(W) Phillip Kennedy Johnson (A) Kev Walker (I) Cam Smith (C) Matthew Wilson (L) Cory Petit (CA) Nic Klein (VCA) Giuseppe Camuncoli and Romulo Fajardo Jr., Adam Gorham and Edgar Delgado, SKAN
INFERNAL VERSUS ALMIGHTY! As Infernal Hulk prepares to deal his death blow against Earth, a being of unimaginable power descends from the heavens to save us: the Creator of the Marvel Universe himself! Everything on Earth will change after this shocking, never-before-seen battle for the ages: INFERNAL HULK versus THE ONE ABOVE ALL!
by Florent Madoux Hardcover, $24.99 On Sale: June 16, 2026
Imagine a universe where universities exist to not only train future masked vigilantes to manage their superpowers and develop their heroism, but to master their image in the media. This is the world of Freaks’ Squeele. You’ll meet Chance the demonette, Shadow the werewolf stuck in his animal form, and Xiong Mao, the model student who has no powers but is a hard worker. At the Academic Faculty of Hero Studies, these three first-year students will discover the joys of university life, the merciless competition of other students, sadistic professors, and the stress of exams.
Part X-Men Academy, part Dungeons & Dragons, this celebrated series by author Florent Maudoux is a unique blend of manga and Western comics, which has spawned multiple spinoffs in its native Europe and beyond.
This March, New York’s Philippe Labaune Gallery will present a career-spanning exhibition of artwork by Eisner and Harvey Award-winning artist Klaus Janson, one of the most influential figures in American comic art and a defining force in the medium for more than five decades. Known for his iconic Batman and Daredevil art, Janson is one of the most important and influential comic artists of the 20th and 21st centuries. Featuring over 100 pieces of stunning artwork including collaborations with Janson’s fellow comic legends Frank Miller, John Romita Jr., John and Sal Buscema, Dick Giordano, Bill Sienkiewicz, Gil Kane, and Gene Colan, and more, the exhibit at the Philippe Labaune Gallery is a beautiful survey of the artist’s groundbreaking career.
We have an exclusive preview of some of the work that you’ll be able to see in the exhibition.
DC Comics Presents Dream Strange Superman 1985 penciled and inked by Klaus
DC Comics Presents Dream Strange Superman 1985 penciled and inked by Klaus
Gordon of Gotham 1998 penciled by Dick Giordano and inked by Klaus
Gordon of Gotham 1998 penciled by Dick Giordano and inked by Klaus
Gordon of Gotham 1998 penciled by Dick Giordano and inked by Klaus
JLA 18 penciled by Jose Garcia Lopez and inked by Klaus
JLA 18 2 pages penciled by Jose Garcia Lopez and inked by Klaus
Through his deep engagement with penciling, inking, coloring, and writing, Janson has developed a comprehensive understanding of visual storytelling, from conception to execution, and from the mind of the creator to the eyes of the audience. Moving fluidly among these disciplines, he observes,“Everything on a page is connected to everything else. No decisions are arbitrary. Everything is conscious and deliberate.”
Working with both traditional and digital tools, what distinguishes Janson’s practice is not only technical mastery, but an exceptional ability to collaborate with artists of widely varying stylistic approaches, including Frank Miller, John Romita Jr., John and Sal Buscema, Dick Giordano, Bill Sienkiewicz, Gil Kane, and Gene Colan, among others. Janson approaches each collaboration by carefully studying the pencils before applying ink.“I try to figure out what the intent of the penciler is, what he wants, and then I try to figure out what they actually need to get there.” This capacity to intervene without overpowering, to clarify while preserving the individuality of the original drawing, defines his approach and underscores his sensitivity as a collaborator.
In addition to his work as an inker, Janson has penciled stories written by some of the most significant voices in contemporary comics. Collaborations with writers such as Alan Moore, Grant Morrison, Greg Rucka, Denny O’Neil, Matt Kindt, Jeph Loeb and Brian Michael Bendis have resulted in projects that continue to occupy shelf space in comic book shops decades after their publication. His partnership with Frank Miller on Daredevil remains one of the most consequential collaborations in comics history. Their process was rooted in sustained dialogue and marked by mutual trust and confidence.“One thing that’s missing in comics today is the ability to sit and talk face to face, learning from each other,” Janson reflects.“Frank and I would often discuss and review what we were doing on our work together.” That exchange, technical, conversational, and iterative, helped define the visual language of a generation.
Equally significant is Janson’s role as an educator. Through decades of teaching and mentorship, he has shaped generations of storytellers, emphasizing not only the technical foundations of the medium, but also the personal discipline and qualities required to sustain a life of creativity.“I didn’t realize until I stood in front of a classroom how much I didn’t know. There’s no doubt that teaching made me a better artist.”
Central to Janson’s philosophy is the belief that stories must carry emotional weight. Influenced by impressionism and expressionism, he seeks to embed feeling into every element of a page.“I try to reveal some information in a visual way that is not in the text. The stories that interest me all share a common theme: family, relationships, and the choices we all make everyday in our lives” This approach gives his work its distinctive resonance, imbuing objects, environments, and figures with meaning that suggests psychological and emotional depth beyond the written narrative.
The Klaus Janson Exhibition will be open to the public from Friday March 6th until Saturday April 11th. There will be an opening reception on March 5th from 6 PM to 9 PM. The Philippe Labaune gallery is located at 534 West 24th Street in New York.
DORMAMMU DESCENDS! An S.O.S. from Clea Strange summons Wanda to the Dark Dimension! The Dread DORMAMMU returns to regain his strength by consuming the life force of Clea and her little sister Donna. Now the two Sorcerers Supreme must unite to destroy Dormammu as they face the wrath of his new creation… the BLAZING HOUND!
Sorcerer Supreme #5 is out April 22 from writer Steve Orlando and art by Bernard Chang and we have the exclusive reveal of Mingyi Gan‘s variant cover!
(W) Paul Eschbach, Steve Orlando, Ken Niimura, Gustavo Duarte (A) E. J. Su, Roi Mercado, Ken Niimura, Gustavo Duarte (C) Rachelle Rosenberg (L) Joe Sabino (CA) Mike Mignola (VCA) Giuseppe Camuncoli, Peach Momoko
DINE INTO A BRAND-NEW ADVENTURE! Daily Bugle food critic Chet Chekowski and intrepid photographer Peter Parker are headed downtown for the opening of a brand-new, world-class restaurant! But when RHINO interrupts the festivities, it’s up to SPIDER-MAN and his friends to save the day — and their dinner!
ALSO: JEFF’S TABLE debuts! This issue also collects the T.E.S.T. KITCHEN infinity comic in print for the first time!
(W) Sam Humphries (A) Geraldo Borges (C) Arthur Hesli (L) Cory Petit (CA) David Mack (VCA) Elena Casagrande and Matt Milla, Jeehyung Lee, Lucas Werneck, Luciano Vecchio
THE RETURN OF JESSICA JONES!
A series of grisly murders in Hell’s Kitchen pulls JESSICA JONES into a mystery more sinister than she could’ve ever imagined. As the wife of Mayor LUKE CAGE, she’ll have to tread carefully as she forms a dangerous alliance with TYPHOID MARY to track down the killer. But as she delves deeper into Hell’s Kitchen’s dark underbelly, the evidence she finds presents more questions than answers…
Follow the mystery in an all-new RED BAND miniseries written by SAM HUMPHRIES (NEW AVENGERS, LEGENDARY STAR-LORD) and drawn by Geraldo Borges (THUNDERBOLTS), celebrating the 25th Anniversary of ALIAS!
Written by Marc Guggenheim Art by Sedat Oezgen Purchase
Chapter 2. When the identity of the murder victim raises more questions than answers, Inspectors Jindari and Dessin are sent to Imprimata’s meanest streets: A prison-city infamously known as The Dregs!
(W) Saladin Ahmed (A) Martín Cóccolo (C) Jesus Aburtov (L) Cory Petit (CA) Dan Panosian (VCA) Gabriele Dell’Otto, Sanford Greene, Puppeteer Lee
HOT TIME AND A COLDBUG! WOLVERINE and SILVER SABLE heat up while a chilling NEW VILLAIN attacks the NEW MORLOCKS encampment. A difficult decision awaits! PLUS: A return you won’t want to miss!
Oni Press and Magnetic Press will soon be launching a Kickstarter campaign for Worlds Between Worlds– two stand-alone graphic novels written and drawn by internationally acclaimed animator and artist Jonathan Djob Nkondo, who is known for his work on Scavengers Reign, League of Legends, Love, Death & Robots, and several short works for FXX and MTV. Peaceful Remissionand Wanderingrepresent two distinct, introspective approaches to science fiction from a master of the craft.
In 2025, the celebrated animated series Scavengers Reign premiered on HBO, earning acclaim for its breathtaking, eerie world‑building and introducing fans to the art of Jonathan Djob Nkondo, whose work as an animator, storyboard artist, director, and designer helped shape the show’s atmosphere and tone. Nkondo’s clean and fluid linework, meditative pacing, and his fascination with the unspoken inner lives of characters are woven deeply into Scavengers Reign and all of his work.Nkondo is one of the most distinctive voices in contemporary animation, and now, U.S. readers can dive into his breathtaking comics as the Worlds Between Worlds crowdfunding campaign will offer readers an intimate look at the ideas and aesthetics that have made his animation work so compelling.
Set in a sleek satellite home orbiting Earth, Peaceful Remissionfollows elderly couple Marlène and Jerry Nomo, whose quiet life is disrupted by a mysterious nighttime rumble. But the real tension lies not in the noise but in Marlène’s simmering frustration with Jerry’s passivity. The incident becomes a catalyst for emotional confrontation, revealing the cracks in their long-standing relationship. When Jerry’s obsession with a recent discovery leaves Marlene responsible for his health and well-being, their seemingly ordinary tasks—shopping, driving, caregiving—are refracted through a futuristic lens, emphasizing the emotional weight of routine and the quiet heroism of unspoken love. Encapsulating themes of conjugal fatigue, silent devotion, and the illusion of tranquility, this surreal, contemplative work is told through clean, futuristic interiors contrasted with intimate character framing. In this fragmented yet lyrical tale that alternates between dialogue and silent observation, Nkondo uses the sterile calm of space as a metaphor for emotional distance, crafting a story that feels both timeless and eerily current.
Set in a world where the surface has become a vast, arid desert dotted with strange geometric creatures and billabongs, Wandering imagines a society that has retreated underground. Beneath the scorched crust, life continues in sprawling subterranean complexes—theaters, malls, food courts, and highway interchanges—forming a claustrophobic echo of the world above. Nkondo weaves a visionary story following the wandering paths of two men, each shaped by their respective environments—one in the arid wastelands above, and one in the urban sprawl below the surface. Though they never meet, their lives mirror and resonate with each other, creating a haunting sense of synchronicity and missed connection. Themes of alienation, routine, freedom, and the trappings of modern life turn this textless, nonlinear, and atmospheric graphic novel into an unsettling contemplation of the trappings we choose to surround ourselves with.
Peaceful Remissionand Wandering will both presented as unique, unwrapped hardcovers, with exposed binding and a color cardstock sleeve encasing each book. This somewhat-raw design juxtaposes a “scavenged” artifact feel with the sleek futuristic elements within each story setting. These 6.5×9” greyscale graphic novels are true works of art, which will also be available in a Limited Box Set featuring a sturdy illustrated slipcase, a signed and numbered bookplate, and a limited edition 48-page softcover art book by Nkondo.
Clover Press has announced The DC Art of Bruno Redondo, the second volume in the The DC Art Of… books, the recent line of high-end boutique art books showcasing the very best artists to craft the DC multiverse. Three-time Eisner Award-winning artist Bruno Redondo has built a world-class career perfecting his art for DC’s comics in the 21st century, and now, The DC Art of Bruno Redondo collects his very best work from the first era of an already impressive career. With over 200 pages, the 9”x12” volume highlights Redondo’s defining runs on Injustice and Nightwing, as well special selections from Justice League; Batman: Black & White; Harley Quinn: Black, White & Red; and much more. Head to Kickstarter to sign up for the pre-launch page ahead of the campaign’s launch.
After making a name for himself on titles like Human Target (with Len Wein), Push, and Batman: Arkham Unhinged, Bruno Redondo joined his Star Wars: Darth Maul collaborator Tom Taylor (DCeased, All-New Wolverine) to take the reins of Injustice: Gods Among Us, elevating a digital-first video game tie-in comic to a fan-favorite series with a fiercely devoted readership. The scope and tenure of the story also provided the perfect testing ground for Bruno to experiment with and hone his signature style of fluid, unencumbered pencil work combined with a precision sense of design. After Injustice’s conclusion, Bruno lent his name to other high-profile DC series, including Justice League (with Scott Snyder), Titans (with Dan Abnett), and Suicide Squad (again with Tom Taylor). Beginning with Nightwing #78, Bruno and Tom Taylor began what quickly became one of the seminal runs on comics’ first sidekick, Dick Grayson. Their take on the former Boy Wonder was refreshingly bright for a bat book, in both narrative tone and visual style, and put Dick in the comics spotlight for the first time in years. The unique kinetic language and attention to detail that Bruno brought to the character helped the series top itself month after month and, ultimately, earn Eisner Awards for Best Continuing Series and Best Single Issue. Bruno would also take home the Eisner for Best Cover Artist.
The DC Art of Bruno Redondo will feature a collection of Bruno’s extensive work with DC, as well as an introduction by Bruno’s frequent creative partner, #1 New York Times-bestselling writer Tom Taylor. The campaign will also feature extras, including rarely-seen sketches and commissions, Redondo’s Nightwing covers, a fold-out edition of the iconic Nightwing #87, a sticker pack, a poster pack, and more, available in Clover Press’ traditional options of hardcover, dust jacket, slipcase, and signed slipcase editions.
