history, Ana working on her side of the case, and Daimon trying to figure out what big bad is being set free and hoping to find a way to save her mother.
First Impressions: This was a well thought out, neatly packaged first episode that gave off a Dresden Files tv show vibe minus the campiness. There are touches of a procedural mixed with supernatural fun that gives you a story to follow and adds to the suspense. Every moment in the first episode builds up perfectly to the end scene where the siblings finally reunite and since everything fits together seamlessly you get the feeling like you’re about to embark on an epic journey with them. The show is dark in nature but, doesn’t take itself too seriously or lean into the campiness of the implausible situations that the characters find themselves in. The writers manage to find a happy medium where you get an otherworldly environment that feels based in reality. The show has just enough of the source material to keep the fans of the comic happy but, enough nuance and story arc to bring in people who have never heard of Helstrom. There is a hold back in the first episode that I hope they handle in future episodes, the reasons behind the sibling’s separation isn’t made clear in the first episode, nor is their paternal side fully brought up. I find it to be an interesting thing to tease by not go into because in some ways it adds more to the mystery. In other ways, it feels like a bit of a plot hole in a show that seems to have a huge story to tell and a lot to dig into. Overall I found the episode to be well crafted and enough of a taste to keep me around to see what happens next. I found myself invested in the story and the heart of it all, the characters were well written and the acting gave them enough life that they feel real.
Revealed via EW during New York Comic-Con’s Metaverse, the upcoming stop motion MODOK series has delivered a first look. The series is one of the surviving Hulu Marvel shows, the other being the upcoming Helstrom. MODOK stars Patton Oswalt who stars as the Mechanized Organism Designed Only for Killing and follows him during his off-hours.
The cast includes MODOK’s equally-giant-headed daughter, Melissa (voiced by Brooklyn Nine-Nine‘s Melissa Fumero), son Lou (Parks & Recreation‘s Ben Schwartz), and wife Jodie (Lucifer‘s Aimee Garcia). And what’s a show without a rival? That’d be Austin Van Der Sleet (Beck Bennett of SNL).
The show was created by Oswalt and Jordan Blum and animated by Stoopid Buddy Stoodios, the folks behind Robot Chicken.
MODOK was to be part of a series of four animated shows on Hulu. The others were Howard the Duck, Hit-Monkey, and Tigra, and Dazzler. They’d eventually come together into a group called The Offenders. Much of Marvel’s Hulu plans have been scrapped with MODOK being one of the few shows left standing.