Tag Archives: Gaspar Saladino

Marvel and DC Continue their Crossover with Superman and Spider-Man Treasury Editions and More!

DC and Marvel are reigniting their legendary collaboration and are continuing their cross-company publishing initiative through 2026. Timed to the 50th anniversary of Superman vs. The Amazing Spider-Man, the two publishers will release a series of reprint and original crossover comic books beginning in January 2026 that honors the past and propels comic book storytelling into the future.

Kicking things off in 2026, DC will reprint two Treasury Edition (10 1/8” x 13 5/16”) comic books that celebrate the legacy of the original DC/Marvel crossovers. On January 7, 2026, DC will publish Treasury Edition 50th Anniversary of Superman vs. The Amazing Spider-Man #1, a facsimile edition of the groundbreaking comic book that first united DC’s Man of Tomorrow and Marvel’s legendary Web-Slinger. DC will then print another facsimile edition on February 4, DC and Marvel Present: Superman and Spider-Man Treasury Edition #1, a reprint of Marvel Treasury Edition #28, bringing another classic out-of-print team-up back to comic book shops.

These legacy reprints set the stage for two brand-new crossover comic books arriving in spring 2026. DC will publish Superman/Spider-Man #1 in March, followed by Marvel Comics publishing Spider-Man/Superman #1 in April. Each one-shot comic book will feature original stories starring two of the most iconic characters in comics history, with creative teams to be announced soon.

DC and Marvel’s crossover initiative continuing into 2026 is a celebration of comics’ enduring power. With record-breaking sales and a growing audience across generations, comic books are at the center of the cultural conversation. Comics have never been more vital, more visible, and more vibrantly alive. By bringing Superman and Spider-Man back together after 50 years for new stories with new writers and artists, DC and Marvel are honoring a shared legacy while inviting fans into a new era of collaboration, creativity, and character-driven storytelling.

Further details on creative teams, storylines, and variant covers for Superman/Spider-Man #1 and Spider-Man/Superman #1 will be revealed by DC and Marvel Comics in the coming months.

Batman: Arkham Asylum is the first DC Compact Comics Clunker with Text that’s Unreadable

Grant Morrison and Dave McKean’s all-time classic Batman story is now available in a portable, 5.5″ x 8.5″ format!

Written by legendary comics creator Grant Morrison and beautifully drawn by artist Dave McKean, Batman: Arkham Asylum stands as one of the most perennially revered Batman comics of all time. Now, this celebrated graphic novel is more accessible than ever before, in a casual reader-friendly Compact Comics Edition!

In 1920, following the death of his disturbed mother, brilliant psychologist Amadeus Arkham began the conversion of his ancestral home into a hospital for the treatment of the mentally ill.

More than half a century later, the Arkham Asylum for the Criminally Insane is a place of dismal corridors and oppressive shadows–a dark riddle in stone and timber, best left unsolved.

Within its claustrophobic walls, the demented and deformed enemies of the Batman brood in padded cells and unlit cellars, dreaming of a day when they might rise up and overthrow the world of reason.

That day has finally come.

It is April 1st, and the lunatics have taken over the asylum. Led by the Joker, Arkham’s inmates issue a terrible ultimatum to the man responsible for their imprisonment.

The Batman must descend into this heart of darkness, confront his greatest foes, and face the truth of his own divided identity — or condemn himself to share their fate.

Story: Grant Morrison
Art: Dave McKean
Letterer: Gaspar Saladino

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Bookshop
Amazon


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The Folio Society To Publish DC: Batman

The Folio Society, independent publisher of beautifully illustrated hardback books, in collaboration with DC, will celebrate the 85th anniversary of the first comic book appearance of DC’s Dark Knight Detective with the release of DC: Batman. Created by Bob Kane with Bill Finger, Batman first appeared in 1939’s Detective Comics #27 and since then the Dark Knight has stood as a symbol of determination, courage and justice to generations of fans for over 80 years. Batman is one of the most iconic fictional characters in the world, and is a self-made Super Hero, notable not for his super powers, but for his intelligence, determination, and tech savvy.

This collectible compilation includes twelve seminal comics, by a host of iconic writers and artists— including Bill Finger, Bob Kane, Jerry Robinson, Denny O’Neil, Neal Adams, Marshall Rogers, Frank Miller, Dave Mazzucchelli, Alan Moore, Brian Bolland and Kelley Jones—all selected and introduced by former DC President, Publisher and Editor-in-Chief of DC, Jennette Kahn. Along with the 320-page one-of-a-kind deluxe book, DC: Batman also comes with a stand-alone replica copy of Batman #1. Scanned in its entirety from an original 1940 copy, the replica copy of the Batman #1 comic book, which includes the original back-up strips and vintage ads and introduces DC’s Clown Prince of Crime, aka The Joker, and The Cat, who would come to be known as Catwoman.

DC: Batman includes:

Facsimile: Batman #1 (Spring 1940)
Writer: Bill Finger
Cover artists: Bob Kane, Jerry Robinson
Artists: Bob Kane, Sheldon Moldoff
Editor: Whitney Ellsworth

The Bat-Man
Detective Comics #27 (May 1939)
Writer: Bill Finger
Artist: Bob Kane
Editor: Vincent Sullivan

Batman and Green Arrow: The Senator’s Been Shot!
The Brave and the Bold #85 (September 1969)
Writer: Bob Haney
Cover artist: Neal Adams
Penciler: Neal Adams
Inker: Dick Giordano
Letterer: Ben Oda
Editor: Murray Boltinof

The Dead Yet Live
Detective Comics #471 (August 1977)
Writer: Steve Englehart
Cover artists: Marshall Rogers, Terry Austin, Tatjana Wood, Gaspar Saladino
Penciler: Marshall Rogers
Inker: Terry Austin
Colorists: Marshall Rogers
Letterer: John Workman
Editors: Julius Schwartz, E. Nelson Bridwell

Batman: Year One—Chapter One: Who I Am—How I Come to Be
Batman #404 (February 1987)
Writer: Frank Miller
Artist: Dave Mazzucchelli
Colorist: Richmond Lewis
Letterer: Todd Klein
Editor: Dennis O’Neil

The Last Arkham (Part One)
Batman: Shadow of the Bat #1 (June 1992)
Writer: Alan Grant
Cover artist: Brian Stelfreeze
Penciler: Norm Breyfogle
Inker: Norm Breyfogle
Colorist: Adrienne Roy
Letterer: Todd Klein
Editors: Scott Peterson, Dennis O’Neil

Robin—the Boy Wonder
Detective Comics #38 (April 1940)
Writer: Bill Finger
Artists: Bob Kane, Jerry Robinson
Editor: Whitney Ellsworth

The Crimes of Two-Face!
Detective Comics #66 (August 1942)
Writer: Bill Finger
Artists: Jerry Robinson, George Roussos
Letterers: Ira Schnapp
Editor: Whitney Ellsworth

Daughter of the Demon
Batman #232 (June 1971)
Writer: Dennis O’Neil
Cover artist: Neal Adams
Penciler: Neal Adams
Inker: Dick Giordano
Letterer: John Costanza
Editor: Julius Schwartz

The Dark Knight Returns
Batman: The Dark Knight Returns #1 (June 1986)
Writer: Frank Miller
Cover artists: Frank Miller, Lynn Varley
Penciler: Frank Miller
Inker: Klaus Janson
Colorist: Lynn Varley
Letterer: John Costanza
Editors: Dick Giordano, Dennis O’Neil

Batman: The Killing Joke (July 1988)
Writer: Alan Moore
Cover artists: Brian Bolland, Richard Bruning
Artist: Brian Bolland
Colorist: John Higgins
Letterer: Richard Starkings
Editors: Dennis O’Neil, Dan Raspler

Knightfall Part 1: Crossed Eyes and Dotty Teas
Batman #492 (May 1993)
Writer: Doug Moench
Cover artists: Kelley Jones, Bob LeRose
Penciler: Norm Breyfogle
Inker: Norm Breyfogle
Colorist Adrienne Roy
Letterer: Richard Starkings
Editors: Scott Peterson, Jordan B. Gorfinkel, Dennis O’Neil

The release of DC: Batman is the second release in the Folio Society publishing program with DC, following the release of the acclaimed DC: The Golden Age. DC: Batman has been made according to The Folio Society’s exceptional production standards. Scanned from original copies held in the DC archives, the comics have been reproduced in 10” x 7” treasury format. An anti-scratch laminated hardcover features Batman’s signature silhouette, with titles foil-embossed in yellow and midnight blue, the book itself cowled in a pitch-black slipcase bearing the famous Bat-Signal. A compendium of gothic artwork and Batarang-sharp storytelling, DC: Batman is an unmissable investigation into the adventures and pathology of one of the world’s most famous – and most troubled – DC Super Heroes. DC: Batman will be available from the Folio Society on February 20, 2024.

The Folio Society edition of DC: Batman, selected and introduced by Jenette Kahn, will be available for £65 / US $100 on February 20, 2024.  

The classic Disney Darkwing Duck #1 gets a Facsimile Edition

Disney Darkwing Duck #1

Dynamite‘s delightful deluge of hotly anticipated Disney comic books continues in March with a reprint of the highly sought after first self-titled Darkwing Duck comic with a special facsimile edition.

Featuring the writing and art of John Blair Moore, alongside inker George Wildman, colorist Carl Gafford, and legendary letterer Gaspar Saladino, this release originally came out in 1991. Disney Darkwing Duck #1 was released as part of the then Disney Comics dedicated publishing outfit that launched in 1990.

Darkwing Duck is the terror that flaps in the night — and he’s working overtime to keep the city of St. Canard safe! But if there’s one thing Drake Mallard wants, it’s to face off against a really big villain. Enter Taurus Bulba, an oversized criminal who’s planning to steal the mysterious weapon called the Ramrod from a heavily armed train. Darkwing has one chance to foil Bulba’s plans — and whether his new pal, Launchpad McQuack, will be a help or a hindrance is anyone’s guess.

Now over 30 years later, fans of all ages can get their hands on this hard to track down comic! Like countless other comics featuring the timeless characters and stories from the Disney library, collectors all around the world are after this beloved series. Dynamite is excited to give the chance for it to make its way into the collections of those who have been searching for years, and young fans who have never experienced the adventures of Drake Mallard before.

Review: Atlantis Chronicles #6

Atlantis Chronicles #6

Man’s fascination with the sea has gone for centuries. The depths have been explored in myth, stories, and fables. The many tales surrounding the god Poseidon reach back centuries. To this day, anything mystical concerning the sea his name is somewhat not far behind. Man has always found a deep and profounding connection to water which is only natural as it surrounds most of the world. My Dad told me he knew how to swim before he knew how to walk.

I remember the first time I read Moby Dick. I thought it was a cool story about a man and his lifelong battle with this one mysterious whale. I didn’t realize that it was much more layered than what I initially thought. It was more about a man’s search for himself and his fight against old age. I always wondered what a fight between humans and those who live under the sea be like. In the sixth issue of The Atlantis Chronicles, we get a battle between the two parties, one which will rock both worlds.

We meet Atlan, the son of the new king, who has found a bird, showing the existence of life on the surface, ad who has seen who exactly the surface dwellers are. This prompts an invasion by Atlan’s father, one which causes unrest amongst the different factions, but they persisted and killed the men who were waiting for them ashore, a hey would go no to settle into a fortress they would call, Bazilia, after a renowned warlord. By issue’s end, we find out what happened to Oren’s original expedition and how it led to Egypt of all places.

Overall, an excellent story that though it jumps time. It connects the greater story together in an exciting issue. The story by Peter David is smart and enigmatic. The art by the creative team is vivid and beautiful. Altogether, a story that only deepens with every issue including this one.

Story: Peter David
Art: Esteban Maroto, Eric Kachelhofer
and Gaspar Saladino
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

Review: Atlantis Chronicles #5

Atlantis Chronicles #5

This last season of Game Of Thones was a mix of what the fans loved about the show and what made them frustrated.  The steeped mythology, the endless secrets, and the connection all these characters had to each other is what has made the audience so enamored with the series.  The investment required by fans, the fact that you cannot pick up the show anywhere in the timeline, the medieval setting, and the mostly Caucasian cast, could be turnoffs for anyone who did not give the show a chance. The show was definitely at its pinnacle as it fulfilled many plot points that they had sewn even from the first episode.

This is where the show shined. It reveled in the many different conflicts while unveiling major character flaws. It’s what made the show beautiful.  Family is one of the major threads that strings all the stories and characters together. What one does for love makes it that much more endearing. The show revealed to the audience that having more than one conflict can actually be done well and makes the story even more interesting. The fifth issue of Atlantis Chronicles continues this epic story which unravels more of Atlantis’s dark history.

We find the people of Atlantis under invasion from Kordax and Dardanus, as Kordax I the first Atlantean to control the sea creatures, even pulling sharks to attack kingdom dwellers. King Orin and what is left of his royal court go into hiding, so they can regroup and fight another day. As readers finally get what everyone had been waiting for, as Shalako and Orin have their fight in the afterworld while Kordax and Fiona, battle where a surprise victor emerges. By issue’s end, Oren is no more, and the kingdom is in Cora’s capable hands as the Atlanteans more than adapt but thrive.

Overall, though the story feels complete, David and his fellow creators give fans of this book their penultimate episode. The story by David is clever, powerful, and epic. The art by the creative continues to be stellar. Altogether, a story that will have fans clamoring to get to the next issue.

Story: Peter David
Art: Esteban Maroto, Eric Kachelhofer, and Gaspar Saladino
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

Review: Atlantis Chronicles #4

Atlantis Chronicles

Every few years when I was in the military, we had what we called a “change of command.” This was when the commanding officer of a command transfers and a new commanding officer assumes control. This is what made most of us used to change and become quite adaptive. It continuously came down to how the old regime ran things an how the new regime would do things differently.

Within our political elections, the public faces changes every 4-8 years, depending on if the American public likes the current direction of the nation. We have seen and every country in the world has seen what happens when a despot takes control. Every transition of power possesses their unique struggles. In the fourth issue of Atlantis Chronicles, Oren steps down as ruler, transferring power to his daughter, Cora, which presents its own challenges.

We find weathered down version of King Oren, as he has outlived most of his contemporaries, his outlook becomes increasingly grim, as agitators, such as his nephew, Dardanus, are constantly looking for reasons to remove him. As the serum him and his brother created begins to show its side effects, even mutating some infants, making them fishlike which pushes Oren to find a new way for his people to survive leading them o eventually becoming part of the sea without the aid of the serum. This also gives Oren the clear state of mind to realize it is time to step down and let Cora be queen, but not everything goes as planned, as the fruit of Cora’s and Dardanius’s wild tryst has also came back to claim the throne. By issue’s end, the kingdom has barbarians of their own at the gate and more than blood will be spilled.

Overall, an exciting issue in this epic and elegant history that makes up what Aquaman knows of Atlantis. The story by Peter David is suspenseful, layered, and dramatic. The art by the creative team is beautiful. Altogether an excellent issue which shows the talent of David as a storyteller.

Story: Peter David
Art: Esteban Maroto, Eric Kachelhofer,
and Gaspar Saladino
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

Review: Atlantis Chronicles #3

When it comes to the subject of civil war, it is an especially tough issue to speak of in light of the current political climate. The rest of the world tends to look at our Civil War as residual effects of slavery. As anyone who has read about the events that lead to that point can see war was inevitable. Lincoln became the last straw for most southern states. It is this buildup to war, which is where many can find the root cause before the battles began.

In the third issue of The Atlantis Chronicles, we find a war brewing between the two peoples of Atlantis, one that may change the kingdom forever.

We are taken to a time when all Atlantians have been more than familiar with their very different living conditions. As a feud between the two dominant tribes, Poseidonis and Tritonis over land and fish, has caused a rift within the kingdom. King Orin, now an old man, keeps the uneasy truce together by a string of promises and political appointments. Everything changes, when Dardanus, Shalako’s long lost son reappears in court, it fuels long gestating hate between the two groups, as the Tritonites, become emboldened by his reappearance.  By issue’s end, a forbidden romance plants the seed of a dark secret that will alter the people of Atlantis.

Overall, an engaging installment where past sins become the undoing of a family. The story by Peter David is intense, intellectual, and full of twists. The art by the creative team is beautiful. Altogether, a powerful tale that gives readers a complex rich history of this dense mythology.

Story: Peter David
Art: Esteban Maroto, Gaspar Saladino
and Eric Kachelhofer
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

Review: The Incredible Hulk Epic Collection Vol. 3 The Leader Lives

Hulk Smash… through the late 1960s. The Incredible Hulk Epic Collection Vol. 3 The Leader Lives, takes us through 1967 to 1969 and collects Tales of Astonish #97-101, Incredible Hulk #102-117 and Annual #1, and Not Brand Echh #9.

The comics include the talent of Stan Lee, Gary Friedrich, Roy Thomas, Bill Everett, Archie Goodwin, Marie Severin, Herb Trimpe, Frank Giacoia, Dan Adkins, George Tuska, Syd Shores, John Severin, John Tartaglione, Tom Sutton, Art Simek, Sam Rosen, Gaspar Saladino, and Irving Watanabe.

Get your copy in comic shops today and book stores November 13. To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/Kindle/comiXology
TFAW

 

Marvel provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site