Blood-soaked katanas, sentient Lamborghinis, and a soundtrack that can level city blocks. Yumi—the world’s greatest hacker, demolitions expert, and anti-spy—embarks on a globe-trotting mission of vengeance as she tracks down her kidnapped boyfriend, super secret agent Richard. The debut issue of Yumi: 00EX infiltrates comic shops on August 12th from writer Doug Wagner, artist Hoyt Silva, colorist Kevin Lennertz, letterer Frank Cvetkovic, designer Sasha Head, editor Lisako Yamauchi, creative studio 12-Gauge Comics, and publisher Image Comics. Trailblazing a path of pulpy spy fiction for a new generation, Yumi is a rush of pop culture adoration and hyper-kinetic brawls that resculpt the genre.
The first issue includes stunning cover art from Nicoletta Baldari, Mirka Andolfo, and Silva.
This project follows Wagner’s sold-out murder thriller with artist Daniel Hillyard, Narco, also published by Image Comics.
Yumi: 00EX #1 goes on sale at local comic shops on August 12th, 2026. Preorder from you local comic shop before Final Order Cutoff on July 21, 2026.
Jadzia Axelrod, Nicole Maines, Stein & Brandt, Rosi Kampe, Triona Farrell, and Dearbhla Kelly wrap up their beautiful, action-packed, and soul-searing Pride Month event in Justice League: Dream Girls #4. Most of this issue is set in the Kampe-drawn dream dimension, where Galaxy fights to save her BFF Dreamer from the clutches of the Key, who is very close to having infinite knowledge that will transform him from that one villain you vaguely remember getting knocked out by a boxing glove arrow in Grant Morrison’s JLA run to an A-list baddie. It cements the bond between Galaxy and Dreamer while setting them on two quite different, yet valid heroic paths. Axelrod and Maines give both heroines full arcs while leaving room for either them or other creators to play in the sandbox. In addition to wrapping up the weekly crossover event, JL: Dream Girls #4 features a powerful, personal black and white autobiographical comic from the legendary Klaus Janson about growing up as a gay, immigrant cartoonist in the 1960s and 1970s.
To start, it’s been such a pleasure to follow JL: Dream Girls each week and see transgender superheroes written by transgender comics creators get to be front and center in a big summer crossover with such a buffet of different art styles and a huge cast of characters, LGBTQ+ otherwise. (Batman is a trans ally, y’all!) And it wouldn’t be a summer crossover with some badass fisticuffs, and JL: Dream Girls #4 doesn’t disappoint. There’s a surreal action-horror vibe to Rosi Kampe and Kelly’s visuals, with interesting panel layouts as Galaxy flies around and tries to get Dreamer to literally wake up and not be married to the Key. For example, while Dreamer is under the Key’s thrall, the gutters are black, but when she gets her act together, they’re different colors or non-existent. Kampe’s line art and Dearbhla Kelly’s colors go from something light and almost trance-like to solid and punchy as the story progresses. As someone who has put on a variety of identities throughout the series, it’s so empowering to see Dreamer finally be herself in JL: Dream Girls #4’s climax.
After the big fight, JL: Dream Girls #4 has an extended epilogue that’s drawn by Stein & Brandt and colored by Farrell, who have done an excellent job on the Watchtower sequences throughout the series, giving this large cast of characters their own unique personalities, sometimes with a single eye movement or head tilt. (I live for Jon Kent’s eyes lighting up and wanting to play DnD even though Damian Wayne says it’s for nerds.) The use of “Bwahahaha” all but confirms, but they’re worthy successors to the superhero sitcom era of J.M. DeMatteis, Keith Giffen, and Kevin Maguire’s Justice League. The highlight of this part of the story is a conversation between Batman and Dreamer, where he tells her that if someone is uncomfortable with her being simply present in a space, that’s their problem. It brings the superhero/queerness/trans metaphor full circle and means a lot because it’s DC’s biggest seller saying those words. Jadzia Axelrod and Nicole Maines have done a wonderful job telling a story that is both a sci-fi/superhero epic with psychological dimensions that also works as a personal tale of two very different transgender women coming to terms with who they are. It was in the previous issue, but Coagula and Dreamer talking about being transgender lesbians is an all-time great moment in superhero comics. Finally, Galaxy and Dreamer are just awesome friends, and I hope they have many more adventures either as part of the Justice League or together. (DC editorial, we need a JLQ ongoing.)
After the colorful triumphs of the lead story, the black and white backup story from Janson entirely switches tone, and I appreciate the reader’s advisory between them. He gives a stark portrayal of what it was like to be a gay man in the 60s and 70s, with bullying, slurs, and not having heroes like Galaxy and Dreamer to look up to. However, young Klaus finds hope through superhero comics, which are the only part of the story done in color and give him an escape as he struggles to fit in with the oppressive society around him. Another place of escape for him is one of the first Pride parades that happened after Stonewall, and it’s cool to see the LGBTQ+ culture of the era, like when Klaus shows another young man his art portfolio after getting an early assignment at DC Comics. There’s also a shift in Klaus Janson’s art style as he grows in confidence in himself as an artist and gay man, before culminating in that iconic style that defined Batman and Daredevil for generations of heroes. And, personally, I love that a queer person like myself is partially responsible for those dark stories that were important to me growing up and still are to this day. I appreciate that Mr. Janson was able to share something so personal in such a beautiful way and that DC continues to publish autobiographical stories by LGBTQ+ creators.
Justice League: Dream Girls #4 shows both the triumphant and sad sides of queer identity through its punching and friendship-filled lead story and its sobering, yet hopeful backup story. It’s the perfect comic to read during the last week of Pride Month.
Story: Jadzia Axelrod, Nicole Maines, Klaus Janson Art: Stein & Brandt, Rosi Kampe, Klaus Janson Colors: Triona Farrell, Dearbhla Kelly Letters: Jodie Troutman, Frank Cvetkovic, Lucas Gattoni Story: 9.0 Art: 9.5 Overall: 9.3 Recommendation: Buy
DC Comics provided Graphic Policy with a FREE copy for review
In close collaboration with CD PROJEKT RED, Dark Horse Comics presents Night City’s newest noir detective in Cyberpunk 2077: Jayk’s Case, a four-issue murder mystery set in the world of Cyberpunk 2077. The series featureswriter Jordan Thomas, artist Nicola Izzo, colorist Igor Monti, and letterer Frank Cvetkovic. Izzo creates main cover art for each issue, with variants for issue #1 from Jorge Fornés, Richard Blake, and Nimit Malavia.
A private investigator is hired to find the killer of a high-ranking executive, but the objective isn’t for justice—it’s for an escape. Embroiled in a network of Militech agents, he’ll need to find the killer before they do, but what truth are they trying to silence? And with ties to one of Night City’s most dangerous gangs, the death of one corpo may be just the beginning.
Find out if uncovering the corporate conspiracy is worth the ire of the largest gangs in Night City in Cyberpunk 2077: Jayk’s Casewhen the issue #1 (of 4) arrives in comic shops on October 21, 2026, for $4.99.
The Scavengers have another plan for the left-over friends, but so does the mysterious killer . . . As each survivor’s part in this savage game of cat-and-mouse is decided, they’ll discover the true motives of those who roam the landfill and the everlasting horror that will remain.
From 2023 Hugo Award-winning writer and writer of Cyberpunk: Edgerunners, and showrunner of Cyberpunk: Edgerunners 2Bartosz Sztybor and 2023 Hugo Award-winning artist Alessio Fioriniello, Dark Horse Comics presents The Weapon is Hungry, an original story of survival and sacrifice. Joining Sztybor and Fioriniello, are colorist Jonathan Amarillo, letterer Frank Cvetkovic, and designer Piotr Niklas as the story of a dangerous weapon—or innocent child—arrives in bookstores and comic shops in September 2026.
A child or a weapon of mass destruction—a deadbeat mother finds a second chance to get it right and another, to destroy the world! Estranged from her family, a troubled mom finds a baby kaiju, the first of its kind since their forced extinction. Despite its monstrous nature, she sees an innocent child worthy of love and protection, but will its true power soon be unleashed? Alongside her boyfriend, the son of an alcoholic veteran and her teammate, an eccentric chain smoker—the trio become entangled in a government conspiracy. With the yakuza, monster hunters, and a crazy sushi chef after them, they must make a choice: save the baby, save the world, or save themselves.
Experience an original story from the award-winning writer and artist behind Cyberpunk 2077: Big City Dreams in The Weapon is Hungry when the 184-page (5.75×8.25”) paperback arrives in bookstores and comic shops on October 27, 2026, for $19.99.
From the critically acclaimed writing duo of actor, writer, and producer David Dastmalchian, and actor, writer, and producer Leah Kilpatrick along with the Bram Stoker Award-winning artist Soo Lee, Dark Horse Comics invites readers to journey into a world where humans are no longer the dominant species with Kingdom of Earth. The four-issue series features letterer Frank Cvetkovic with cover art by Lee.
2036. Two years ago, hordes of monsters rose from the earth and sea, devouring everything in sight. Much of mankind was massacred before the monsters realized they needed humans. In this new world, humans have two options: service or slaughter. When a young child named Frankie narrowly escapes their fate as livestock, they soon realize that their fight for survival has only just begun.
Survive or be served on a silver platter in Kingdom of Earth #1 (of 4) when it arrives in comic shops on July 15, 2026, for $4.99.
Surrounded by piles of garbage, junk, and now… bodies! A mysterious killer is hunting the group of friends and their only refuge is with the ruthless gang known as the Scavengers. A trap is set, but on the killer’s stomping ground, everyone is bait!
When missions turn sour and silence is the only option, Red Impulse is cleared for takeoff! This spring, Eisner Award-winning writer Steve Orlando returns to Gatchaman with Gatchaman: Red Impulse, a new limited series from Mad Cave Studios, in partnership with Tatsunoko Production that centers on the Red Impulse Squadron—the pilots trusted when missions are too dangerous for anyone else!
Illustrated by Riccardo Robaldo, with colors by Rebecca Nalty, and letters by Frank Cvetkovic—Gatchaman: Red Impulse brings the franchise’s unsung heroes into focus. Issue #1 features Cover A by Robaldo and a variant cover by Ringo Award-nominated artist Colm Griffin.
Captain Kentaro Washio takes Ken the Eagle on a blistering training run, but then gets a tip that Galactor is building a weaponized “attack city” designed to lure Gatchaman in and kill them all. With Doctor Nambu unaware and no time for backup, Kentaro goes in alone…and crashes straight into Berg Katse’s trap, where even the “citizens” are killer machines. Outnumbered, grounded, and fighting with nothing but grit and a sidearm, the Captain must demolish an entire city to keep his team safe…especially the son who doesn’t know their bond.
Gatchaman: Red Impulse #1 drops in comic shops on April 29, 2026. Final order cut-off is April 6.
A group of friends including a netrunner, a fire graffiti artist, an aspiring rockerboy, and an autotechie set off for a fun photoshoot at a landfill, where among heaps of rubbish, scrap, and metal, they’ll find a shot to die for! Rumor has it the place is haunted, and they’re about to find out, in Night City, there are things far more frightening than ghosts.
Rebellion starts on the page. Mad Cave Studios is proud to announce Exploit, the forthcoming four-issue technothriller from tenured journalists, former senior editor of WIRED, Laura Hudson, and Tim Leong, joined by Emiliana Pinna, Rebecca Good, and Frank Cvetkovic—with a variant by Veronica Fish. This mix of newsroom grit and tech-fueled paranoia zeroes in on what it means to live (and fight) in a world where billionaire influence shapes the truth, algorithms decide the stakes, and every notification hits hard…
Don’t bury the lede. Bury your enemies.
Kirby Kuo might be late to her true purpose in life–but no one would call the 30-something journalism intern out of time. When she uncovers a shocking secret about tech billionaire Cole Saxon, Kirby does what she has always wanted to do and publishes it. But the violence and vengeance that follows is like nothing she could have anticipated—pitting Kirby, her agoraphobic roommate, and the writing staff of the defunct magazine RIOT! to bring justice to a world where the rich get what they want without consequence.
Exploit taps into the energy of ‘90s zine culture and the unease of life inside the digital surveillance.
If you’ve ever felt burned out, watched, or worn down by collapsing industries, billionaire-owned media, and the relentless pressure of staying visible online. With its fusion of rebellion, suspense, and razor-sharp commentary, Exploit asks what it means to fight for truth when the narrative is already rigged.
Exploit #1 arrives March 4, 2026, with FOC on February 9th.
