Tag Archives: heavy metal international

Publishers Respond to Diamond’s Motion to Move its Consignment Hearing to the middle of SDCC

A group of 13 publishers have filed a response to Diamond‘s attempt to move the hearing regarding its consignment plan. While it was originally scheduled for July 21, Diamond wanted to move it to July 24 or 25. Image Comics weirdly supported the move, even though in their support Image brings up San Diego Comic-Con during that week. The new proposed dates would be smack dab in the middle of SDCC.

On June 25, 2025, Diamond Comic Distributors submitted a motion that would allow them to sell, liquidate, dispose of, inventory it currently still has. The 13 publishers have also filed an objection to Diamond’s motion.

The group of publishers have filed a response that they don’t disagree with the move but ask for it to happen some time after San Diego Comic-Con, so after July 27.

They also are asking for that hearing to be an initial, non-evidentiary hearing, instead of deciding if Diamond’s original motion is approved.

13 Publishers Submit a Joint Motion Objecting Diamond’s Consignment Motion

It’s a massive team-up of publishers who have filed a joint motion objecting to Diamond Comic Distributor‘s motion that would allow them to sell, liquidate, dispose of, inventory it currently still hasMany publishers have been vocal about the motion and many have responded to our inquiries with “no comment” because it’s an ongoing legal matter. So far, TwoMorrows Publishing, Magma Comix, and Graphitti DesignsAbstract StudioNBM, William M. Gaines, Agent, Inc., and Humanoids have each filed objections to the motion.

Aspen Comics, Black Mask Studios, DSTLRY Media, Dynamic Forces, aka Dynamite Entertainment, Heavy Metal International, Magnetic Press, Massive Publishing, Oni-Lion Forge Publishing Group aka Oni Press, Panini UK Ltd., Punk Bot Comic Books, aka Alien Books, The Penn State University aka Graphic Mundi, Titan Publishing Group, and Vault Storyworks, aka Vault Comics formerly known as Creative Mind Energy have formed like Voltron to form a new team called the “consignment group” entering the legal fight.

The 63 page document starts with what we’d expect stating the publishers own the merchandise, aka consigned goods, and not the property of Diamond Comic Distributors. It then dives into Diamond’s claim that the publishers needed to file a UCC-1 financing statement which would have protected them against this situation. The legal argument says that may not needed as this was a “true consignment” established by the various contracts signed and state law.

This filing is similar to Humanoids’ stating that contested matter needs to be handled by Rule 7001(2) of the Federal Rules of Bankruptcy Procedure and requires an adversary proceeding and emphasizes again that the publishers own the goods, not Diamond. It also states that it was Diamond’s intention to sell the goods this way and that they should have paid the publishers as per the terms of their agreements.

Like Humanoids’ objection, there’s a focus on Bankruptcy Rule 7001(2) requires that says an adversary proceeding has to happen to determine the “validity, priority, or extent of [an] interest in property.” In short, it hasn’t been determined that the consignment product is property of Diamond and that needs to happen before they can sell anything.

Part of Diamond’s initial motion is that no publishers filed a UCC-1 financing statement which would have protected them. But, did they even need to file it? The publisher’s motion calls them “true consignments,” and don’t meet the definition of UCC Section 9.

(A) the merchant:
(i) deals in goods of that kind under a name other than the name of the
person making the delivery;
(ii) is not an auctioneer; and
(iii) is not generally known by its creditors to be substantially engaged
in selling the goods of others.
(B) with respect to each delivery, the aggregate value of the goods is $1,000 or
more at the time of delivery;
(C) the goods are not consumer goods immediately before delivery; and
(D) the transaction does not create a security interest that secures an obligation.

Back to that non-payment. Goods were shipped after Diamond’s January 14 Chapter 11 filing, and the publishers should be paid for them and administrative expense claims such as attorney fees and late penalties.

The rest of the filing includes purchase order agreements, distribution agreements, details of those agreements like discount percentages, and more.

Heavy Metal returns in the new year

Heavy Metal #1

After months of hushed rumors and backroom whispers, Heavy Metal International has announced the official relaunch of its eponymously-titled flagship publication, Heavy Metal magazine, in the new year!

With a rich history dating back to 1977, Heavy Metal began by featuring work by greats such as Enki Bilal, Richard Corben, Guido Crepax, Philippe Druillet, Caza, Jean-Claude Forest, Jean “Moebius” Giraud, and Milo Manara.

Since that time, the magazine has passed through many hands, and faced many challenges, but is returning with a dedicated new team led by Chief Executive Officer Marshall Lees.

Returning to the helm, this time as Editor-in-Chief, is Frank Forte. With over 30 years of publishing experience running Asylum Press, as well as serving with Heavy Metal for parts of the last two decades, Frank brings a wealth of knowledge and connections to the role.

Joining Frank are two new faces to Heavy Metal, though definitely not strangers to the comics industry or brand, as they’ve been vocal proponents for many years.

Dave Kelly has previously enjoyed success with the Ringo-nominated Tales of the Night Watchman through his own So What? Press, but his love of Heavy Metal dates back over twenty years to his high school days, when he began buying back issues at used bookstores across his native Kansas. He joins the team now as Executive Editor.

And former Eisner Award-winning retailer, Chris Thompson—who helped to launch the Statix Press line and other initiatives with Titan Comics before doing the same with other publishers—rounds out the oversight team as Editorial Manager. He read his first issue of Heavy Metal at far too young an age in 1985, thanks to a wayward but influential friend, and immediately became a Philippe Druillet devotee, whom he eventually met and spent time with in his Paris studio.

The super-sized Issue 1 is already well underway, and the first round of pre-orders will be taken via Kickstarter early next month where fans will be able to grab some amazing limited-edition covers and collectibles. With a stellar line up of writers and artists contributing including mind-blowing new cover art from the incredible Greg Hildebrandt, this is set to be the best Heavy Metal magazine in many, many years!

Further details about the triumphant return of Heavy Metal will be shared over the coming weeks.