The bestselling series The Old Guard by Greg Rucka and Leandro Fernández will build upon its immortal universe with an anthology story arc inThe Old Guard: Tales Through Time. The six-issue chapter begins on the heels of the top-ranking Netflix Original film adaptation’s success and will launch from Image Comics this April and feature an exciting lineup of talent.
The star-studded anthology event will include new stories from series co-creators Rucka and Fernández, joined by such contributors as: Vita Ayala, Brian Michael Bendis, Kelly Sue Deconnick, Matt Fraction, David F. Walker, Horacio Altuna, Rick Burchett, Valentine De Landro, Justin Greenwood, Kano, Nicola Scott, and more.
Andromache the Scythian—a warrior over six thousand years old, who has fought more battles than she cares to remember—has kept one constant companion through her long lifetime of combat…her labrys. Andy’s battle axe takes many forms, and many lives, in its centuries at her side, a story told by The Old Guard creators Greg Rucka & Leandro Fernández.
Meanwhile, Nicolo “Nicky” di Genova and Yusuf “Joe” al-Kaysani, lovers since they tried (and failed) to kill each other in the First Crusade, spend an evening at Berlin’s famed Eldorado nightclub in the twilight era of 1932, sharing drinks with drag queens and fistfighting Nazis in an all-new story by writer Andrew Wheeler (Another Castle: Grimoire) and Jacopo Camagni (Nomen Omen)!
The Old Guard: Tales Through Time #1 Cover A by Fernández (Diamond Code FEB210016), The Old Guard: Tales Through Time #1 Cover B by Jacopo Camagni (Diamond Code FEB210017), and The Old Guard: Tales Through Time #1 Cover C Interconnecting “Battlefield” Variant by Leandro Fernández (Diamond Code FEB210018) will be available at comic book shops on Wednesday, April 21.
(W) Greg Rucka, Alec Worley (A/CA) Ingo Romling In Shops: Dec 23, 2020 SRP: $5.99
After the Battle of Yavin, Han Solo and Chewbacca intend to use their reward to settle their debts. But Princess Leia asks them to accept a secret mission for the Resistance. Mortal dangers, traitorous enemies, and thorny situations mark the path of these two heroes of the Star Wars saga.
Written by: Matt Fraction, Brian Michael Bendis, Peter J. Tomasi, Grant Morrison, Dan Jurgens, Mariko Tamaki, Greg Rucka, Scott Snyder, Marv Wolfman, Kelly Sue Deconnick, Tom King Art by: Jim Cheung, José L. García López, Lee Bermejo, Dan Jurgens, Jamal Campbell, Dan Mora, Ivan Reis, Emanuela Lupacchino, Riley Rossmo, Eduardo Risso, Chip Zdarsky, David Marquez, Chris Burnham
Light the Bat-Signal, because Detective Comics #1027 is here! In honor of Batman’s first appearance in Detective Comics #27, this special, book-size celebration brings you the biggest names in comics as they chronicle the most epic Batman adventures Gotham City and the DC Universe have ever seen! The World’s Greatest Detective has a mountain of cases to crack: Who murdered Gotham’s most corrupt police officer? What does The Joker’s annual visit mean for Bruce Wayne? And most importantly, what WayneTech mystery will sow the seeds of the next epic Batman event? All this and more await you within the pages of the biggest Batman issue of them all!
Ah, the pleasures of having Labor Day off to celebrate work. It’s a contradiction as old as time, where honoring work means taking a (well-deserved and utterly necessary) break from it. After all, most workers have jobs that go year-round and the daily grind does take a toll. A day off is the least that can be afforded to them.
Recognition is the other thing we should doling out in industrial quantities during this federal holiday. As such, comic books are filled with stories about the fruits of labor, both in a literal and a politically figurative sense. Be it by actually exploring the hardships of being a worker to acknowledging the monumental task that is organizing movements in support of them, labor is central to the motivations behind some of comic’s best stories.
Here’s a short list of comics that either directly or indirectly showcase the roles workers play in keeping life and society functional. These comics dive headfirst into the specifics of what ‘putting in the work’ means, recognizing that everything that’s done in the service of others usually rests on human struggles both painful and exhausting. The comics below give workers their time in the spotlight so we can appreciate just how much it takes to go out and keep the world turning.
1.Trashed, written and illustrated by Derf Backderf
This book can best be described as a sobering love letter to one of the most underappreciated and openly repudiated jobs known to humankind: garbage collection. Following Backderf’s critically-acclaimed My Best Friend Dahmer, Trashed is based on the author’s time as a sanitation worker himself, surrounded by other workers just as enthused about collecting trash as he was (which wasn’t a whole lot). The inner workings of sanitation are presented through a combination of autobiographical anecdotes and well-researched facts and data that reveal just how complex, dangerous, and even clumsy picking up and storing trash can be. It’s a funny but scary look at how sanitation can save the world while also turn it into a ticking time bomb.
2. Damage Control, originally created by Dwayne McDuffie (W) and Ernie Colón (A)
A superhero’s job is to save the day, crumbling infrastructure be damned. With them, though, comes a unique concern for property damage, mostly focused on the inevitability of mass destruction. In comes a company solely dedicated to cleaning up after extinction-level battles and then putting the pieces back together called Damage Control. In essence, this Marvel comic is about unsung heroes. It’s about doing essential work knowing there’s no glory waiting at the end of it (much like Trashed, in some respects). McDuffie’s scripts are a masterclass on chaos and property politics, but it’s Colón’s attention to detail amidst the chaos that sets this story apart. The original series (there are a total of 4 series published) takes to a kind of MAD Magazine-style approach to comedy with visual gags and crude humor leading the charge, but it’s all well-orchestrated and it makes for reading that rewards those who scan comics pages whole multiple times.
3. She-Hulk: Law and Disorder, written by Charles Soule and illustrated by Javier Pulido
At a glance, Soule and Pulido’s She-Hulk gives the impression of being a kind of ‘slice of life’ story about a superhero that chooses law as her preferred battleground. The book, however, is about so much more, and it might have more in common with Damage Control than an actual legal drama. She-Hulk takes the anger-filled superhero and turns her into a working-class woman that’s trying (and struggling) to make her own legal services business work. She puts it all together from the ground up but is immediately confronted with the hardships of balancing work, heroics, and the semblance of a personal life on an even keel. One of the greatest, and most entertaining, aspects of the comic lies in the formation of the character’s legal practice and how at odds it can be being both a superhero and a normal person with other interests. It dives deep into the complications of working multiple jobs, but it shows an appreciation for those who lead their lives under that predicament. Soule and Pulido create a story that supports and applauds those who undertake the task of holding several jobs at once, honoring the sacrifice it requires of one’s self to survive it.
4. Ex Machina, written by Brian K. Vaughan and illustrated by Tony Harris
While aggressively political and metaphorical, Ex Machina does something few other stories on governmental responsibility manage to achieve: make the role of an elected official look and feel like a real job. The story follows Mitchel Hundred, a man that renounces his superhero persona to become mayor of New York city. After only managing to save one of the Twin Towers during the 9/11 terrorist attacks, Hundred realizes he can do more good as an elected official rather than as a superhero. Vaughan and Harris take full advantage of this setup to go beyond political speeches and discourse to get Hundred’s hands dirty with the real act of running a government. Hundred has to address the legality of surveillance in times of crisis, protocols for public demonstrations, controversial content in city museums, infrastructure, and police freedoms all while controlling the urge to use his still functioning superpowers to speed the process up. As is the case in She-Hulk, Hundred also attempts (with few successes) to balance his personal life with the job. Problem is, the job demands too much of his time, hence the temptation to use his powers. Ex Machina is a stark reminder that being an elected official actually means holding down a job with real consequences attached to it, something many politicians seem to have lost sight of.
5.Gotham Central: In the Line of Duty, written by Ed Brubaker & Greg Rucka and illustrated by Michael Lark
The profession of law enforcement is under serious scrutiny at the present moment, and rightfully so, but it’s still a job certain men and women take on despite the complexities of outdated and dysfunctional practices that are in desperate need of revision. And that’s on top of the racial problems that have shaped its many, many systems. However, there are those who do take the job seriously and work hard to ‘protect and serve’ with the best of intentions under the law. Gotham Central prioritizes this viewpoint, focusing the cops and detectives that work in Batman’s Gotham City. Without the resources or the exceptions afforded to the Dark Knight, the GCPD is still tasked with responding to criminal activity, regardless of whether it’s of the supervillain type or not. Main characters René Montoya, Crispus Allen, Marcus Driver, and “Josie Mac” MacDonald, among others, are divided into day and night shifts in a city that is in a constant flux of crime. The job takes its toll on a personal level and there’s an emphasis on how much one gives in the line of duty, but there’s also an appreciation of honest cops walking the line in the face of overwhelming police corruption and abuse. It’s a complicated and sometimes contradictory read, but it makes no excuses while confronting the damning inconsistencies of the job.
6. Wooblies! A Graphic History of the Industrial Workers of the World, edited by Peter Buhle & Nicole Schulman
The Industrial Workers of the World, or IWW, has a wild and exuberant history, to say the least, which makes it the ideal subject for comic book storytelling. The IWW was created in Chicago, Illinois in 1905 as a union for marginalized workers led by Marxist principles. Miners, lumber workers, immigrant workers, indigenous workers, non-white workers, severely underrepresented female workers, and workers all over that had no rights or protections saw in the IWW as the means to fight towards better working conditions. Wooblies! (alluding to the nickname given to the members of the union) enlists the talents of cartoonists such as Peter Kuper, Harvey Pekar, Trina Robbins, Sharon Rudahl, Sue Coe, Carlos Cortez, among others to tell the story of how forgotten and underrepresented workers rose up against the odds to gain the rights and respect owed to them. The anthology has a very underground ‘comix’ feel to it, but it’s allegorical and metaphorical inclinations do a better job of capturing labor struggles better than a traditional story ever could. This might be the quintessential Labor Day reading right here.
Workers, laborers, holders of jobs, these comics honor your contributions, your efforts, and the near impossible feats you pull off. Read and relax, but overall, enjoy your hard-earned Labor Day holiday.
When DC announced that Detective Comics #1027 would feature some of comics’ greatest storytellers, there was also mention that this must-have comic book would contain …”a few early hints at what’s in store for the future of the Caped Crusader!”
DC also said that fans would have to wait until September 15 to find out, but that’s not fair, so here’s a first look at two stories revealing more about what’s to come, not just the Dark Knight, but all of the DC Universe!
Written by Dan Jurgens with layouts and finished art by Jurgens and Kevin Nowlan, “Generations: Fractured” pits Batman against a would-be gang of museum vandals, led by Calendar Man. As the Dark Knight tries to stop him from torching priceless artifacts, a mysterious flash of light appears to break reality, and Batman finds that everything is different in Gotham, as he’s transported back to 1939!
Eisner award-winning writer Mariko Tamaki and artist Dan Mora teamup to tell a tie-in story to “The Joker War.” In “A Gift,” The Joker’s attack on Batman and Gotham City leaves a GCPD officer dead. His partner identifies the perpetrator as the Caped Crusader, swearing that he’ll bring him to justice. This tragedy forces Batman to reluctantly open the pages of a mysterious “black casebook,” the contents of which are yet to be known.
Hardcore Batman fans can look forward to some of their favorite writers and artists taking part in this landmark issue, including Greg Rucka/Eduardo Risso, Grant Morrison/Chris Burnham, James Tynion IV/Riley Rossmo, Tom King/Walter Simonson, and Scott Snyder/Ivan Reis. They’re also joined by Kelly Sue DeConnick with John Romita Jr. and Klaus Janson, Marv Wolfman/Emanuela Lupacchino/Bill Sienkiewicz, Brian Michael Bendis/David Marquez and more top creators!
Detective Comics #1027 arrives at open and operating comic book stores and participating digital retailers on Tuesday, September 15 with a retail price of $9.99.
In the second episode of Comics Deserve Better, Brian, Darci, and Logan react to the 2020 Eisners and discuss the 2017 Greg Rucka and Leandro Fernandez comic, The Old Guard. Or what Logan likes to call “Blackwater, but queer”.
Other books talked about on the show include the webcomics Fangs by Sarah Andersen, Gunnerkrigg Court by Tom Siddell, and Clover and Nugget by Phil Sheldon as well as Scout Comics‘ Yasmeen #1and Tales from the Pandemic by Mario Candelaria and a bunch of awesome artists.
The Old Guard‘s concept is pretty simple. A group of immortals walks the Earth as a pack of mercenaries and an evil corporation wants to find out what makes them tick and develop a new drug from their gift. A new immortal is discovered and dragged into their shadowy world. Based on the comic series by Greg Rucka, Leandro Fernández, Daniela Miwa, and Jodi Wynne, and published by Image Comics. The film stars Charlize Theron, KiKi Layne, and Chiwetel Ejiofor, and is written by Rucka and directed by Gina Prince-Bythwood.
There’s a lot of fantastic elements to The Old Guard. Most of those concepts get a little bit of depth but all feel like there could be so much more done with all of the elements. But, even with that, the film is beyond enjoyable with some fantastic action sequences (not enough of them really) and some solid character connections.
Lets go through bits of the film to discuss what does and doesn’t work:
The relationships – This is one of the best aspects of the film. The team is hundreds of years old and that’s a key aspect of so many members of the team. They have either formed bonds with each other or long for the loss of their friends and family of the past. Two team members are in a rather mature/different type of relationship having bonded over centuries. Team members have died (yes immortals can die) and then there’s the loss of family. It’s all on the table and the actors deliver the pain and love you’d expect in each situation.
The goal of the “evil” corporation – The evil corporation wants to use whatever genetic gift that keeps these individuals alive for medical purposes. Though they go about it in an evil way, and probably would do evil corporate things, the overall goal isn’t too out there. There’s something to debate about possibly being able to save the world but not doing so. There’s also moral debates about testing on these individuals since they can survive the testing in theory.
Choices weigh down on characters – The body count rises throughout the film and the idea of the blood on the hands of the immortals is a feature. There’s the concept of fighting their way through life. There’s the idea of living with family for as long as they can before their immortality is realized. It’s an interesting balance and discussion of choice of actions. The concept of killing one is difficult enough but also think about that body count rising over decades? Try to figure out what you’d do knowing you’ll see your friends and family die? Do you spend it with them? Or, do you run?
The theme of the film – The film ends in an interesting way. It’s not a spoiler to say the film is about leaving a footprint. Early in the film, there are moments that touch upon these individuals attempting to stay anonymous but the bigger question thing isn’t their anonymity but instead their impact for the better. That plays deeply into why the evil corporation wants them
There’s absolutely issues to the film. It foreshadows things a bit too much. You can predict what’s coming down the road with a bit too much easy. It doesn’t diminish the story at all and there’s reasons the foreshadowing happens, to explain the world and rules, but still, it feels a bit forced and a bit too obvious.
The Old Guard is an entertaining film that doesn’t use its twist in too many ways to make the concept not seem interesting. It also adds just enough reasons as to why it doesn’t. It’s the rare action film that has some moral questions underneath and themes to it that makes it a bit more than the fantastic action sequences. It would absolutely work better as an extended television series but from everything teased it looks like we’ll be getting more of the film series down the road. Here’s hoping as it’s an enjoyable two hours to kick back and relax to.
The Old Guard has a new trailer. The Netflix film is an adaptation of the series by Greg Rucka, Leandro Fernández, Daniela Miwa, and Jodi Wynne, and published by Image Comics. The film stars Charlize Theron, KiKi Layne, and Chiwetel Ejiofor, and is written by Rucka and directed by Gina Prince-Bythwood.
Light the Bat-signal, because Detective Comics #1027 is headed your way this September 15! In honor of Batman’s first appearance in Detective Comics #27 on March 30, 1939, this special 144-page celebration is poised to truly spotlight the “Detective” in Detective Comics. Batman and his allies will have a mountain of mysteries to solve, taking them from the seediest corners of Gotham City to the farthest reaches of the DC universe, plus a few early hints at what’s in store for the future of the Caped Crusader!
A book of this magnitude deserves the best storytellers in comics and a must-read lineup of DC’s most prolific writers and artists are rising to meet the challenge, including Greg Rucka/Eduardo Risso, Grant Morrison/Chris Burnham, Tom King/Walt Simonson, James Tynion IV/Riley Rossmo, Peter J. Tomasi/Brad Walker, Dan Jurgens, Marv Wolfman/Emanuela Lupacchino, and Bill Sienkiewicz, Brian Michael Bendis/David Marquez, Mariko Tamaki/Dan Mora, Scott Snyder/Ivan Reis, Kelly Sue DeConnick/John Romita Jr and Klaus Janson, and Matt Fraction/Chip Zdarsky.
Detective Comics #1027 also includes “tribute” art from fan-favorite artists, including, José Luis García-López, Jamal Campbell, Lee Bermejo, and Jorge Jiménez, among others. An extensive variant cover program is planned for this landmark issue, including a series of ten variants spotlighting both friends and foes of Batman, and an extensive program of retailer-exclusive variant covers.
Detective Comics #1027 arrives at open and operating comic book stores and participating digital retailers beginning Tuesday, September 15, 2020. This must-have collectible sells for $9.99.