Tag Archives: giorgio pontrelli

Preview: Circus Maximus

Circus Maximus

(W) Mark Sable (A) Giorgio Pontrelli

GLADIATOR meets HEAT in a brutal, pulse-pounding historical heist set during the fall of Nero’s Rome.

Rome. 64 AD. The most daring heist in history is being planned by an unlikely crew – a former slave, a Vestal Virgin, a charioteer and a disgraced architect – each with their own personal motives. While Rome is distracted by the chariot racing and gladiatorial games of the Circus Maximus, the crew plans to rob the Imperial treasury under the Temple of Saturn. But when Emperor Nero sets fire to the city, they’ll be lucky to escape his wrath with their lives, let alone the loot. From Mark Sable (Graveyard of Empires, Miskatonic) and Giorgio Pontrelli (Miskatonic) CIRCUS Maximus is GLADIATOR meets HEAT – a blood-soaked historical thriller.

Circus Maximus

Preview: Flash Gordon Quarterly #7

Flash Gordon Quarterly #7

(W) Paul Cornell, Steve Orlando, Jim Krieg, Lizbeth Myles (A) Georges Jeanty, Giorgio Pontrelli, Matt Horak

An all-new Quarterly special featuring super star creators and a multiverse of stories! First, a classic tale of otherworldly exploration in “Mud in Your Eye” by three-time EMMY, WGA, EDGAR-nominated writer, producer, and showrunner Jim Krieg and veteran artist Matt Horak! Then, Paul Cornell and Lizbeth Myles team with Georges Jeanty for a tale of prehistoric Flash and a monstrous Ming! And Steve Orlando & Giorgio Pontrelli test the limits of Flash Gordon’s pure American heart in a story of dust bowls and delusions! Featuring contributions from: Jim Krieg, Paul Cornell, Lizbeth Myles, Steve Orlando, Matt Horak, Georges Jeanty, and Giorgio Pontrelli.

Flash Gordon Quarterly #7

Preview: Circus Maximus #5

Circus Maximus #5

(W) Mark Sable (A) Giorgio Pontrelli

The crew that robbed The Temple of Saturn is running out of time. Their historic theft has made them a target of rival gangs, mystery cults, and Emperor Nero himself. Worse, they’ve been betrayed from within by one of their own. With their loot dwindling, they’ve got to escape both the fire and the Emperor. In this final issue, they are torn between making a less-than-clean getaway and exacting vengeance against Nero for all they have suffered. Who, if any, will make it out alive?

Circus Maximus #5

Preview: Circus Maximus #4

Circus Maximus #4

(W) Mark Sable (A) Giorgio Pontrelli

Ancient Rome is burning to the ground, and its citizens are starting to blame Emperor Nero for the chaos and destruction he’s brought to the city. But he’s focused on one thing – finding the thieves who robbed the Temple of Saturn and stole the plans for his new palace, which are proof that he truly is behind the fire. Wounded and hunted by the Emperor’s Praetorian Guard, the crew that pulled off this daring heist is running out of time before they are consumed by flames or crucified for their crimes.

Circus Maximus #4

Preview: Circus Maximus #3

Circus Maximus #3

(W) Mark Sable (A) Giorgio Pontrelli (C) Emilio Lecce (L) Dave Sharpe

The crew has pulled off the greatest heist in the ancient world – robbing the Empire of Rome’s treasury beneath the Temple of Saturn. But along with their big score came proof that Nero set the Great Fire of Rome. As the city burns, Emperor Nero will do whatever it takes to make sure they don’t expose his deadly crime. Will they live to tell the tale of their exploits, or is their luck about to run out?

Circus Maximus #3

Preview: Circus Maximus #2

Circus Maximus #2

(W) Mark Sable (A) Giorgio Pontrelli (C) Emilio Lecce (L) Dave Sharpe

Things have not gone as expected for the daring criminals who looted Ancient Rome’s Temple of Saturn. Hoping to steal enough gold to secure their freedom, they’ve stumbled upon proof that Emperor Nero is responsible for setting the Great Fire of Rome, which rages around them. Now, they must not only battle the flames but also Nero’s Praetorian Guard, who aim to silence them forever.

Circus Maximus #2

Circus Maximus #1 Brings the Heist Genre to Ancient Rome

Circus Maximus #1

Rome. 64 AD. The most daring heist in history is being planned by an unlikely crew – a former slave, a Vestal Virgin, a charioteer and a disgraced architect – each with their own personal motives. While Rome is distracted by the chariot racing and gladiatorial games of the Circus Maximus, the crew plans to rob the Imperial treasury under the Temple of Saturn. But when Emperor Nero sets fire to the city, they’ll be lucky to escape his wrath with their lives, let alone the loot. Circus Maximus #1 is the familiar heist genre but in a setting that feels new and different.

Written by Mark Sable, Circus Maximus #1 is an interesting debut. It’s a comic that you can tell if you know the history, its enjoyment is at a different level. But, Sable writes the debut issue in a way that you don’t need to know that history. Taking place in ancient Rome, it helps to know Emperor Nero and a bit about that world, but, the comic dives into the heist genre so well, you can focus on the characters, their motivations, and how they plan on pulling off the heist.

Like so many of the stories in the genre, the issue spends time introducing us to the characters and giving us a motivation for their actions beyond simply getting rich. Each team member brings a bit to the plan, a specialist that if they fail in their duty the whole thing falls apart. It’s good in that it creates a debut that’s accessible instead of diving too deep into history and getting lost in it. Circus Maximus #1 uses the history and setting more as backdrop and a driver of the story but its characters and their actions are the main focus here.

They negative is the comic rushes through all of that. We don’t get a lot of time to get to know the characters. There’s a bit of a focus as to why they’re undertaking this mission but it’s not to the point we really care if they succeed. So, we know the why of it all but it feels like it’s at a distance.

Giorgio Pontrelli‘s art is good. With color by Emilio Lecce and lettering by Dave Sharpe, the characters, dress, and setting all look like ancient Rome. I’m not an expert and can’t speak to the accuracy of it all but it feels right and enough that it immerses the reader without distracting. The visuals overall help move the story along focusing in on details and panning in or out to capture what’s going on. It handles the more emotional moments and also delivers solid action as well.

Circus Maximus #1 is an interesting debut that has a lot of potential. It rushes through the introduction and the initial part of the heist, making it intriguing to see where it goes. The historical aspect makes it feel fresh and for those that know that history, I’m sure it’s a more intriguing read. The fact it can pull off the surface level and deeper enjoyment is impressive.

Story: Mark Sable Art: Giorgio Pontrelli
Color: Emilio Lecce Letterer: Dave Sharpe
Story: 7.75 Art: 7.75 Overall: 7.75 Recommendation: Read

Mad Cave Studios provided Graphic Policy with a FREE copy for review


Purchase: Zeus Comics

Preview: Circus Maximus #1

Circus Maximus #1

(W) Mark Sable (A) Giorgio Pontrelli (C) Emilio Lecce (L) Dave Sharpe

Rome. 64 AD. The most daring heist in history is being planned by an unlikely crew – a former slave, a Vestal Virgin, a charioteer and a disgraced architect – each with their own personal motives. While Rome is distracted by the chariot racing and gladiatorial games of the Circus Maximus, the crew plans to rob the Imperial treasury under the Temple of Saturn. But when Emperor Nero sets fire to the city, they’ll be lucky to escape his wrath with their lives, let alone the loot.

From Mark Sable (Graveyard of Empires, Miskatonic) and Giorgio Pontrelli (Miskatonic) CIRCUS Maximus is GLADIATOR meets HEAT – a blood-soaked historical thriller.

Circus Maximus #1

The Greatest Heist of the Ancient World Begins Beneath the Temple of Saturn, in one blood-soaked thriller, Circus Maximus

The empire is on fire (literally), and amid the chaos, a band of outcasts dares to rob Rome blind. Circus Maximus, a brutal, cinematic historical heist set during the fall of Nero’s reign, lands this November from Mad Cave Studios. Written by Mark Sable, with art by Giorgio Pontrelli, colors by Emilio Lecce, and letters by Dave SharpeCircus Maximus is a blood-and-smoke-soaked epic where vengeance is personal and freedom comes at a steep price—featuring Cover A by Paul Azaceta and Cover B by Francesco Francavilla.

Rome. 64 AD.  The most daring heist in history is being planned by an unlikely crew – a former slave, a Vestal Virgin, a charioteer and a disgraced architect – each with their own personal motives.  While Rome is distracted by the chariot racing and gladiatorial games of the Circus Maximus, the crew plans to rob the Imperial treasury under the Temple of Saturn.  But when Emperor Nero sets fire to the city, they’ll be lucky to escape his wrath with their lives, let alone the loot.

Circus Maximus #1 hits comic shops and digital platforms on November 5, 2025, and FOC is October 13, 2025.

Preview: Last of the Gladiators

Last of the Gladiators

writer: James M. LaRossa Jr. and Jonathan Vankin
artist: Giorgio Pontrelli
cover: Butch Guice
FC | Hardcover | 136 pages | Memoir/Crime | $24.99 | Teen+

James LaRossa was truly a larger-than-life figure — an attorney who was at the center of some of the most important criminal cases of the 20th century. He was also the father of four children: Susan, Nancy, Thomas — and James M. LaRossa Jr., who would spend the last five years of his father’s life learning and recording the amazing history presented here.

Based on LaRossa Jr.’s acclaimed memoir of the same title, Last of the Gladiators tells the story of how he found his own identity and place in the world while growing up as the son of one of the most outsized and outrageously successful personalities in the history of New York City — a father whom LaRossa Jr. always called his “true north.”

Written by LaRossa Jr. and Jonathan Vankin and illustrated by Giorgio Pontrelli, Last of the Gladiators is filled with true tales of the New York mob and features some of the most colorful characters of the era (including Paul Castellano, John Gotti, Don King, and Frank Sinatra) but is, at its heart, a love story between a father and a son — one that ultimately reveals what it takes to become, and what it means to be, a real man.

Last of the Gladiators
« Older Entries